Romanticism and Linguistic Theory: William Hazlitt, Language and Literature P.Cm
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English Radicalism and the Struggle for Reform
English Radicalism and the Struggle for Reform The Library of Sir Geoffrey Bindman, QC. Part I. BERNARD QUARITCH LTD MMXX BERNARD QUARITCH LTD 36 Bedford Row, London, WC1R 4JH tel.: +44 (0)20 7297 4888 fax: +44 (0)20 7297 4866 email: [email protected] / [email protected] web: www.quaritch.com Bankers: Barclays Bank PLC 1 Churchill Place London E14 5HP Sort code: 20-65-90 Account number: 10511722 Swift code: BUKBGB22 Sterling account: IBAN: GB71 BUKB 2065 9010 5117 22 Euro account: IBAN: GB03 BUKB 2065 9045 4470 11 U.S. Dollar account: IBAN: GB19 BUKB 2065 9063 9924 44 VAT number: GB 322 4543 31 Front cover: from item 106 (Gillray) Rear cover: from item 281 (Peterloo Massacre) Opposite: from item 276 (‘Martial’) List 2020/1 Introduction My father qualified in medicine at Durham University in 1926 and practised in Gateshead on Tyne for the next 43 years – excluding 6 years absence on war service from 1939 to 1945. From his student days he had been an avid book collector. He formed relationships with antiquarian booksellers throughout the north of England. His interests were eclectic but focused on English literature of the 17th and 18th centuries. Several of my father’s books have survived in the present collection. During childhood I paid little attention to his books but in later years I too became a collector. During the war I was evacuated to the Lake District and my school in Keswick incorporated Greta Hall, where Coleridge lived with Robert Southey and his family. So from an early age the Lake Poets were a significant part of my life and a focus of my book collecting. -
Friendship and the Art of Listening: the Conversations of James Boswell and Samuel Johnson in William Hazlitt’S Essays
Friendship and the art of listening: the conversations of James Boswell and Samuel Johnson in William Hazlitt’s essays. It has been said that the art of conversation is one of 18th century’s major legacies. Such an art is at the centre of that refined form of sociability which has never in history been so fully developed, whether in cafés, clubs or salons; through which the meanest subjects were examined and put to test, whereas intricate ones were dipped in new, interesting and surprising colours, never leaden or tiresome. Through which, philosophy dressed the garb of literature; poetry and literary prose, philosophical lineaments. In a word, the esprit géometrique and the esprit de finesse have never been so inwardly intertwined. It was in the 18th century, for example, that the epistolary novel best flourished. And what is a letter but distance conversation in which intimacies are confided to the reader, as to an old friend, and any topic is quarrelled in a familiar tone? According to William Hazlitt, Lawrence Sterne’s The Life and Opinions of Tristram Shandy, one of the century’s most popular novels, “is the pure essence of English conversational style” (5, 110)1. While engaged in its reading, continues the critic, “you fancy that you hear people talking” (8, 36). After the king George II bestowed on Samuel Johnson a life pension for what he had done, The Dictionary of English Language, he committed himself to his most beloved art and one which few has ever practiced with equal freedom: conversation. Though hard-faced, good-humour is the tone to most of his “table-talks”2, and because Johnson was never blinded by stingy prejudices, he heartily welcomed the libertine Boswell. -
Clare: Abstract and New Intro In
Citation for published version: Gittings, C & Walter, T 2010, Rest in peace? Burial on private land. in J Sidaway & A Maddrell (eds), Deathscapes: Spaces For Death Dying And Bereavement. Ashgate, Aldershot. Publication date: 2010 Document Version Peer reviewed version Link to publication Reproduced here by kind permission of Ashgate. University of Bath Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 Rest in Peace? Burial on Private Land Clare Gittings and Tony Walter Ever since the adoptation of Christianity in the early Middle Ages, it has been normal for Britain’s dead to be buried in churchyards or other Christian burial grounds (Daniell 1998; Jupp and Gitttings 1999). From the mid-nineteenth century, but with earlier examples in Scotland, cemeteries (i.e. formal burial grounds not attached to a church) have supplanted churchyards as the most common place of burial (Rugg 1997), augmented in the twentieth century by cremation (Jupp 2006). Private burial on your own land, rather than in churchyard or cemetery, has been and remains rare in Britain. It is, though, legal. -
Re-Constructing Ideology, Part One: Animadversions of John Horne Tooke on the Origins of Affixes and Non-Designative Words
