GROSVENOR PRINTS Christmas Catalogue 2008 on Show From

Total Page:16

File Type:pdf, Size:1020Kb

GROSVENOR PRINTS Christmas Catalogue 2008 on Show From GROSVENOR PRINTS Christmas Catalogue 2008 On show from Noon 18th November 19 Shelton Street Covent Garden WC2H 9JN www.grosvenorprints.com GROSVENOR PRINTS Catalogue of new stock released at midday on 18th November 2008 for our Christmas show. Established by Nigel Talbot in 1976, we have built up the United Kingdom’s largest stock of prints from the 17th to early 20th centuries. Well known for our topographical views, portraits, sporting and decorative subjects, we pride ourselves on being able to cater for almost every taste, no matter how obscure. Our largest ever catalogue contains over 1100 items, many rare, interesting and unique images. We also have an enormous quantity of new uncatalogued stock. Please browse our new dynamic website of over 6,000 illustrated items at www.grosvenorprints.com where this catalogue will be fully illustrated and searchable. Better still, come and visit our Covent Garden shop, situated in the heart of London’s West End. We look forward to welcoming you. Finally, I would like to thank all the hard work put in by our cataloguers over the past seven weeks- a massive achievement. Until Christmas we will be offering a seasonal discount 10% on purchases of two prints and 20% on purchases of three or more prints. Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com Dealers in Antique Prints & Books GROSVENOR PRINTS CHRISTMAS CATALOGUE 2008 On show from Noon 18th November Index Arts 1 – 54 Books & Ephemera 55 – 98 Decorative 99 – 171 Dogs 172 – 210 Historical, Social & Political 211 – 231 London 232 – 346 Maps 347 – 350 Modern Etchings 351 – 377 Natural History 378 – 400 Naval & Military 401 – 486 Portraits 487 – 668 Satire 669 – 721 Science, Trades & Industry 722 – 821 Sports & Pastimes 822 – 901 Foreign Topography 902 – 1034 UK Topography 1035 – 1135 Addendum 1136 - 1254 Registered in England No. 1305630 Registered Office: 2, Castle Business Village, Station Road, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Ellis. E&OE VAT No. 217 6907 49 ARTS 6. Ad metem Generosis D.ni C.L. ab 1. Veduta del Boschetto d'Arcadia dalla Hagedorn, Pontentiss: Sarmat: Regis et parte dé Principi Impedieunt teneros Electoris Sax: a Confilus Legationum, in vincula nulla pedes.....Ov. fast. L. 1 Cupis pinacotheca archtypon asservatur. Cav. C. A. Petitot inv. e dif. Giov. Volpato inc. Parma I Nogari pinxit; I I Haid del sc et exc Aug Vind. [n.d., 1769 c.1750.] Etching, 325 x 440mm. 12¾ x 17¼". Very fine. Mezzotint. Mount window 340 x 230mm. Unexamined Trimmed. £260 out of frame. £190 A view of the grove of Arcadia. The epigram is from A turbaned man golding a scroll and gesturing at a Ovid's Fasti 1, line 410. globe, after a painting by Nogari then in Hagedorn's Ref: 8677 collection. The BM describes their example as "possibly a geographer". 2. A Highland Piper. BM: 1885,1212.13. Drawn and lithographed by Gavarni. Day & Son, lith.rs Ref: 8401 to the Queen. London, Published Aug.t 1st 1849, by Ackermann & Co., 96 Strand. 7. Cheval Effrayé par une Lionne. Lithograph. Printed area 390 x 270mm. 15½ x 10½". Morland pinx. P.M.Alix sculp. à Paris chez Bance, M.d £260 d'Estampes, rue St Denis. [n.d., c.1800.] Paul Gavarni (real name Sulpice-Guillaume Chevalier, Colour-printed aquatint ('maniere au lavis'), printed 1804-1866) came to England in 1847 to escape an area 190 x 240mm, 7½ x 9½". Framed. Unexamined unhappy marriage. He travelled to Scotland with out of frame. £420 Bouquet, and then published a folio of his paintings of Despite the attribution to Morland the horse derived the scenery and the people, including this famous from George Stubbs's 'The Horse and Lioness' (CLB portrait of a bagpiper. 