Does Censorship Really Protect Children?
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In Memoriam: Benjamin Kaplan
In Memoriam: Benjamin Kaplan The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Lloyd L. Weinreb, In Memoriam: Benjamin Kaplan, 124 Harv. L. Rev. 1359 (2011). Published Version http://www.harvardlawreview.org/media/pdf/ vol124_kaplan_tribute.pdf Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:10906930 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP VOLUME 124 APRIL 2011 NUMBER 6 © 2011 by The Harvard Law Review Association IN MEMORIAM: BENJAMIN KAPLAN The editors of the Harvard Law Review respectfully dedicate this issue to Professor Emeritus Benjamin Kaplan. ∗ Justice Stephen G. Breyer When I think of Ben Kaplan’s work, I recall a passage in Conrad’s Heart of Darkness.1 Marlow is looking at the wreck of a ship that he needs to proceed upriver. Someone asks in a philosophical tone of voice, what is it that a man needs? What is it that a man wants? Mar- low thinks to himself, “What . did I want? What I really wanted was rivets, by Heaven! Rivets.”2 Why did this passage spring to mind about fifteen years ago when I was asked about Ben’s professional accomplishments? I thought of Conrad in part because Ben, like Felicia, loved to read. They read everything worth reading. And Ben liked Conrad. I thought of Marlow and rivets in part because of Ben’s habit of using metaphors in class. -
Cornell Alumni Magazine
c1-c4CAMso13_c1-c1CAMMA05 8/15/13 11:02 AM Page c1 September | October 2013 $6.00 Alumni Magazine CorneOWNED AND PUBLISHED BY THE CORNELL ALUMNI ASSOCIATION Overrated? Duncan Watts, PhD ’97, on why the Mona Lisa may not be all it’s cracked up to be Inside: Celebrating Reunion 2013 Dealing with deer cornellalumnimagazine.com c1-c4CAMso13_c1-c1CAMMA05 8/15/13 12:39 PM Page c2 01-01CAMso13toc_000-000CAMJF07currents 8/15/13 10:40 AM Page 1 September/October 2013 Volume 116 Number 2 In This Issue Corne Alumni Magazine 2 From David Skorton Going online 4 The Big Picture Holy cows! 6 Correspondence An activist reflects 10 Letter from Rwanda Art therapy 12 From the Hill State Street goes modern 44 16 Sports Hall of famers 20 Authors 2001: An NYC odyssey 42 Wines of the Finger Lakes Lakewood Vineyards 2012 Dry Riesling 56 Classifieds & Cornellians in Business 57 Alma Matters 50 22 60 Class Notes 95 Alumni Deaths 44 It’s Complicated 96 Cornelliana War and remembrance BETH SAULNIER As the saying goes: “It’s only common sense.” But for Duncan Watts, PhD ’97, com- mon sense isn’t a dependable source of folksy wisdom—in fact, it can be reductive Currents and even dangerous. In Everything Is Obvious, Once You Know the Answer, the sociologist and network theorist explores “the wisdom and madness of crowds.” The newly minted A. D. White Professor-at-Large argues that complex problems 22 Let’s Get Together like financial crises require equally complex answers—and sophisticated analysis— More from Reunion 2013 and that the popularity of everything from the Mona Lisa to Harry Potter can essen- tially be termed a fluke. -
Viewpoint Discrimination Marjorie Heins
Hastings Constitutional Law Quarterly Volume 24 Article 3 Number 1 Fall 1996 1-1-1996 Viewpoint Discrimination Marjorie Heins Follow this and additional works at: https://repository.uchastings.edu/ hastings_constitutional_law_quaterly Part of the Constitutional Law Commons Recommended Citation Marjorie Heins, Viewpoint Discrimination, 24 Hastings Const. L.Q. 99 (1996). Available at: https://repository.uchastings.edu/hastings_constitutional_law_quaterly/vol24/iss1/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Constitutional Law Quarterly by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Viewpoint Discrimination By MARJORIE HEINS* Table of Contents I. The Semantics of Suppression .......................... 105 A. Viewpoint Neutrality ................................ 105 B. Rules About Content ............................... 110 C. Political, Controversial, and Religious Speech ...... 