Re-constructing ideology, Part one: Animadversions of John Horne Tooke on the origins of affixes and non-designative words Fredric Dole~al J Introduction John Home Tooke occupies a unique place in the hi!)tory of Indo-European studies and lexicography - ohlivion: Only rarely in discussions of lndo Europcan linguistics and lexicography does one find a mention of the unre doubtablc, irascible. and scioli~tic champion of comparative and historical language study: but then. why ~hould a sciolist and purveyor of fanciful ety mologies he mentioned at all '? If we acknowledge the widely accepted propo sition that 'linguistics-as-we-know-it' began "1th Franz Bopp. then Home Tooke need not be considered at all. HoweH:r. this proposition can be main tained only by interpreting the history of linguistics as a progre,~ion of meth ods and theories that lead inextricably to a particular school of thought. Most linguists in the waning years of the twentieth century are comforted by the co incidence of the progression of linguistic knO\vledge with our contemporary theory of language. I hope to show in this essay the complex of issues that follow from a read ing of Tooke's The dfrersivns of Purley. Studies of the palit twenty years or ~o have concentrated on philosophical and political reputation and influences. 1 I present a brief biographical sketch. a summary of some necessary comments on Tooke the philosopher and Tooke the political figure . and a description and illustration of Tooke the theorist of language. Because there i~ relatively so lillle comprehensive and detailed work on the history of linguistics of any period, the methods and principles of language theory presented here cannot be exhaustively described and explained. -
The Hazlitt Review
THE HAZLITT REVIEW The Hazlitt Review is an annual peer-reviewed journal, the first internationally to be devoted to Hazlitt studies. The Review aims to promote and maintain Hazlitt’s standing, both in the academy and to a wider readership, by providing a forum for new writing on Hazlitt, by established scholars as well as more recent entrants in the field. Editor Uttara Natarajan Assistant Editors James Whitehead, Philipp Hunnekuhl Editorial Board Geoffrey Bindman Tim Milnes David Bromwich James Mulvihill Jon Cook Seamus Perry Gregory Dart Michael Simpson A.C. Grayling Fiona Stafford Paul Hamilton John Whale Ian Mayes Duncan Wu We invite essays of 4,000 to 9,000 words in length on any aspect of William Hazlitt’s work and life; articles relating Hazlitt to wider Romantic circles, topics, or discourses are also expressly welcome, as are reviews of books pertaining to such matters. Contributions should follow the MHRA style and should be sent by email to James Whitehead ([email protected]) or Philipp Hunnekuhl ([email protected]). Submissions will be considered year- round, but must be received by 1 April to be considered for publication in the same year’s Review. We regret that we cannot publish material already published or submitted elsewhere. Contributors who require their articles to be open access (under the RCUK policy effective from 1 April 2013) should indicate this, and they will be made freely available on the Hazlitt Society’s website on publication. Subscriptions, including annual membership of the Hazlitt Society, are £10 (individual) or £15 (corporate or institution) per annum. -
Samuel Taylor Coleridge
Bloom’s Classic Critical Views JOHN DONNE AND THE METAPHYSICAL POETS Bloom’s Classic Critical Views Benjamin Franklin The Brontës Charles Dickens JOHN DONNE AND THE Edgar Allan Poe Geoffrey Chaucer METAPHYSICAL POETS Henry David Thoreau Herman Melville Jane Austen John Donne and the Metaphysical Poets Mark Twain Mary Shelley Nathaniel Hawthorne Oscar Wilde Ralph Waldo Emerson Walt Whitman William Blake Bloom’s Classic Critical Views JOHN DONNE AND THE METAPHYSICAL POETS Edited and with an Introduction by Harold Bloom Sterling Professor of the Humanities Yale University Bloom’s Classic Critical Views: John Donne and the Metaphysical Poets Copyright © 2008 Infobase Publishing Introduction © 2008 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data John Donne and the metaphysical poets / edited and with an introduction by Harold Bloom. p. cm. — (Bloom’s classic critical views) A selection of older literary criticism on John Donne. Includes bibliographical references and index. ISBN 978-1-60413-139-0 (hardcover : acid-free paper) 1. Donne, John, 1572–1631— Criticism and interpretation. I. Bloom, Harold. II. Title. III. Series. PR2248.J593 2008 821’.3—dc22 2008008428 Bloom’s Literary Criticism books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. -
Cata 208 Text.Indd
