Microsoft Word Tips
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Copyrighted Material
INDEX A Bertsch, Fred, 16 Caslon Italic, 86 accents, 224 Best, Mark, 87 Caslon Openface, 68 Adobe Bickham Script Pro, 30, 208 Betz, Jennifer, 292 Cassandre, A. M., 87 Adobe Caslon Pro, 40 Bézier curve, 281 Cassidy, Brian, 268, 279 Adobe InDesign soft ware, 116, 128, 130, 163, Bible, 6–7 casual scripts typeface design, 44 168, 173, 175, 182, 188, 190, 195, 218 Bickham Script Pro, 43 cave drawing, type development, 3–4 Adobe Minion Pro, 195 Bilardello, Robin, 122 Caxton, 110 Adobe Systems, 20, 29 Binner Gothic, 92 centered type alignment Adobe Text Composer, 173 Birch, 95 formatting, 114–15, 116 Adobe Wood Type Ornaments, 229 bitmapped (screen) fonts, 28–29 horizontal alignment, 168–69 AIDS awareness, 79 Black, Kathleen, 233 Century, 189 Akuin, Vincent, 157 black letter typeface design, 45 Chan, Derek, 132 Alexander Isley, Inc., 138 Black Sabbath, 96 Chantry, Art, 84, 121, 140, 148 Alfon, 71 Blake, Marty, 90, 92, 95, 140, 204 character, glyph compared, 49 alignment block type project, 62–63 character parts, typeface design, 38–39 fi ne-tuning, 167–71 Blok Design, 141 character relationships, kerning, spacing formatting, 114–23 Bodoni, 95, 99 considerations, 187–89 alternate characters, refi nement, 208 Bodoni, Giambattista, 14, 15 Charlemagne, 206 American Type Founders (ATF), 16 boldface, hierarchy and emphasis technique, China, type development, 5 Amnesty International, 246 143 Cholla typeface family, 122 A N D, 150, 225 boustrophedon, Greek alphabet, 5 circle P (sound recording copyright And Atelier, 139 bowl symbol), 223 angled brackets, -
Vol. 123 Style Sheet
THE YALE LAW JOURNAL VOLUME 123 STYLE SHEET The Yale Law Journal follows The Bluebook: A Uniform System of Citation (19th ed. 2010) for citation form and the Chicago Manual of Style (16th ed. 2010) for stylistic matters not addressed by The Bluebook. For the rare situations in which neither of these works covers a particular stylistic matter, we refer to the Government Printing Office (GPO) Style Manual (30th ed. 2008). The Journal’s official reference dictionary is Merriam-Webster’s Collegiate Dictionary, Eleventh Edition. The text of the dictionary is available at www.m-w.com. This Style Sheet codifies Journal-specific guidelines that take precedence over these sources. Rules 1-21 clarify and supplement the citation rules set out in The Bluebook. Rule 22 focuses on recurring matters of style. Rule 1 SR 1.1 String Citations in Textual Sentences 1.1.1 (a)—When parts of a string citation are grammatically integrated into a textual sentence in a footnote (as opposed to being citation clauses or citation sentences grammatically separate from the textual sentence): ● Use semicolons to separate the citations from one another; ● Use an “and” to separate the penultimate and last citations, even where there are only two citations; ● Use textual explanations instead of parenthetical explanations; and ● Do not italicize the signals or the “and.” For example: For further discussion of this issue, see, for example, State v. Gounagias, 153 P. 9, 15 (Wash. 1915), which describes provocation; State v. Stonehouse, 555 P. 772, 779 (Wash. 1907), which lists excuses; and WENDY BROWN & JOHN BLACK, STATES OF INJURY: POWER AND FREEDOM 34 (1995), which examines harm. -
Checklist for Formats and Conventions of Theses and Dissertations Mckay School of Education Brigham Young University Directions
Checklist for Formats and Conventions of Theses and Dissertations McKay School of Education Brigham Young University Directions. The process for getting your thesis or dissertation approved typically takes more time than you expect, so plan accordingly. The flowchart found at education.byu.edu/ research/dissertation_aids.html helps you to understand this process. You are responsible for checking your thesis/dissertation to be sure that formats and conventions follow your program/department requirements, BYU Graduate Studies guidelines, and the seventh edition of the Publication Manual of the American Psychological Association (APA). This checklist highlights some of the most critical formatting elements and common errors; refer to the following pages and the APA manual