GROSVENOR PRINTS

Christmas Catalogue 2008

On show from Noon 18th November

19 Shelton Street Covent Garden WC2H 9JN

www.grosvenorprints.com GROSVENOR PRINTS Catalogue of new stock released at midday on 18th November 2008 for our Christmas show.

Established by Nigel Talbot in 1976, we have built up the United Kingdom’s largest stock of prints from the 17th to early 20th centuries. Well known for our topographical views, portraits, sporting and decorative subjects, we pride ourselves on being able to cater for almost every taste, no matter how obscure. Our largest ever catalogue contains over 1100 items, many rare, interesting and unique images. We also have an enormous quantity of new uncatalogued stock.

Please browse our new dynamic website of over 6,000 illustrated items at

www.grosvenorprints.com

where this catalogue will be fully illustrated and searchable. Better still, come and visit our Covent Garden shop, situated in the heart of ’s West End.

We look forward to welcoming you.

Finally, I would like to thank all the hard work put in by our cataloguers over the past seven weeks- a massive achievement.

Until Christmas we will be offering a seasonal discount 10% on purchases of two prints and 20% on purchases of three or more prints.

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Dealers in Antique Prints & Books

GROSVENOR PRINTS

CHRISTMAS CATALOGUE 2008 On show from Noon 18th November

Index

Arts 1 – 54 Books & Ephemera 55 – 98 Decorative 99 – 171 Dogs 172 – 210 Historical, Social & Political 211 – 231 London 232 – 346 Maps 347 – 350 Modern Etchings 351 – 377 Natural History 378 – 400 Naval & Military 401 – 486 Portraits 487 – 668 Satire 669 – 721 Science, Trades & Industry 722 – 821 Sports & Pastimes 822 – 901 Foreign Topography 902 – 1034 UK Topography 1035 – 1135 Addendum 1136 - 1254

Registered in No. 1305630 Registered Office: 2, Castle Business Village, Station Road, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Ellis. E&OE VAT No. 217 6907 49 ARTS 6. Ad metem Generosis D.ni C.L. ab 1. Veduta del Boschetto d'Arcadia dalla Hagedorn, Pontentiss: Sarmat: Regis et parte dé Principi Impedieunt teneros Electoris Sax: a Confilus Legationum, in vincula nulla pedes.....Ov. fast. L. 1 Cupis pinacotheca archtypon asservatur. Cav. C. A. Petitot inv. e dif. Giov. Volpato inc. Parma I Nogari pinxit; I I Haid del sc et exc Aug Vind. [n.d., 1769 c.1750.] Etching, 325 x 440mm. 12¾ x 17¼". Very fine. Mezzotint. Mount window 340 x 230mm. Unexamined Trimmed. £260 out of frame. £190 A view of the grove of Arcadia. The epigram is from A turbaned man golding a scroll and gesturing at a Ovid's Fasti 1, line 410. globe, after a painting by Nogari then in Hagedorn's Ref: 8677 collection. The BM describes their example as "possibly a geographer". 2. A Highland Piper. BM: 1885,1212.13. Drawn and lithographed by Gavarni. Day & Son, lith.rs Ref: 8401 to the Queen. London, Published Aug.t 1st 1849, by Ackermann & Co., 96 Strand. 7. Cheval Effrayé par une Lionne. Lithograph. Printed area 390 x 270mm. 15½ x 10½". Morland pinx. P.M.Alix sculp. à Paris chez Bance, M.d £260 d'Estampes, rue St Denis. [n.d., c.1800.] Paul Gavarni (real name Sulpice-Guillaume Chevalier, Colour-printed aquatint ('maniere au lavis'), printed 1804-1866) came to England in 1847 to escape an area 190 x 240mm, 7½ x 9½". Framed. Unexamined unhappy marriage. He travelled to Scotland with out of frame. £420 Bouquet, and then published a folio of his paintings of Despite the attribution to Morland the horse derived the scenery and the people, including this famous from George Stubbs's 'The Horse and Lioness' (CLB portrait of a bagpiper. 37), although the background now features the base of Ref: 9052 a Greek column. The 'maniere au lavis' technique used different plates to 3. The Beauties of the Dutch School; print the colour. CLB: Stubbs, 237. selected from Interesting Pictures of Ref: 9335 Admired Landscape Painters. London: Printed for J.Robson, Bond Streetl and J.Edwards, Pall Mall. MDCCXCIII. [1793.] Oblong folio, original half-calf with marbled boards, rebacked with morocco, original endpapers; title, one- page introduction, 14 sepia aquatints, each with a page of text. £580 Aquatints by Cornelius Apostool after the Dutch masters, including vander Velde, Cuyp, Wouverman and Ostade. Ref: 8832

4. The Calabrian Shepherds playing the Pastorale to the infant Jesus on Christmans at Rome. D Allan inv.t & etch.t. [n.d., c.1773-5.] Etching, 295 x 220mm. 11½ x 8¾". Rare. Tear on left 8. [A lion devouring a horse.] outside printed area. £220 Painted Engraved & Published by Geo Stubbs 1788 No A woman kneels at a shrine while two men play the 24 Somerset Sq London. bagpipes. Soft ground etching with roulette. 275 x 355mm, 11 x Ref: 8683 14". Trimmed to plate at top, margin rebuilt on right, a few tears skillfully repaired. £6800 5. [Walter de la Mare] A lion on the back of a horse, sinking his teeth into the A. Hugh Fisher. Fisher f. [n.d. c.1910] horse's shoulder. Etching. Plate 229 x 177mm. 9" x 7". £90 CLB: 71, state ii of iii, "For the first time Stubbs here Fisher, Alfred Hugh (London, 1867 - 1945). Alfred made extensive use of soft-ground etching, particularly Hugh Fisher: An English etcher, engraver, illustrator in order to obtain the rich black shadows of the and painter, Alfred Hugh Fisher was educated at the background". University College Schools, Lambeth School and Ref: 9031 South Kensington, and then concluded his formal studies in Paris, under Laurens and Constant. Ref: 8933 9. [Lutenist and Singer.] 13. 'A.E.' [George Russell] Guercino inv. F. Bartolozzi sculp. Fisher f. A. Hugh Fisher. [n.d. c.1910] Engraving, 250 x 325mm. 10 x 12¾". Light foxing, Etching. Plate 222 x 146mm. 8¾" x 5¾". £280 mainly outside platemark, uncut sheet. £130 George William Russell (April 10, 1867 – July 17, A lutenist accompanying a singer. 1935) who wrote under the pseudonym Æ (sometimes Ref: 8678 written AE or A.E.), was an Irish Nationalist, critic, poet, and painter. He was also a mystical writer, and 10. [Old Tree with castle in the distance] centre of a group of followers of theosophy in Dublin, Hearne, 1803 [signature in bottom right-hand corner]. for many years. Very rare and early Pen lithograph. 293 x 216mm. Ref: 8950 11½" x 8½". Watermark Russell 1799. Extremely rare on original backing sheet. In fine condition. £480 14. Sorrows of Werter. Thomas Hearne, British artist. 1744 - 1817. Angelica Kauffman pinx.t Ambros. Orio Sculp.t Ref: 8652 Engraving, 310 x 265mm. 12¼ x 10½". Stain along bottom. £230 11. Study For A Principal Figure In The Engraving after one of several paintings by Kauffman Picture Of 'The Parish Beadle'. by D. illustrating scenes from Goethe's tragedy Werter. A woman plays the piano and a child gaily holds aloft a Wilkie R.A. [signature facsimile] (in the doll whilst a man sits despondently. Possession of Col. Berkeley.) Ref: 8759 Plate 2 of Lithographic Imitations of Sketches by Modern Artists' by Richd. J. Lane. Printed by C. 15. Vanité des Vanités! Tous n'est que Hullmandel. London. Published by J. Dickinson. 1827. Lithograph on india laid paper, sheet 380 x 275mm. 15 vanité. Nous autres artistes... x 10¾". £130 cb. Jacque imp. d'Aubert & C.ie Chez Aubert, Pl. de la A study for 'The Parish Beadle' by David Wilkie R.A. Bourse, 29. (1785 - 1841), Scottish genre painter and etcher. The Coloured lithograph, 310 x 250mm. 12¼ x 9¾". Some painting of 1822 is now in the Gallery. It was stains around image; tear through title area at bottom. engraved by Greatbach. From the series 'Lithographic £130 imitations of sketches by modern artists' by Richard An artist outside his shop, whose sign reads 'Bernard James Lane (1800 - 1872), reproductive lithographer. Peintre: seul doreur des cornes et sabots du Boeuf- Ref: 8878 Gras' ('Painter Bernard: only gilder of horns and hooves of beef fat'). A separate heading at the bottom of the sheet reads 'nous autres artistes...' ('us artists...'), whilst the heading at the top translates as 'vanity of vanities! Everything is vanity.' Ref: 8791

16. To the Right Worshipful John Kerle Haberfield, Esqre. Third time Mayor of Bristol, This Engraving of Chatterton Composing the Rowleian M.S.S. ...[text cut.] R. Jeffreys Lewis. E. Mc.Innes. Bristol: Published 1st. Septr. 1846, by C. Mitchell, 37, College Street. Mezzotint. Sheet 406 x 470mm. 16" x 18½". Cut within platemark. Some staining and creases. £320 Thomas Chatterton was born in Bristol on the 20th of November 1752. Ref: 8960

17. Hudibras and Sidrophel. From an Original in the Possession of Mr. Vincent. Painted by Wm. Hogarth. Engraved by Thom. Gaugain. Pub.d Oct. 1. 1782. by T. Gaugain No. 4 Little Compton Street London. Coloured mezzotint,, 325 x 360mm. 12¾ x 14¼". 12. [Pianists.] Small crease in top right. £240 Nd. Lalaure [n.d., c. 1920.] A scene from Hudibras, Samuel Butler's mock-heroic Etching, 165 x 120mm. 6½ x 4¾". £120 satire on Puritans, Roundheads, Presbyterians and Two girls playing a piano. many other factions involved in the English Civil War. Ref: 9107 The knight errant Hudibras visits the astrologer

Sidrophel to ask his advice for wooing a widow he has Maido.) || Die Coulissen des Opernhauses been pursuing. (Die Schaar der Unschuld.) Ref: 8790 Peint par Gavarni. Lith par Régnier et Bettannier. [n.d. c.1850] Paris, Berlin, Barcelona, Bulla Frères et Jouy. 18. The School Mistress. In every village London, E. Gambart & Co. 25 Berners St. Oxf. St. marked with little spire/ Embower'd in Coloured lithograph. 470 x 578mm. 18½" x 22¾". Fine trees and hardly known to fame/ There impression. £480 dwells in lowly shed and mean attire/ A A scene of ballet dancers rehearsing. Ref: 8497 matron old whom we school mistress name/ Who boasts unruly brats with birch to 23. [Putti.] De Bambini il vagir addita, e tame./ They grieven sore in piteous insegna/ C'h'il dolce suon de musicali durance pent/ Aw'd by the power of this accenti/ Ne piu teneri Cor S'imprime, e relentless dame/ And oft times on vagaries regna idly bent/ For unkempt hair or task Amiconi. Pinx. Wagner sculp. Appresso J. Wagner in unconn'd are sorely shent./ Vide. Merz. Venetia C.P.E.S. Shenston's School Mistress. Etching, 305 x 370mm. 12 x 14½". Very fine F. Wheatly R.A pinx.t J. Cokes sculp.t London, impression. Cut to image and laid on original sheet. Publish'd March 20th 1794, by Tho.s Macklin, Poets £260 Gallery, Fleet Street. Five cherubs, two of whom hold music scores and one Engraving, 430 x 505mm. 16¾ x 20". Fine uncut sheet. blows a horn. In the background is a double bass with a £180 cat looking on. A scene from 'The Schoolmistress', a poem by William Ref: 8684 Shenstone (1714-1763). Ref: 8576

19. The Vicar of Wakefield, at the Race Course. Engraved by W. Giller, from a Drawing by J.M. Wright. Published by T. Gosden, Sportsman's Repository, Bedford St. Covent Garden [n.d., c.1830's] Mezzotint, 285 x 210mm. 11¼ x 8¼". Foxing and paper worn, mostly outside platemark. £180 A scene from Oliver Goldsmith's 1766 novel The Vicar of Wakefield. 'Early the next day I walked forward to the races, and about four in the afternoon I came upon the course. The company made a very brilliant 24. Danse a l'Italienne Il vous est doux, appearance, all earnestly employed in one pursuit, that of pleasure; how different from mine, that of Iris, que tous ces Spectateurs/ De vos pas reclaiming a lost child to virtue!' (Chapter 18). gracieux approuvent la Cadence,/ Et Ref: 8793 deviennent pour vous autant d'admirateurs;/ Mais d'un plaisir plus 20. Arabisches Concert. grand j'aurois la jouissance,/ Si vous No..48 G. Döbler sc. Prag bei P. Bohmanns Erben. applaudissiez aux tendres mouvements/ [n.d. c.1820.] Aquatint. 259 x 342mm. 10¼" x 13½". Some staining Qu'inspirent à mon Coeur vos divins that comes into top left-hand plate area. £65 agréments. C. Moraine A group of Arab men playing musical instruments. C. Parrocel delineavit Le Bas Sculp a Paris chez Le Ref: 8710 Bas graveur du Roy, au bas de la rüe de la Harpe vis a vis la rüe Percée chez un Fayancier. 21. [Ballerina. Madame Le Cery] Etching, 260 x 380mm. 10¼ x 15". Wide margins. ФОТОГРАФІЯ В.БАРКАНОВА Uncut sheet. £320 A large group of spectators watch a couple dancing, as [n.d., c.1870.] described in the French verses by Moraine inscribed Photograph, 170 x 105mm. 6¾ x 4¼", signed by sitter. beneath. £180 Ref: 8676 A ballerina dancing.