Jarndyce Antiquarian Booksellers 46, Great Russell Street Telephone: 020 7631 4220 (opp. British Museum) Fax: 020 7631 1882 Bloomsbury, Email: [email protected] London www.jarndyce.co.uk WC1B 3PA VAT.No.: GB 524 0890 57 CATALOGUE CCVIII SPRING 2014 THE ROMANTICS: PART II. D-R De Quincey, Hunt, Keats, Lamb, Rogers, &c. Catalogue: Joshua Clayton Production: Ed Lake & Carol Murphy All items are London-published and in at least good condition, unless otherwise stated. Prices are nett. Items on this catalogue marked with a dagger (†) incur VAT (20%) to customers within the EU. A charge for postage and insurance will be added to the invoice total. We accept payment by VISA or MASTERCARD. If payment is made by US cheque, please add $25.00 towards the costs of conversion. Email address for this catalogue is [email protected]. JARNDYCE CATALOGUES CURRENTLY AVAILABLE, price £5.00 each include: The Romantics: Part I. A-C; Books from the Library of Geoffrey & Kathleen Tillotson; The Shop Catalogue; Books & Pamphlets 1576-1827; Catalogues 205 & 200: Jarndyce Miscellanies; Dickens & His Circle; The Dickens Catalogue; The Library of a Dickensian; Street Literature: III Songsters, Reference Sources, Lottery Tickets & ‘Puffs’; Social Science, Part I: Politics & Philosophy; Part II: Economics & Social History; The Social History of London; Women II-IV: Women Writers A-Z. JARNDYCE CATALOGUES IN PREPARATION include: The Romantics: Part III. S-Z; 18th & 19th Century Books & Pamphlets; Conduct & Education. PLEASE REMEMBER: If you have books to sell, please get in touch with Brian Lake at Jarndyce. Valuations for insurance or probate can be undertaken anywhere, by arrangement. -
Very Rough Draft
Friends and Colleagues: Intellectual Networking in England 1760-1776 Master‟s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Department of Comparative History Mark Hulliung, Advisor In Partial Fulfillment of the Requirements for Master‟s Degree by Jennifer M. Warburton May 2010 Copyright by Jennifer Warburton May 2010 ABSTRACT Friends and Colleagues: Intellectual Networking in England 1760- 1776 A Thesis Presented to the Comparative History Department Graduate School of Arts and Sciences Brandeis University Waltham, Massachusetts By Jennifer Warburton The study of English intellectualism during the latter half of the Eighteenth Century has been fairly limited. Either historians study individual figures, individual groups or single debates, primarily that following the French Revolution. My paper seeks to find the origins of this French Revolution debate through examining the interactions between individuals and the groups they belonged to in order to transcend the segmentation previous scholarship has imposed. At the center of this study are a series of individuals, most notably Joseph Priestley, Richard Price, Benjamin Franklin, Dr. John Canton, Rev. Theophilus Lindsey and John Jebb, whose friendships and interactions among such diverse disciplines as religion, science and politics characterized the collaborative yet segmented nature of English society, which contrasted so dramatically with the salon culture of their French counterparts. iii Table of Contents INTRODUCTION............................................................................................................ -
The Nature of the English Corresponding Societies 1792-95
‘A curious mixture of the old and the new’? The nature of the English Corresponding Societies 1792-95. by Robin John Chatterton A thesis submitted to the University of Birmingham for the degree of Master of Arts by Research. Department of History, College of Arts and Law, University of Birmingham, May 2019. University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis relates to the British Corresponding Societies in the form they took between 1792 and 1795. It draws on government papers, trial transcripts, correspondence, public statements, memoirs and contemporary biography. The aim is to revisit the historiographical debate regarding the societies’ nature, held largely between 1963 and 2000, which focused on the influence on the societies of 1780s’ gentlemanly reformism which sought to retrieve lost, constitutional rights, and the democratic ideologies of Thomas Paine and the French Revolution which sought to introduce new natural rights. The thesis takes a wider perspective than earlier historiography by considering how the societies organised and campaigned, and the nature of their personal relationships with their political influences, as well as assessing the content of their writings. -
When Gunfire Was Regularly Heard on the Common