37), although the background now features the base of Ref: 9052 a Greek column. The 'maniere au lavis' technique used different plates to 3. The Beauties of the Dutch School; print the colour. CLB: Stubbs, 237. selected from Interesting Pictures of Ref: 9335 Admired Landscape Painters. London: Printed for J.Robson, Bond Streetl and J.Edwards, Pall Mall. MDCCXCIII. [1793.] Oblong folio, original half-calf with marbled boards, rebacked with morocco, original endpapers; title, one- page introduction, 14 sepia aquatints, each with a page of text. £580 Aquatints by Cornelius Apostool after the Dutch masters, including vander Velde, Cuyp, Wouverman and Ostade. Ref: 8832 4. The Calabrian Shepherds playing the Pastorale to the infant Jesus on Christmans at Rome. D Allan inv.t & etch.t. [n.d., c.1773-5.] Etching, 295 x 220mm. 11½ x 8¾". Rare. Tear on left 8. [A lion devouring a horse.] outside printed area. £220 Painted Engraved & Published by Geo Stubbs 1788 No A woman kneels at a shrine while two men play the 24 Somerset Sq London. bagpipes. Soft ground etching with roulette. 275 x 355mm, 11 x Ref: 8683 14". Trimmed to plate at top, margin rebuilt on right, a few tears skillfully repaired. £6800 5. [Walter de la Mare] A lion on the back of a horse, sinking his teeth into the A. Hugh Fisher. Fisher f. [n.d. c.1910] horse's shoulder. Etching. Plate 229 x 177mm. 9" x 7". £90 CLB: 71, state ii of iii, "For the first time Stubbs here Fisher, Alfred Hugh (London, 1867 - 1945). Alfred made extensive use of soft-ground etching, particularly Hugh Fisher: An English etcher, engraver, illustrator in order to obtain the rich black shadows of the and painter, Alfred Hugh Fisher was educated at the background". University College Schools, Lambeth School and Ref: 9031 South Kensington, and then concluded his formal studies in Paris, under Laurens and Constant. Ref: 8933 9. [Lutenist and Singer.] 13. 'A.E.' [George Russell] Guercino inv. F. Bartolozzi sculp. Fisher f. A. Hugh Fisher. [n.d. c.1910] Engraving, 250 x 325mm. 10 x 12¾". Light foxing, Etching. Plate 222 x 146mm. 8¾" x 5¾". £280 mainly outside platemark, uncut sheet. £130 George William Russell (April 10, 1867 – July 17, A lutenist accompanying a singer. 1935) who wrote under the pseudonym Æ (sometimes Ref: 8678 written AE or A.E.), was an Irish Nationalist, critic, poet, and painter. He was also a mystical writer, and 10. [Old Tree with castle in the distance] centre of a group of followers of theosophy in Dublin, Hearne, 1803 [signature in bottom right-hand corner]. for many years. Very rare and early Pen lithograph. 293 x 216mm. Ref: 8950 11½" x 8½". Watermark Russell 1799. Extremely rare on original backing sheet. In fine condition. £480 14. Sorrows of Werter. Thomas Hearne, British artist. 1744 - 1817. Angelica Kauffman pinx.t Ambros. Orio Sculp.t Ref: 8652 Engraving, 310 x 265mm. 12¼ x 10½". Stain along bottom. £230 11. Study For A Principal Figure In The Engraving after one of several paintings by Kauffman Picture Of 'The Parish Beadle'. by D. illustrating scenes from Goethe's tragedy Werter. A woman plays the piano and a child gaily holds aloft a Wilkie R.A. [signature facsimile] (in the doll whilst a man sits despondently. Possession of Col. Berkeley.) Ref: 8759 Plate 2 of Lithographic Imitations of Sketches by Modern Artists' by Richd. J. Lane. Printed by C. 15. Vanité des Vanités! Tous n'est que Hullmandel. London. Published by J. Dickinson. 