Ref: 8898 25. Le Serpant Terrassé Par Le Lion._ Northcote pinxt. Renard Sculpt. A Paris chez Boulet 22. Musée de Mœurs en Actions. Les Rue Chanbannais No. 6 [n.d., 1799]. Coulisses de L’Opéra (Le Corps des Stipple and etching, 500 x 630mm. 19¾ x 23¾". £650 Ingénues) Opera Slips (A Body of Young A lion subdues a snake with its mighty paw. A fine Pencil drawing, laid on to album card within ink ruled impression of this striking image after James Northcote gold leaf and watercolour wash border. Image 180 x (1746 - 1831). 230mm, 7 x 9". Dent/scratch above tree upper right. A reverse copy of S.W. Reynold's engraving of the £690 picture published in 1799. A skillfullly executed landscape study by John Claude Ref: 9073 Nattes (c.1765 - 1839), topographical draughtsman and drawing master. 26. [A rocky outcrop with shrubbery.] With etched trade card on verso, 85 x 85mm, 3¼ x 3¼ [n.d., c.1785.] ins, a vignette of a formal 18th century garden with Pencil drawing, laid on to album card within ink ruled lettering set into banner cartouche above. Inscribed as gold leaf and watercolour wash border. Image 180 x follows: 'Monsieur Nattes No.41, Charles Street, 250mm, 7 x 9¾". £690 . Pupil of Mr. Dean, respectfully acquaints A skillfullly executed landscape study by John Claude the Nobility & Gentry that he teaches Drawing, in the Nattes (c.1765 - 1839), topographical draughtsman and manner of that celebrated Master, on moderate drawing master. terms_he also teaches Perspective so very essential in With etched trade card on verso, 85 x 85mm, 3¼ x 3¼', taking Local Views. Monsieur Nattes likewise a vignette of a formal 18th century garden with continues to decorate Drawings & Prints in the most lettering set into banner cartouche above. Inscribed as elegant manner, & has a very superior method of fixing follows: 'Monsieur Nattes No.41, Charles Street, or binding Drawings, in Chalks or Lead, to prevent Westminster. Pupil of Mr. Dean, respectfully acquaints them from being Effaced.' the Nobility & Gentry that he teaches Drawing, in the It seems this may be Nattes's own presentation, from a manner of that celebrated Master, on moderate sample album created by the artist to showcase his terms_he also teaches Perspective so very essential in talents in both draughtsmanship, presentation and taking Local Views. Monsieur Nattes likewise binding. continues to decorate Drawings & Prints in the most Nattes's date and place of birth are not known. He may elegant manner, & has a very superior method of fixing have been Irish or possibly French; he became a pupil or binding Drawings, in Chalks or Lead, to prevent of the Irish artist H.P. Deane and may have visited Italy them from being Effaced.' with him. He exhibited regularly at the Royal Academy It seems this may be Nattes's own presentation, from a from 1780. As well as a painter, he was a sample album created by the artist to showcase his watercolourist, drawing master and print dealer and a talents in both draughtsmanship, presentation and founding member of the Old Watercolour Society, binding. from which he was expelled in 1807 for submitting Nattes's date and place of birth are not known. He may other artists' works under his name. From 1802 he have been Irish or possibly French; he became a pupil made frequent visits and several sojourns to . of the Irish artist H.P. Deane and may have visited Italy Ref: 9228 with him. He exhibited regularly at the Royal Academy from 1780. As well as a painter, he was a 28. [Classical guitarist] R. de los Rios watercolourist, drawing master and print dealer and a [pencil signature] founding member of the Old Watercolour Society, R. de los Rios. Sculpt. Charles Sprague Pearce. Paris from which he was expelled in 1807 for submitting [n.d. c.1890] other artists' works under his name. From 1802 he Engraving. 357 x 279mm. 14" x 11". £180 made frequent visits and several sojourns to France. Ricardo de los Ríos (1846-1929) was an artist, he was Ref: 9230 born in Spain. He did a lot of work while he lived in Paris, France. Ref: 8693

29. A la Gloire de la Peinture... P.Souch pinxit. F.Ertinger f. Par Monsieur Clement Conseiller a la Cour des Aydes. [n.d., c.1780.] Engraving. Sheet 150 x 90mm, 6 x 3½". Trimmed to plate. £160 An homage to the art of painting, with mediallion portraits of painters of the Roman School, including Michelangelo, and the Lombard School, inluding Tintoretto. Ref: 9063

30. Incerta volucri fertur Proserpina curru / Caesariem diffusa noto- planctuq[ue] lacertos. / Verberat, 27. [Landscape with a bridge over a adstantes socias, Matremq[ae] remotam. / river, a cottage in distance to left.] [n.d., c.1785.] Invocat, at guoetus ad nubila fundit Inanes. P.P. Rubens Pinxit. Cum Privilegio P. Soutman Fecit. Mezzotint. 360 x 510mm. 14¼ x 20". Tears in margins. [n.d. c.1621.] £240 Etching. 215 x 331mm. 8½" x 13". Uncut sheet. £160 An adoring Titania snuggled next to a large clothed The text comes from Claudian's 'De Raptu Bottom with a small nude Puck and fairies riding white Proserpinae', first published in Venice about 1471. rabbits, concentrating on the ass's head. Landseer's Venus, in order to bring love to Pluto, sent her son only illustration to Shakespeare, the painting was Amor to hit Pluto with one of his arrows. Proserpina commissioned by Isambard Kingdom Brunel in 1847 was in Sicily at the fountain of Arethusa near Enna, and finished in 1851. where she was playing with some nymphs and Sir Edwin Henry Landseer, RA 1802-1873. collecting flowers, when Pluto came out from the Ref: 9303 volcano Etna with four black horses. He abducted her in order to marry her and live with her in theUnderworld, of which he was the ruler. She is therefore Queen of the Underworld. Ref: 8900

31. Macbeth. Act 1. Scene 3. Banquo, ______What are these, so wither'd, and so wild in their attire; That look not like the inhabitants o'the earth, And yet are on't ? H. Fuseli pinxit. W. Bromley sculp. Published Jany, 1, 1817, by John Murray. Albermarle Street, London. Engraving. 400 x 198mm. 15¾" x 7¾". £180 W: 134. Ref: 8471

32. [A Blacksmith's Shop From the Original Picture Painted by Mr. Joseph Wright; In the Collection of the Right Honourable Lord Melbourne.] Joseph Wright pinxit. Rich.d Earlom sculpsit. J. Boydell Execudit 1771. [Published August 25th, 1771, by John Boydell, Engraver in Cheapside London.] 35. Painting. Mezzotint. 610 x 430mm. Trimmed to image on three Painted and Engraved by J.R. Smith. Publish'd Mar.h sides, into title area at bottom; minor rubbing, laid on 10.th 1783 by J. R. Smith N:83 Oxford Street. board £650 A very fine mezzotint. Title plate 50 x 324mm. 2" x Interior of a forge with three men working at an anvil 12¾". Image plate 387 x 324mm. 15¼" x 12¾". £450 with two boys beside them, one shielding his eyes from A young lady applying her make-up as the servant girl flying sparks; to right, an old man sits resting his hands stands waiting and onlooking. on a hammer; in the background, through an arch with Ex: Oettingen-Wallerstein collection. classical decoration, three men attend to two horses. Ref: 9198 CS:47. Ref: 6729 36. L'Adolescence de Paul & Virginie. L'Enfance de Paul et Virginie. [&] Paul... 33. [Die Lautenspielerin / The lute Virgin.e... [&] Le Papayer de Virginie. Le player] Sommet du Pouce... Mauchard pinx. [n.d. c.1750] Nro. 58. Se vend à Dutailly del. Guyot sculp. A Paris chez Guyot Graveur Augsbourg chez J.J. Haid et fils. 1. et M.d d'Estampes, Rue St Jacques au Grand Gesner, Mezzotint. 426 x 304mm. 16¾" x 12". Stain to bottom No.10. right-hand corner. Some spotting. Creasing through the Printed in colour. Six scenes of 14 on three plates, image. £330 each printed from four mezzotint plates in black, red, A lute player. yellow and blue. £1100 Ref: 8691 A novel by Bernardin de Saint-Pierre tells the story of two children who grow up as brother and sister in the 34. Midsummer Night's Dream. French colony, possible inspired by the wreck of the Painted by Sir E. Landseer R.A. Engraved by A.C. Saint Géran in 1744. In this series twelve views Alais. London Published May 14th 1880 by Henry illustrate the novel and two ilustrate the subsequent Graves & Co. the Proprietors Publishers to H.M. the play. Queen and T.R.H. the Prince & Princess of Wales. 6 Ex: Oettingen-Wallerstein collection. BM: Pall Mall_Copyright Registered 1895,1015.137. Ref: 9177 37. Phaëton. Angelica Kauffmann Pinx.t. F.Bartolozzi Sculpsit. G.Stubbs Pinx.t. B.Green fecit. Sold by Ryland & John & Josiah Boydell excudit 1787. Published Jan.ry Bryer at the Kings Arms in Cornhill. [n.d., c.1765-7]. 1st 1787. by John & Josiah Boydell No 90 Cheapside. Mezzotint. 450 x 550mm. Some damage, laid on thick A rare matching set of four oval stipples. 300 x paper. £550 290mm, 11½ x 11¾". Some spotting. Unexamined out Phaëton, the son of Helios, losing control of his father's of the frames. £1600 chariot. When the Royal Academy moved to Somerset House The first published state of one of Stubb's earliest in 1780, Kauffman painted four allegorical ovals for prints. Green engraved another version of this picture the ceiling of the Council Chamber, representing the in 1770. four parts of Painting: Invention, Composition, Design Lennox-Boyd: 3, state II of III. and Colour. These were set around a central painting Ref: 8541 by Benjamin West, depicting Nature, the Three Graces and the Four Elements. In 1837 the paintings were 38. Le Philosophe en Contemplation. moved to new premises in Trafalgar Square, and in J. Ph. Koch. exc: [n.d., c.1730.] 1899 were placed on the entrance ceiling at Burlington Mezzotint in sepia, 180 x 205mm. 7 x 8". Some foxing. House, the Academy's current home. £180 Ref: 8674 A seated philosopher meditating before an open book, hands in his lap. On the right a woman tends to a fire, 41. L'Astronomie. with a spiral staircase behind with another woman F. Mich. Daenzel inv. et del.t [n.d., c. 1790] standing halfway up by a door. After Rembrandt (1606 Mezzotint, printed in sepia, 190 x 140mm. 7½ x 5½". - 1669). Fine. £180 Ref: 9047 Decorative scene with two figures kneeling by a chart, with a telescope in the background. 39. William and Margaret From the Ref: 8570 celebrated ballad in Piercies Reliques of 42. Comedy To the Baron Obendorff, Antient English Poetry Vol 3 XVI. Painted by J. Wright Engraved by J. R. Smith Minister to His most Serence Highness the Mezzotinto Engraver to His Royal Highness the Prince Elector Palatine, this Plate is Dedicated by of Wales. London Published June 1. 1802, by R. His most humble and obedient Servant H. Ackermann at his Repository of Arts No. 101 Strand Sitzenich. Coloured mezzotint, 455 x 555mm; 19 ¼ x 24 ½. Laid Angelica Kauffman del.t Sintzenich Sculpt. John on card, tears in upper margin £650 Boydell exc.t 1782. publish'd Oct.r 1.st 1782 by John Margaret's ghost appears to William. An impression Boydell Engraver in Cheapside London. refreshed with colour in the state republished by Stipple, 280 x 215mm. Fine. £330 Ackermann. A young woman holding a mask in her left hand. Clayton P26, final state; D'Oench 257 Ref: 8419 Ref: 8581 43. The Dutchess of C. coming out of the Cavern, 'As I ended these words, my door opened ... & there fall down in a fit.' & The Dutchess of C giving her daughter to Count Belmire, 'I give her to you, said I to him.....what it formerly deprived you of.' D. Rigaud R A pinxit. L Schiavonetti Sculpsit. / F. J. Riguad R.A. pinxit. G. Testolini Sculpsit Pubd. June 1. 1790 by Molteno, Colnaghi & Co. No. 132 Pall Mall'. Pair of stipples with etching 352 x 428mm. Trimmed close to plate top and bottom. £380 'Adele et Theodore' Paris 1782. Duchess of Cerifalco, freed from a cavern in which her husband has imprisoned her, half-fainting with hunger and exhaustion, supported by her mother, who steps forward to support her, while her father approaches from left with outstretched arms and a valet de chambre, wearing slashed hose and a plumed hat, stands behind her to right; with two other women and 40. Invention. From the Original Picture two soldiers in the background to left; in an oval. & A on the Ceiling, in the second room, of the woman sitting in the centre of a group, turning to look at a young man standing at right who holds her hand, Royal Academy. [&] Composition... [&] and gesturing towards her daughter who stands Design... [&] Colouring. demurely at left with two attendants, one holding her pursuant to her request, was brought to the church. skirts; oval design. Upon seeing his true love's body, Colin succumbed to Stéphanie Félicité de Genlis, author & poet [1746 - death as well, and the lovers were buried in the same 1830] married Charles Alexis Brûlart, Count of Genlis tomb. and Marquess of Sillery in 1763 but they separated in Published by Thomas Macklin (c.1760 - 1800) for his 1782. From 1772, she became lady-in-waiting of series of 'British Poets', begun in 1787. Louise Marie Adélaide de Bourbon, the wife of Ref: 8892 Philippe Egalité Duke of Chartres. Félicité de Genlis became the mistress of the Duke and was soon named 47. Sterne conducting Maria into governess of their daughters and, controversially, of Moulines. their sons. Many of her works were written for their Painted by Northcote. Engrav'd by J.Parker. Publish'd education and through her writing became a friend of Feby. 17th. 1786 by John Harris, Sweetings Alley, Rousseau. In 1793 she fled the excesses of the Cornhill, London. Revolution and after living in England she was allowed Stipple and etching, 395 x 350mm. 15½ x 13¾". Fine. to return in 1801 by Napoleon who admired her. £280 Known in France as a 'Woman of Letteers'. Scene from Laurence Sterne's (1713 - 1768) 'A Oettingen-Wallerstein Collection. Lugt:2715a Sentimental Journey', the author taking a young girl Ref: 9045 with a dog and a pipe on string around her neck by the arm. He gestures towards buildings through an arch. 44. The Deserted Village. Good heaven! Two paragraphs of verse from Sterne below title. what sorrows gloom'ed that partint day..... Ex: Oettingen-Wallerstein collection. And clasp'd them close, in sorrow doubly Ref: 9222 dear [eight lines of verse to left and right of title]. F. Wheatley R.A. pinxt. F. Bartolozzi sculpt. London Publish'd May 1st. 1795 by thos. Macklin, Poets Gallery, Fleet Street. Etching and stipple in sepia, 435 x 510mm. 17 x 20". Uncut sheet. £260 A family with a dog, standing sadly at the gate of their cottage, looking somberly at the village they are forced to leave through poverty; after Wheatley. Illustrates 'The Deserted Village' by Oliver Goldsmith (1728 - 1774). Published by Thomas Macklin (c.1760 - 1800) for his series of 'British Poets', begun in 1787. Ref: 8893 48. Dogs of the Dalmatian breed. - from 45. La Geographie. an original picture in the possession of Sir F. Mich. Daenzel inv. et del.t [n.d., c. 1790.] John Fleming Leicester Baronet &c. &c. Mezzotint, printed in sepia 190 x 140mm. 7½ x 5½". James Ward R.A. Pinx et Delt. London Pubd. May 1st. Fine. £160 1824. R. Ackermann Strand. Decorative scene with two figures in a room, a globe Lithograph on india laid paper, image 370 x 510mm. and maps hung on a wall. 14½ x 20". Some foxing. Tatty extremities outside Ref: 8569 india. £850 While is no reference by Julia Frankau to this very 46. Lucy of Leinster. Of Leinster, fam'd unusual and rare lithograph of the Dalmatian dog, an for maidens fair ... Her life now near its exhibition list does mention a drawing with the same title exhibited at the British Institute in 1806. end. Vide Colin & Lucy [three verses of A prolific artist, James Ward R..A. (1769 - 1859) was four lines each below title]. one of the finest animal, portrait, and landscape Henry Bunbury Esq. delt. F. Bartolozzi R.A. sculpt. painters of Regency England. Brittle, pious, and London. Publish'd May 10. 1799, by Thos. Macklin, argumentative, Ward worked well into the mid-19th Poets Gallery, Fleet Street. century, creating dynamic compositions that Etching and stipple in sepia, 435 x 510mm. 17 x 20". epitomized Romanticism. He was devoted to the art of Some light foxing. Uncut sheet. £220 Rubens and Van Dyck, and emulated them more than A young woman supported by three others, helping her any of his contemporaries. to a stool in front of a cottage under a vine trellis. An Ref: 9078 old woman sits with an open book looking at Lucy with concern, a little boy holding a basket of flowers 49. [Falstaff at Herne's Oak.] and a dog. After Bunbury, this illustrates poet and Engraving with etching, sheet 480 x 615mm, 19 x statesman Thomas Tickell's (1685 - 1740) 'Lucy and 24¼" Folds at top. £380 Colin', in which Colin abandoned Lucy for a wealthier Finished proof before all letters of the scene showing bride. Lucy died on her lover's wedding day and, the discomfiture of Falstaff by fairies in the Merry Wives of Windsor. One of the best paintings done for Hand coloured watercolour. Sheet 351 x 286mm. 13¾" Boydell's Shakespeare. x 11¼". Small tear. £250 Ref: 8617 Ref: 8685