115 II. Sex, Vulgarity, and Offensiveness ....................... 122 m. Government Benefits and Property ..................... 136 IV. Government Speech .................................... 150 V. Public Education: The Pico Paradox .................... 159 Conclusion ..................................................... 168 Introduction "If there is any fixed star in our constitutional constellation, it is that no official, high or petty, can prescribe what shall be orthodox in poli- tics, nationalism, religion, or other matters of opinion, or force citizens to confess by word or act their faith therein."1 With these words, Jus- * Director, American Civil Liberties Union Arts Censorship Project; Senior Staff Counsel, ACLU Legal Department; J.D., Harvard University, 1978; author, SEx, SIN, AND BLASPHEMY: A GuIDE TO AMERICA'S CENSORSHIP WARS (1993). The author participated in several of the cases or controversies mentioned in this Article. -
On Protecting Children—From Censorship: a Reply to Amitai Etzioni
Chicago-Kent Law Review Volume 79 Issue 1 Symposium: Do Children Have the Article 8 Same First Amendment Rights as Adults? April 2004 On Protecting Children—From Censorship: A Reply to Amitai Etzioni Marjorie Heins Follow this and additional works at: https://scholarship.kentlaw.iit.edu/cklawreview Part of the First Amendment Commons, Internet Law Commons, and the Juvenile Law Commons Recommended Citation Marjorie Heins, On Protecting Children—From Censorship: A Reply to Amitai Etzioni, 79 Chi.-Kent L. Rev. 229 (2004). Available at: https://scholarship.kentlaw.iit.edu/cklawreview/vol79/iss1/8 This Article is brought to you for free and open access by Scholarly Commons @ IIT Chicago-Kent College of Law. It has been accepted for inclusion in Chicago-Kent Law Review by an authorized editor of Scholarly Commons @ IIT Chicago-Kent College of Law. For more information, please contact [email protected], [email protected]. ON PROTECTING CHILDREN-FROM CENSORSHIP: A REPLY TO AMITAI ETZIONI MARJORIE HEINS* INTRODUCTION Concerns about sex and violence in the media, and their possible ill effects on young people, continue to drive our cultural politics. The topic has intrigued me for at least a decade-ever since, as an ACLU lawyer in the 1990s, I began to wonder about the underlying basis for the widespread assumption that minors are harmed by sexual or vio- lent content in art and entertainment. This curiosity eventually led me to leave the ACLU and begin writing Not in Front of the Children: "Indecency," Censorship, and the Innocence of Youth.' My comments here in response to Amitai Etzi- oni's 2 thoughtful, well-intentioned, but ultimately superficial argu- ment for Internet filters and other restrictions aimed at youth are partly drawn from my research for Not in Front of the Children. -
Censorship of Cable Television's Leased and Public Access Channels
Fordham Intellectual Property, Media and Entertainment Law Journal Volume 4 Volume IV Number 3 Volume IV Book 3 Article 4 1994 Panel IV: Censorship of Cable Television’s Leased and Public Access Channels Majorie Heins American Civil Liberties Union Foundation Arts Censorship Project James N. Horwood Spiegel & McDiarmid Robert T. Perry Michael Sitcov U.S. Department of Justice Follow this and additional works at: https://ir.lawnet.fordham.edu/iplj Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Majorie Heins, James N. Horwood, Robert T. Perry, and Michael Sitcov, Panel IV: Censorship of Cable Television’s Leased and Public Access Channels, 4 Fordham Intell. Prop. Media & Ent. L.J. 801 (1994). Available at: https://ir.lawnet.fordham.edu/iplj/vol4/iss3/4 This Transcript is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Intellectual Property, Media and Entertainment Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. Panel IV: Censorship of Cable Televi- sion's Leased and Public Access Channels Moderator: Professor James E. Fleminga Panelists: Marjorie Heins, Esq.b James N. Horwood, Esq.c Robert T. Perry, Esq.d Michael Sitcov, Esq.' PROFESSOR FLEMING: Welcome to the fourth panel of our program. We're going to focus on censorship of cable television's leased and public access channels. We'll cover a broad range of issues, I hope. -
