The Wright Stuff
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Department of English and American Studies Another
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature & Teaching English Language and Literature for Secondary Schools Bc. Ondřej Harnušek Another Frontier: The Religion of Star Trek Master‘s Diploma Thesis Supervisor: Jeffrey Alan Smith, M.A., Ph. D. 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‘s signature Acknowledgements There are many people, who would deserve my thanks for this work being completed, but I am bound to omit someone unintentionally, for which I deeply apologise in advance. My thanks naturally goes to my family, with whom I used to watch Star Trek every day, for their eternal support and understanding; to my friends, namely and especially to Vítězslav Mareš for proofreading and immense help with the historical background, Miroslav Pilař for proofreading, Viktor Dvořák for suggestions, all the classmates and friends for support and/or suggestions, especially Lenka Pokorná, Kristina Alešová, Petra Grünwaldová, Melanie King, Tereza Pavlíková and Blanka Šustrová for enthusiasm and cheering. I want to thank to all the creators of ―Memory Alpha‖, a wiki-based web-page, which contains truly encyclopaedic information about Star Trek and from which I drew almost all the quantifiable data like numbers of the episodes and their air dates. I also want to thank to Christina M. Luckings for her page of ST transcripts, which was a great help. A huge, sincere thank you goes to Jeff A. Smith, my supervisor, and an endless source of useful materials, suggestions and ideas, which shaped this thesis, and were the primary cause that it was written at all. -
Next Generation
GREGG LONDON’S STAR TREK TRIVIA – STAR TREK NEXT GENERATION http://www.glondon.com/puzzles.html 1. Where did the U.S.S. Enterprise-D dock for repairs after the defeat of the Borg ship in 2367? 2. What was Will Riker's first assignment after graduating from Starfleet Academy? 3. Who helped Keiko O'Brien give birth to Molly? 4. What was the original designation of the Borg known as Hugh? 5. What was Keiko O'Brien's name before she married Miles? 6. In "The Dauphin", Salia appeared as a lovely young human female who attracted the interests of Wesley Crusher; what was she really? 7. Who was the only freshman to win the Starfleet academy marathon? 8. What race invented the alcohol substitute synthehol? 9. Lwaxana Troi is Deanna Troi's mother; what was the name of Deanna's father? 10. Where was the U.S.S. Enterprise built? 11. Geordi's VISOR is an acronym; what does it stand for? 12. In "Birthright", Worf falls in love with a woman who is half-Klingon; what is her other half? 13. Who commanded the U.S.S. Enterprise-C? 14. In "QPid", Jean-Luc Picard was cast as Robin Hood by Q; who was cast as Friar Tuck? 15. What does the term "Imzadi" mean? 16. Sela, a Romulan operative, ran covert operations against the Klingon government. Sela's father was a Romulan general; who was Sela's mother? 17. Lt. Reginald Barclay is an extremely talented engineer, but for years had a strong phobia that could have jeopardized his Starfleet career; what was Barclay afraid of? 18. -
The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory .................................................................................................................... -
Bcsfazine #545 – Oct 2020
BCSFAZINE Clubzine of the British Columbia Science Fiction Association (Issue #545 – October, 2020) (Issue #545 – October, 2020 – Vol.46 #10 WN545 – ISSN 1490-6406) Dedicated to The Fellowship of The Greater BCSFA. BCSFAzine is a Canadian non-profit Science Fiction online PDF Clubzine published by the British Columbia Science Fiction Association twelve times a year. Distribution of this PDF clubzine is free, either by E-mail or via download. Copyright belongs to the contributors bylined, and no portion of this magazine may be reproduced without consent from the individual Author, Poet, or Artist. To submit articles, art work, or letters of comment, contact God-Editor R. Graeme Cameron at: < [email protected] > Anyone interested in tons of back issues, please go to: < https://efanzines.com/BCSFA/ > CURRENT BCSFA EXECUTIVE Chair: Position open Vice