50. [A Midsummer Night's Dream.] Painted by Sir R.A. Engraved by Samuel Cousins, R.A. New York, Published by M.Knoedler, Broadway, Jan.y. 1st 1858; and Entered according to Act of Congress in the Clerk's Office of the District Court of the United States of the Southern District of New York. [London; Published Jan.y 1, 1858 by Henry Graves & Compy Publishers to the Queen-6 Pall Mall.] Mezzotint. 630 x 920mm. Unexamined out of frame. Title possibly hidden under mount. £1250 With an adoring Titania snuggled next to a large clothed Bottom with a small nude Puck and fairies riding white rabbits, typically concentrating on the ass's head and two white rabbits with luminous eyes, is at the National Gallery of Victoria, Melbourne, Australia. Landseer's only illustration to Shakespeare the painting was commissioned by Isambard Kingdom Brunel in 1847 and finished 1851 Sir Edwin Henry Landseer, RA 1802-1873. Edwin Landseer was the youngest son of an engraver. The three Landseer brothers studied under Benjamin Robert Haydon, the historical painter, from 1815. Haydon encouraged Landseer to study animal anatomy. In 1816, Landseer entered the Royal Academy Schools, but he had already exhibited at the Royal Academy 53. [The Bride of Lammermoor.] Summer Exhibition in the previous year. He was . Thos Oldham Barlow [Pencil elected Associate of the Royal Academy in 1826 aged signatures.] Published January 10th, 1882, by Thomas only twenty four, and full Academician in 1831 when Agnew & Sons, London, Liverpool & Manchester, and not yet thirty. In the 1830s his work gained wide Knoedler New York. Copyright Registered. popularity and was bought both by the aristocracy and Mezzotint on india, Printsellers' blindstamp. Limited to the newly important middle class. He himself moved 200. 580 x 780mm. Tear just entering india. £550 freely in aristocratic circles, and after 1836 he enjoyed Sir Walter Scott's novel 'The Bride of Lammermoor', royal patronage, especially in the 1840s when Victoria basis of Donizetti's 'Lucia di Lammermoor". Edgar, and Albert also discovered Scotland. He paid his first Master of Ravenswood, has just rescued Lucy Ashton, visit to their home, Balmoral in 1850 to paint a large daughter of his enemy, from a wild bull. Unaware of group portrait of the royal family. He was knighted that his identity she is surprised at his cold manner. The year even though the painting was never finished. model for Ravenswood perfectly fits Scott's Landseer had a permanent fight against depression and description: 'A monteso cap and a black feather ill health, although he continued to paint brilliantly drooped over the wearer's brow, and partly concealed almost until the end of his life. In the 1860s he his features which, so far as seen were dark, regular, modelled the lions at the base of Nelson's Column in and full of majestic though somewhat sullen Trafalgar Square and these were unveiled in 1867. In expression'. Millais, Holman Hunt and Rossetti had 1866 he declined the presidency of the Royal formed the revolutionary Pre-Raphaelite Brotherhood Academy, and after 1870 sank slowly into madness. in 1848. Whitman: 201 state iii of iii. Printsellers: 37. Ex: Collection of The Hon. C. Lennox- Ref: 9320 Boyd. Ref: 8241 51. Long Charley the Noted Bookseller And Matcher. 54. A Christmas Box. [n.d. c.1800] S.K._invt. G Ck fect. Pubd. Decr. 26th. 1826 by S. Hand coloured drawing. Sheet 351 x 286mm. 13¾" x Knights_Sweetings __ley Royal Exchange. 11¼". Some small tears. £250 Coloured engraving. 152 x 121mm. 6" x 4¾". Cut and Ref: 8686 laid on sheet. £80 Ref: 8643 52. T. Osborn Bookseller [n.d. c.1800] BOOKS & EPHEMERA 58. Fossil Fish Found Near Stowe Nine Churches. 55. Les Cadeaux de l'Enfant-Jesus No.2 G. Scharf del: et lithog. [n.d. c.1829]. Imp Vayro, Paris. [n.d. c.1860] Au Bureau du Musée Rare Lithograph. Sheet 370 x 543mm. 14" 5/8 x 21" Francais Anglais, Rue Bergère, 20. 3/8. £120 Lithograph. Sheet 444 x 318mm. 17½" x 12½". Some George Scharf (1788 - 1860). Bavarian born spotting. £130 lithographic artist who arrived in London in 1816. He Christmas Scene. was the lithographer for the plates accompanying Ref: 8638 Clift’s paper 'On the Fossil Remains of two New Species of Mastodon and of other Vertebrated Animals, found on the left Bank of the Irawadi' [1829]. Ref: 8462

59. A Genealogy of the Kings of England from Alfred the Great. By Rd. Mitchell. R. Mitchell. Entered At Stationers Hall London, May 19th. 1823. Published for the Author by George Wilson, Essex Street, Strand, and Sold by Ackermann, Strand; Hurst & Co. Cheapside; Colaghi, Cockspur Street; Hookham, ; Hailes, Piccadilly; Wilson, Cornhill; and the Engraver, W.J. White, Brownlow Street, Holborn. Forth Edition, with considerable additions. 56. [Curiosities.] Giovani Baptista Engraved broadside chart with vignette coats of arms, Belzoni. Ann Siggs. Patrick O'Brien. 740 x 530mm, 29 x 21". Creases through upper left and George Romondo. Mr Daniel Lambert. right corners. £330 [n.d., c.1815.] Impressive and large family tree of English royalty, Coloured engraving, 195 x 300mm. 7¾ x 11¾". from the ninth century Alfred to George IV. Scarce. Hole in top right. Stamped 1815. £190 Explanatory notes set in cartouches at corners. A print celebrating early nineteenth century curiosities, Ref: 8596 in cluding the beggar Ann Siggs, the 8' 11" Irishman Patrick O'Brien, Daniel Lambert (1770- 1808) who 60. [A giant soldier.] died weighing 739 pounds and is referred to in 'Vanity Darmier[?] Litog Vigotti. [n.d., c.1840.] Fair' and 'Nicholas Nickleby', and George Romondo, Very Scarce Lithograph. Printed area 490 x 360mm, noted for the imitative qualities of his voice. 19¼ x 14¼". Some creasing, wormhole in edge. £480 Ref: 8752 Ref: 8559