for more information. Complete this checklist, in conjunction with revisions from your committee and graduate coordinator. When the graduate coordinator has approved your Word version, they will submit it and your completed checklist to [email protected] in the dean’s office. Name Date Submitted BYU Format for Preliminary Pages and Organizational Components Line spacing Accurate spelling of committee members’ names and department name Chair identified; committee members listed Completeness of abstract Table of contents, list of tables, list of figures; correlation between table and manuscript (wording, page numbers); hanging indent, subheading indentation, number alignment Description of thesis structure (if needed); title of thesis italicized; appendices referred to in -
List of Common Errors Serves As a Guide for Making Corrections Before You Submit Your Thesis Or Dissertation
School of Graduate Studies Thesis and Dissertation (ETD) Error Checklist Common Errors Requiring Correction This list of common errors serves as a guide for making corrections before you submit your thesis or dissertation. From time to time, another common error appears, and we update the list. For detailed information on the correct grammatical detail or stylistic nuance, consult the manual of style that you have chosen to guide your work. According to our Handbook, the style choice must be the style guidelines of the major journal in your field. If you need help beyond that manual, try Google. While you must not reference Wikipedia, it is an excellent starting place for general information and the first look at almost everything. If it is complicated, try YouTube. Finally, Word has this amazing feature called “Help.” Exploit its powers. Use as Checklist (The Morgan Dissertation and Thesis Handbook includes detailed discussions of most of these): □ 1. Font type in paging cannot be different from font in text (it may be smaller). This is a popular error. The default for Word is always showing up in the headers, while you have carefully selected a font for your manuscript. □ 2. Incorrect page numbering: Abstract not counted; Title page is “i” but is not placed on the page; Chapter 1 begins with page 1. This takes a few steps in Word to sort, but hundreds of people have done it. The position of the number must be an inch from the margin. If in the corner, an inch from both margins is expected. □ 3. Margins incorrect. -
Societal Responses to the State of Orphans and Vulnerable Children (OVC) in Kano
Societal Responses to the State of Orphans and Vulnerable Children (OVC) in Kano Metropolis- Nigeria A thesis presented to the faculty of the Center for International Studies of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Mustapha Hashim Kurfi June 2010 © 2010 Mustapha Hashim Kurfi. All Rights Reserved. 2 This thesis titled Societal Responses to the State of Orphans and vulnerable children (OVC) in Kano Metropolis- Nigeria by MUSTAPHA HASHIM KURFI has been approved for the Center for International Studies by Steve Howard Professor of African Studies Steve Howard Director, African Studies Daniel Weiner Executive Director, Center for International Studies 3 ABSTRACT KURFI, MUSTAPHA HASHIM, M.A., June 2010, African Studies Societal Responses to the State of Orphans and Vulnerable Children (OVC) in Kano Metropolis- Nigeria (131 pp.) Director of Thesis: Steve Howard This study uses qualitative methodology to examine the contributions of Non- Governmental Organizations in response to the conditions of Orphans and Vulnerable Children (OVC) in Kano metropolis. The study investigates what these organizations do, what methods, techniques, and strategies they employ to identify the causes of OVC’s conditions for intervention. The study acknowledges colonization, globalization, poverty, illiteracy, and individualism as contributing factors to OVC’s conditions. However, essentially, the study identifies gross misunderstanding between paternal and maternal relatives of children to be the main factor responsible for the OVC’s conditions. This social disorganization puts the children in difficult conditions including exposure to health, educational, moral, emotional, psychological, and social problems. The thesis concludes that through “collective efficacy” the studied organizations are a perfect means for solving-problem. -