Chair: Position open. Treasurer: Kathleen Moore. Secretary: Barb Dryer. BCSFAzine Editor: R. Graeme Cameron. Keeper of the FRED Book: Ryan Hawe. FRED Organizer: Michael Bertrand. VCON Ambassador for Life: Steve Forty. FRED DINNER – (FRED = “Forget Reality! Enjoy Drinking!”) A local Vancouver area meet-up founded circa 1986. Usually held every second Sunday, but currently on hold due to the Coronavirus Pandemic. FRED ZOOM MEETINGS – (The Graeme’s SF Fen Confab Meetings) — Every Monday 3:00 PM (PST) to 9:00 PM (PST). All SF Fen welcome. Contact me at < [email protected] > and I’ll send you the link. SUBMISSION DEADLINE Midnight, October 30th, My simple layout design ensures it will get into the following month’s issue to be published no later than November 2nd. -
Star Trek: the Next Generation the Ron Jones Project Supplemental Liner Notes
FSM Box 05 Star Trek: The Next Generation The Ron Jones Project Supplemental Liner Notes Contents The Defector . 28 The High Ground . 29 Foreword 1 A Matter of Perspective . 29 The Offspring . 30 Season One 2 Allegiance . 31 The Naked Now . 3 Menage´ a` Troi . 32 Where No One Has Gone Before . 4 Lonely Among Us . 6 Season Four 33 The Battle . 6 Brothers . 36 Datalore . 7 Reunion . 37 11001001 . 8 Final Mission . 38 When the Bough Breaks . 9 Data’s Day . 39 Heart of Glory . 10 Devil’s Due . 40 Skin of Evil . 11 First Contact . 40 We’ll Always Have Paris . 12 Night Terrors . 41 The Neutral Zone . 12 The Nth Degree . 42 Season Two 13 The Drumhead . 43 Where Silence Has Lease . 14 The Best of Both Worlds . 43 The Outrageous Okona . 15 Afterword 44 Loud as a Whisper . 16 A Matter of Honor . 17 Additional and Alternate Cues 45 The Royale . 18 The Icarus Factor . 19 Data and Statistics 46 Q Who . 19 Up the Long Ladder . 21 Interplay Computer Games 48 The Emissary . 22 Starfleet Academy . 48 Shades of Gray . 23 Starfleet Command . 48 Season Three 24 1992 Ron Jones Interview 49 Evolution . 25 Who Watches the Watchers . 26 1996 Ron Jones Interview 55 Booby Trap . 26 The Price . 27 2010 Rob Bowman Interview 58 Liner notes ©2010 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com Star Trek: The Next Generation P 2010, ©1987–1991, 2010 CBS Studios Inc. -
DOCUMENT RESUME ED 358 491 CS 503 190 AUTHOR Allen, Sheilah TITLE the World According to Gene Rodenberry. PUB DATE NOTE PUB TYPE
DOCUMENT RESUME ED 358 491 CS 503 190 AUTHOR Allen, Sheilah TITLE The World according to Gene Rodenberry. PUB DATE [93] NOTE 20p. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MFO1 /PCO1 Plus Postage. DESCRIPTORS English Instruction; Higher Education; Instructional Innovation; *Mass Media Role; Mathematics Instruction; *Popular Culture; Science Instruction; Secondary Education; Time IDENTIFIERS Deep Space 9; *Star Trek; Star Trek the Next Generation; Story Concepts ABSTRACT A teacher of reading across the curriculum uses stories, many based on the television show "Star Trek"or its derivatives "Star Trek: The Next Generation" (STNG) and "Deep Space 9," to illustrate educational theories and practice,. Theteacher began a discussion of the nature of language, meaning and the significance of literacy by discussing an episode of STNG entitled "Darmok" in which an alien race spoke only in metaphor. Humor is present in many episodes of "Star Trek," as wellas concepts like the power of fear. Cultural differences are explored in a number of episodes of STNG. The teacher uses "Star Trek"as an introduction to a lesson and as an impetus for story writing. One of the most enduring qualities of the three series is their focuson problem solving, which can serve as demonstrations for students. The series are also used for teaching the technique of role playing. Episodes of STNG and of "Deep Space 9" can be used to teach contentareas such as English, mathematics, history, physics, chemistry, and biology: "Clues" involves an examination ofspace and time; "Drumhead" involves a Joe McCarthy-like investigator; "Cause and Effect" involves a time loop; "Time's Arrow," involving backward timetravel and Mark Twain; "Emissary" deals with guilt, responsibility,and explaining the nature of time to an immortal-ace; and "The Forsaken" which involves a "shape-shifting" character. -
The Case for Picard/Q/Subtext!