1827. Lithograph on india laid paper, sheet 380 x 275mm. 15 vanité. Nous autres artistes... x 10¾". £130 cb. Jacque imp. d'Aubert & C.ie Chez Aubert, Pl. de la A study for 'The Parish Beadle' by David Wilkie R.A. Bourse, 29. (1785 - 1841), Scottish genre painter and etcher. The Coloured lithograph, 310 x 250mm. 12¼ x 9¾". Some painting of 1822 is now in the Tate Gallery. It was stains around image; tear through title area at bottom. engraved by Greatbach. From the series 'Lithographic £130 imitations of sketches by modern artists' by Richard An artist outside his shop, whose sign reads 'Bernard James Lane (1800 - 1872), reproductive lithographer. Peintre: seul doreur des cornes et sabots du Boeuf- Ref: 8878 Gras' ('Painter Bernard: only gilder of horns and hooves of beef fat'). A separate heading at the bottom of the sheet reads 'nous autres artistes...' ('us artists...'), whilst the heading at the top translates as 'vanity of vanities! Everything is vanity.' Ref: 8791 16. To the Right Worshipful John Kerle Haberfield, Esqre. Third time Mayor of Bristol, This Engraving of Chatterton Composing the Rowleian M.S.S. ...[text cut.] R. Jeffreys Lewis. E. Mc.Innes. Bristol: Published 1st. Septr. 1846, by C. Mitchell, 37, College Street. Mezzotint. Sheet 406 x 470mm. 16" x 18½". Cut within platemark. Some staining and creases. £320 Thomas Chatterton was born in Bristol on the 20th of November 1752. Ref: 8960 17. Hudibras and Sidrophel. From an Original in the Possession of Mr. Vincent. Painted by Wm. Hogarth. Engraved by Thom. Gaugain. Pub.d Oct. 1. 1782. by T. Gaugain No. 4 Little Compton Street London. Coloured mezzotint,, 325 x 360mm. 12¾ x 14¼". 12. [Pianists.] Small crease in top right. £240 Nd. Lalaure [n.d., c. 1920.] A scene from Hudibras, Samuel Butler's mock-heroic Etching, 165 x 120mm. 6½ x 4¾". £120 satire on Puritans, Roundheads, Presbyterians and Two girls playing a piano. many other factions involved in the English Civil War. Ref: 9107 The knight errant Hudibras visits the astrologer Sidrophel to ask his advice for wooing a widow he has Maido.) || Die Coulissen des Opernhauses been pursuing. (Die Schaar der Unschuld.) Ref: 8790 Peint par Gavarni.
Recommended publications
  • 29 Newgate and Westminster 1820
    678 December 14th 1819-December 31st 1820: Newgate, Cato Street, and the Trial of Queen Caroline 1820: Newgate Diary, the 1820 Westminster Election, Byron’s ballad My Boy Hobby, O, the execution of the Cato Street Conspirators, and the Trial of Queen Caroline December 14th 1819-December 31st 1820 Edited from B.L.Add.Mss. 56540 and 56541. In the notes, “I.G.” indicates assistance from Ian Gilmour, to whom I’m grateful. In 1819 Hobhouse contested the parliamentary seat of Westminster, which had become vacant on the suicide of Romilly. He stood as a radical, supported by his father and by Burdett, but was defeated on March 3rd by George Lamb. Riots followed, and a breach opened between him and the Holland House Whigs. Westminster was an unusual constituency. It extended from Temple Bar to Hyde Park, from Oxford Street to the Thames, and three-quarters of its voters were middle-class: shopkeepers, skilled artisans, printers, tailors, and so on. It was the only constituency in the country in which each of its 17,000 rate-paying householders had the vote, which fact made it a headache to any administration, Whig or Tory, which was based upon, and served, as all administrations were and did, the landed gentry. At Westminster, candidates had to stand on the hustings and speak deferentially to people whom they’d normally expect to speak deferentially to them . At this time Hobhouse wrote several pamphlets, and an anonymous reply to a sarcastic speech of Canning’s, written by him and some of his friends in the Rota Club, attracted attention.
