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Romanticism and Linguistic Theory: William Hazlitt, Language and Literature P.Cm
Facebook : La culture ne s'hérite pas elle se conquiert Romanticism and Linguistic Theory Facebook : La culture ne s'hérite pas elle se conquiert Also by Marcus Tomalin: LINGUISTICS AND THE FORMAL SCIENCES Facebook : La culture ne s'hérite pas elle se conquiert Romanticism and Linguistic Theory William Hazlitt, Language and Literature Marcus Tomalin Facebook : La culture ne s'hérite pas elle se conquiert © Marcus Tomalin 2009 All rights reserved. No reproduction, copy or transmission of this publica- tion may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London, EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2009 by PALGRAVE macmILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin's Press LLC,175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. -
Friendship and the Art of Listening: the Conversations of James Boswell and Samuel Johnson in William Hazlitt’S Essays
Friendship and the art of listening: the conversations of James Boswell and Samuel Johnson in William Hazlitt’s essays. It has been said that the art of conversation is one of 18th century’s major legacies. Such an art is at the centre of that refined form of sociability which has never in history been so fully developed, whether in cafés, clubs or salons; through which the meanest subjects were examined and put to test, whereas intricate ones were dipped in new, interesting and surprising colours, never leaden or tiresome. Through which, philosophy dressed the garb of literature; poetry and literary prose, philosophical lineaments. In a word, the esprit géometrique and the esprit de finesse have never been so inwardly intertwined. It was in the 18th century, for example, that the epistolary novel best flourished. And what is a letter but distance conversation in which intimacies are confided to the reader, as to an old friend, and any topic is quarrelled in a familiar tone? According to William Hazlitt, Lawrence Sterne’s The Life and Opinions of Tristram Shandy, one of the century’s most popular novels, “is the pure essence of English conversational style” (5, 110)1. While engaged in its reading, continues the critic, “you fancy that you hear people talking” (8, 36). After the king George II bestowed on Samuel Johnson a life pension for what he had done, The Dictionary of English Language, he committed himself to his most beloved art and one which few has ever practiced with equal freedom: conversation. Though hard-faced, good-humour is the tone to most of his “table-talks”2, and because Johnson was never blinded by stingy prejudices, he heartily welcomed the libertine Boswell. -
The Hazlitt Review
THE HAZLITT REVIEW The Hazlitt Review is an annual peer-reviewed journal, the first internationally to be devoted to Hazlitt studies. The Review aims to promote and maintain Hazlitt’s standing, both in the academy and to a wider readership, by providing a forum for new writing on Hazlitt, by established scholars as well as more recent entrants in the field. Editor Uttara Natarajan Assistant Editors James Whitehead, Philipp Hunnekuhl Editorial Board Geoffrey Bindman Tim Milnes David Bromwich James Mulvihill Jon Cook Seamus Perry Gregory Dart Michael Simpson A.C. Grayling Fiona Stafford Paul Hamilton John Whale Ian Mayes Duncan Wu We invite essays of 4,000 to 9,000 words in length on any aspect of William Hazlitt’s work and life; articles relating Hazlitt to wider Romantic circles, topics, or discourses are also expressly welcome, as are reviews of books pertaining to such matters. Contributions should follow the MHRA style and should be sent by email to James Whitehead ([email protected]) or Philipp Hunnekuhl ([email protected]). Submissions will be considered year- round, but must be received by 1 April to be considered for publication in the same year’s Review. We regret that we cannot publish material already published or submitted elsewhere. Contributors who require their articles to be open access (under the RCUK policy effective from 1 April 2013) should indicate this, and they will be made freely available on the Hazlitt Society’s website on publication. Subscriptions, including annual membership of the Hazlitt Society, are £10 (individual) or £15 (corporate or institution) per annum. -
Halligan's Love Affair with Food
