Karate-Do 沖 縄 首 里 少 林 海 空 手 道 KARATE
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Kumdo Grading Syllabus
Kumdo Grading Syllabus Ssang Head Joo Cutting Mok Soft Push Belt soo Extra strike kum Pattern Kum sword ups Pattern s Single Chakum 9 - 1 1 3 10 5 attacks 1 Defenc Chakum 1 2 2 3 e/Attac 20 5 8 2 k 1 Chakum 2 4 4 3 30 5 7 round 3 2 Chakum 6 3 6 6 6 40 10 rounds 4 2 Chakum 5 4 8 8 6 50 10 rounds 5 2 Chakum 5 10 10 6 60 10 4 rounds 6 3 Ball 3 6 12 12 12 70 20 rounds Cutting 3 2 7 12 12 12 Candle 80 20 rounds 3 1 8 12 12 12 Apple 90 20 rounds Matt Against bo 9, 10 12 12 12 cutting 100 30 2 1-4 Matt Against 11, 12 12 12 12 cutting 100 30 2 1-6 Kumdo Terminology 3rd Gup – Red Belt I General HANA ......................... 1, DUL ..................... 2 SET ............................ 3, NET ..................... 4 DASOT ...................... 5, YOSOT .................. 6 ILGOP ........................ 7 YODOL .................. 8 AHOP ........................ 9 YOL ..................... 10 CHARYOT . ...................... ATTENTION GYONGRYE ..................... BOW SABOMNIM ...................... INSTRUCTOR Basics PAL KUM ... ...................... DRAW SWORD CHAK KUM ...................... RETURN SWORD Stances KI MA SE ... ...................... HORSE RIDING STANCE Strikes JEONG MYUN BE KI ........ STRAIGHT CUT Kumdo Terminology 2nd Gup - Red Belt I I General GWAN JANG NIM ........... HEAD INSTRUCTOR DOJANG ........................... TRAINING HALL DOBOK ............................. UNIFORM JUNBI ............................... READY KYWON JYEOK ............... CENTRE AIM JI HA SE .... ...................... POINTING SWORD TO GROUND Strikes JWA WOO BE KI .............. LEFT RIGHT CUT SAM DAN BE KI ............... 3 CUTS Stance BOOM SE .. ...................... TIGER STANCE DAE DO SE ...................... LONG STEP PAK KU SEO ................... -
Ash's Okinawan Karate
ASH’S OKINAWAN KARATE LOCATION: 610 Professional Drive, Suite 1, Bozeman, Montana 59718 PHONE: 406-994-9194 EMAIL: [email protected] WEBSITE: www.ashsokinawankarate.com INSTRUCTORS: Brian Ash – Roku dan (6th degree Black Belt) Lisa Ash – Yon dan (4th degree Black Belt) Kaitlyn Ash – San dan (3rd degree Black Belt) Karate is an individual endeavor. Each person is taught and advanced according to his/her own ability. Initially, you will learn a basic foundation of karate techniques on which to build. Fundamentals of actual street and sport karate are later incorporated into your training as well as the Isshinryu kata. All classes include stretching and calisthenics. To be effective in karate, you must be in optimum shape. This book lists the minimal testing criteria for each belt level. Your sensei will decide when you are ready for testing, even if you have met the listed criteria. The rank criteria are simply a guide for the student. Practice is very important to prepare yourself for learning and advancement. To be a true black belt, you must not rush through the kyu ranks. Take advantage of that time to practice and improve all techniques and kata. We can never stop learning or improving ourselves. The secret of martial arts success is practice. Like uniforms are required during class representing tradition and equality in students. The main objective of Isshinryu is the perfection of oneself through both physical and mental development. Ash’s Karate combines teaching Isshinryu karate with a well- rounded exercise program. MISSION STATEMENT: To instill confidence, courtesy, and respect while building mental and physical strength, self discipline, balance, focus, endurance and perseverance in students so that they may empower themselves to overcome physical and mental obstacles, build character and unify mind, body and spirit. -
The Journey of Karate Masters
