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Tesi Di Laurea
Corso di Laurea magistrale in LINGUE E ISTITUZIONI ECONOMICHE E GIURIDICHE DELL’ASIA E DELL’AFRICA MEDITERRANEA [LM4-12] Tesi di Laurea L’arte del silenzio Il simbolismo nel cinema di Shinkai Makoto Relatore Ch. Prof.ssa Roberta Maria Novielli Correlatore Ch. Prof. Davide Giurlando Laureando Carlotta Noè Matricola 838622 Anno Accademico 2016 / 2017 要旨要旨要旨 この論文の目的は新海誠というアニメーターの映画的手法を検討する ことである。近年日本のアニメーション業界に出現した新海誠は、写実的な スタイルで風景肖像を描くことと流麗なアニメーションを創作することと憂 鬱な物語で有名である。特に、この検討は彼の作品の中にある自分自身の人 生、愛情、人間関係の見方を伝えるための記号型言語に集中するつもりであ る。 第一章には新海誠の伝記、フィルモグラフィとその背景にある経験に 焦点を当たっている。 第二章は監督の映画のテーマに着目する。なかでも人は互いに感情を 言い表せないこと、離れていること、そして愛のことが一番大切である。確 かに、彼の映画の物語は愛情を中心に回るにもかかわらず、結局ハッピーエ ンドの映画ではない。換言すれば、新海誠の見方によると、愛は勝つはずで はない。新海誠は別の日本のアニメーターや作家から着想を得ている。その ため、次はそれに関係があるテクニックとスタイルを検討するつもりである。 第三章には新海誠の作品の分析を通して視覚言語と記号型言語が発表 される。一般的な象徴以外に、伝統、神話というふうに、日本文化につなが る具体的なシンボルがある。一方、西洋文化に触れる言及もある。例えば、 音楽や学術研究に言及する。 こうして、新海誠は異なる文化を背景を問わず観客の皆に同じような感情を 感じさせることができる。 最後に、後付けが二つある。第一に、新海誠が演出したテレビコマー シャルとプロモーションビデオが分析する。第二に、新海誠と宮崎駿という アニメーターを比較する。新海誠の芸術様式は日本のアニメーションを革新 したから、“新宮崎”とよく呼ばれている。にもかかわらず、この呼び名を 離れる芸術様式の分野にも、筋の分野にも様々な差がある。特に、宮崎駿の アニメーションに似ている新海誠の「星を追うこども」という映画を検討す る。 1 L’ARTE DEL SILENZIO Il simbolismo nel cinema di Shinkai Makoto 要旨要旨要旨 …………………………………………………………………………………………………………….Pg.1 INTRODUZIONE …………………………………………………………………………………………..Pg.4 CAPITOLO PRIMO: Shinkai Makoto……………………………………………………………………………………………Pg.6 1.1 Shinkai Makoto, animatore per caso 1.2 Filmografia, sinossi e riconoscimenti CAPITOLO SECONDO : L’arte di Shinkai Makoto……………………………………………………………………………..Pg.18 -
Lelouch of the Resurrection Release Date
Lelouch Of The Resurrection Release Date barristerNescient pontifically,Glenn discerps she hurlthat itconceptualization debauchedly. Cissoid blow-dry or trackless, consumedly Berkeley and pupates never wires hypothetically. any libeler! Brooke unshackling her Join the online community, create your anime and manga list, read reviews, explore the forums, follow news, and so much more! He had won that round easily and planned to win the next by changing the subject. Flat against the wall he held me, and began, his teeth bared in that fearful grin, to crush the life from me. Are you sure you want to cancel the live stream? Variations on old models, such as the Guren and Lancelot in their latest versions, might be slightly more divisive. Come back and try your luck tomorrow! Code Geass fans feel right at home in terms of the audio presentation. If html does not have either class, do not show lazy loaded images. The Holy Britannian Empire is a powerful nation that uses its military strength to expand its rule, and the small island nation of Japan is yet another victim. Synopsis: WHAT BECAME OF LELOUCH? In addition to the release date, Funimation provided IGN with an exclusive new teaser. Have you seen this? As I will now proceed to explain by focusing on the main characters of this motion picture, I happen to belong to this second group. Set in an alternate timeline, and it follows the story is practically Zero Suzaku. Anybody have an educated guess on when it may be released? Then he slumped insensible again, and started snoring. -
Wolf Children
PRESENTS WOLF CHILDREN A MAMORU HOSODA FILM Running time: 117 minutes Certificate: TBC Opens at UK cinemas on 25th October Press Contacts Elle McAtamney – [email protected] For hi-res images/production notes and more, go to – www.fetch.fm To the children, a movie like a delightful, fun fairy tale… To the youth, to make raising children, which they have yet to experience, seem full of surprises and wonder… And to the parents, to let them reminisce about their children’s growth… I am striving to make an invigorating movie that satisfies the principles of entertainment. Mamoru Hosoda Director, screenwriter, author of original story INTRODUCTION The long-awaited new film by Director Mamoru Hosoda! Yet another movie that enthralls people of all generations!! In “The Girl Who Leapt Through Time” (2006), he depicted the radiance of youth in flashing