Free Expression in Arts Funding: a Public Policy Report © 2003
Free Expression In Arts Funding A Public Policy Report Free Expression Policy Project a think tank on artistic and intellectual freedom 275 Seventh Avenue 9th floor New York, New York 10001 www.fepproject.org Free Expression in Arts Funding: A Public Policy Report © 2003. Also available online at www.fepproject.org/policyreports/artsfunding.html. This report may be reproduced in its entirety as long as the Free Expression Policy Project is notified and credited, and a link to the Project’s Web site is provided. The report may not be reproduced in part or in altered form without permission. FREE EXPRESSION POLICY PROJECT 275 Seventh Ave., 9th floor New York NY 10001 Phone: (212) 807-6222 x 12, x 17 Fax: (212) 807-6245 Website: www.fepproject.org Marjorie Heins, Director Stephanie Elizondo Griest, Communications Director Nancy Kranich, Senior Research Fellow Research and Drafting: Christino Cho, Kim Commerato, Marjorie Heins Additional Research: Elizabeth Weill-Greenberg Editing & Design: Stephanie Elizondo Griest Cover photo: Holly Hughes. © Kelly Campbell. Used with permission. Grateful thanks to Kelly Barsdate, Roberto Bedoya, Thomas Birch, Bethany Bryson, Jennifer Dowley, Maryo Ewell, David Greene, Joan Jeffri, Robert Lynch, Nan Levinson, Norma Munn, Virginia Rutledge, Steven Tepper, and Julie Van Camp for helpful comments, criticisms, and corrections. e TABLE OF CONTENTS e EXECUTIVE SUMMARY.........................................................................................2 FOREWORD by Svetlana Mintcheva, National Coalition Against -
Download This Article As A
BOOK REVIEW GIRLS LEAN BACK EVERYWHERE: THE LAW OF OBSCENITY AND THE ASSAULT ON GENIUS by Edward de Grazia. New York: Random House 1992. Pp. 771. $30.00 MARJORIE HEiNs* In 1968, a First Amendment lawyer named Charles Rembar published a book entitled The End of Obscenity. Rembar described his adventures defend- ing such twentieth century literary classics as Henry Miller's Tropic of Cancer and D.H. Lawrence's Lady Chatterley's Lover against obscenity prosecutions. He predicted that because of then-recent Supreme Court rulings, the philistine dark ages of obscenity law were ending. The so-called obscenity exception to the First Amendment, an exception unjustified by history, logic, or constitu- tional law, would soon be eliminated.' The Supreme Court decisions on which Rembar relied had held that a literary work could not be banned unless it was - in the then-current phrase 2 - "utterly without redeeming social value." This "utterly without" stan- dard, as one scholar recently observed, ushered in a sort of "glasnost" in ob- scenity law. "For if obscenity was utterly devoid of social value, it was an immediate corollary that anything that was not utterly devoid of social value, no matter how salacious, was ipso facto not obscene."3 * B.A., 1967, Cornell University; I.D., 1978, Harvard University. Director, American Civil Liberties Union Arts Censorship Project; author of the forthcoming book, SEX, SIN, AND BLASPHEMY: A GUIDE TO ANMERICA'S CENSORSHIP NVARS (New York: New Press 1993). 1. The obscenity exception had its origins in Chaplinsky v. New Hampshire, 315 U.S. 568, 572 (1942) (holding that some categories of speech, including libel, profanity, "fighting words," and "the lewd and obscene," are "no essential part of any exposition of ideas, and are of such slight social value as a step to truth that any benefit that may be derived from them is clearly outweighed by the social interest in order and morality"). -
Vanessa Redgrave V. Boston Symphony Orchestra: Federalism, Forced Speech, and the Emergence of the Redgrave Defense Marjorie Heins