Coolabah, No.5, 2011, ISSN 1988-5946, Observatori: Centre d’Estudis Australians, Australian Studies Centre, Universitat de Barcelona Halligan’s Love Affair with Food Anne Holden Rønning Copyright©2011 Anne Holden Rønning. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged. Abstract: Marion Halligan’s non-fiction Eat My Words, (1990), Cockles of the Heart (1996) and The Taste of Memory (2004) all have food as their main topic. Travelling round Europe on culinary journeys and staying in hotels and flats she provides us, as readers, with a wealth of recipes and reflections on the role food plays in people’s lives, socially and culturally. This article will discuss some few of the points Halligan raises as she comments on the pleasure of food; on bricolage, both in the finished product and in cookery books; and the language we use to describe food and its processes. Adopting a bicultural approach Halligan compares Australian foods of today with those of her childhood, thus turning these food books into a kind of autobiography. Keywords: food; pleasure; bricolage and cookery books; naming. In Eat My Words Marion Halligan cites Alexis Soyer in his 1853 book The Pantropheon as being “fond of saying that people only eat to live when they don’t know how to live to eat,” thus underscoring the importance of food culturally and historically. To these words Halligan adds: “Chefs, whose livelihood is other’s eating, know that the best food begins in the mind” (209). -
Samuel Taylor Coleridge
Bloom’s Classic Critical Views JOHN DONNE AND THE METAPHYSICAL POETS Bloom’s Classic Critical Views Benjamin Franklin The Brontës Charles Dickens JOHN DONNE AND THE Edgar Allan Poe Geoffrey Chaucer METAPHYSICAL POETS Henry David Thoreau Herman Melville Jane Austen John Donne and the Metaphysical Poets Mark Twain Mary Shelley Nathaniel Hawthorne Oscar Wilde Ralph Waldo Emerson Walt Whitman William Blake Bloom’s Classic Critical Views JOHN DONNE AND THE METAPHYSICAL POETS Edited and with an Introduction by Harold Bloom Sterling Professor of the Humanities Yale University Bloom’s Classic Critical Views: John Donne and the Metaphysical Poets Copyright © 2008 Infobase Publishing Introduction © 2008 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data John Donne and the metaphysical poets / edited and with an introduction by Harold Bloom. p. cm. — (Bloom’s classic critical views) A selection of older literary criticism on John Donne. Includes bibliographical references and index. ISBN 978-1-60413-139-0 (hardcover : acid-free paper) 1. Donne, John, 1572–1631— Criticism and interpretation. I. Bloom, Harold. II. Title. III. Series. PR2248.J593 2008 821’.3—dc22 2008008428 Bloom’s Literary Criticism books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. -
Cata 208 Text.Indd
Jarndyce Antiquarian Booksellers 46, Great Russell Street Telephone: 020 7631 4220 (opp. British Museum) Fax: 020 7631 1882 Bloomsbury, Email: [email protected] London www.jarndyce.co.uk WC1B 3PA VAT.No.: GB 524 0890 57 CATALOGUE CCVIII SPRING 2014 THE ROMANTICS: PART II. D-R De Quincey, Hunt, Keats, Lamb, Rogers, &c. Catalogue: Joshua Clayton Production: Ed Lake & Carol Murphy All items are London-published and in at least good condition, unless otherwise stated. Prices are nett. Items on this catalogue marked with a dagger (†) incur VAT (20%) to customers within the EU. A charge for postage and insurance will be added to the invoice total. We accept payment by VISA or MASTERCARD. If payment is made by US cheque, please add $25.00 towards the costs of conversion. Email address for this catalogue is [email protected]. JARNDYCE CATALOGUES CURRENTLY AVAILABLE, price £5.00 each include: The Romantics: Part I. A-C; Books from the Library of Geoffrey & Kathleen Tillotson; The Shop Catalogue; Books & Pamphlets 1576-1827; Catalogues 205 & 200: Jarndyce Miscellanies; Dickens & His Circle; The Dickens Catalogue; The Library of a Dickensian; Street Literature: III Songsters, Reference Sources, Lottery Tickets & ‘Puffs’; Social Science, Part I: Politics & Philosophy; Part II: Economics & Social History; The Social History of London; Women II-IV: Women Writers A-Z. JARNDYCE CATALOGUES IN PREPARATION include: The Romantics: Part III. S-Z; 18th & 19th Century Books & Pamphlets; Conduct & Education. PLEASE REMEMBER: If you have books to sell, please get in touch with Brian Lake at Jarndyce. Valuations for insurance or probate can be undertaken anywhere, by arrangement. -
Poulton Hall Has Been in the Family for Many Upper Field, Past a Monument Erected by Scirard De Generations