The Case for Picard/Q/Subtext! Why Subtext? • Q frequently invades Picard’s personal space (see especially “Q Who?”) • Q brings Picard flowers; Marta says they’re from "another one of [his] conquests" (“Tapestry”) • Q shows up in Picard’s bed twice (“Qpid” and “Tapestry”) o Q strokes his ear and says, “Morning, darling.” (“Tapestry”) o Picard does not leap out of bed, but instead pulls down his sheets to show off his chest (“Tapestry”; see picture) • Q and Picard bicker…form of flirting? (especially “Tapestry”) • Q ensures that Picard’s relationships end badly—Vash (“Qpid”), Marta (“Tapestry”), and future Beverly (“All Good Things…”) • Q pursues Captain Janeway…clearly he just has a thing for starship captains! (“The Q and the Grey”) Quotes • In the show o “To learn about you is frankly provocative." –Picard in “Q Who?” o "This human emotion, love, it's a dangerous thing, Picard, and obviously you're ill- equipped to handle it. She's found a vulnerability in you, a vulnerability I've been looking for for years. If I'd known sooner, I would have appeared as a female." –Q in “Qpid”. Enough said. • In interviews o Patrick Stewart: “Some people have thought Q was gay. I did… John (De Lancie) had a kind of boldness about him, a way of looking at Picard that was provocative.” . “[I]s there some possibility Picard is repressing homoerotic parts of himself? It is certainly possible. Picard’s had plenty of affairs and relationships.” o John De Lancie, in Q’s last scene in “All Good Things…”, wanted to show that "Q has a vested interest in this man." o Ron Moore, writer, planned for Q to kiss Picard on the forehead in “Tapestry”, but got cut as ‘too explicit’ . -
The Klingon Empire 1.1 – the Homeworld 4 1.2 – Important Places 5 1.3 – History of the Empire 6
INSTITUTE OF ALIEN STUDIES Klingon Warrior Academy Warrior’s Manual This document is a publication of STARFLEET Academy - A department of STARFLEET, The International Star Trek Fan Association, Inc. It is intended for the private use of our members. STARFLEET holds no claims to any trademarks, copyrights, or properties held by CBS Paramount Television, any of its subsidiaries, or on any other company's or person's intellectual properties which may or may not be contained within. The contents of this publication are copyright (c)2008 STARFLEET, The International Star Trek Fan Association, Inc. and the original authors. All rights reserved. No portion of this document may be copied or republished in any or form without the written consent of the Commandant, STARFLEET Academy or the original author(s). All materials drawn in from sources outside of STARFLEET are used per Title 17, Chapter 1, Section 107: Limitations on exclusive rights: Fair Use, of the United States code. The material as used is for educational purposes only and no profit is made from the use of the material. STARFLEET and STARFLEET Academy are granted irrevocable rights of usage of this material by the original author. Contributors: Larry French, Carol Thompson, and Wayne L. Killough, Jr., Gary Hollifield, Jr., Eric Schulman,Dewald de Coning, and George Pimentel Published October 2008 Revised March 2011 Updated October 2014 Material herein was copied or summarized from www.ditl.org , http://en.wikipedia.org/wiki/Klingon and linked pages, http://memory-alpha.org/en/wiki/ , http://startrek.wikia.com/wiki/Klingon , http://en.hiddenfrontier.com/index.php/Klingon , The Klingon Dictionary, Klingon for the Galactic Traveler, Star Trek Encyclopedia: Expanded Version, and various Star Trek episodes and licensed novels. -
Back to the Future: Star Trek and the Old French Epic
Back to the Future: Star Trek and the Old French Epic Kimberlee Campbell Harvard University Recent critics have commented that the science fiction serial Star Trek has evolved into a cyclical corpus of stories resembling traditional epic or saga. This study explores the parameters of that cyclicity in comparison with the chanson de geste. Although Star Trek borrows little content from the Middle Ages, poetic and narrative structures are markedly similar to the Old French epic. The author theorizes a generalized Western storytelling filiation, elaborated in response to similar collective need, through which past and future function equally to validate the present. Introduction In recent years, postmodern relativism, with its insistence on the ultimately untranslatable singularity of voice and experience, has come to dominate much of the way we theorize the agency and representation of our selves and our others in the world. For scholars of the medieval, this ideology, even as it seeks both to reintegrate the historical object into its material and social context and to assess the effect of the researcher’s own ethnically or historically determined agenda, has ironically served to reinforce the perceived alterity of the Middle Ages.1 As Kathleen Biddick cautions in The Shock of Medievalism, even “the new medievalism […] retraces a rigid topography of interiority and exteriority,” separating the presumably scientific study of history from sentimental or political appropriations of the medieval past (p. 2). On the other hand, in popular milieux, there is no such separation, the Middle Ages furnishing, naively, anachronistically or not, archetypal models for a contemporary Western mythos. -