1 the YALE LAW JOURNAL VOLUME 128 STYLE SHEET the Yale Law Journal Follows the Bluebook: a Uniform System of Citation (20Th
THE YALE LAW JOURNAL VOLUME 128 STYLE SHEET The Yale Law Journal follows The Bluebook: A Uniform System of Citation (20th ed. 2015) for citation form and the Chicago Manual of Style (17th ed. 2017) for stylistic matters not addressed by The Bluebook. For the rare situations in which neither of these works covers a particular stylistic matter, we refer to the Government Printing Office (GPO) Style Manual (31st ed. 2016). The Journal’s official reference dictionary is Merriam-Webster’s Collegiate Dictionary, Eleventh Edition. This Style Sheet codifies Journal-specific guidelines that take precedence over these sources. Rules 1-21 correspond to and supplement Rules 1-21 in the Bluebook. Rule 22 focuses on recurring matters of style that are not addressed in the Bluebook. Throughout, several rules have red titles; this indicates a correction to an error in the Bluebook, and these will be removed as the Bluebook is updated. Rule 1: Structure and Use of Citations.......................................................................................................... 3 S.R. 1.1(b): String Citations in Textual Sentences in Footnotes ............................................................... 3 S.R. 1.1: Two Claims in One Sentence ..................................................................................................... 3 S.R. 1.4: Order of Authorities ................................................................................................................... 4 S.R. 1.5(a)(i): Parenthetical Information.................................................................................................. -
Typographya Quick Lesson In
TYPOGRAPHYA QUICK LESSON IN Definition:The design and use of typefaces as a means of visual communication from calligraphy to the ever-developing use of digital type is the broad use of the term typography. However, the art and practice of typography began with the invention of moveable type and the printing press.Typography is sometimes seen as encompassing many separate fields from the type designer who creates letterforms to the graphic designer who selects typefaces and arranges them on the page. LETTERFORMS AND FONTS AT-A-GLANCE WHAT IS THE BEST WAY TO CHOOSE OR MIX AND MATCH FONTS? There are no absolutely right or wrong ways to choose fonts or mix different fonts. However, there are a few accepted standards that can speed up the font selection process and generally result in typographically attractive and readable compositions.These guidelines won't always work for you, but nine times out of ten they'll give you the results you want with the least amount of trial and error. • When in doubt, pair a serif font for body text and a sans serif font for headlines. • Avoid mixing two very similar typefaces, such as two scripts or two sans serifs.There is not enough contrast and the small differences will cause a visual clash. • Limit the number of different typefaces used in a single document to no more than three or four. • Avoid monospaced typefaces for body copy. They draw too much attention to the individual letters distracting the reader from the message. A well designed page contains no more than two different typefaces or four different type variations such as type size and bold or italic style. -
Notebooks Handbook.Pdf
Notebooks Handbook 1. Introduction You know the situation: you are desperately looking for some important piece of information and have to realize that it is nowhere to be found. It may be stored on your computer at home, or it may be written on a piece of paper you left at your office desk … Or maybe you are already using an electronic note taker, but it presents your notes in one single list of entries, which makes it impossible to separate your private documents from business memos and your todos from your journal entries. That’s history with Notebooks, which is here to address these and many more shortcomings. Notebooks is designed to be the sole place to put your notes, ideas, memos, documents, task