Boston College Law Review Volume 30 Article 2 Issue 5 Number 5 9-1-1989 Vanessa Redgrave v. Boston Symphony Orchestra: Federalism, Forced Speech, and the Emergence of the Redgrave Defense Marjorie Heins Follow this and additional works at: http://lawdigitalcommons.bc.edu/bclr Part of the Civil Rights and Discrimination Commons, and the Entertainment, Arts, and Sports Law Commons Recommended Citation Marjorie Heins, Vanessa Redgrave v. Boston Symphony Orchestra: Federalism, Forced Speech, and the Emergence of the Redgrave Defense, 30 B.C.L. Rev. 1283 (1989), http://lawdigitalcommons.bc.edu/bclr/vol30/iss5/2 This Article is brought to you for free and open access by the Law Journals at Digital Commons @ Boston College Law School. It has been accepted for inclusion in Boston College Law Review by an authorized editor of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. VANESSA REDGRAVE V. BOSTON STMPHONY ORCHESTRA: FEDERALISM, FORCED SPEECH, AND THE EMRGENCE OF THE REDGRAVE DEFENSEt Marjorie Heins* I. SELLARS'S STORY 1283 II. INTERFERENCE WITH RIGHTS SECURED 1295 OZAWA'S STORY 1304 IV. BLACKLISTING 1311 V. THE RIGHT NOT TO SPEAK 1320 VI. "COMITY RUN AMOK" 1330 VII. THE FUTURE OF THE REDGRAVE DEFENSE 1338 EPILOGUE. 1351 When in 1982 the Boston Symphony Orchestra cancelled a contract with the actress Vanessa Redgrave, in response to vocif- erous protests of her political beliefs, Redgrave wanted to sue for more than just contract damages. The ensuing litigation under the Massachusetts Civil Rights Act consumed seven years, pro- duced three appellate decisions, and gave birth to a potent new defense for private employers in cases involving political retal- iation against employees. -
The Alledger Volume 09, Number 05 the Alledger
Boston College Law School Digital Commons @ Boston College Law School The Alledger Law School Archive 12-12-1988 The Alledger volume 09, number 05 The Alledger Follow this and additional works at: https://lawdigitalcommons.bc.edu/alledger Part of the Legal Education Commons, and the Legal History Commons Recommended Citation The Alledger, "The Alledger volume 09, number 05" (1988). The Alledger. 145. https://lawdigitalcommons.bc.edu/alledger/145 This Book is brought to you for free and open access by the Law School Archive at Digital Commons @ Boston College Law School. It has been accepted for inclusion in The Alledger by an authorized administrator of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. 'TWAS THE EXAM--TAKING UP CLOSE W/ NIGHT BEFORE TIPS. MARJORIE 4 FINALS -. pag~, ~ page 4 HEINS - page '5 VOL. IX, NO. 5 BOSTON COLLEGE LAW SCHOOb DEC. 12, 1988 ;/. Verdict In On Mock Trial The signs were clear enough: ing this evidence to the "jury" in how the theory was implement tion. At this luncheon, Jay Car Viewers objecting during L.A. a manner that would produce ed throughout the trial, the ney, advisor to the competition, Law, potential witnesses and their desired verdict. team's ability to object and to re spoke to the participants. In ad bailiffs hiding in fear of being During the preliminary rounds, late the objections to the evi~ dition, Harry Manion, the "real snagged for yet another stint. the judges were either present or dence, their originality, speaking life" defense attorney in this Yes, another season of Mock Tri former prosecutors or defense at- ability and presence, among case, explained what really hap al has come and gone. -
University of Texas MD Anderson Cancer Center1
///////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Academic Freedom and Tenure: The University of Texas MD Anderson Cancer Center1 (APRIL 2015) I. The Institution While MD Anderson may be considered more hos- The University of Texas MD Anderson Cancer Center, pital than university, its School of Health Professions located in Houston, was established in 1941 as part offers bachelor’s degrees in eight health disciplines and of the University of Texas and is now one of six a master’s degree in diagnostic genetics. Its University medical institutions in the fifteen-member University of Texas Graduate