moments of life. In “SUMMER WARS” (2009), he told a story about a miracle, of how the bond between people saved Earth’s crisis, and the film swept awards domestic and abroad. Mamoru Hosoda has become the most noted animation director in the world. Why do his works appeal to people of all generations? His stories are not about the extraordinary, and they are not about superheroes. Set in towns that could really exist, the main characters are surrounded by ordinary people and are troubled by slightly unique circumstances, which they struggle to overcome. Based on well-thought-out scenarios, these real-to-life stories are made into dynamic animation. That’s why the main characters seem so familiar to us and draw our sympathy, and we get excited watching how they fare. -
The 17Th International Animation Festival Hiroshima 2018 PRESS
The 17th International Animation Festival Hiroshima 2018 PRESS RELEASE 1 International Jury Members ・・・・・・・・・・1 2 HIROSHIMA 2018 Official Programs ・・・・・・・8 Date： July 17, 2018 16：15〜 Place： The Municipal Government Press Club HIROSHIMA 2018 Festival Office Contact: Ayako Machida JMS Aster Plaza 4-17 Kako-machi, Naka-ku Hiroshima 730-0812 JAPAN phone: +81-82-245-0245 fax: +81-82-504-5658 １ International Jury Members Following 5 members of the International Jury will evaluate the 75 works selected for the Competition. １ International Jury Members Name Nationalit Occupation Profile y Director, Animator, Educator, Ishu Patel Canada P2 National Film Board of Canada Member of Academy of Motion Picture Arts and Sciences Priit Pärn Estonia Animation Filmmaker, Professor at P3 Estonian Academy of Arts Animation Filmmaker, Professor at Oxana Cherkasova Russia P4 the Ural State University of Architecture and Art Isabelle Favez Switzerland Independent Animation Filmmake P5 Masao Maruyama Animation Animation Producer P6 Producer ※ Refer to page 2-6, for the profile of the international jury members. 2 About choosing the chairperson of International Jury: The chairperson will be elected by the jury members at the International Jury meeting which will be held on the first day of the Festival, August 23th. 1 Ishu Patel Director, Animator, Educator, National Film Board of Canada Member of Academy of Motion Picture Arts and Sciences (Canada) During his twenty-five years at the National Film Board of Canada, Ishu Patel produced and directed a remarkable collection of animated short films. His many international awards include the BAFTA Award, two Oscar nominations, the Silver Bear Award at the Berlin Film Festival, Grand Prix at Annecy and Grand Prix at the World Film Festival in Montreal. -
PONY CANYON Presents【Kengan Ashura - World Premiere & Guest Talk】At the ANIME EXPO 2018
FOR IMMEDIATE RELEASE PONY CANYON presents【Kengan Ashura - World Premiere & Guest Talk】at the ANIME EXPO 2018 TOKYO, JAPAN – June 25, 2018 – Audio-visual entertainment company PONY CANYON is pleased to announce the event【Kengan Ashura - World Premiere & Guest Talk】scheduled on Saturday (7/7) at Anime Expo 2018 (Los Angeles, CA) between 2:30pm – 4:00pm in Main Events/ Hall B. Seiji Kishi (Director), Makoto Uezu (Series Composition) Yasuharu Takanashi (Music) and Yuji Higa (producer), will participate in the event and do autograph sessions (details TBA). Originally written by Yabako Sandrovich and drawn by Daromeon, “Kengan Ashura” is an action packed manga series that is getting an anime adaptation for release scheduled in 2019. “Kengan Ashura” has been serialized in Shogakukan's digital manga website, Ura Sunday and Manga One app. The story features hired gladiators that join fights called “Kengan Matches” that battle for rights between businesses. Twenty-two books are on sale currently and have sold over a total 2,200,000 copies. It has been nominated as the best comic in the “Web comic selected by a million readers that is really fun to read” awards. 【Story】 Fifty-six-year-old Kazuo Yamashita was an ordinary salaryman who was one day suddenly summoned by the chairman of his company. What he saw was not the chairman, but the dark side of the Japanese economy. Representing the company, hired gladiators to fight for rights between corporate businesses in violent battles called the “Kengan Matches!” Kazuo is assigned to a mysterious Kengan fighter, Ohma Tokita. They both join the “Kengan Zetsumei Tournament” in order to win the seat as the chairman of the Kengan Organization and decide Japan's best business and fighter.What will become the fate of Kazuo and Ohma? 【Seiji Kishi Profile】 For more than a decade, prolific director Seiji Kishi has built a name for himself helming critically acclaimed and popular animation. -