lists, reminders and everything else you want to keep close at hand, neatly structured and nested, in a stylish package – your iPhone or iPad. No matter whether you want to look something up or write something down, the proper notebook is always there with you. If you prefer drawing to writing, Notebooks provides you with a canvas, a handful of pencils of different colors and allows you to get creative. - 2 - Notebooks Handbook What about existing documents stored on your computer? Just take them, im- port them into Notebooks and you have them exactly where they need to be: at your arm’s length, anytime. You can also synchronize the contents of Note- books with your computer, a server on the internet, or another version of Notebooks running on a different device. Regardless of where you add or modify your documents, the next synchronization will update all locations seamlessly and effortlessly. -
Vulnerability and Property Rights of Widows and Orphans in the Era of the HIV and AIDS Pandemic: a Case Study of Muleba and Makete Districts, Tanzania
HIV/AIDS Programme Working Paper 5 Vulnerability and Property Rights of Widows and Orphans in the Era of the HIV and AIDS Pandemic: A Case Study of Muleba and Makete Districts, Tanzania HIV/AIDS Programme Preventing and Mitigating the Impacts of HIV/AIDS, Malaria and Other Diseases on Nutrition, Food Security and Rural Livelihoods through Rural Development. FOOD AND AGRICULTURE ORGANIZATION OF THE UNITED NATIONS HIV/AIDS Programme Working Paper 5 Vulnerability and Property Rights of Widows and Orphans in the Era of the HIV and AIDS Pandemic: A Case Study of Muleba and Makete Districts, Tanzania Research Report by Flora Kessy, Josaphat Kweka, Robert Makaramba and Irenei Kiria FOOD AND AGRICULTURE ORGANIZATION OF THE UNITED NATIONS Rome 2008 ii HIV/AIDS Programme Working Paper 5 The HIV/AIDS Programme FAO, with the UN mandate for improving nutrition and food security, agriculture and rural development, has a unique opportunity to contribute to preventing and tackling the impacts of HIV and AIDS, and specifically the labour constraints caused by HIV and AIDS. FAO has the opportunity to identify and promote ways to raise awareness and prevent the transmission of HIV amongst rural communities, and to draw on capacities of the natural resource environment (agriculture, fisheries and forestry) to provide AIDS care and to help mitigate impact. Since 1988, FAO has been researching the impact of HIV/AIDS on agriculture, food security, nutrition and farming systems. In recent years, FAO's role in combating AIDS has become even more critical due to the fact that the epidemic creates a significant institutional capacity gap in the affected countries, especially concerning agricultural staff and service organizations, national agricultural research organizations and institutions in higher education and training, as well as in local informal institutions. -
Copyrighted Material
TABLE OF CONTENTS Preface 9 Acknowledgments 11 Introduction 13 Chapter 1 A Brief History of Type 15 Sounds to Symbols 15 Gutenberg and Movable Type 18 The Industrial Revolution and the Mechanization of Type 21 Photocomposition 22 Into the Digital Age 22 Herb Lubalin and Expressive Typography (sidebar) 23 Notable Type Designers (sidebar) 26 Exercises: Design Guidelines, Nancy Sharon Collins 30 Typographic Timeline, Ilene Strizver 32 Historical Design, Ilene Strizver 33 Type Poster, David Kadavy 34 Chapter 2 From Metal to Mac: Understanding Font Technology 35 What Is a Font? 35 Font Formats 35 Type 1 (or PostScript) Fonts 36 TrueType Fonts 37 OpenType Fonts 37 OpenType Features (sidebar) 40 Hinting 41 Font Management Utilities 41 Techtip: OpenType Font Identifiers 41 Typetip: Long S 42 Typetip: Font vs. Typeface 42 Techtip: Style-Linked Fonts 42 Exercise: Identifying Your OpenType Fonts, Ilene Strizver 42 COPYRIGHTED MATERIAL Chapter 3 What Makes a Typeface Look the Way It Does? 45 Parts of a Character 46 Type Categories 48 Serif 48 Sans Serif 50 Scripts 51 Handwriting 52 Blackletter 53 Titling Fonts 53 Opticals and Size-Sensitive Fonts 54 Typetip: One- and Two-Storey Lowercase As and Gs 55 Decorative and Display 56 3 002_542514_ftoc.indd2_542514_ftoc.indd 3 66/1/10/1/10 33:05:05 PPMM Typetip: Character vs. Glyph 57 Exercises: Think Like a Type Designer, Ilene Strizver 58 Personal Type Specimen Book, Ilene Strizver 59 Type Specimen Book and Typeface Analysis (Group Project), Audrey G. Bennett 60 On Beyond Zebra: The 27th Letter Assignment, Virginia Rougon Chavis 62 Typeface Comparison Book, Joey Hannaford 64 Real Signage Critique, Amelia Hugill-Fontanel 69 Chapter 4 Selecting the Right Type for the Job 71 Design Goals 71 Legibility and Readability 73 What Makes a Good Typeface? 74 Text vs. -