School of Biomedical Sciences of Texas system. Named for a Tennessee banker and offers master’s degrees and the PhD in association cotton broker whose foundation initially contrib- with its sibling institution, the University of Texas uted more than $19 million toward its creation, MD Health Science Center at Houston. Areas of study Anderson is one of the three original comprehensive include immunology, cancer biology, genes and devel- cancer centers designated by the National Cancer Act opment, molecular carcinogenesis, medical physics, of 1971 (there are sixty-eight such centers today). biomathematics and biostatistics, experimental thera- Until 2014, when it was barely overtaken by Cornell peutics, virology, and gene therapy. Each year some University’s Memorial Sloan Kettering -
Benjamin Kaplan
VOLUME 124 APRIL 2011 NUMBER 6 © 2011 by The Harvard Law Review Association IN MEMORIAM: BENJAMIN KAPLAN The editors of the Harvard Law Review respectfully dedicate this issue to Professor Emeritus Benjamin Kaplan. ∗ Justice Stephen G. Breyer When I think of Ben Kaplan’s work, I recall a passage in Conrad’s Heart of Darkness.1 Marlow is looking at the wreck of a ship that he needs to proceed upriver. Someone asks in a philosophical tone of voice, what is it that a man needs? What is it that a man wants? Mar- low thinks to himself, “What . did I want? What I really wanted was rivets, by Heaven! Rivets.”2 Why did this passage spring to mind about fifteen years ago when I was asked about Ben’s professional accomplishments? I thought of Conrad in part because Ben, like Felicia, loved to read. They read everything worth reading. And Ben liked Conrad. I thought of Marlow and rivets in part because of Ben’s habit of using metaphors in class. He would talk about Brandeis’s “copper- riveted” opinions. He would refer to “salami, sliced very very thin.” My classmate Michael Boudin told me that he had copied two pages of Ben’s metaphors into the back of his Civil Procedure notebook. Met- aphors like these caught the attention of the class. He would work them into a carefully crafted set of questions and answers that forced the students to learn the subject matter but which did not call atten- tion to himself. They left the student not “with the dancer but the dance.”3 ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– ∗ Associate Justice, Supreme Court of the United States. -
Free Culture and the Digital Library Symposium Proceedings 2005
Free Culture and the Digital Library Symposium Proceedings 2005 Proceedings of a Symposium held on October 14, 2005 at Emory University, Atlanta, Georgia. Martin Halbert (Editor) MetaScholar Initiative Robert W. Woodruff Library Emory University Atlanta, Georgia This work is published under the Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License Copyright Information: These proceedings are covered by the following Creative Commons License: Attribution-NonCommercial-NoDerivs 2.5 You are free to copy, distribute, and display this work under the following conditions: Attribution. You must attribute the work in the manner specified by the author or licensor. Specifically, you must state that the work was originally published in the Free Culture and the Digital Library Symposium Proceedings 2005, and you must attribute the author(s). Noncommercial. You may not use this work for commercial purposes. No Derivative Works. You may not alter, transform, or build upon this work. For any reuse or distribution, you must make clear to others the license terms of this work. Any of these conditions can be waived if you get permission from the copyright holder. Your fair use and other rights are in no way affected by the above. The above is a human-readable summary of the full license, which is available at the following URL: http://creativecommons.org/licenses/by-nc-nd/2.5/legalcode Publication and Cataloging Information: ISBN: 0-9772994-0-6 Editor: Martin Halbert Copy Editors: Carrie Finegan Katherine Skinner Publisher: MetaScholar Initiative