    [Show full text]
  • Quarterdeck MARITIME LITERATURE & ART REVIEW
    Quarterdeck MARITIME LITERATURE & ART REVIEW AUTUMN 2020 Compliments of McBooks Press MARITIME ART British Marine Watercolors A brief guide for collectors PD - Art BY JAMES MITCHELL All images courtesy of John Mitchell Fine Paintings in London ABOVE Detail from “A Frig- James Mitchell is the co-proprietor of John Mitchell ate and a Yacht becalmed Fine Paintings which has been associated with tradi- in the Solent,” oil on can- tional British and European paintings for ninety years. vas, 25” x 29”, by English marine artist Charles With a gallery just off Brook Street in the heart of Lon- Brooking (1723-1759). don’s Mayfair, the business is now run by James and William Mitchell, the grandsons of John Mitchell who began the dealership in 1931, and their colleague James Astley Birtwistle. ver the centuries, “the silver sea,” of which Shakespeare wrote, shaped Britain’s island home and deepest identity. Britons, many Obelieved, had saltwater running in their veins. However, in modern Britain, our extraordi- nary history as a seafaring nation is not nearly as familiar as it once was. The great Age of Sail has become the esoteric province of historians and enthusiasts sustained by regular doses of Quar- terdeck and the latest gripping novels of our fa- collectors of pictures from the same period. vorite naval authors. Once-acclaimed sea painters – Brooking, Similarly, English marine painting no longer Serres, Cleveley, Swaine, Pocock, among others receives the attention it deserves, and its subject – aren’t a common currency in the way they matter thought too specialized, even among were, say, half a century ago.
    [Show full text]
  • DUTCH and ENGLISH PAINTINGS Seascape Gallery 1600 – 1850
    DUTCH AND ENGLISH PAINTINGS Seascape Gallery 1600 – 1850 The art and ship models in this station are devoted to the early Dutch and English seascape painters. The historical emphasis here explains the importance of the sea to these nations. Historical Overview: The Dutch: During the 17th century, the Netherlands emerged as one of the great maritime oriented empires. The Dutch Republic was born in 1579 with the signing of the Union of Utrecht by the seven northern provinces of the Netherlands. Two years later the United Provinces of the Netherlands declared their independence from the Spain. They formed a loose confederation as a representative body that met in The Hague where they decided on issues of taxation and defense. During their heyday, the Dutch enjoyed a worldwide empire, dominated international trade and built the strongest economy in Europe on the foundation of a powerful merchant class and a republican form of government. The Dutch economy was based on a mutually supportive industry of agriculture, fishing and international cargo trading. At their command was a huge navy and merchant fleet of fluyts, cargo ships specially designed to sail through the world, which controlled a large percentage of the international trade. In 1595 the first Dutch ships sailed for the East Indies. The Dutch East Indies Company (the VOC as it was known) was established in 1602 and competed directly with Spain and Portugal for the spices of the Far East and the Indian subcontinent. The success of the VOC encouraged the Dutch to expand to the Americas where they established colonies in Brazil, Curacao and the Virgin Islands.
    [Show full text]
  • The Life and Works of Robert Woodcock
    ~: ',; I" I -'~ S -- .a '/~~*~~~-u~ y ", :i~i'. ~__ ct~. ~s~'~ The Life and Works of ~ Robert Woodcock, 1 1690-1728 David Lasoc~i and Helen Neate ~ ... ~ !If ~• ...•'\~0 ,<'}Cfj~'l ,,~" , .. ~ " f-i..,rr.. f· ;-J '" .. .",f}/';,[:'.::t lr{/ii8ilfl!; controversial since 1954, when Brian made public Carl Dolmetsch's suggestion Priestman alleged that at least two of them that "Robert Woodcock was not the musi, were probably written by one of the Loeil, cian alluded to by both Burney and Haw, lets (on stylistic grounds, he attributed kins, but Robert Woodcock the celebrated them to Jacques) and stolen by Woodcock. marine painter ... [who} was a noted ama' Because music scholars have known little teur musician."5 MacMillan apparently re, about Woodcock, 4 it has been difficult to jected this notion, going on to argue on come to firm conclusions about his role in musical grounds that the composer of the the composition and publication of these concertos was "the recorder player Robert Woodcock" rather than "Woodcock the "'\~ .. (~" ~ ('~J~ \JY'\ -. \""' 7' ~\.Y'\' The purposes of our article are: first, to demonstrate that there was only one Rob, ert Woodcock, a marine painter, amateur woodwind player, and composer; second, to present new biographical information about him; and finally, to discuss the con' certos in the light of this information as well as musical evidence, concluding that the sole Robert Woodcock probably did compose the concertos published under his name. Woodcoc~'s life The life of Robert Woodcock the marine painter is described in two brief accounts by the engraver George Vertue (1684­ 1756) among the forty volumes of notes he ltm~ made between 1713 and 1731 for a pro' jected general history of art in England in the sixteenth and seventeenth centuries.