57. An Account of the Election and 61. A Collection of Prints, Engraved Return of Thomas Coster Esqr. [Text from the finest Paintings of the Greatest detailing the Election of Members to serve Masters, Chosen out of the most in Parliament for the City and County of Celebrated Collections in Engalnd, and the City of Bristol.] France. Recüeil d’Estampes, Graveés James Stewart script. Thos. Gardiner Sculpt. J. Faber d’après les Meilleurs Tableaux des Grands Fecit. J. De Groot. Junr. Pinxt. L. P. Boitard Sculpt. Maitres, dont on a fait choix dans les [n.d. c.1734.] Cabinets les plus célébres, d’Angleterre, et A very rare mezzotint & engraved broadsheet. 610 x 415mm. 24" x 16¼". Scarce. £490 de France. Broadsheet commissioned by Thomas Coster, the Tory H. Gravelot invt. Tho. Major Sculpt. Engraved and representative in the General Election, 24 May 1734. Sold by ~ Thomas Major, Engraver to his Majesty, and The British general election, 1734 returned members to to his R.H. The Prince of Wales, at the Golden Head; serve in the House of Commons of the 8th Parliament in Chandois Street near St. Martin's Lane London. of Great Britain to be held, after the merger of the Publish'd according to Act of Parliament 28 May, Parliament of England and the Parliament of Scotland 1756. ~ in 1707. Engraving. Title page to book. 476 x 381mm. 18¾" x CS:91; From Oettingen-Wallenstein Collection. Lugt: 15". Some staining to corners of the margin. £260 Thomas Major (1720-1799). "Collection of Prints 2715a. Ref: 8680 Engraved from the finest Paintings of the Great Masters chosen out of the celebrated collections in England and France". From a portfolio, 1756, 58 works after Teniers, Folio, half morocco with original printed front board, Wouverman, Bergham, Vanderneer, Vernet and others, later back board, disbound; lithographed title, half-title on various papers. & dedication; pp. 29, 6 tinted lithographs. Some Ref: 8501 spotting. £330 Including a plate of two women in traditional Welsh 62. I. A Plan of the Great Oke call'd The dress. Green-Dale Oke in the Lane near Welbeck Ref: 8846 in Nottinham Shire. (1) Virtute et Fide [In 65. [The Martyr's Memorial, Oxford] banner]. The Arch cut thro^ the tree. 10 The Oxford Memorial of Cranmer, Ridley, Feet 2 Inches high.; (2) Soepe sub hâc and Latymer. Under the Patronage of the Dryades festas duxere chorcas: / Soepe Bishop of Oxford, and the sanction of the etiam minibus nexis ex ordine, trunci / Archbishops of Cantebury and York. [4 Circuiere modum: mensuraqs roboris page document describing the becomings ulnas Quinque ter implebat nec non et of and future of the memorial.] Plus rare coetera tanto / Silva sub hâc sylvâ quanto letterpress accompaning. jacet herba sub omni. / Ov: Met:; (3) Lo [n.d. c.1840.] the Oke!; (4) Lo the Oke! that hath so long Lithograph. Sheet 605 x 438mm. 23¾" x 17¼". Rare a norishing. / Fro the time that it ginnith together. £360 first to spring / And hath so long a life, as The Martyrs' Memorial commemorates the 16th- we may see; / Yet at the laste, wastid is the century "Oxford Martyrs". The monument was designed by Sir George Gilbert Scott, and completed in Tree. Chaucer.; (5) Una Nemus. 1843 after two years' work. The Oxford Martyrs were G. Vertue. (1) These Draughts taken 31 August 1727. tried for heresy in 1555 and subsequently burnt at the Line engraving. 357 x 209mm. 14" x 8¼". Some stake in Oxford, England, for their religious beliefs and staining. £650 teachings. The three martyrs were the bishops Hugh Very rare set in good condition. Title page to 4 Latimer and Nicholas Ridley, and the Archbishop draughts. Thomas Cranmer. Ref: 8658 Ref: 8679

63. 'The Court of King Christmas.' 66. A Report of the State of the Sheffield R Dudley del. H Hoval sc. Printed in colors by William Clowes and Sons [n.d., c.1900.] General Infirmary, (Open to the Sick and Coloured engraving, 230 x 285mm. 11¼ x 9". Central Lame Poor of any Nation) From vertical crease; Trimmed, losing part of publication Missummer 1801, to Midsummer, 1802. line £70 By the Committee of Accounts, Appointed by the Vibrant scene depicting festive revels in the court of Statutes of the Charity to Prepare the Same. T.Pierson, King Christmas. Printer, Sheffield. [n.d., watermarked 1802.] Ref: 8777 Folio letterpress broadsheet, 4pp., with engraving on front. Sheet (opened) 475 x 605mm, 18¾ x 23¾". Splits in folds, one tear. £650 With lists of the receipts and payments, patients admitted and discharged, legacies and subscribers. Sheffield General Infirmary was founded in 1792, becoming the Royal Infirmary in 1897, closing in 1980. The original building, as shown in the engraving, is now Heritage House, a Grade II* listed building. Ref: 9048

67. Original Sketches, Drawn and Engraved on Stone. By Henry Stretton, Esq. Subscribers' Copies to be had of Mr. Paul Gauci, 9, North Crescent, Alfred Place; 64. The 'Ladies of Llangollen,' as and of Mr. Worsfold, 161, Regent Street. [n.d., sketched by many hands; with Notices of c.1840.] Other Objects of Interest in "That Original blind-stamped cloth, titled in gilt on front board, hinges strained; title, dedication, list of 180 Sweetest of Vales." subscribers, 10 tinted lithograph plates, printed by Paul By John Hinklin, Editor of the 'Chester Courant,' Gauci. Some spotting. £450 Author of 'The History of Chester Cathedral,' Etc. One of only 180 subscribers' copies of the book. Chester: Thomas Catherall, Eastgate Row; London: Ref: 8840 Whittaker & Co.; Ackermann & Co., Strand; Dublin: T.Cranfield. 68. [Textile designs.] Bonneville Paris. [With framer's trade label on verso:] Gravé par Deschamps. Dubreuil, rue Lacharie, No. 8, à Thomas Fentham, Carver, Gilder and Paris. [n.d., c. 1800.] Picture-Frame Maker, At No. 52. Opposite Engravings, each approx. 300 x 450mm. 12 x 17¾". Some foxing, creasing, slight tears and scuffing to Old Round-Court, Strand, London, Sells paper. £390 all Sorts of Picture, Print, and Looking- Seventeen sheets of patterned textile designs. Glass Frames, of any colour to match Ref: 9053 rooms; various Sorts of Green and Gold Dressing-Glasses, rich Girandoles, &c. and 69. [A young woman reading a Green and Blue Venetian Window-Blinds. valentine.] Old Pictures and Prints Cleaned, lined, London, Published August 22nd. 1866, by Moore, McQueen & Company Limited 25, Berners Street, repaired, and secured from Dust. Oxford Street; Pairs, chez François Delarue, Editeur, Guido Reni Pinxit. Rob.t Strange delin.t et Sculp.t. 18, Rue J.J. Rousseau. [n.d., 1766.] Mixed method engraving, proof before title, 720 x Engraving. 380 x 435mm. Narrow margins, laid on 515mm. 28¼ x 20¼". £220 linen. £230 A young woman reading a love letter by a fire place, a Cupid asleep on a couch, his chin on his hand, the rose having fallen to the ground, while her father works elbow propped on a cushion on the right, with a curtain in a back room. A fine impression. above to right and a view of a landscape with a castle Ref: 8489 in the background to left. Thomas Fentham had several addresses in the Strand between 1774 and 1825: he occupied No.52 between 70. Das Vater Unser eines 1778-94. Underwaldners. Ref: 8352 erfunden von J. Martin Usteri in Zürich ausgeführt und in Tuschmanier geäzt von Marquard Wocher in Basel Freiburg im Breisgau in der Herderschen Kunsthandlung. [n.d., c.1814.] 4to. Cover and 8 leaves of calligraphic lithograph text, with 8 aquatint plates.330 x 240mm. 13 x 9½". Some foxing on pages but not on plates; loosely bound. £420 Usteri's anti-French series of illustrations and one of his most important works. The aquatints depict the Schwarzer September ('Black September'), as the bloody rebellion of the Swiss Nidwalden against the invading French revolutionary troops in September 1798 became known. 600 houses were burned down and a large number of women and children perished. The illustrations follow a Nidwald mountain shepherd and his young nephew accompanied by a text based on the Lord's Prayer. Ref: 8909 73. [A putti playing a lyre and riding a 71. Le Temps qui détruit tout, donne à lion.] tout l’existence: Des débris que tu vois, j’ai Engraved by F. Bartolozzi. London, Publish'd May 25; reçu la naissance. 1785 by W. Dickinson, Engraver & Printseller No. 158 Fortier Sculpsit. A Paris, chez L. Dubois Peintre, Rue Bond Street. de L'Éperon No.8. Et chez tous les Mds. de Stipple and etching, proof, 155 x 130mm. 6 x 5". £90 Nouveautés. Déposé à la Bibliothèque Impériale. [n.d. A beautifully engraved classical design, possibly for a c.1780.] ticket. Engraving. 260 x 292mm. 10¼" x 11½". Small tear Ex: Oettingen-Wallerstein collection. that comes into the top platemark. Repaired hole to the Ref: 9179 right-hand side of the image. £120 Jean-Antoine Roucher (1745-1794), french poet. These 74. Almanac 1883. words feature in his poetry set "Les Mois" - 'Avril'. The From T.J. Sawyerr, 162, Rawdon Street, Freetown. image shows the face of a man with a beard when A.J. White, Limited, 21, Farringdon Road, London, turned upside down. E.C. Ref: 8750 Printed pamphlet wrapper, chromolithograph, and one disbound sheet. 12vo, 150 x 95mm, 6 x 3¾". £120 72. Cupido Dormiens. Cupid Sleeping. An Almanac printed for the British settlement at From a painting of Guido Reni, in the Freetown, Sierra Leone, West Africa. The printed text Collection of Sir Laurence Dundas Bar.t. within, including verso side of disbound sheet, is verso: "Coll Clynton Bgt. of John Beckett overwritten by hand in ink in a non-European script. & John Bland. Novr 7 1758 An Hollow The recto of the sheet ( numbered '5') lists significant historical events for the month of February, and is Scabard & Gilt Chape to Steel & gold illustrated with a monk looking at his fishy catch to Sword £~4"6. Jany 16 1764 A Neat wrot signify Pisces. Below is a recommendation for 'Seigel's Steel Sword Gilt Black & gold £4"14"6. Curative Syrup' by one Joseph Woods, Chemist. Feby 26 1765 A Wrot Steel & gold Chape According to a pencil note offered with this item, the to Ditto Sword £~3"6. - £5"2"6. [In a ink manuscript is a local charm, to be recited for the purpose of curing the sick. Different Hand] Jany 28 1766 / Recd the A truly unique piece of ephemera. Contents in of all Demands for John Ref: 9319 Beckett and John Bland. [with a signature in similar ink] Beckett. 75. Public Banquet To The Suite Of His Engraving 200 x 235mm. Foxed with folds and outer Majesty Louis Philippe, King Of The edges of the paper time stained. £750 French, and the Officers of the French We conclude the 'Clynton' to whom this invoice relates was General Sir Henry Clinton 1730-1795 who served Squadron, by the Mayor & Inhabitants of as British Commander in Chief in the American the Port of Portsmouth & Vicinities Revolutionary War. The first purchase does seem to Saturday 12th. Octr. 1844. coinside with the year he was risen to the rank of Charpentier, Sct. Portsmouth [c.1844]. lieutenant colonel in the 1st Foot Guards [later Ticket, lithograph on laminated paper, 115 x 150mm. Grenadier Guards]. In 1760 he went on active service 4½ x 6". Some staining. £60 for the first time. A brigade of guards was attached to An unallocated ticket to an 1844 banquet in honour of the force under Prince Ferdinand, and Clinton so the visiting Louis Philippe (1773 – 1850), King of the greatly distinguished himself that he was selected to fill French from 1830 to 1848. With vignette of the French the post of aide-de-camp to the hereditary Prince of and British crowns and flags, a representation of the Brunswick, who commanded a division. His gallantry 1830 French constitution adjacent to the British royal was conspicuous; he was promoted colonel on 24 June coat of arms. 1762, was wounded at Johannisberg on 30 Aug. 1762, Ref: 9263 and after the conclusion of peace was appointed colonel of the 12th regiment in 1766. He was promoted major-general on 25 May 1772. Ref: 8820

77. [Birth Certificate.] These are to Certify, That Priscilla Moginie Daughter of John Moginie and Maria- his Wife, who was Daughter of James & Elizabeth Elsworthy, was born in St. John's Street in the Parish of St. John's Clerkenwell in the County, of Midx. the first Day of May in the Year one thousand eight hundred five. At whose Birth we were present. [...] Registered at Dr William's Library, Redcross-Street, near Cripplegate, London. Dec. 30th 1806. Tho. Morgan, Register. Attendance at the Library every Tuesday, Wednesday, Thursday, and Friday, between the Hours of Ten in the Morning and Three in the Afternoon; except during the Month of August, and the Whitsun and Christmas Weeks, when 76. John Beckett Sword Cutler & Belt the Library is shut up. Maker, To his Majesty; /at the King's Printed by C. and W. Galabin, Ingram-Court, London. Arms and two Flaming Swords, in St. Certificate, 175 x 200mm. 7 x 8". Horizontal and vertical creases. £220 James's Street. / Make and Sells all Sorts of Birth certificate describing the birthplace and lineage Rich Swords and Belts, Silk and Leather. of a child. Registered at a library. Whosesale and Retail at Reasonable Ref: 8780 Rates.~ and in French. Hand written on 78. Address of the Citizens of the Ward Co., W.R. McPhun, & M'Callum & Co. Glasgow and of Farringdon Without, in the City of West, C Smith & Co, and Robertson & Ballantyne, Edinburgh. London, to their Fellow-Citizens of the Lithograph, 430 x 560mm. 17 x 22". Very rare. £220 other Wards in the said City. [&] The A four page publication including comical scenes, Memorial of the Citizens of the Ward of poetry and a large view of Glasgow fair, showing Farringdon Without, in Wardmote numerous stage shows. Also includes a print of a face assembled [...] with a separate flap which can be folded back to G. Neal, Printer, Fleet-lane, Farringdon-street. [1850.] change the appearance of the face. Printed text, 320 x 420mm. 12½ x 16½". Small folds in Ref: 8901 corners and paper scuffing; horizontal creases £65 Address criticizing the operation of the Corporation of London, explaining the holding of Wardmotes in Farringdon to provide a forum for discussion and proposing severa; resolutions to improve the corporation. The 'Memorial' also conecerns the Corporation of London. Both documents written by John Pontifex, Ward Clerk, 5, St. Andrew's Court, Holborn. Ref: 8899