Issue No. 28 October 2010 Newsletter Patron: The Viscount Ashbrook Company Limited by Guarantee, no. 05673816 www.cheshire-gardens-trust.org.uk Charity Number 1119592 Inside: Some future events: Trentham Gardens Mrs Delany and her Circle – Sat. 17h November Gardening the British way in Iraq 19th century Villa Gardens – Sat. 22nd January Harvington Hall Gresgarth Hall – February (date t.b.c.) Gardens on the Isle of Wight Roswitha Arnold on German gardens: Spring What to do with your apple harvest Lecture at end of March (date t.b.c.) PPoouullttoonn HHaallll Without doubt this is the quirkiest garden that we Launcelyn built his castle on a defensive mound above have visited. the river Dibbin. Full of humour and literary associations, it is a A later house was probably destroyed by fire; the memorial to Roger Lancelyn-Green, the biographer second house, built in the seventeenth century, was and writer of children‟s fiction, and has been designed brick built with stone coigns and is just recognizable. by his wife, June Lancelyn-Green, to reflect his It was later stuccoed but when this deteriorated it was interests and his books. pebble-dashed. From the car park the Hall is approached through the Poulton Hall has been in the family for many Upper Field, past a monument erected by Scirard de generations. In the eleventh century Scirard de Launcelyn, and over a Ha-ha. 2 The lawns at the front of the house have always been It is, in fact, a series of gardens, each with a literary a major feature and were much admired by Nathanial theme. -
From the Library of Christopher Hogwood
from the library of christopher hogwood books & manuscripts on food & drink BERNARD QUARITCH LTD 40 SOUTH AUDLEY STREET, LONDON W1K 2PR +44 (0)20 7297 4888 [email protected] www.quaritch.com For enquiries about this catalogue, please contact: Mark James ([email protected]) or Anke Timmermann ([email protected]) important notice: Items marked with an * are subject to VAT within the EU Bankers: Barclays Bank PLC, 1 Churchill Place, London E14 5HP Sort code: 20-65-82 Swift code: BARCGB22 Sterling account IBAN: GB98 BARC 206582 10511722 Euro account IBAN: GB30 BARC 206582 45447011 US Dollar account IBAN: GB46 BARC 206582 63992444 VAT number: GB 840 1358 54 Mastercard, Visa and American Express accepted. Cheques should be made payable to: Bernard Quaritch Limited © Bernard Quaritch Ltd 2016 from the library of christopher hogwood books & manuscripts on food & drink introduction & biography the seventeenth century ………………………………….. items 8- the eighteenth century ………………………………...…. items 80- 74 the nineteenth century …………………………………… items 7 - modern cooking ……………………………………..……. items 7- 6 index & bibliography BERNARD QUARITCH LIMITED ∙ antiquarian booksellers since 847 ∙ list 2086/85 christopher hogwood cbe (8 78- 2087 Throughout his 50-year career, conductor, musicologist and keyboard player Christopher Hogwood applied his synthesis of scholarship and performance with enormous artistic and popular success. Spearheading the movement that became known as ‘historically-informed performance’, he promoted it to the mainstream through his work on 17th- and 18th-century repertoire with the Academy of Ancient Music, and went on to apply its principles to music of all periods with the world’s leading symphony orchestras and opera houses. -
Wedding Cake a Slice of History
origins | carol wilson Wedding Cake A Slice of History Since antiquity, weddings customarily have been orately decorated pastry crust that concealed a filling of celebrated with a special cake. Ancient Roman wedding oysters, pine kernels, cockscombs, lambstones (testicles), ceremonies were finalized by breaking a cake of wheat or sweetbreads, and spices. There were also humbler, less barley (mustaceum) over the bride’s head as a symbol of expensive versions containing minced meats or just mutton. good fortune. The newly married couple then ate a few In the county of Yorkshire, bride pie was the most crumbs in a custom known as confarreatio—eating together. important dish at weddings, as it was considered essential to Afterwards, the wedding guests gathered up the crumbs as the couple’s future happiness. It consisted of a large round tokens of good luck. The Roman poet and philosopher pie containing a plump hen full of eggs, surrounded by Lucretius, in De Rerum Natura (On the Nature of Things),1 minced meats, fruits, and nuts and embellished with ornate wrote that the breaking of the cake over the bride’s head pastry emblems. Each guest had to eat a small piece of the mellowed into crumbling the sweet wheat cakes over her pie; not to do so was considered extremely rude and impo- head. After all the cakes were used up, the guests were sup- lite. A ring was traditionally placed in the pie, and the lady plied with handfuls of confetto, a sweet mixture of nuts, who found it would be the next to marry. -
Looking for Lovelace: Identity, Style and Inheritance in the Poetry of the Interregnum