    [Show full text]
  • Edward Hawke Locker and the Foundation of The
    EDWARD HAWKE LOCKER AND THE FOUNDATION OF THE NATIONAL GALLERY OF NAVAL ART (c. 1795-1845) CICELY ROBINSON TWO VOLUMES VOLUME II - ILLUSTRATIONS PhD UNIVERSITY OF YORK HISTORY OF ART DECEMBER 2013 2 1. Canaletto, Greenwich Hospital from the North Bank of the Thames, c.1752-3, NMM BHC1827, Greenwich. Oil on canvas, 68.6 x 108.6 cm. 3 2. The Painted Hall, Greenwich Hospital. 4 3. John Scarlett Davis, The Painted Hall, Greenwich, 1830, NMM, Greenwich. Pencil and grey-blue wash, 14¾ x 16¾ in. (37.5 x 42.5 cm). 5 4. James Thornhill, The Main Hall Ceiling of the Painted Hall: King William and Queen Mary attended by Kingly Virtues. 6 5. James Thornhill, Detail of the main hall ceiling: King William and Queen Mary. 7 6. James Thornhill, Detail of the upper hall ceiling: Queen Anne and George, Prince of Denmark. 8 7. James Thornhill, Detail of the south wall of the upper hall: The Arrival of William III at Torbay. 9 8. James Thornhill, Detail of the north wall of the upper hall: The Arrival of George I at Greenwich. 10 9. James Thornhill, West Wall of the Upper Hall: George I receiving the sceptre, with Prince Frederick leaning on his knee, and the three young princesses. 11 10. James Thornhill, Detail of the west wall of the Upper Hall: Personification of Naval Victory 12 11. James Thornhill, Detail of the main hall ceiling: British man-of-war, flying the ensign, at the bottom and a captured Spanish galleon at top. 13 12. ‘The Painted Hall’ published in William Shoberl’s A Summer’s Day at Greenwich, (London, 1840) 14 13.
    [Show full text]
  • English Female Artists
    ^ $525.- V ^ T R /S. / / \ * t {/<•/dti '/’rlk- Printed lor Hob'.Saryer.N?^ in Fleet Street ■ ENGLISH 'EMALE ART < rn us. Ei.LSK C. G) aYXO v A' £HOR Of •' QUi'JBKir OF 80N0 ' !,'TO. • • • VOL f. LONDON; ! OTHERS, S CATHERINE ST.. SXRAN I) 187C. (A'ii *1 ijkti r ;,d) * ENGLISH FEMALE ARTISTS. lBY ELLEN C. CLAYTON, AUTHOR OF “QUEENS OF SONG,” ETC. IN TWO VOLUMES. VOL. I. I- LONDON: TINSLEY BROTHERS, 8 CATHERINE ST., STRAND. 1876. (All rights reserved.) TO (gHsabftlt Sltompisian THIS BOOK, A ROLL CALL OF HONOURABLE NAMES, is BY PERMISSION INSCRIBED, IN TESTIMONY OF ADMIRATION FOR HER GENIUS. CONTENTS. CHAPTER I. PAGE Susannah Hornebolt. Lavinia Teerlinck ... ... ... 1 CHAPTER II. Anne Carlisle. Artemisia Gentileschi. The Sisters Cleyn 14 CHAPTER III. Anna Maria Carew. Elizabeth Neale. Mary More. Mrs. Boardman. Elizabeth Creed ... ... ... ... 