Narrativas Visuales Perspectivas Y Análisisanalisis Desde Iberoaméricaiberoamerica
Carlos Eduardo Daza Orozco Antonio MíguezM’guez Santa Cruz Analia Lorena Meo Narrativas Visuales Perspectivas y análisisanalisis desde IberoaméricaIberoamerica Editorial Narrativas visuales: Perspectivas y análisis desde Iberoamérica Carlos Eduardo Daza Orozco Antonio Míguez Santa Cruz Analia Lorena Meo CONSEJO SUPERIOR CRÉDITOS UNIVERSITARIO Investigadores principales Carlos Eduardo Daza Orozco Daza Orozco Carlos Eduardo Miembros fundadores Míguez Santa Cruz Antonio Antonio Míguez Santa Cruz Rodrigo Ferreira Pinzón Meo Analia Lorena Andrea Meza Ferreira Analia Lorena Meo Carlos Sebastián Ferreira Osorio Narrativas visuales: perspectivas y análisis desde Julián Orlando Ferreira Rondón Co-Investigadores iberoamérica Federico Álvarez Gandolfi Luis Rodrigo Ferreira Díaz Bogotá D.C.; Fundación Universitaria San Mateo, Mayara Araújo María Janeth Díaz 2018. Vivian Janeth Ferreira Díaz Julio Emmanuel Banega Peyrot 545 p.; 21 X 21 cm. Presidente Mario Javier Bogarín Quintana Carlos Orlando Ferreira Pinzón Andrés Camacho López Palabras clave: Ciencias sociales y humanas, cultura, arte, sociología, estudios de la imagen. Rector Raúl Cera Ochoa Juan Carlos Cadavid Botero Marcos Rafael Cañas Pelayo Víctor Cerdán Martínez Secretaria General Registro ISBN No. 978-958-56900-1-1 Melba Rosa Ferreira de Meza Tania Lucía Cobos Omar Alonso García Martínez Martín Ariel Gendler AUTORIDADES ACADÉMICAS © Fundación Universitaria San Mateo María del Valle Guerra Vicerrectora Académica Gerardo Ariel Del Vigo María Luisa Acosta Triviño Este libro es resultado de -
1Title Pages-1
Cover Page The handle http://hdl.handle.net/1887/47022 holds various files of this Leiden University dissertation. Author: Han, R. Title: The "characterization" of Japan : from merchandising to identity Issue Date: 2017-03-21 The “Characterization” of Japan: From Merchandising to Identity Ruobing Han Front cover illustration: Character goods sold in Ghibli museum, Tokyo, Japan Photo by Ruobing Han Designed by Hexi Shen Printed by Ridderprint © Ruobing Han (2017). All rights reserved. No part of this thesis may be reproduced or transmitted in any form or by any means, without permission of the author. The “Characterization” of Japan: From Merchandising to Identity Proefschrift Ter verkrijging van de graad van Doctor aan de Universiteit Leiden, op gezag van de Rector Magnificus Prof. mr. C.J.J.M. Stolker, volgens besluit van het College voor Promoties te verdedigen op dinsdag 21 maart 2017 klokke 15.00 uur door Ruobing Han geboren te Shandong, China in 1988 Promotor: Prof. Dr. K.J. Cwiertka Promotiecommissie: Prof. Dr. E. A. van Zoonen Prof. Dr. I.B. Smits Prof. Dr. Toshio Miyake Contents Acknowledgements vii Author’s Note ix Introduction 1 The Kingdom of Characters 1 Character, Commodity, and Consumption 3 Character 3 Commodity 6 Consumption 7 Character Consumption 10 Studying Characters 13 Sources, Methodology and Structure 15 Chapter 1: Character Merchandising in Japan 19 The Definition of Character Merchandising 20 A Brief History of Character Merchandising 25 The Impact on Japan 33 Conclusion 45 Chapter 2: Character Consumers and Consumption -
Il Cinema D'animazione Di Shinkai Makoto