Antioch University AURA - Antioch University Repository and Archive Student & Alumni Scholarship, including Dissertations & Theses Dissertations & Theses 2017 From Dawn to Dan: The ourJ ney of Karate Masters. Brandon W. Maynard Antioch University Santa Barbara Follow this and additional works at: http://aura.antioch.edu/etds Part of the Clinical Psychology Commons, and the Counseling Psychology Commons Recommended Citation Maynard, Brandon W., "From Dawn to Dan: The ourJ ney of Karate Masters." (2017). Dissertations & Theses. 355. http://aura.antioch.edu/etds/355 This Dissertation is brought to you for free and open access by the Student & Alumni Scholarship, including Dissertations & Theses at AURA - Antioch University Repository and Archive. It has been accepted for inclusion in Dissertations & Theses by an authorized administrator of AURA - Antioch University Repository and Archive. For more information, please contact [email protected], [email protected]. FROM DAWN TO DAWN THE JOURNEY OF KARATE MASTERS A dissertation presented to the faculty of ANTIOCH UNIVERSITY SANTA BARBARA In partial fulfillment of the requirements for the degree of DOCTOR OF PSYCHOLOGY In CLINICAL PSYCHOLOGY by Brandon Maynard, MA May 19th, 2017 ii FROM DAWN TO DAN FROM DAWN TO DAN THE JOURNEY OF KARATE MASTERS This dissertation, by Brandon Maynard, has been approved by the committee members signed below who recommend that it be accepted by the faculty of Antioch University Santa Barbara in partial fulfillment of the requirements for the degree of DOCTOR OF PSYCHOLOGY Dissertation Committee: ______________________________________ Daniel P. Schwartz, Ph.D. Chairperson ______________________________________ Christopher Howard, Psy.D. Adjunct Reader ______________________________________ Christine DiBlasio, Ph.D. External Expert iii FROM DAWN TO DAN Copyright 2017 Brandon W. -
Shoto Ryu Karate Kai Association History Rules and Grading Syllabus
SHOTO RYU KARATE KAI ASSOCIATION HISTORY, RULES & GRADING SYLLABUS Master Vivian Nash 8th Dan FOUNDER OF SHOTO RYU KARATE KAI ASSOCIATION 1931 - 2009 Viv, as he liked to be known (outside the dojo), was born in Radstock, near Bristol, but his family settled in Plymouth when he was around five years old. BOXING Viv spent much of his life practicing and studying physical activity, and fighting arts. His mother had a theatrical background and encouraged Viv to explore the rhythm and harmony of music and dance. His father, a keen amateur boxer, taught Viv to box to a high standard. It is perhaps this positive encouragement, from a very early age that put Viv on the path to become the martial arts master and perfectionist that he certainly was. Viv was successful in the Amateur Boxing Association and during two years of National Service in the Army he became Middle-weight Battalion Champion. He also boxed in fair ground booths and often said that his boxing experience underpinned the physical side of his early karate practice. ‘I fought in many competitions, winning most of them. Later I boxed in fairground booths for £3 for three rounds; in those days, I liked to fight very much. I believe that boxing certainly helped the physical side of my karate.’ However, whilst in the army he was involved in a fire accident and was badly burned, thus ending his boxing career. While in the army he served in Suez and during his off-duty hours would spend many hours in the library, reading about many different religions. -
Taikyoku Kata - 太極
Taikyoku Kata - 太極 Taikyoku Kata - 太極 The name Taikyoku - 太極 refers to the Chinese philosophical concept of Taiji. Taikyoku is literally translated as ‘Great Ultime’. The word Taikyoku can also mean overview or intent – seeing the whole rather than concentrating on the individual parts, and keeping an open mind or beginner's mind. No prejudices and endless possibilities are pursued in the training. That's why a karateka should never think that, as soon as he gets better or passes to a more complex Kata, the first and most basic Kata is less important, and therefore must keep an open mind. The Taikyoku Kata were developed by Yoshitaka Funakoshi and introduced in 1930 by Gichin Funakoshi, founder of Shotokan, as a way to simplify the principles of the Pinan series. Taikyoku Kata are often introduced first, in preparation for the Pinan Kata. These northern Kata are based on