The London Forum of Amenity and Civic Societies NEWSLETTER December 2014 When gunfire was regularly heard on the Common Playing with Fire: The story of shooting on Wimbledon Common will open at the Norman Plastow Gallery on Saturday 17 January, writes LIZ COURTNEY. Running until Sunday, 12 April, it will be showing every Saturday and Sunday from 2.30–5pm and on Wednesdays from 11.30am–2.30pm. Duels were fought on the Common much earlier but in 1860, Earl Spencer, Lord of the Manor and a founder of the National Rifle Association, offered it for the NRA’s inaugural meeting. First opened by Queen Victoria, the event became Visitors endure the elements at one of the National Rifle popular in the social calendar. Association’s annual meets on Wimbledon Common. This Together with shooting watercolour is from the Museum’s collection. competitions, there were extra sporting events and musical Kirk triumphs entertainments. The illustration above right hints at the lively, as history less official, night life. The meetings grew in size awards finally and scope until, by the late 1870s, there were nearly 2500 revealed at entrants for the Queen’s Prize. The NRA flourished at Bookfest Wimbledon for nearly 30 years From the left, Society chairman Asif Malik, judge Richard Tait, before moving to Bisley in and Kirk Bannister, first winner of the Richard Milward Local 1890, the end of an era. History Prize. See Page 3 for details. INSIDE: News3 LocalHistoryGroup4/5 OralHistory6 Environment 7 Museum8 Planning Committee 8/11 Around and About 12 For the latest information, go to www.wimbledonsociety.org.uk, wimbledonmuseum.org.uk or the Facebook page. -
An Abstract from the Account of the Asylum, Or
A N ABSTRACT FROM THE ACCOUNT OF THE ASYLUM, O R, HOUSE OF REFUGE, SI.UATE IN THE PARISH OF LAMBETH, In the County of Surry ; INSTITUTED IN THE YEAR 17*58, FOR THE RECEPTION OF FRIENDLESS AND DESERTED ORPHAN GIRLS, The Settlement of whofe Parents cannot be found. PRINTED BY ©RDER OF THE GUARDIANS, 1799. A N ABSTRACT, Kc. r HOUGH the excellency of our laws, and the benevolence of the national chara&er feem to have made a provifion for almoft every fpecies of diftrefs to which the poor are liable, yet fituations will fometimes ari/'e, which the moft aftive and watch- ful charity could not at firft forefee. , and other indi- The children offoldiers, failors , their at a gent perfons bereft of parents , difiance to from relations, and too young afford the neceffary information refp effing fettlements, are often left de- and at when finite of proteffion fupport, an age they are incapable of earning fubfiftence , and contending with the dangers whichfurround them. Females of this defcription are, in a peculiar manner, objects of companion ; and have alfo a double claim to the care of the humane and virtu- ous, from being not only expofed to the miferies of want and idlenefs, but, as they grow up, to felicitations of the vicious, and to all the dread- ful confequences of early fedudlion. 1 his Charity owes Its ellablilhment to that vigilant and adkive Magiftrate, the late Sir John Fielding ; who had long obferved, that though the laws ofthis kingdom had provided a parijhfettle- merit every perfon, by for birth, parentage, appren- ticejhip, idc. -
Looking for Lovelace: Identity, Style and Inheritance in the Poetry of the Interregnum
Looking for Lovelace: Identity, Style and Inheritance in the Poetry of the Interregnum Thesis Submitted by Dosia Reichardt, BA (Hons) James Cook, BA York in September 2003 for the degree of Doctor of Philosophy in the School of Humanities Faculty of Arts, Education and Social Sciences James Cook University Abstract This thesis discusses the work of the Cavalier poet Richard Lovelace in two contexts in particular: first, within the political and cultural constraints operating during the period of the English Civil War and the Interregnum; second, against the background provided by the work of contemporary, often obscure, poets whose aesthetic and political attitudes help illuminate Lovelace’s own. The study examines a number of apparent paradoxes in the work and status of poets in Lovelace’s milieu. The desire to fashion an individual and lasting literary persona in the mould of Ben Jonson, for example, conflicts with the practice of circulating essentially un-authored lyrics within an educated and exclusive male coterie. Lovelace’s amatory verse is viewed through the prism of contemporary attitudes towards female constancy, but also through seventeenth-century poets’ habitual borrowings from Latin and Greek sources. Lovelace’s attempt at a lengthy pastoral partakes of the cultural poetics of nostalgia for a vanished Court and the genres associated with it. His interest in music and the fine arts inspires many poems which comment on contemporary politics while participating in an immemorial debate about art and artificiality versus nature. His prison and drinking songs have earned him a place in anthologies of poetry as a minor classic, but they also crystallize a conjunction of genres peculiar to the years between 1640 and 1660.