Corso di Laurea magistrale in Relazioni Internazionali Comparate – International Relations [LM6-11] Tesi di Laurea Il cinema d'animazione di Shinkai Makoto Relatore Ch. Pro.ssa Maria Roberta Novielli Correlatore Ch. Prof. Davide Giurlando Laureando Valentina Favero Matricola 831964 Anno Accademico 2015 / 2016 2 ABSTRACT The aim of this dissertation is to analyze the cinema of Shinkai Makoto, an emerging artist in the animation's world, examining his concurrently works, the themes and his graphic technique. The first part of the thesis is developed from a focus on the director's life and background: Nitsu Makoto, aka Makoto Shinkai, was born in the city of Koumi (Nagano Prefecture) on February 9th, class 1973. After the graduation in literature at Tokyo Chuo University he was employed in a videogame company called Falcom, where he spent five years. Certainly, the different background and schooling he had undertaken, played a very important role in shaping this artist's style. Although often it has been hard deal with such a different work, mainly for his little technical experience, the success of his masterpieces spread soon all around the world. The increasingly complex and sophisticated work, the aesthetic style and the development of unique plots, the shaping of interesting characters: everything is match every time with a careful, almost maniacal, research of the best soundtrack, the most communicative dialogues full of poetic contents and literary references. Each of his works contains a special imprint of uniqueness and something "familiar" at the same time, which allows to identify places, themes and characters from the audience of all the world. -
Tales of Old Flanders : Count Hugo of Craenhove, Wooden Clara, And
!' Hi HP' ''='"!','.h'.'h^.UV<-':-^"'i^N', il It:' .*i',!li:.i;.'±s'ily ajaritcU Ittineraita Slibtarg Stljara, New lork LIBRARY OF LEWIS BINGLEY WYNNE A.B.A.M.. COLUMBIAN COLLEGE. '71 .'73 WASHINGTON, D. C. THE GIFT OF MRS. MARY A. WYNNE AND JOHN H. WYNNE CORNELL '98 1922 €mvit Pug0 0f Cmn|0k Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31 924031 1 91 947 I Philadelphia . J. B. Lippincott S)' Co. S^ \ Baltimore... Murphy Co. Tales of Old Flanders. €mrA |iug0 0f Crra|0to, :00hn €hxn, C|e Wilh^t Innkeeper. T-HREE TALES. $xom i\t (iriginal J^Umts^ of EENDRIK CONSCIENCE. BALTIMORE: MUEPHY & CO.. 182 BALTIMORE STREET. PHILADELPHIA: J. B. LIPPINCOTT & CO. 1856. ^wfsa to tfej $mKm ^Jritiflii. The three tales in this volume are so varied in their character that they may be said to present a very fair idea of their author's literary versatility. In "Count Hugo of Craenhove"—independently of the charming romance that invests the stoiy— there are dramatic descriptions of scenes during the plague that desolated Europe in the fourteenth century, which fully equal — if they do not surpass — in vividness, the tragio details of Boccacio and De Foe, and, in fact, realize its dreadful incidents with that palpable distinctness which we have only found in the celebrated " Representation of the Plague" preserved in the Museo d'Ltoria Naturale at Florence. -
1Title Pages-1
Cover Page The handle http://hdl.handle.net/1887/47022 holds various files of this Leiden University dissertation. Author: Han, R. Title: The "characterization" of Japan : from merchandising to identity Issue Date: 2017-03-21 Chapter 2 Character Consumers and Consumption In his pioneering book Material Culture and Mass Consumption , anthropologist Daniel Miller looks at the relationship between people and things and argues that “the human subject cannot be considered outside the material world within which, and through which, it is constructed” (1987: 86). He suggests to investigate things in the specific contexts, since the diversity of commodities, the various origins of their production, the multiple interests invested in them during their different stages (such as design and promotion) and the distinctive social-cultural contexts of their use and consumption have made a complex material culture (Lee, 2000: 11). “What underlies this complexity is less an appeal for pluralism than a recognition of a pluralism which already confronts us,” continues Miller (1987: 175). He focuses on mass consumption and notes that the materiality of commodities matters. His argument is particularly