Taking Care of Widows & Orphans / Designing Book Interiors
Taking Care of Widows & Orphans Designing Beautiful Book Interiors Dave Schroeder http://www.daveschroeder.com/bookdesign.pdf Who is Dave Schroeder? • Author of the Xenotech Support science fiction humor series • Owner of Spiral Arm Press • Former Chief Information Officer • Active member of the Atlanta Radio Theatre Company • Book designer for Spiral Arm Press SPIRAL ARM PRESS Science Fiction & Fantasy Publishing Overview • Where to look for inspiration • Parts of a book’s interior • Physical dimensions & margins • Fonts and font size • Line length • Line spacing or leading • Chapter heading style • Running heads and page numbers • Indents and first paragraphs • Typography: periods, quotes, dashes • Fixing widows and orphans Inspiration: Learn from the Best Find high quality, professionally published books in your genre and see how they handle… • Body copy and other typefaces • Leading and paragraph indents • Running heads • Margins • Chapter titles • Introductory quotations • Illustrations • Frontmatter • Backmatter Parts of a Book’s Interior Frontmatter Body Backmatter • Other works • Part Opening page • Postscript • Half title • Chapter Opening page • Appendix or Addendum • Frontispiece • Body Pages • Chronology • Title page • Epilogue • Notes • Copyright page • Afterword • Glossary • Dedication • Conclusion • Bibliography • Epigraph • List of Contributors • Table of Contents • Index • List of Figures • Errata • List of Tables • Colophon • Forward • Invitation to connect • Preface • Acknowledgements • Introduction • Prologue • Second Half Title Physical Dimensions Createspace.com offers several industry standard trim sizes: 5 x 8 inches 5.06 x 7.81 inches Because mass market paperbacks 5.25 x 8 inches are approximately 4 x 7 inches, 5.5 x 8.5 inches I recommend using the 5x8 trim 6 x 9 inches size whenever it fits your work. -
Character & Paragraph Styles
Bruce Byfeld Character & Paragraph Styles Designing with LibreOfce, Extract 3 “An outstanding contribution” - Michael Meeks, Director, TDF, LibreOfce creators COPYRIGHT This document is Copyright © 2018 by Bruce By eld, under the Creative Commons Attribution Sharealike License version 3.0 or later. (http://creativecommons.org/licenses/by-sa/3.0/). ISBN 978-1-921320-48-4 LibreO4ce is a trademark of The Document Foundation. Apache OpenO4ce is a trademark of the Apache Software Foundation. All other trademarks within this guide belong to their respective owners. Editor & Publisher Jean Hollis Weber, Friends of OpenDocument, Inc., 544 Carlyle Gardens, Beck Drive North, Condon, Queensland 4815, Australia. Please direct any comments or suggestions about this document to [email protected]. Reviewers Jean Hollis Weber, Lee Schlesinger, Nicola Einarson, Terry Hancock, Charlie Kravetz, Michael Manning, Jean-Francois Nifenecker, Georges Rodier, Christina Teskey. Special thanks also go to Marcel Gagné, Michael Meeks, and Carla Schroder for advanced reading. Acknowledgments Parts of this book’s content were originally published, sometimes in dieerent forms, by Linux Journal, Linux.com, Linux Pro Magazine, Open Content and Software, Wazi, and WorldLabel. My thanks for permission to re-use this material. Publication date and software version Published October 2018. Based on LibreO4ce Version 5.0.2.2 and later. Photo credits Cover photos and the photo on the interior title page are copyright by Bruce By eld and released under the Creative Commons Attribution Sharealike License, version 3.0 or later. They depict the Sun Yat Sen Classical Garden in Vancouver, Canada. The gardens are based on the philosophy of feng shui, which, like typography, works deliberately to produce a natural, unnoticed eEect.