the Shuri-te tradition of karate, which Sosai Masutatsu Oyama taught while exercising under Gichin Funakoshi. The respective Embusen - 演武線 or trajectory/route/road of all Taikyoku Kata is an ' I '. At each turn a block is executed, followed by a step and a punch. Back and forth in the middle there are three punches. The three Sokugi Kata were made by Mas Oyama to further develop kick skills. They have the same Embusen as the original Taikyoku Kata. Sokugi - 足技 literally means 'foot', 'technique' or 'kicking'. They were only formally introduced to the Kyokushin syllabus after the death of Mas Oyama. Mas Oyama developed Taikyoku sono Ichi, Ni, San – URA in 1980. -
The Folk Dances of Shotokan by Rob Redmond
The Folk Dances of Shotokan by Rob Redmond Kevin Hawley 385 Ramsey Road Yardley, PA 19067 United States Copyright 2006 Rob Redmond. All Rights Reserved. No part of this may be reproduced for for any purpose, commercial or non-profit, without the express, written permission of the author. Listed with the US Library of Congress US Copyright Office Registration #TXu-1-167-868 Published by digital means by Rob Redmond PO BOX 41 Holly Springs, GA 30142 Second Edition, 2006 2 Kevin Hawley 385 Ramsey Road Yardley, PA 19067 United States In Gratitude The Karate Widow, my beautiful and apparently endlessly patient wife – Lorna. Thanks, Kevin Hawley, for saying, “You’re a writer, so write!” Thanks to the man who opened my eyes to Karate other than Shotokan – Rob Alvelais. Thanks to the wise man who named me 24 Fighting Chickens and listens to me complain – Gerald Bush. Thanks to my training buddy – Bob Greico. Thanks to John Cheetham, for publishing my articles in Shotokan Karate Magazine. Thanks to Mark Groenewold, for support, encouragement, and for taking the forums off my hands. And also thanks to the original Secret Order of the ^v^, without whom this content would never have been compiled: Roberto A. Alvelais, Gerald H. Bush IV, Malcolm Diamond, Lester Ingber, Shawn Jefferson, Peter C. Jensen, Jon Keeling, Michael Lamertz, Sorin Lemnariu, Scott Lippacher, Roshan Mamarvar, David Manise, Rolland Mueller, Chris Parsons, Elmar Schmeisser, Steven K. Shapiro, Bradley Webb, George Weller, and George Winter. And thanks to the fans of 24FC who’ve been reading my work all of these years and for some reason keep coming back. -
Roots of Shotokan: Funakoshi's Original 15 Kata
Joe Swift About The Author: Joe Swift, native of New York State (USA) has lived in Japan since 1994. He holds a dan-rank in Isshinryu Karatedo, and also currently acts as assistant instructor (3rd dan) at the Mushinkan Shoreiryu Karate Kobudo Dojo in Kanazawa, Japan. He is also a member of the International Ryukyu Karate Research Society and the Okinawa Isshinryu Karate Kobudo Association. He currently works as a translator/interpreter for the Ishikawa International Cooperation Research Centre in Kanazawa. He is also a Contributing Editor for FightingArts.com. Roots Of Shotokan: Funakoshi's Original 15 Kata Part 1- Classification & Knowledge Of Kata Introduction Gichin Funakoshi is probably the best known karate master of the early 20th century and is known by many as the "Father Of Japanese Karate." It was Funakoshi who was first selected to demonstrate his Okinawan art on mainland Japan. In Japan Funakoshi helped build the popularity of his fledgling art and helped it gain acceptance by the all important Japanese organization founded (and sanctioned by the government) to preserve and promote the martial arts and ways in Japan (the Dai Nippon Butokukai). An author of several pioneering books on karate, he was the founder Shotokan karate from which many other styles derived. When Funakoshi arrived in Japan in 1922, he originally taught a total of fifteen kata, although it has been speculated that he probably knew many more. The purpose of this article will be to introduce some of the theories on the possible origins of these kata, provide some historical testimony on them, and try and improve the overall understanding of the roots of Shotokan. -