relevant for character consumption. As I explained in Chapter 1, characters are commodified through the practice of character merchandising, by which the rights to characters are licensed to various producers and transformed into a great variety of character goods. In this sense, character merchandising may function as an effective mechanism that continually provides new forms and materials for consumption, which already displays a certain degree of familiarity. Since the 1970s characters have become an important feature of mainstream consumption, functioning as a social- cultural tie between private and public, connecting old and young, men and women, consumers with different interests and preferences. -
COVER: Shunsuke Satake (Naturalpermanent.Com)
COVER: Shunsuke Satake (naturalpermanent.com) CITY OF DESIGN KOBE 2014 目次 Contents 「デザイン都市・神戸」 p. 6 "City of Design Kobe" p. 6 「デザイン都市・神戸」創造会議 p. 8 "City of Design Kobe" Creative Council p. 8 まち Cityscape and Community 1 夜間景観形成の推進 p. 10 1 Promoting Night Scenery p. 10 2 神戸らしい眺望景観ビューポイント 2 Viewpoints of Kobe 3 歴史的建築物の保存活用 3 Conservation and Application of Historical Buildings 4 津波避難情報板 4 Tsunami Evacuation Information 5 地下鉄新神戸駅のリニューアル 5 Subway Shinkobe Renewal 6 都心・ウォーターフロント 6 City Center & Waterfront くらし Daily Life 1 issue+design p. 16 1 issue+design p. 16 2「 KOBE デザインの日」記念イベント 2014 2 Kobe Design Day Commemorative Event 2014 3 ジャズの街神戸 3 Jazz Town Kobe 4 アニメーション神戸 4 Animation Kobe 5 date. KOBE 5 date.KOBE ものづくり Manufacturing 1 KOBE デザイン塾 p. 24 1 Kobe Design School p. 24 2 KOBE 工業デザイン塾 2 Kobe Industrial Design School 3 工業デザイン相談 3 Industrial Design Consultations 4 KOBE デザインの発信・KOBE デザイン相談会 4 Kobe Design Promotion / Kobe Design Consultations 5 第 6 回デザイン経営者フォーラム・神戸 5 The 6th Design Executive's Forum Kobe 6 第 41 回神戸ファッションコンテスト 2014 6 The 41st Kobe Fashion Contest 2014 7 神戸クリエイターセレクション「ドラフト！」 7 Kobe Creator Selection: Draft! 8 KOBE にさんがろくプロジェクト 8 Kobe Nisangaroku Project 9 神戸産農水産物ブランド基本戦略 9 Kobe Agricultural and Fisheries Brand Strategy 創造的人材の育成・集積と発信 Training, Accumulation of Creative People & Promotion 1 デザイン・クリエイティブセンター神戸（KIITO） p. 30 1 Design and Creative Center Kobe (KIITO) p. 30 2 広報印刷物のデザイン 2 Design of Printed PR Materials 3 第３回ジャパン・シックスシート・アワード 3 The 3rd Japan Six Sheet Award 4 ちいきいと 4 Chiikiito 5 神戸創庫クリエイター登録、「神戸デザインハブ」サイト 5 Kobe Creators Registration System and Kobe Design Hub Site 6 フリーペーパー「.DOCK」 6 Free Paper ".DOCK" ネットワークの取り組み Network Initiatives 1 ユネスコ創造都市ネットワーク（UCCN） p. -
Afro Samurai – Resurrec On, the Movie – Spike (Reprice)
Afro Samurai – Resurrec;on, The Movie – Spike (Reprice) Key Selling Points • Marketing campaign to garner over an estimated 10 million impressions with a dedicated print, social media, web and grassroots campaign. • Afro Samurai Resurrection is a 2009 Primetime Emmy Winner for Outstanding Production Design- it is the one and only anime to win the prestigious Emmy award • Afro Samurai Resurrection is the top selling anime for the first half of 2009 – ICV2.com • Featuring Hollywood star power such as Academy Award ® nominee Samuel L Jackson, Kelly Hu, and Ron Perlman; Samuel L Jackson is also the Executive Producer • Soundtrack composed by Grammy winning artist the RZA • Afro Samurai is a full-fledged multimedia brand powerhouse with a manga, video game, clothing licenses and anime • Director’s Cut features limited edition packaging as well as over three hours of original extras on 2 discs Synopsis WATCH THE TRAILER! Afro Samurai (Academy Award ® nominee Samuel L. Jackson) avenged his father and found a life of peace. But the legendary master is forced back into the game by a Studio: FUNimation beautiful and deadly woman from his past. The sparks of violence dropped along Street Date: 12/6/11 Afro’s bloody path now burn out of control – and nowhere are the flames of hatred Pre-Order: 11/1/11 more intense than in the eyes of Sio (Lucy Liu: Kill Bill). She won’t quit until Afro is Catalogue #: FN-07992 schooled in the brutal lessons he dealt those who stood in his way. Material #: 8031472 UPC: 704400079924 There’s no such thing as final vengeance.