79. His Majesty's Coronation Fleet. Received of [blank] the day of [blank] the Sum of [blank] Sovereign being the Amount of his Subscription as a Member 83. J. Halliday's Juvenile Dress & of the above Fleet for the Year 182 [blank]. Hosiery Warehouse, 235 Regent Street, E.H. Cross Sc 92 Leadenhall Street. [n.d., c.1820.] Near Portland Place, London. Tradecard. Engraved receipt with vignette royal coat of arms and Drawn by James Fillans Eng.d by W. West. Margaret sailing boats on a lake, 220 x 210mm.8¾ x 8¼". St. Creases where folded; laid to card. £130 Engraving, 80 x 110mm. Brown marks, trimmed close Unannotated, unsigned diploma of membership of to image, small hole in top-left corner £80 King George IV's Coronation Fleet. A balloon bearing the address of J. Halliday's Ref: 9315 warehouse, amongst a scene of children playing various games, including cricket and archery. 80. West view of Ely Cathedral. Ref: 8220

Ebenezer William Creak, Choristers' 84. Presented by Heath & Wiltshire Ltd School, Ely. Rock & Co. London. [n.d., c.1800.] of Farnham Surrey to [blank] to Engraving, 155 x 110mm. 6 x 4¼". Horizontal creases; commemorate [blank] years of valued trimmed. £45 service with the company 1951 Chairman. A calling-card, with a view of Ely cathedral. James Hockey fecit 1951. [etched in plate.] James Ref: 9065 Hockey 1951 [signed and dated in pencil below.] Etched illustrated diploma on watermarked laid paper, 81. Leggatt, Hayward and Leggatt's New unsigned and uninscribed, 310 x 350mm. 12¼ x 13¾". City Gallery, Principal Entrance, 22, £230 An attractive certificate issued by a Farnham car dealer Cornhill, Opposite the Royal Exchange. or manufacturer. It is decorated by vignettes illustrating London. the progress of transport, from horse-drawn coaches [n.d., c.1840.] above, through different eras of the motor car, to Aquatint advertising card. 105 x 140mm, 4¼ x 5½". contemporary automobiles. Glue stains in corners. £120 Ref: 8984 A view of the interior of a leading Vivtorian picture dealer's establishment. At various times Leggatt, 85. [Zermatt souvenir Menus & Guide.] Hayward and Leggatt exhibited paintings by Landseer, Polygraphisches Institut, Zurich [n.d., c.1900.] Cooper, Eastlake and Ward, as well as W. P. Frith's Four coloured lithographed menu cards and famous picture 'The Derby Day'. lithographed folded pamphlet, approx. 220 x 125mm. Ref: 9216 8¾ x 5". Horizontal creases; two menus are torn. £120 Small souvenir collection consisting of a pamphlet 82. Glasgow Looking Glass. Vol. 1.- advertising the Hôtels Seilet in Zermatt on front, Hotel No.4. Zermatt, Hotel Monte Rosa, Hotel Riffelaip, L'hotel du Glasgow. Printed, Published, & Sold by J. Watson Lac Noir, L'hotel Riffelberg, all in Switzerland, in the Lith. Press, 169 George Street, & Sold by R. Griffin & inside with a collage of secenery of the back. Four handwritten menus on stationery from the Hôtel the proposers, follow] ... Portsmouth, June Riffelberg. On the front of each, next to the menu is an 21, 1867. alpine scene, with a descripion of the area, hotel prices Harrison & Co., Printers, Portsmouth. and suggested excursions on the reverse. Printed letterpress broadside, 440 x 285mm. 17¼ x Ref: 8894 11¼". Discoloured; laid to card. £120 Public notice of the decisions of a meeting at Portsmouth Guildhall in 1867 concerning the upcoming visit to the town by Abdülaziz, the 32nd sultan of the Ottoman Empire (1830 – 1876). He reigned between June 25, 1861 and May 30, 1876. A Fleet Review of the Royal Navy was arranged in the sultan's honour in July 1867 at nearby Spithead on the Solent. Ref: 9257

89. Banquet Given By The Mayor (Major W.T. Dupree) and the Inhabitants of

86. Severall Wayes of Hunting, Hawking, Portsmouth To Captain Percy Scott, R.N., and Fishing, Acording to the English C.B. and the Officers and Men of H.M.S. Manner If Hunting, Hawking, Fishing, "Terrible" in Honour and Appreciation of pleasure yeald,/ How much may Art their Gallant Services In South Africa and excede, as if in Feild,/ You vew'd each North China. W.H. Barrell, Printer, 114 High Street, Portsmouth. Sport, by figure so exprest,/ The Severall Printed song pamphlet, 12mo (180 x 120mm, 7 x 5") wayes they take, Fowle, Fish, & Beast. and folded embossed menu lettered and decorated in invented by Francis Barlow. Etched by W. Hollar. And gilt, 215 x 105mm, 8½ x 4". £160 are to be Sould by John Overton, at the White Horse, Two rare pieces of ephemera printed for a banquet without Newgate, London, A 1671. given by the Mayor of Portsmouth at the Connaught Engraving, 180 x 290mm. 11½ x 7". Stain; trimmed Drill Hall, on September 23rd, 1902, in honour of close around image; tear on right. £160 Captain Percy Scott of HMS Terrible. Includes a small Frontispiece to the 1671 publication 'Severall Wayes of book of 14 songs in original printed wrapper. Also the Hunting, Hawking, and Fishing, Acording to the menu issued to guests, which features a reproduction of English Manner', etched by Wenceslaus Hollar. a contemporary photograph of the Terrible on the P 2028 I of II verso. Ref: 8757 HMS Terrible was a ship of the Powerful-class of armoured cruiser built by J&G Thompson on 87. British Wesleyan Methodism, 1836. Clydebank and launched on May 27, 1895. She served Circular to the Circuit Stewards of the with her sister ship, HMS Powerful on the China Whole Connexion. Station and provided landing parties which fought in Letterpress broadsheet with wood-engraved border. 2 the relief of the Siege of Ladysmith in the Second Boer sheets, printed on three sides, each sheet 285 x 240mm, War. Crews from the two ships also took part in 11¼ x 9½". Some creasing & staining. £140 suppressing the Boxer Rebellion in China. An account of a Methodist meeting in Halifax, Ref: 9308 Yorkshire. Ref: 9281 90. Portsmouth Grand Testimonial Banquet In honour of the Officers & Men 88. Borough Of Portsmouth. Naval Of The British Army, Navy & Royal Review At Spithead. At a Public Meeting Marines Engaged In The Late War With of the Inhabitants of the Borough of Russia 1854. 1855. 1856. On Tuesday & Portsmouth, held at the Guildhall, on Wednesday The 16th. & 17th. Of Thursday, the 20th inst., for the purpose of September 1856. Lord George Lennox, considering what steps should be taken to President. Admit [in ink:] A:L: represent this Borough and neighbourhood Vandenbergh, Esqre. on the occasion of the Naval Review at Day & Son, London. Lithrs. to the Queen. [1856.] Spithead in July next, in honour of the Ticket, lithograph on laminated paper with three red wax seals, 200 x 250mm. 7¾ x 9¾". Slightly faded.£90 Sultan's Visit To England The Worshipful Personalised invitation to a banquet in honour of The Mayor, Emanuel Emanuel, Esq., In veterans of the Crimean War (1854– 1856) in The Chair:- ...[Details of the Resolutions Portsmouth. A vignette of the coat of arms of the town passed by the meeting, and the names of surrounded by military standards bearing the names of anonymously, and their authorship was for some time a major battles at the centre. matter for conjecture. There is now no doubt that they Numbered 'No.12' in ink upper left, priced '£1,,1,,0' were by William Mason, the poet, the first book of lower left. whose ‘English Garden’ was published in 1772. Ref: 9261 Chambers commenced to exhibit with the Society of Artists (in Spring Gardens) in 1761, and was one of the 91. The Charters Of Liberty. A.D. first members and the first treasurer of the Royal 1215.../ A.D. 1688.../ A.D. 1832... Academy when established in 1768. In 1775 he was Portsmouth, Aug. 8, 1832. Henry Slight. Price, Printer. appointed architect of Somerset House at a salary of Letterpress broadside with woodcut vignette of trumpet 2,000l. a year. and lyre, 230 x 175mm. 9 x 7". Lower right corner With image above of two sides of a coin depicting missing. Glue stain from verso, horizontal creases George III as a Roman emperor and the facade of the where folded. £90 Royal Academy. After Cipriani, engraved by A very rare contemporary poem in praise of the Great Bartolozzi. Reform Act (passed 7th June 1832) divided into three British Library system number: 000655477. eight-line stanzas, with two other great dates/moments Ref: 9314 in the progress of English liberty singled out. The events alluded to are the signing of Magna Charta in 94. [Various modes of travelling.] 1215, and the 'Glorious Revolution' of 1688. Milton Welch Jan.y 1867. Ref: 9313 Engraving on embossed card, 140 x 165mm. 5½ x 6½". Mounted inside cardboard sheet with tissue flap. £120 92. This Day was published, by Small engravings depicting seven modes of transport (balloon, walking, horse-drawn carriage, ship, horse, Subscription, [Price 10s.6d. in Colours, or train, riding on the back of a tortoise]) forming a cross 5s.6d. Plain] An Engraving, From an shape in the centre of a sheet of embossed card. In ink Original Drawing, takedn and coloured on on the cardboard mount is written 'these various modes the Spot, by W.Fowler, From the curious of travelling are drawn by the left hand. J.M.'. On the Roman Pavement in Prior Crawden's reverse is a riddle, handwritten in ink, entitled 'The Oxford Puzzle.' beautiful Chapel, in the College at Ely. Ref: 8695 M.Watson, Printer, Angel-Inn-Yard, Market Hill, Cambridge. Winterton, Lincolnshire, May 20, 1801. Letterpress advert. Sheet 255 x 200mm, 10 x 8". £90 Fowler published the 'Mosaic Pavements of Great Britain', 1804. Ref: 9219

93. To The King. I Humbly beg leave to lay at Your Majesty's feet the folllowing Dissertation.... May it please Your Majesty, Your Majesty's dutiful servant and faithful subject, William Chambers. [n.d., 1772.] Titlepage, engraved dedication with stipple engraved and etched vignette, 235 x 175mm. 9¼ x 7". £80 From 'A Dissertation on Oriental Gardening', W. Griffin, London, 1772. The book represented an unfortunate literary venture by the architect Sir 95. The Ghost. _ A Christmas Frolic. Le William Chambers (1726 - 1796), in which he Revenant. endeavoured to prove the superiority of the Chinese I.M.Wright pinxt. W.Nicholls sculp. London: Pub. system of landscape gardening over that practised in Decr. 24, 18_by Thomas Rickards, 344, Strand. Europe. His preface is animated with irritation against Aquatint. 394 x 436mm. 15½" x 17¼". Very rare. Lancelot ‘Capability’ Brown, whose design for Lord Some tears, staining and worm holes. £220 Clive's villa at Claremont had been preferred to his. A witty christmas scare scene. Young boy behind a The ‘Dissertation’ itself, with its absurd depreciation of home mad ghost figure. nature, its bombastic style, and its ridiculous Ref: 8520 descriptions (mainly borrowed from other works) of the gardens of the emperor of China, was sufficient to 96. The Art of Making Paper Flowers account for the satires which it called into life. The most important of these was ‘An Heroic Epistle to Sir and Ornaments. A Novel, and W. C.,’ followed by ‘An Heroic Postscript’ to this Entertaining, and Popular Amusement. epistle, in both of which the satire was keen and the [n.d., c.1860.] verses pointed. These lively pieces were published Wood engraving, printed in colours. Sheet 490 x Mixed method engraving on india laid paper, signed 345mm. An extremely rare surviver. Some spotting, a progress proof. 545 x 855mm. A working proof, little rubbing near text, laid on album paper. £320 before all letters. Some light staining. £350 A short guide to origami. A lion and two lionesses prowling up a broad flight of Ref: 8354 stone steps, with the remnants of Persian columns and statuary above them. After Briton Riviere. 97. Spooner's Protean Views No.30. Companion to 'The Night Watch', also after Riviere, Greenwich Hospital. Changing to The which features a group of lions and lionesses prowling at night over broken flag-stones among sets of classical Battle of Trafalgar. columns. London: Published by W.Spooner, 377 Strand. [n.d., Ref: 8361 c.1845] Lithograph, sheet 150 x 180mm, mounted on card with title label, as issued. Very bright colour. £260 101. [La Chevelure de Berenice.] A quiet scene on the Thames transforms into a battle Peint par Faléro. Gravé par Varin.. Imprimé & Publié scene (printed on verso), when the image is held par Boussod, Valadon & C.ie, Editeurs successeurs de against a light source. Goupil & C.ie, Le 1.er Octobre 1886 _ Ref: 8359 Paris_Londres_La Haye. Photogravure, proof before title on india. 660 x 385mm. £680 98. The Shield of Wellington Executed in Luis Ricardo Faléro (1851 - 1896), born in Granada, Silver Gilt by Greens & Ward, late Spain, settled in London in the 1880s, dying there in Ludagte Street. Goldsmiths & Jewellers. 1896 at the age of 45. He specialised in the female 20, Cockspur Street, London. nude in a mythological or fantasy setting. Giennell Sc. [n.d. c.1820.] Ref: 8240 Engraving. Tradecard. 114 x 76mm. 4½" x 3". £120 Ref: 8467 102. [A dinner party.] Denon ft. Florence 1793. Etching, 220 x 305mm. 8¾ x 12". Creases through DECORATIVE upper left corner. £140 A dinner party depicted in the style of the Italian renaissance, with guests drinking wine and a man at the centre playing a lute. By Baron Dominique Vivant Denon (1747 - 1825), painter, draughtsman, etcher, curator and author. Denon worked as a diplomat in Naples (1779-85), where he learned how to engrave. He travelled through Italy in 1788/89 and settled in Venice from where he was expelled in July 1793, prompting his return to Paris; in 1797/98 he followed Napoleon in Egypt. He became Napoleon's Minister of Arts and first director of the Louvre (1802-15), Paris. Ref: 9310