14Th ANNUAL I.K.L. KARATE CHAMPIONSHIP KEKUAOKALANI GYMNASIUM Saturday, November 03, 2018, Kailua-Kona, Hawaii
14th ANNUAL I.K.L. KARATE CHAMPIONSHIP KEKUAOKALANI GYMNASIUM Saturday, November 03, 2018, Kailua-Kona, Hawaii ANSWERS TO FAQS (5 pages A to K) A. GENERAL 1. Entry Fee: 1 Event $30.00, 2 Events $40.00, 3 Events $50.00 2. Late Entry Fee: 1 Event $40.00, 2 Events $50.00, 3 Events $60 3. Registration deadline is Monday, October 22, 2018. 4. NO ENTRIES WILL BE ACCEPTED ON TOURNAMENT DAY 5. Tournament is open to the public and admission is FREE. Please invite your family and friends. 6. International Karate League (IKL) members must be currently (2018) registered with the IKL Membership Administrator Cliff Field, Sensei. Entry form will be verified with IKL 2018 membership roster. A $20.00 fee will be assessed for failure to register. 7. IKL members must have IKL patch sewn on gi. 8. Unless specified, the categories under each division will be boys and girls combined or men and women combined, e.g., Open Brown Belt Kata is men and women combined. 9. IKL Ranking system: • Juniors (under age 15): white (no kyu), purple (8 kyu), green (7 & 6 kyu), blue (5 & 4 kyu), brown (3,2,1 kyu), junior black (shodan) • Seniors (15 and over): white (no kyu), green (7 & 6 kyu), blue (5 & 4 kyu), brown (3,2,1 kyu), black (shodan - judan) • Note: IKL green belt is sometimes another school’s blue belt. Be sure to enter your students in the correct rank (kyu) division. B. OFFICIALS & PARTICIPANTS: 1. All officials, judges, referees, competitors and members should be wearing their gis. -
Rules & Regulations
Rules & Regulations Kumite Rules • Jiyu (Free style) Kumite is for all ranks 5 years old and above • Warwick Shotokan Karate Championship will be using modified WSKA Rules • Light head contact to the side of the head is allowed so long as the head DOES NOT move. Any movement of the head will result in a warning – three warnings = disqualification. • No contact to the face is allowed, that also includes the face shield. • Uncontrolled techniques will result in a penalty or disqualification • Children/Teens divisions will run 2 minutes non-stop Shobu Sanbon (3 ippons or 6 wazaris) • 18-34 and 35- above will run 2 minutes non-time Shobu Sanbon (3 ippons or 6 wazaris) • All Black Belt final matches will run 3 minutes stop time Shobu Sanbon • The following equipment is mandatory all ages : Traditional White Gi, hand gloves, feet pads, mouth guard and protective cup (male). • The following equipment is mandatory for competitors 17 and under : Head gear or Head gear with face shield. • Following equipment is Optional : Chest protector for male/female. • I will have a limited amount of hand gear, feet protection, and head gear at tournament. If you need to borrower you can, but you must sign a form to “rent” the gear so I know it is returned. • In the spirit of Karate-do, all competitors must continue to compete during the entire match. If a competitor intentionally leaves the ring in the last 20 seconds of the match to avoid a scoring technique the other competitor will immediately be awarded a wazari (1 point). -
World Karate Federation
WORLD KARATE FEDERATION Version 6 Amended July 2009 VERSION 6 KOI A MENDED J ULY 2009 CONTENTS KUMITE RULES............................................................................................................................ 3 ARTICLE 1: KUMITE COMPETITION AREA............................................................................... 3 ARTICLE 2: OFFICIAL DRESS .................................................................................................... 4 ARTICLE 3: ORGANISATION OF KUMITE COMPETITIONS ...................................................... 6 ARTICLE 4: THE REFEREE PANEL ............................................................................................. 7 ARTICLE 5: DURATION OF BOUT ............................................................................................ 8 ARTICLE 6: SCORING ............................................................................................................... 