35 CHAPTER IY. Mary Beale ... ... ... ... ... ... 40 CHAPTER Y. Susan Penelope Rose ... ... ... ... ... 54 CHAPTER VI. Anne Killigrew ... ... ... ... ... ... 59 CHAPTER VII. Maria Varelst ... ... ... ... ... ... 71 VI CONTENTS. CHAPTER VIII. PAGE Anne, Princess of Orange. Princess Caroline. Agatha Van- dermijn. Sarah Hoadley 78 CHAPTER IX. Elizabeth Blackwell 91 CHAPTER X. Mary Delany 96 CHAPTER XL Frances Reynolds 146 CHAPTER XII. Maria Anna Angelica Catherine Kauffman 233 CHAPTER XIII. Mary Moser 295 CHAPTER XIV. Maria Cecilia Louisa Cosway 314 CHAPTER XV. Amateurs: Temp. George the Third 336 CHAPTER XVI. The Close of the Eighteenth Century 359 CHAPTER XVII. The Earlier Years of the Nineteenth Century ... 379 CHAPTER XVIII. Mary Harrison. Anna Maria Charretie. Adelaide A. Maguire 410 LIST OF THE PRINCIPAL AUTHORITIES CONSULTED FOR THE FIRST VOLUME. Annual Registek. Abt Joubnal.
    [Show full text]
  • Exhibition of Works by the Old Masters and Deceased Masters of the British
    Digitized by the Internet Archive in 2017 with funding from Getty Research Institute https://archive.org/details/exhibitionofwork1906watt Under Revision.^ OF WOEKS BY THE OLD MASTEKS AND •eteaseU iWa0fer0 of tJ)e )5nti0l) S>cl)ool INCLUDING A COLI-EGTION OF WATER COLOUR DRAWINGS ALSO A SELECTION OF DRAWINGS AND SKETCHES BY GEORGE FREDERICK WATTS, R.A. WINTER EXHIBITION "miK'rY-SK MDCCCCVI WILLIAM CLOWES AND SONS, LIMITED I’lUNTEUS TO THE ROYAL ACADEMY The Exhibitiou opens on Monday, January 1st, and closes on Saturday, March 10th. Hours of Admission, from 9 a.m. to 6 p.m. Price of Admission, Is. Price of Catalogue, 6d. Season Ticket, 5s. General Index to the Catalogues of the first thirty Exhibitions, in three parts; Part 1. 1870-1879, 2s.; Part II. 1880-1889, 2s. ; Part III. 1890-1899, Is. 6d. No sticks, umbrellas, or parasols are allowed to be taken into the Galleries. They must be given iip to the attendants at the Cloak Eoom in the Entrance Hall. The other attendants are strictly forbidden to take charge of anything. The Refreshment Room is reached by the staircase leading out of the Water Colour Room. The Gibson (Sculpture) Gallery and the Diploma Galleries are open daily, from 11 a.m. to 4 p.m. Admission free. All Communications should be addressed to “ The SecrcturyT ROYAL ACADEMY OF ARTS. 1906. HONORARY MEMBERS. The Most Rev. W. D. Maolaqan, D.D., Lord Archbishop of York, Chaplain. Professor of Ancient History. The Rt. Hon. John Moelet, M.P., Professor of Ancient Literature. The Viscount Dillon, Antiquary.