Sep/Oct 2019
THE WRIGHT STUFF Vol XXX No 5 The Official Newsletter of the U.S.S. Kitty Hawk NCC-1659 Sep/Oct 2019 THE WRIGHT STUFF PAGE 1 SEP / OCT 2019 C O N T E N T S THE CENTER SEAT ....................................................................................................... 3 John Troan COMPUTER OPERATIONS REPORT ........................................................................... 3 John Troan GENERATIONS OF STAR TREK FANS CELEBRATE AT GALAXYCON RALEIGH ......................................................................................................................... 4 T. Keung Hui RICHARD DEAN ANDERSON TELLS GALAXYCON RALEIGH FANS ABOUT MACGIVER AND STARGATE SG-1 ............................................................. 8 T. Keung Hui QUARTERMASTER/YEOMAN REPORT ..................................................................... 9 Larry Cox DAVID TENNANT AND CATHERINE TATE TALK ABOUT DOCTOR WHO AT GALAXYCON RALEIGH ........................................................... 10 T. Keung Hui A SPECIAL EVENING .................................................................................................. 11 Volume 30 - Number 5 Brad McDonald ENGINEERING REPORT ............................................................................................. 12 is a publication of the U.S.S. Kitty Hawk, the Brad McDonald Raleigh, N.C., chapter of STARFLEET, an international STAR TREK fan organization. This COMMUNICATIONS REPORT ................................................................................... 14 publication -
Women at Warp Episode 97: Citizenship and Immigration in Star Trek [WAW Intro Plays] Jarrah: Hi, and Welcome to Women at Warp, A
Women at Warp Episode 97: Citizenship and Immigration in Star Trek [WAW intro plays] Jarrah: Hi, and welcome to Women at Warp, a Roddenberry Star Trek podcast. Join us as our crew of four women Star Trek fans boldly go on our biweekly mission to explore our favorite franchise. My name's Jarrah, and thanks for tuning in. Today with us we have crew member Grace… Grace: Hey, everybody! Jarrah: And we also have two very special guests, who I will introduce and get them to tell you a bit about themselves, starting with Shashank Avvaru. Shashank: Hi! I'm not a woman but my mom is, so that's about the qualification I have to be on Women at Warp. This is very exciting! [laughter] Jarrah: Awesome! Well, we'll get you to tell us more about yourself a bit later, because there's more to you than that. But for now, our other guest is Michelle Zamanian. Michelle: Hi! Thank you for having me. Jarrah: You are very welcome. And so, I'll start with you, Michelle, can you tell us maybe a bit about yourself and how you got interested in Star Trek? Michelle: I just graduated with my MFA and I got into Star Trek when I was about 7 years old. I want to say that was around 90, 91. It was the first time I saw Star Trek and I fell instantly in love. It was like... exactly what I needed to see at that age, it was like a family coming together on the ship. -
Slings and Arrows 03: the Insolence of Office
Dedicated to “the next generation”- my nieces Jordan Teresa, Taylor Stephanie, and Madison Sophia The first time any man’s freedom is trodden on, we’re all damaged. - Captain Jean-Luc Picard, “The Drumhead” Rights! Rights! I’m sick to death of hearing about rights! - Commander Bruce Maddox, “The Measure of a Man” CHAPTER 1 “I hate you, Counselor.” Deanna Troi betrayed no outward reaction to this vitriolic outburst. It was, after all, part of her job, allowing herself to be the focus of her patients’ unguarded emotional releases, and then to help them recognize and redirect them in healthier ways. She had to admit, though, it was still jarring to hear such blunt invective from this particular patient. “Data, I know you don’t really mean that,” she told him in a quiet, soothing tone. Data’s expression almost instantly shifted from anger to regret. “You are correct; I do not.” He turned his head and looked up directly at her. “You are one of my dearest friends, Deanna. Please, forgive me.” Troi smiled kindly down at him where he lay on her couch. Normally, she preferred to conduct her sessions sitting face-to-face, in a more conversational manner. But Data had discovered this anachronistic arrangement in a Sigmund Freud holoprogram he’d consulted some years back, shortly after discovering his dream program, and it was the one he tended to favor. “Of course I forgive you, Data,” she assured him. “You know you are allowed to say anything you want here. But obviously, there must be something bothering you, for you to express yourself in such a way.” Data hesitated, and then slowly answered, “I do not wish to insult you, Counselor.