Looking for Lovelace: Identity, Style and Inheritance in the Poetry of the Interregnum Thesis Submitted by Dosia Reichardt, BA (Hons) James Cook, BA York in September 2003 for the degree of Doctor of Philosophy in the School of Humanities Faculty of Arts, Education and Social Sciences James Cook University Abstract This thesis discusses the work of the Cavalier poet Richard Lovelace in two contexts in particular: first, within the political and cultural constraints operating during the period of the English Civil War and the Interregnum; second, against the background provided by the work of contemporary, often obscure, poets whose aesthetic and political attitudes help illuminate Lovelace’s own. The study examines a number of apparent paradoxes in the work and status of poets in Lovelace’s milieu. The desire to fashion an individual and lasting literary persona in the mould of Ben Jonson, for example, conflicts with the practice of circulating essentially un-authored lyrics within an educated and exclusive male coterie. Lovelace’s amatory verse is viewed through the prism of contemporary attitudes towards female constancy, but also through seventeenth-century poets’ habitual borrowings from Latin and Greek sources. Lovelace’s attempt at a lengthy pastoral partakes of the cultural poetics of nostalgia for a vanished Court and the genres associated with it. His interest in music and the fine arts inspires many poems which comment on contemporary politics while participating in an immemorial debate about art and artificiality versus nature. His prison and drinking songs have earned him a place in anthologies of poetry as a minor classic, but they also crystallize a conjunction of genres peculiar to the years between 1640 and 1660. -
12.3 Summer 2008
The Female Spectator CHAWTON HOUSE LIBRARY VOL .12 No.3, SUMMER 2008 ISSN1746−8604 THE CHAWTON COOKERY COLLECTION By Elizabeth Kowaleski−Wallace, Boston College n the spring of 2008, Gordon Ramsay provoked quite a stir in closer perhaps to our modern day ‘master chefs’ – wrote for the media by insisting that British chefs should be forced by law ‘families of distinction’, especially those living on large to restrict themselves to foods that are seasonal and local. While estates, where the elaborate display of the family’s resources Ithe first comment places Ramsay squarely within a tradition was surely the point. In 1734, John Middleton, ‘cook to his of British cookery that has always emphasized foods in their Grace the late Duke of Bolton’, offered up his collection of 500 recipes –from ragout of woodcock to ‘farce tenches’ time, the second comment puts him slightly at odds with [stuffed fish]. His ‘grand sallet, the newest and best way’ history. A survey of the many cookery books in the Chawton must have been a dazzling sight, with its astonishing array of House Library evokes an eighteenth−century cuisine bearing spring greens, including violet buds, cowslip buds, the unmistakable stamp of strawberries, primroses, brooklime, international influence. During the water−cress, young lettuce, spinach, long eighteenth century, diners were alexander buds, plus its many clearly enjoying a range of imported condiments, including samphire, foods cooked in a variety of styles olives, capers, broom−buds, borrowed from abroad. No cucumbers, raisins, currants, almonds, knowledgeable person will be barberries, and pickles. All of this, and surprised that eighteenth−century more, was to be assembled and displayed on a wax castle, complete cooks had a ready stock of spices with tours representing the four at hand – including ginger, cloves, seasons. -
Bulletin 52 September September 2016
BULLETIN 52 SEPTEMBER 2016 PICKERING & CHATTO 1 ST. CLEMENT’S COURT LONDON EC4N 7HB TEL: +44 (0) 20 7337 2225 E-MAIL: [email protected] Humour, both good and bad 1.[ANON]. ESSAI CONTRE L’HUMEUR. [n.p., n.d., c. 1775?]. £ 285 FIRST EDITION. 8vo. pp. 19, [1] blank; with engraved headpiece, vignette and initial; stitched as issued, uncut. First edition of this rare moralistic essay on the subject of humour, both good and bad. The author states that he has no intention of being stuffy or professorial in his analysis of humour, and its subspecies ‘mauvaise humeur’. He notes that in the age of ‘good company, the need to be fashionable had almost entirely ruled out any place for humour, and offers the reader a more optimistic view of existence, more frivolous and worldly, in which humour might have a role’. OCLC records two copies, at the Zentralbibliothek Zurich and the Bibliotheque de Geneve. The Romantic Movement Discussed 2.ANOT DE MAIZIÈRES, Cyprien. ELÉGIES RHÉMOISES, suivies de fragmens dramatiques et d’un essai sur les nouvelles théories littéraires … A Paris, chez Amyot, Libraire, Rue de la Paix. 1825. £ 285 FIRST EDITION. 8vo, pp. [iv], vii, [i], 201, [1] blank, [2]; apart from a few minor marks, a clean copy throughout; in contemporary calf, spine tooled in gilt with morocco label lettered in gilt, boards ruled in gilt, upper joint repaired; a very good copy. 26 King Cyprien Anot de Maizières (1794-1877) was a writer from Reims in Champagne, and in this beautifully printed work with vignettes and sectional titles, employing black letter and cursive types, he unites several elegiac poems and ballads.