8 ARTICLE 7: CRITERIA FOR DECISION..................................................................................... 12 ARTICLE 8: PROHIBITED BEHAVIOUR ................................................................................... 13 ARTICLE 9: PENALTIES........................................................................................................... 16 ARTICLE 10: INJURIES AND ACCIDENTS IN COMPETITION ................................................ 18 ARTICLE 11: OFFICIAL PROTEST ......................................................................................... 19 ARTICLE -
Bassai Sampler
Black Belt Study Group Masters Series Bassai This Book The purpose of this document is to remind practitioners of the Bassai kata and how to get the best from them. No publication can teach a kata and its applications; this can only be done by a qualified instructor in a time set aside for tuition. This document can help to jog the memory and provide inspi- ration for further study of one of the greatest exercises in ka- rate. The Bassai kata is one of the most prevalent in martial arts. It occurs in many different styles with only slight differences. This in itself shows a common root to the traditions which share Bassai. Known variously as Patsai, Passai, Bassai Dai, or other variations, this kata can be seen in Taekwondo, Shito Ryu, Goju Ryu, Kyokushinkai, Wado Ryu, and many other styles of karate. Different Sokes have placed the emphasis on different techniques, but truthfully, they are all Bassai. The version shown within heralds from Shotokan, nominally the style of Funakoshi Gichin, credited by many as the father of modern karate-do. Certainly, many movements within Shotokan have become homogenised and made safe for practice by school children. This does not mean that the old, dangerous techniques are removed, just that their applications have merely been overlooked in favour of simplistic explanations and hidden in order to favour the aesthetic required for competition. The writing shown here is the Kanji for Bassai Dai. Originally it would have been written differently, but Funakoshi chose to write it in Japanese (which was a foreign language to him). -
England Karate-Do Wado-Kai Guide to Kushanku クーシャンクー Naihanchi ナイハンチ
England Karate-Do Wado-Kai GLAN EN D K A I R A A K TE DO DO WA Guide to Kushanku クーシャンクー Naihanchi ナイハンチ Version 1 December 2013 EKW Kushanku and Naihanchi Kata Page 2 Table of Contents Page Foreword by the Chief Instructor and the Chief Coaching Officer 5 The Kushanku Kata – Introduction 7 Kushanku Kata – Explanation 11 The Complete Kushanku Kata 33 The Naihanchi Kata - Introduction 41 History 41 Individual Influences 42 Naihanchi Through Time 45 Naihanchi Kata – Otsuka Sensei Introduction 47 Naihanchi Kata - Explanation 49 The Complete Naihanchi Kata 61 EKW Kushanku and Naihanchi Kata Page 3 EKW Kushanku and Naihanchi Kata Page 4 Foreword The England Karate-Do Wado-Kai is proud to present the Association’s official guide to the Kushanku and Naihanchi kata. It is intended to act as a model methodology of how these kata should be performed not only in normal class activity but more importantly in both Kyu and Dan gradings. This guidance is the accumulation of many years of training and research by both the Chief Instructor Dave Swalwell 6th Dan and the Chief Coaching Officer John Stephenson 6th Dan. Their combined knowledge and understanding and having the experience of training with most of Hironori Otsuka remaining students, as well as other well renowned karate-ka, has enabled the Association to publish this extensive guidance document. The technical updates in this guide amount to the traditional way in which the Pinan kata was taught by the founder Hironori Otsuka and is in line with the EKW’s constitutional commitment to “foster and develop the art of Wado Ryu along traditional lines.” The EKW acknowledges that initially some of the updates will by new to some, but in time these will become embedded into the Associations training and become the normal way.