103. The Dancing Master __/ The Magick Lantern._/ The Stage Dancer __/ The Fencing Master./ The Singing Master._/ The puffing Organist._ 99. [A cat creeping through a window to [n.d., c.1760.] reach dead game.] Very scarce as Set of six etchings, each c.165 x [Johann Stixner.] [n.d., c.1800.] 200mm. 6½ x 8". Plate 1 discoloured, two tears from Lithograph, proof before letters. Image 455 x 330mm, above into Plate 6. £1300 17¾ x 13". £460 Monkeys performing human activities. This very Strixner (1782-1855) was a pioneer of lithography, scarce series appears to be copied from a set published producing the first colour lithographs in 1808 with earlier in France; 'Singeries ou différentes actions de la Ferdinand Pilot. vie humaine représentées par des singes', after Ref: 9296 Christophe Huet (1700 - 1759), French painter, draughtsman, and rococo ornamentalist. 100. [Persepolis.] Plates numbered 1-6 upper right. F. Stacpoole A.R.A [signed in pencil lower right]. In See BM: 1866,0407.62. progress in the Proprietors, Messrs. Thos. Agnew & Ref: 9062 Sons, Manchester, Liverpool and London [n.d., c.1880]. E. Hull 1823 [signed and dated in plate lower right.] E. Hull del. Printed by C. Hullmandel. Published by E. Hull, North Brixton. Original Coloured lithograph, 235 x 370mm. £260 Men and women promenading in a park, with carriages and horse riders behind them. A poodle to left. By Edward Hull (1815 - 1829; fl.), lithographer and drawing master who worked in London. On Whatman paper watermarked 1823. Ref: 8525

108. [A rocky landscape with foliage.] J. Bryant delt. et Sculpt. Pub. Septr. 1st. 1807, by R. Ackermann, at his Repository of Arts, 101, Strand, London. Soft ground etching, image 230 x 310mm. 9 x 12¼". Water stains from lower extremity. £35 A landscape study, probably from a drawing book for artists. Numbered 'Plate 35' upper right. 104. Premieres Amours. The First love Ref: 9317 Die erste Liebe. Peint Par L. Perrault. Grave Par C.A. Deblois. Imprime 109. No.8. ~August~ The Jolly Farmer et publié par Goupil & Cie Editeurs le 1er Avril 1870. here Despotie Stands. / While Men & Paris_Londres_la Haye. Berlin - Verlag von Goupil & Co. New York - Published by M. Knoedler. Maids obey, his just Commands; / His Etching and engraving, 560 x 410mm. 22 x 16". £290 Golden heaps Surveying Count's his Store, A young girl cuddles a cat on a step. By Charles / Blest with a due encrease, he asks no Alphonse Deblois (1822 - 1883 c.) after Léon Bazile more. Perrault (1835 - 1908). [n.d. c.1770] Ref: 8496 Copper line engraving. 254 x 362mm. 10" x 14¼". £140 105. [Two boys clamber up a rock to get a A rustic scene at a mill, where the corn is being better view] prepared for the Autumn to come. J, H, Faciebat. Publish'd according to Act of Parliam.t Ref: 8657 July 30, 1759. An extremely scarce engraving. Plate 195 x 127mm. 110. Blind-Man's Buff. 7½" x 5". £180 Painted by David Wilkie, R.A. / Engraved by Abraham View near a lake, where two boys clamber up a rock to Raimbach, Hony. Memebr of the Impr. Academy at St. get a better vantage point to look over onto the island Petersburgh Publish'd 1st. Jany. 1820 by D.Wilkie and in the middle A.Raimbach, London Ref: 9237 Etching and engraving on india laid paper, open letter proof. 500 x 635mm. 19¾ x 25". Fine. Stain residue in 106. [Landscape with cattle and herdsmen title area. £280 resting.] A large, simple interior where a group of men, women Drawn by J. Ashley 1823, from Gainsborough. Printed and children play blind-man's buff, the blind-man in by C. Hullmandel. the centre to the right, the others clambering over each Lithograph, image 265 x 205mm. 10½ x 8". Margins other to avoid getting caught. slightly trimmed. Occasional stain spots. £180 After David Wilkie R.A.(1785 - 1841), Scottish genre Landscape with cattle and herdsmen resting amongst painter and etcher, b. Fife, trained Edinburgh. He often fallen tree branches. A cottage can be seen behind and co-published important prints after his work. a town with church spire over fields beyond. After Ref: 8845 Thomas Gainsborough by J G Ashley (1821 - 1837; fl.), landscape and flower painter in London. He 111. Canute the Great reproving his exhibited work at the summer exhibition of the Royal Courtiers for their impious flattery. This Academy of Arts 1822-37, and was also a lithographer. prince walking on the sea shore, his The Gainsborough picture was in the collection of attendants took occasion to make their Monsieur D'Esenfans in 1796. Rare. BM Registration number: 1867,0112.105. Not in court by the most extravagant praises; Horne. imputing to him dominion over sea & land, Ref: 8853 and comparing him to the Almighty... R.E.Pine Pinx. F. Aliamet sculp. Publish'd according 107. 'The Park! that magnet of the town, to Act of Parliamt. 1766 by R. E. Pine in St. Martin's That idol to which all bow down." Lane, London. Etching with engraving, 505 x 580mm; 29 ¾ x 22 ¾" 116. Midsummer-Night's Dream. Act 2. Trimmed just inside platemark and backed at edge of Scene 3. A Wood. Oberon, Queen, Puck sheet. Inconspicuous crease. £360 A fine, early impression of Canute ordering the waves and Fairies. not to wet him. Painted by H. Fuseli R.A. Engraved by Rhodes. Ref: 8604 Publish'd Augt. 1st. 1794, by Mr. Woodmason. Leadenhall Street. London. Line engraving. 385 x 283mm. 15¼" x 11 1/8". £180 112. No.12 ~ December ~ The fatten'd W: 133. Hogs they now prepare to kill / and of Ref: 8469 Black Puddings Roger gets his fill, / The farmer for good Bacon gets Renown, / By 117. Niobe From the First Picture on that sending some to several Hogs in Town. ~ Subject Painted by Richard Wilson Esq. R [n.d. c.1770] A. In the Collection of Sir George Copper line engraving. 261 x 362mm. 10¼" x 14¼". Beaumont Bar.t To whom this Plate is Some small staining. £180 A rustic scene of men preparing hogs for the roast, and respectfully Dedicated by his obliged a woodcutter in the background. From a collection of humble Servant Samuel Smith the 12 months. The Figures Engraved by Will.m Sharp The Landscape Ref: 8656 by Sam.l Smith London Published as the Act directs by S. Smith No. 58 Cattle Street east Oxford-Street May 113. Diana And Acteon. From the 31.st 1792. Copper engraving, 500 x 660mm. 19¾ x 26". Very fine Original Picture in the Collection of Richd. impression with large margins. Few scuffs. £320 Lloyd Esqr. Niobe, her arm around her youngest daughter, defies Carlo Maratti Pinxit. John Boydell excudit 1781. Latona, who sits in clouds in upper left, watching her Scorodoomoff Sculpsit. Published Jany. 1st. 1781 by son Apollo avenge her for Niobe's boast that she was John Boydell Engraver in Cheapside London. richer in her fourteen children than the goddess in her Stipple engraving with etching, 660 x 480mm. Some two; after already having struck several of Niobe's creasing in margins. Tatty extremities with water stain children, Apollo draws his bow to strike down another in image lower and upper right corners. £280 of the children. A detail from Carlo Maratti's painting painted between Ref: 8554 1664 and 1670, now in the Hermitage Museum. 'Actaeon had the misfortune to view the virgin huntress goddess Diana while she was bathing. But his harmless voyeurism leads to tragedy; Diana sees him, and fears he will boast of what he's seen. And so she turns him instantly into a stag - which his own 50 hounds then tear apart.' Ref: 8346

114. Interview between Edgar and Elfrida Painted by Angelica Kauffman Engraved by William Wynne Ryland London, Published Feby. 1st, 1786, by M. Ryland, the corner of Berner's & Oxford Streets. Line engraving, 490 x 625mm; 19 1/4 x 24 1/2 Very fine with large uncut margins. £460 Scratched letter proof of this posthumously published print of Edgar meeting Elfrida. 118. Nymphe Erigone. Gravée d’Aprés le Ref: 8580 Tableau Original de Mr. Pierre Premier Peintre du Roy. Du Cabinet de Mr. le 115. Le Négociant Ambulant. Dédié à Comte de Baudoüin. Monsieur Rolland de Villarceaux Receveur J. B. M. Pierre Reg. Ord. Eques Primus Reg. Pictor Général des finances de la Généralité de Pinx. Anna le Fort Sculp. A Paris chez Chereau rue des Riom. Mathurins au coin de celle de Sorbonne. [n.d. c.1750.] Line engraving. Plate 330 x 438mm. 13" x 17¼". Very Freudeberg Inv et del 1770. Ingouf Junior Sculp 1777. fine. £320 A Paris chés Buldet rue de Gesvres. Par son très The nymph, Erigone, is mentioned by Statius and Humble et très Obéissant Serviteur Buldet. Virgil, and figures prominently in the sixth book of Engraving. Plate 278 x 310mm. 11" x 12¼". £160 Ovid's Metamorphoses. She is, in legend, the source of A merchant offers his goods to the Lady of the family. the constellation Virgo. Ex: Oettingen-Wallerstein collection. Ex: Oettingen-Wallerstein collection. Ref: 9246 Ref: 9204

119. [Statue of Paris.] de Gesures au Grand Coeur à Bâle Ches Chrt de [n.d., c.1820.] Mechel Graveur. Etching and engraving, 640 x 410mm. 25¼ x 16". Engraving. 260 x 342mm. 10¼" x 13½". £120 Vertical crease through left edge of plate. Some surface Ref: 8482 soiling. £220 Paris was the son of Priam, king of Troy, and appears 123. The Procession of the Flitch of Bacon. in a number of Greek legends. Probably the best- Painted by Thomas Stothard Esqr. R.A. Engraved by known was his elopement with Helen, queen of Sparta, James Henry Watt. Published Decr. 1832 by the one of the immediate causes of the Trojan War, as told Propietors, Alaric A. Watts, 58, Torrington Square; and by Homer in his epic poem the 'Iliad'. He holds behind James H. Watt, 26, George Street, New Road. his back the Apple of Discord which according to Engraving, 435 x 865 mm, 17 x 34" Creased at edges; mythology he awarded to the goddess Aphrodite when one tear extending into india paper, some folds at left. judging a contest of beauty also involving Hera and £660 Athena. Fine open letter proof on india paper of this well- Ref: 9124 known subject showing the procession of the flitch of bacon, claimed by a woman who declared upon oath a year after her marriage that she had never in that time quarrelled with her husband. Ref: 8614