    [Show full text]
  • 1821. Death of Napoleon. Coronation of George IV. Death and Funeral of Queen Caroline
    1 1821 1821. Death of Napoleon. Coronation of George IV. Death and funeral of Queen Caroline. January 1st-December 31st 1821 Edited from BL.Add.Mss.56541-4 On January 1st 1821 Hobhouse shoots in the fields around Whitton, in the midst of a “hard frost”. On January 2nd he goes on, as he would put it, “stupefying” himself, by writing letters, cutting out from newspapers, shooting, eating and drinking. The same inactivity continues on January 3rd and 4th . On January 5th he hears of “a county meeting in Wiltshire”, and writes “to Methuen and High Sheriff Goddard to put my name to requisition”. Inactivity continues (“Epicuri de gorge porces”) on January 6th . On January 7th , Methuen answers: … he afraid of my coming down to preach radical doctrines at Devizes – these men think the Reformers fools – without deference to time or place. I wrote and told him his mistake, saying I should come down, but should not speak unless the Whigs said anything about blasphemy and sedition, in which case nothing should prevent me from censuring such odious and pernicious hypocrisy. I wrote to Tom Smith to the same purpose. On January 9th the Hobhouses are having a ball, so on January 8th Hobhouse writes letters and tidies his room in preparation. How these activities do help prepare for a ball, he doesn’t say. The ball on January 9th brings forth a capital piece of Hobhousean self- portraiture: As before – setting books to rights. In evening, we had a ball [with] all the folks of the neighbourhood – I danced with a Miss Johnstone, daughter of Sir A.
    [Show full text]
  • Old Master, British and European Art
    OLD MASTER, BRITISH AND EUROPEAN ART DONNINGTON PRIORY | THURSDAY 27 MAY 2021 OLD MASTER, BRITISH AND EUROPEAN ART DONNINGTON PRIORY | THURSDAY 27 MAY 2021 | 10.30am Coming Up at Dreweatts Auctions 5 May | Live Online Jewellery, Silver, Watches, Pens, Coins and Medals – Part 1 6 May | Live Online Piet Jonker | Garden Statuary and Ornament 6 May | Timed Online Jewellery, Silver, Watches, Pens, Coins and Medals – Part 2 12 May | Live Online Interiors to include the selected contents of Berwick House, Shropshire and other properties 13 May | Timed Online Hambridge Sale 19 May | Live Online Chinese Ceramics and Works of Art (Part 1) 20 May | Live Online Japanese & Chinese (Part 2) and Indian & Islamic Ceramics & Works of Art 27 May | Live Online Old Master, British and European Art 8 June | Live Online Interiors Day 1: to include Decorative Arts since 1860 9 June | Live Online Interiors Day 2 30 June | Live Online Fine Furniture, Sculpture, Carpets, Ceramics and Works of Art 1 July | Live Online Fine and Rare Wine and Spirits 2 July | Timed Online Hambridge Sale We hold regular auctions of fine art, antiques, jewellery and other collectibles. Our specialists carry out valuations nationwide so if you are unable to attend one of our valuation days, please request a valuation via our website or call us to discuss a home visit. NOW INVITING ENTRIES FOR OUR 2021 AUCTIONS CHINESE AND JAPANESE WORKS OF ART INCLUDING ISLAMIC AND INDIAN ART 19 & 20 MAY 2021 | 10.30am NEWBURY LONDON HAMBRIDGE LANE ENQUIRIES Dreweatts Dreweatts / Bloomsbury Auctions
    [Show full text]
  • Gilbert Kemp
    \'^,'^ r^^^™^'" '1 B ' •'•*"••' II O R THE OTTLE HOUS'E INDON! C. H. CLARKE, 7, GOUGH SQUARE, FLEET ST, 2 ca a fl oj *5 '^_"'' o a s1il'-'s!i so l_j •r* S 0 » 9 XI *> ..« 3 -S J= 2 ® s „• S gc^S'SSS'oS 03 I P.-,5 5 c a ^ cc •9 .a ^ &i § S'|S"^r.gg"3i^ * s i_' •" •N ,=5 >? £|^,g.g&'B|h.' m'" » 5 „ B 60 .& -S " *« fc o a •C-"^ a S (=5 ^13 ^ HO gj- . ee a a. ^ns^, '^ Of »^a o o 0= <« I—J o gen* s^ .1.3 S.2i "-o S-S-g °'a o 02 . O OS ±?.o o-o J g g3 §)« »^ ft -*"o"'3"" o EH 05 -(J „o m." », 55'^^^ Oto -S "^ » St-3 'S.^.M c -S3 i>43-*"'jd ^ ^-aS .^. «S to *'^S 2 ^ 2-3 S g,.»i'2s|=>.;«3 ^ CO ll ^-S.Sfe'S'S Pi » « ° ..-a ^ t>.a o ;:! •t^ t. 05 3 O *^ .^ a (« a -iJ .2 'H o ft.15 O fl ^-^ S . CM •5^-3 B o o «! >; » ^ a o M g o^"^ O 0-3 CO •' .•if 2 o »is 5 . -^ I.H M -^S P.^ .^ F4 .^ d 5 a p, fe I .-g o K1 e o ^'^ S K »i a S'|-'2g',SPSt^ Si" PI.-4-. |3 O c O o So»4J£'"3"a -(J O ". U ,0 s !s a I ^ tJ' [HI I S 69 no 5 » S"S g CO § M » o a S 0 >.
