Cornelis de Vos Oil

Cornelis de Vos [Flemish Era Painter, ca.1584-1651]

Elisabeth Vekemans as a Young Girl or Cornelia Vekemans as a Young Girl Oil ID: 33328 | Order the painting

Family Portrait - Oil Painting ID: 33329 | Order the painting

Portrait of a Girl at the Age of ten - Oil Painting ID: 33330 | Order the painting

The Family of the Artist - Oil Painting ID: 33331 | Order the painting

The Triumph of Bacchus - Oil Painting ID: 33332 | Order the painting

Total 1 page, [1] Vos, Cornelis de (Nationality : Flemish Baroque Era Painter, ca.1584-1651) Cornelis de Vos (1584, Hulst – May 9, 1651, ) was a Flemish Baroque painter best known for his portraiture. He was born in Hulst near Antwerp, now in the Dutch province of Zeeland. Little is known of his childhood; however, Cornelis and his younger brothers Paul and Jan studied under the little-known painter David Remeeus (1559–1626). His sister Margaretha married , while Cornelis himself was married to 's half-sister Susanna Cock. Although both and Snyders were animaliers, or painters of animals, and Wildens was known for his landscapes, Cornelis did not share either of these specializations. Instead, he painted mythological, biblical and history scenes, still lifes and, in the late 1620s, some monumental genre paintings. However, De Vos was probably most successful as a painter of individual and group portraits. Additionally, when he became a citizen of Antwerp in 1616 he listed his occupation as an art dealer. De Vos joined

1/2 the in 1608 at the age of twenty four, later serving as its dean in 1628. His style closely follows that of and, to a lesser extent, . However, De Vos worked frequently as a collaborator with Rubens. Around 1617 he painted two panels, the Nativity and the Presentation in the Temple, to join thirteen others by local painters, including Rubensâ€―who oversaw the projectâ€―Van Dyck, and , in the "Mystery of the Rosary Cycle" for Antwerp's church of St. Paul (the series culminated in 's Madonna of the Rosary, which was placed in the church in 1620). In 1635, De Vos assisted Rubens on the joyous entry of Cardinal-Infante Ferdinand, a project for which he painted twelve royal portraits to Rubens's designs. Between 1636 and 1638 worked again for Rubens, along with his brother Paul in decorating the , a hunting lodge of Philip IV of Spain near . His work is recognizable by intense color and powerful facial expressions. De Vos died in Antwerp, where he was buried in the cathedral. His students include (1603-76), to whom he is not related.

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