124. Midsummer Night's Dream. Act 3. Scene 1. A Wood. Quince, Bottom with an Ass's Head, Queen, Fairies --- Pyramus, Thisbe, Puck and Snout. Painted by H. Fuseli. Engraved by R. Rhodes. Published Augt. 1. 1794. by Mr. Woodmason, Leadenhall Street London. Line engraving. 380 x 283mm. 15" x 11¼". £180 W: 133. 120. Priam redeems the dead Body of Ref: 8470 Hector. From the Original Picture in the Collection of Luke Gardiner Esqr. See 125. Le Soldat en Semestre. Dédié à Pope Homer's Iliad Vol. 5, Book 24. Monsieur Rolland de Villarceaux Receveur Gavinus Hamilton Pinxit. Domenicus Cunego Général des finances de la Généralité de Sculpsit. Published by John & Josiah Boydell No. 90, Riom. Cheapside, London. Freudeberg Inv et del 1770. Ingouf Junior Sculp 1777. Line engraving, 448 x 640mm, 17¾ x 25". £420 A Paris chés Buldet rue de Gesvres. Par son très A later impression, on wove watermarked J Humble et très Obéissant Serviteur Buldet. WHATMAN, of this celebrated neo-classical print Engraving. Plate 278 x 310mm. 11" x 12¼" £140 showing Priam begging Achilles for the body of Hector The Soldier having returned from battle is at home Ref: 8622 with the family. Ex: Oettingen-Wallerstein collection. 121. Primavera | Printemps. All’apparir Ref: 9245 della stagioni fiorita / Zeffiro torna a vezzeggiar il prato / E rinverde l’erbette 126. The Storm. La Tempeste. From an inardita; / E s’allegra natura al molle fiato. Original Drawing in the Possession of John / Graces à ton retour, tout sort de l’inertie / Smith Esq. F.R.S. of Sydling in Tour prend une autre forme une nouvelle Dorsetshire. To whom this Plate is most vie. / Aspect charmant! Tout rit: et humbly dedicated By his most humble & l’homme avec son coeur / Porte au sein de most obedient Servant, V. M. Picot. l’Amour son sort et son bonheur. The Landscape drawn by J. Barralet, & engrav'd by V.M. Picot. The Figures drawn by J. B. Cipriani, & Dessiné par Hamilton. Dirigé par Sunloch. [n.d c.1800] engrav'd by F. Bartolozzi. Published July 9th. 1782 by Engraving. 267 x 293mm. 10½" x 11½". Some John Boydell, Engraver in Cheapside London. spotting. £320 Line engraving, 380 x 480mm; 15 x 18 ¾". Small tears Ref: 8766 at edge of wide margins. £290

A stormy landscape with a boat washed over a 122. La Prison. waterfall and into rapids. Four men try to haul it Désiné à Paris par Lautherbourg en 1763. Gravé à ashore while women and children pray. Originally Bâle par A. Romanet en 1765. A Paris Chez Buldet rue published by Picot in 1773. Good impression of the print as reissued by Boydell. See 8587 for an unfinished proof before letters. eyes her look with fury glows/ Yet evn in Ref: 8584 rage each lovely feature shows./ Vide Tasso Jerusalem. & From the original Picture in 127. [The Storm] Extremely rare etching and engraving, 380 x 480, 15 x the Possession of Henry Cutler Esq.r/ His 18 ¾" Some repaired tears. £220 hands now trembled while his helm he Etched proof, unfinished and before all letters of the rear'd,/ Ere yet the features of his foe print by Picot and Bartolozzi after Barralet and appear'd/ He sees_he knows_and deathless Cipriani. stands the Knight,/ O fatal knowledge_O See 8584 for a lettered impression. Ref: 8587 distracting sight./ Vide Tasso Jerusalem. Painted by W. Hamilton R.A. Engraved by Henry Birche. Published June 1.st 1792. by B.B. Evans 128. ~ Blind Mans Buff ~ Poultry London. Painted by G. Morland. Engrav'd by W. Ward. Mezzotints, 475 x 435mm. 18¾ x 17¼". Some repairs. Publish'd Decr. 14:th 1788 by J. R. Smith. No. 31 £720 King Street, Covent Garden. A pair of mezzotints depicting scenes from Torquato Mezzotint. Plate 450 x 547mm. 17¾" x 21½". Some Tasso's poem 'Jerusalem Delivered. The first shows the spotting. £440 meeting of the female warrior Clorinda and the knight Children play Blinds Man Buff in the yard. Tancred, whilst the second depicts the death of Ref: 9185 Clorinda with Tancred kneeling beside her. Richard Earlom is credited under his pseudonym 'Henry 129. No 9 Breaking the Ice. Birche.' Painted by G. Morland. Engraved by J.R. Smith Jun.r From the Oettingen-Wallerstein Collection. Lugt: London Published Oct. 20. 1798. by I.R. Smith King 2715A. Street, Covent Garden Ref: 8552 Mezzotint. Plate 457 x 558mm. 18" x 22". Laid on board. £350 132. The Country Stable. A rustic scene where the man uses a bucket to break G. Morland Pinxt. W. Ward Sculpt. London, Published the ice covering the pond to collect some water. March 1, 1792, by D. Orme & Co. No. 14, Old Bond Ref: 9187 Street, E. Walker, No. 7, Cornhill, & J.F. Tomkins, No. 49 New Bond Street. Mezzotint, 480 x 605mm. Two tears to right margin. Corners missing outside plate lower left and right.£350 Interior of a stable, with a white cart horse wearing a halter, tethered beside the hay. Two dogs sit at its feet. A man holding a staff and a cup watches a couple sitting in the straw. Frankau: 80, III. Chaloner Smith: undescribed. Ref: 8357

133. Die Andacht. / Wan sich die Gottesfurcht auf schönen Wangen findet, / Und mit der Jugned Flor ein fromes Herz verbindet, / Wird eines solchen Kinds verdienter Ruhm erhöht, / Schaut, eitle Töchter! Schaut, wie dies so schöne Steht. 130. Children Nutting. Painted by G. Morland. Engraved by E: Dayes. London Meditabunda devotio. / Religionis opus publish'd July 1st 1788 by JR: Smith N:o 31: King pingens clarissima forma, / Inter virgineos Street Covent Garden. fax pietate choros, / Emicat ut fulgens coeli Mezzotint. Plate 456 x 549mm. 18" x 21⅔". £480 inter sidera luna, / Illustris pietas ecce A scene of children collecting and picking nuts, with venusta simul. some sneakily being eaten. I.I. Haid exc. A.V. [n.d. c.1750.] Ref: 9186 Mezzotint. Plate 381 x 280mm. 15" x 11". Very fine.

£380 131. Clorinda meets Tancred at the A prayer advocating the fear of God. Fountain. & The Death of Clorinda. From Ex: Oettingen-Wallerstein collection. the original Picture in the Possession of Ref: 9201 Henry Cutler Esq.r/ Loose in the wind her golden tresses flow'd,/ And now a maid confus'd to all she stood,/ Keen flash her 134. Die harte Erziehung. / Ein Herz, das Effie Deans is one of the central characters in The Freundlichkeit und Gütigkeit vergist, / Heart of Midlothian, a novel by Sir Walter Scott, written in 1818. Effie had been imprisoned on a false Wird mit verstiegnem Stolz kein Herz charge, accused of having killed her illegitimate child. vernünfftig ziehen, / Die Weißheit weiß gar When an angry crowd stormed the goal, she had an klug die Härtigkeit zu fliehen, / Ob sie in opportunity to escape. But Effie decided to stay. Prison Wort un Werck gleich scharf und ernstlich seemed a better prospect than a life of freedom with a ist. Dura educatio. / Dum jucunda fugit tarnished reputation. A fine impression. Sir John Everett Millais (1829 - 1896) painter of history, genre, prudentis gratia vultus, / Filiolam mater landscape, and portraits, and president of the Royal fingere nulla potest. / Evitat duram Academy. vigilaris prudential mentem, / Severaque Printseller's Association blindstamp lower right. tamen pectoral lege regit. Ref: 8844 I.I. Haid exc. A.V. [n.d. c.1750.] Mezzotint. Plate 381 x 280mm. 15" x 11". Very fine. 137. A Green Stall. From an Original £380 Picture by Gerrard Douw in the Possession A stern mother looks on as her daughter knits. A poem of the Elector of Manheim. advocating a hard upbringing. H.W. Schweickhardt del.t Rob.t Laurie fecit Published Ex: Oettingen-Wallerstein collection. 12th August 1788 by Rob.t Sayer, No. 53. Fleet Street. Ref: 9202 London. Mezzotint, 355 x 450mm. 14 x 17¾". Scarce. £420 135. Disce mori mundo vivere disce Deo. A customer purchasing produce from a food stall, [Learn to die in the world, learn to live in whilst a beggar walks past offering his hat. God]. Ref: 8751 I Smith ex. [n.d. c.1740]. Mezzotint. 156 x 108mm. 6¼" x 4¼". £130 138. [Hades.] Quid non mortalia pectora Ref: 8466 cogis, Auri sacra sames. Virg. Æn III, v.56. From the Original Picture of the same size, in the Collection of Sir Joshua Reynolds. Teniers pinxit. Ric.d Earlom Sculpsit. John & Josiah Boydell Excudit 1786. Published Jany. 2d 1786 by John & Josiah Boydell, Cheapside, London. Mezzotint. 495 x 680mm. A few small tears to edges, some surface marks. £550 A woman passing Cerberus on the way to Hades, with malformed demons, in the tradition of Hieronymus Bosch, shying away from her sword. Painted by David Teniers the younger. Ref: 8211

139. The Infancy of Jupiter. To the Right Honorable Charles, Earl Grey, This Plate is respectfully inscribed by his Lordship's much obliged & most obedient humble Servant, Henry Thompson. Painted by Henry Thompson, Esqr. R.A. Engraved by Henry Meyer Gt. Russell Strt. Bloomsbury. London, Published for the Proprietor, and Sold by T. Macdonald, 39 Fleet Street. Mezzotint, 520 x 620mm, 20 ½ x 24 ½" Some foxing, and folds in top margin £380 The infant Jupiter with nymphs and goat. A rather smoky impression of this rare print. 136. Effie Deans. Ref: 8606 Painted by John Everett Millais. R.A. Engraved by T. Oldham Barlow, A.R.A [Artist's monogram and 1877 140. A Dream. By the late Lord Littleton in image lower left]. Published Oct. 20th 1879, by three Nights before his Death. 'Fear came Thomas Agnew & Sons, London, Liverpool and Manchester__Copyright Registered. upon me, and Tremling, which made akk Mixed method engraving on india laid paper, 780 x my Bones to shake. Then a Spirit passed 580mm. 30¾ x 22¾". £520 before my Face, the Hairs of my Flesh alors je le couronne. Der Blumen bunter stood up.' _ Job: Schmuck macht un=gemein vergnügt, [n.d., c.1800.] Wenn Sich ein schönes Kind an selbigen Mezzotint. 185 x 245mm, 7¼ x 9½". Trimmed into ergözet, Und es, wenn Coridon an seiner plate at bottom. £140 A spirit giving notice of Littleton's death. Seite ligt, Durch einen Liebes-Trieb ihm Ref: 9292 einen Kranz aufsezet. Joh. Esaias Nilson inv. et delin. Ioh. Phil. Koch sculps 141. [A Midsummer Night's Dream.] et excud. a.v. [n.d. 1740]. Painted by Sir Edwin Landseer R.A. Engraved by Mezzotint. 336 x 426mm. 13¼" x 16¾". Fine Samuel Cousins, R.A. New York, Published by impression. £420 M.Knoedler, Broadway, Jan.y. 1st 1858; and Entered Spring. A fine depiction of two couples courting in a according to Act of Congress in the Clerk's Office of garden looked upon by putti. the District Court of the United States of the Southern Ref: 8495 District of New York. [London; Published Jan.y 1, 1858 by Henry Graves & Compy Publishers to the 143. [Saint Catherine] From a Picture in Queen-6 Pall Mall.] the Collection of Robert Wigram Esqe. M. Mezzotint. 630 x 920mm. Unexamined out of frame. P. To whom this Plate is dedicated by his Title possibly hidden under mount. £1250 obedient Servant C. Turner. With an adoring Titania snuggled next to a large Painted by Correggio. Engraved by Charles Turner. clothed Bottom with a small nude Puck and fairies London, Published Jany. 18. 1810, by C. Turner No. riding white 50, Warren Street, Fitzroy Square. rabbits, typically concentrating on the ass's head and Mezzotint, 560 x 405 mm; 22 x 16 in. £260 two white rabbits with luminous eyes, is at the National Saint Catherine holding a broken wheel, crowned by a Gallery of Victoria, Melbourne, Australia. Landseer's cherub. Early impression with traces of lettering from only illustration to Shakespeare the painting was a state unrecorded by Whitman. commissioned by Isambard Kingdom Brunel in 1847 Whiman, Turner, 704 and finished 1851 Ref: 8577 Sir Edwin Henry Landseer, RA 1802-1873. Edwin Landseer was the youngest son of an engraver. The three Landseer brothers studied under Benjamin Robert 144. Solomon and the Queen of Sheba. Haydon, the historical painter, from 1815. Haydon And she came to Jerusalem with a very encouraged Landseer to study animal anatomy. In great train with Camels that bare spices, 1816, Landseer entered the Royal Academy Schools, and very / much gold, and precious stones; but he had already exhibited at the Royal Academy and when she was come to Solomon, she Summer Exhibition in the previous year. He was elected Associate of the Royal Academy in 1826 aged communed with him / of all that was in her only twenty four, and full Academician in 1831 when heart. I. Kings, Chap. X. verse 2. not yet thirty. In the 1830s his work gained wide Printed for & Sold by Roake & Varty, Map & popularity and was bought both by the aristocracy and Printsellers, No. 21 Strand, London. [engraved c.1800, the newly important middle class. He himself moved but printed c.1820] freely in aristocratic circles, and after 1836 he enjoyed Rare. Mezzotint, 340 x 255mm, 13½ x 10". £220 royal patronage, especially in the 1840s when Victoria The Queen of Sheba's visit to King Solomon. and Albert also discovered Scotland. He paid his first Ref: 8574 visit to their home, Balmoral in 1850 to paint a large group portrait of the royal family. He was knighted that 145. [Surrender of Calais] year even though the painting was never finished. London, June 20th 1815 Published by John Young 65 Landseer had a permanent fight against depression and Upper Charlotte St. Fitzy Sqe. ill health, although he continued to paint brilliantly Mezzotint, proof with dotted publication line only, 570 almost until the end of his life. In the 1860s he x 750mm. Some folds and creases in margins; plate modelled the lions at the base of Nelson's Column in generally good. £520 Trafalgar Square and these were unveiled in 1867. In A very fine early proof of this dramatic scene. Queen 1866 he declined the presidency of the Royal Philippa on her knees before the throne of her husband Academy, and after 1870 sank slowly into madness. Edward III, in his tent outside the walls of Calais, Whitman: 201 state iii of iii. which he has reduced to surrender by seige (1447). She Ref: 9320 intercedes on behalf of the six citizens of the town who have come before him in chains as part of the ransom 142. Le Printemps. Der Frühling. Un the king demanded. beau bouquet de fleurs me fait un grand See Ref:8374 for a lettered impression. Ref: 8628 plaisir, Et je de tout mon coeur à mon amant le donne. Ah ! quand à mon coté, 146. Le Vainqueur des Curiaces. Dédié à pour me bien divertir, Il conte ses amours, Son Excellence Monseigneur Philippe Comte de Cobenzl, Vicechancelier de Cour 149. Attention. & d’Etat &. &. Président de l’Acacdémie Ozias Humphrey, R.A. pinxt. J.Ogborne sculp. London Imperiale et Royale des Beaux Arts de Pub. Sept. 1. 1797, by T. Simpson St. Pauls Church Yard, and Darting & Thompson, Gt. Newport Street. Vienne. Par son très humble et très Stipple. 260 x 200mm. 10¼" x 8". Fine impression. obeisant Serviteur, J. Leon. £130 Peint par J. Platzer. Gravé à Vienne par J. Leon. 1792. See 8673 for proof before letters. [J. Leon. 1792] Ref: 8479 Mezzotint. Plate 502 x 578mm. Very fine. £480 A large entrance hall lit by torches; a Roman soldier 150. Autumn. Delightful is the ripen'd surrounded by helmet, lance and shield seated in the centre; three figures on stairs to right. year. Que la maturité est agréable! Ex: Oettingen-Wallerstein collection. BM: Painted by R. Westal. Engrav'd by F. Bartolozzi R.A. Engraver to his Majesty. Pubd. April. 9. 1790 by T. 1920,0712.32. Ref: 9211 Simpson St. Pauls Church Yard. Stipple. 239 x 178mm. 9½" x 7". Cut to platemark. Small crease in image. £190 A beautiful girl in the vineyard with a basket in her right hand as she goes forth to collect the season's ripened fruit. Ref: 8896