    [Show full text]
  • TLS REVIEW REPORT SEPTEMBER 2012.Indd
    REACH 08 HAM The Thames Landscape Strategy Review 277 Landscape Character Reach No 8 HAM 4.08.1 Overview 1994-2012 • Strengthening of the pastoral character of the reach • Restoration of formal landscape structure seen from the View from Richmond Hill • Improvements to biodiversity, accessibility, safety and enjoyment of the area. Launch of London’s Arcadia project and funding initiative - The TLS document ‘London’s Arcadia Final Evaluation’, October 2009 has full details and illustrations of achievements. The scope of the Arcadia work in this reach included: • Restoration of the Grade II* Ham Avenues • Scrub clearance works establish a greater range of riverside plants and associated wildlife; • Improvement to the towpath (beyond essential repairs) to improve access and opening up of historic views (such as Ham House, Octagon and Marble Hill House) with landscape improvements and interpretation. • Repair and replacement of clutter and unsympathetic street furniture, and railings to enhance the historic setting. • Works to the trees along the terrace and removal of inappropriate chain-link fence to re-open lost views over the Thames; • Provision of interpretation and new paths through Buccleuch Gardens (Grade II) to connect the foot of Richmond Hill and Petersham Meadows with the river’s edge along Richmond Promenade improving access and links with Richmond Park, Ham Avenues, Richmond town, Petersham village with Richmond Hill. Volunteers removing the unsightly • Landscape improvements to the riverside area and public open chain link fence on Richmond Hill spaces linking the historic Orleans Gardens to Marble Hill House and park. Opening up the Arcadian views to Richmond Hill and Ham House by day and night.
    [Show full text]
  • The Royal Cork Yacht Club Today
    MESSAGE FROM THE ADMIRAL AND VICE ADMIRAL PAGE 2 WHERE IT ALL BEGAN PAGE 3 - 6 THE GREAT GATHERING - JULY 2020 PAGE 7 - 8 THE CHAMPIONSHIP WEEKS - AUGUST 2020 PAGE 9 REQUEST FOR INFORMATION & CONTACT DETAILS PAGE 10 MESSAGE FROM THE ADMIRAL AND VICE ADMIRAL The year 2020 will celebrate a unique and special moment in the history of yachting, the 300th anniversary of the year in which 25 individuals formed the Water Club of Cork (now known as the Royal Cork Yacht Club). In 1720, there was one Yacht Club with 25 members, today there are thousands across the globe whose combined membership runs into the millions - all with one thing in common, a love of yachting. The Admiral, Flag Officers and Members of the Royal Cork Yacht Club invite you to join in the celebration of this milestone event – together with event partners, sponsors and suppliers, their guests and employees, yacht clubs of the world and their members, the sailing community, event competitors, local community, families and friends to come to Cork in 2020. Cork 300 is the umbrella title for a series of events which will be held throughout 2020. Its primary focus will be on the renewing of old friendships and the creation of new ones, thereby ensuring that all of our partners continue to play a leading role in yachting and activities both ashore and afloat for the the next 300 years. Central to these celebrations will be the Great Gathering in July and the Championship Weeks / “At Home” in August all backed up by a host of harbour-wide on and off the water events.
    [Show full text]