151. The Birth of Venus. From the celebrated Picture by the late James Barry Esq. R.A. Painted by James Barry. R.A. Engraved by Benjamin Smith. Published Feby. 1827. (for the Proprietor) by B.Smith, 21, Judd Place, West, New Road. Stipple engraving. 264 x 203mm. 10" 3/8 x 8". A romantic image. Cut at top to the platemark. £160 Ref: 8458

152. Caractacus, King of the Silures, deliver'd up to Ostorius, the Roman General, by Cartismandua, Queen of the Brigantes. | Caractacus, Roi de Silures, livré à Ostorius, le Général Romain par Cartusmandua, Reine des Brigantes. Histoire D'Angleterre. W. Hamilton Pinx.t Fran.s Bartolozzi R.A. Sculp.t London Publish'd Feby. 14.th 1788 by S. Vivares, Great Newport Street.. 147. [Boy with violin.] Stipple. Plate 338 x 407mm. 13¼" x 16". Very fine. [Engraved by James McArdell after Frans Hals.] [n.d., £220 c.1760.] Caratacus, British king. Caratacus was one of several Mezzotint, proof before letters. 480 x 320mm, 19 x sons of the great British king Cunobelinus and on his 12½". Very fine. £490 father's death around AD 40 he and his brother A young boy with a violin. Togodumnus appear to have divided the Not mentioned in Whitman. Catuvellaunian kingdom. Their forces opposed the Ref: 9290 Roman invasion in AD 43 but Togodumnus died shortly after the battle at the Thames and Caratacus 148. [Achilles instructed by Chiron in the fled west. He re-emerged five years later leading the use of the Javelin]. Silures of south-east Wales. When the Romans planted I.B. Cipriani invt. J. Clarke Sculpt. Publish'd as the Act fortresses at Kingsholm (Gloucester) and Wroxeter, directs by J. Clarke No. 291 Strand May 1st 1789. Caratacus withdrew into central Wales and began to Stipple engraving. 353 x 302mm. 13" 7/8 x 11" 7/8. organize the Ordovices. In a pitched battle, perhaps Crease and repaired tear in margin. Fine impression. near Caersws, his forces fought well but lost. He £190 himself escaped and fled to Brigantia, but was handed Ref: 8463 over to the Romans by Queen Cartimandua. Ex: Oettingen-Wallerstein collection. Ref: 9199

153. [Fortune Teller.] 156. [Girl with Fruit] C.W. White Sculpt. [n.d., c.1800.] London, Pub.d 20 Feby. 1796, by G.T. Stubbs, at the Stipple, 140 x 140mm. 5½ x 5½". Mark on clothing of Turf Gallery Conduit Street; and No. 9, High Street, figure on right. £80 Mary-le-bone. The figure on the left reads the palm of the girl on the Stipple. Plate 451 x 324mm. 17¾" x 12¾". A few spots right, while a third girl looks on. in the platemark. £240 Ref: 8564 A depiction taken from Stubbs's collection of 'Figures done after the Grecian Manner'. 154. France. The rural youth and virgins Ref: 9188 o'er the field, / Each fond for each to cull th'autumnal prime, / Exulting rove, and 157. Love. Her passions are made of speak the vintage nigh. / Then comes the nothing but the finest / part of pure love. / crushing swain; the country floats And Shakespear. Charles White, Sculpsit. Publish'd June 25.th 1781 by foams inbounded with the mashy flood; / John Boydell Engraver in Cheapside London. That by degrees fermented, and refin'd, / Stipple, 205 x 175mm. 8 x 7", framed carved gilt frame Round the rais'd nations pours the cup of c.1900. Unexamined out of frame. £360 joy: Vide Thomsons Autumn. Woman feeling her veiled right breast. Same subject C. Ansell delint. W. Nutter sculpt. London Publish'd as the larger mezzotint by John Raphael Smith. Jan. 11. 1791 by C. Tomkins No.2 Rathbone Place. Ref: 8572 Stipple. Plate 307 x 240mm. 12⅛" x 9½". £240 A French rural scene at the Vineyard in Autumn. 158. Sanctus Maximus Martyr. Ex: Oettingen-Wallerstein collection. Ale delint. W. Henshaw Sculp. Cambridge, Publish'd Ref: 9260 Nov: 23. 1772. Stipple and etching in sanguine, 160 x 195mm. 6¼ x 7¾". Vertical centre crease. Slightly soiled. £160 A putti places a wreath on the head of a Christ-like figure. Engraved by William Henshaw (1753 - 1775). Nephew of the Cambridge engraver William Stephens, his talent was discovered by Reverend William Cole, who gave him William Mason's portrait print of Thomas Gray to copy. arranged through Paul Sandby to have Henshaw trained by Bartolozzi, with whom he stayed from 1773, exhibiting at the RA in 1775, until his death later that year. Ref: 9067

159. Le Moment De La Reflexion. Countess Spencer Delt. Chas. White Sculpt. Publish'd July 9 1784 by C. White Stafford Row Pimlico & Messrs. Torre Market Lane, London. 155. The Genius of Modesty preventing Stipple, 300 x 325mm. 11¾ x 12¾". Trimmed at lower Love unveiling Beauty. From the Original plate mark. £320 A girl sitting with feet raised on a footstool, gazing Picture painted by J.B. Cipriani R.A. in the thoughtfully down at a book in her lap, her head resting Collection of R.P. Jones Esq.r on her hand. Painted by G.B Cipriani Engraved by T. Ryder & J.L. A pair with 'Le moment de l'Imagination' by the same Cossé. Published as the Act directs Feb. 20th 1791, by artist, which features a young man sitting at a desk S. Watts, No. 9, Kennington Cross, Lambeth. & to be writing. had of T. Ruder, No. 43 Titchfield Street. Ref: 8712 Stipple, 360 x 400mm. Laid on board; four vertical creases. £360 160. Morning Amusement. From an The reclining Venus gazes into a mirror held by a Original Picture by Angelica Kauffman in child, while cupid hovering above attempts to remove the swathe of fabric across her body, prevented from the Possession of Henry Hoare, Esq.r doing so by a cherub representing modesty who pulls it Angelica Kauffman pinx.t W.m Wynne Ryland Sculp.t from him. Publish'd March 1.st 1781 for the Proprietor by W. Ref: 8410 Palmer No. 159 Strand.

Stipple and etching, 295 x 385mm. Fine. Trimmed on Stipple engraving. 197 x 248mm. 7¾" x 9¾". £95 three sides; hole beneath artist's name £340 'Escaping from Fire; Plato when a Child; Pylades & A young woman in oriental dress at work embroidering Orestes at the tomb of Agamemnon and A pilgrim cloth. relating his adventures' A set of four designs after the Ref: 8422 Princess Elizabeth. Ref: 8762 161. La Peur Enfantine. Peint par Banazech. Gravé par Girard. [n.d. c.1780] A 165. Summer. What fragrance in the París, chez les Campions freres, rue St. Jacques, à la gentle breeze. Quelle douceur dans le ville de Rouen, No. 8. zepphir! Stipple. 171 x 228mm. 6¾" x 9". Fine. £220 Painted by F. Wheatley. Engrav'd by F. Bartolozzi Ref: 8636 R.A. Engraver to his Majesty. Pubd. Feby. 1. 1789 by T. Simpson St. Pauls Church Yard. Stipple. 239 x 178mm. 9½" x 7". Some damage to the paper and small tear. £190 A beautiful girl gazing into the distance as she leans up against the garden wall with a rose delicately held in her left hand. Ref: 8895

166. Winter. Bless my heart how cold it is. Ah mon Dieu qu'ill fait froid! Painted by F. Wheatley. Engrav'd by F. Bartolozzi R.A. Engraver to his Majesty. Pubd. Feby. 1. 1789 by T. Simpson St. Pauls Church Yard. Stipple. 239 x 178mm. 9½" x 7". Small hole in the top left-hand corner of the margin. £220 A beautiful girl shields herself from the cold but hiding behind a small shrub! Ref: 8897

167. Sensibility. [Emma Hamilton] 162. The Power of Beauty. Vain is you Painted by George Romney. Engrav'd by Rd. Earlom. powr, all efforts vain will prove. The Power Publish'd March 25th 1789. by John & Jonah Boydell of Beauty sways the God Love. To the No.90, Cheapside, London. Countess of Harrington. The Print from Coloured stipple. Printed in colours. Plate 375 x the Original Drawing by G.B.Cipriani, is 285mm. 14¾" x 11¼". Some creasing and spotting. £360 with ye greatest respect Dedicated by Her Emma, Lady Hamilton (1761-1815) is best Ladyships most Humble Servt. W Palmer. remembered as the mistress of Lord Nelson and as the G.B. Cipriani Invt. Le Grand, Sculpt. [n.d. c.1780] A muse of George Romney. Paris chez Mme. Breton, Mde. d'Estampes, au Pavillon, Horne 5O I of II. Jardin du Palais Royal, et rue du Chantre, Maison du Ref: 8963 Chandellier. Coloured stipple printed in colour. 197 x 192mm. 7¾" 168. The Storm. From an original x 7½". £420 Ref: 8481 Drawing by H. Bunbury Esq. in the Possession of T. Gainsborough Esq.r R.A. 163. Prosperity. H.W. Bunbury Esq.r del. T. Trotter fecit. J. Jones I.B. Cipriani, Del. Le Grand, Sculpt. [n.d. c.1780] A executit. London, Publish'd as the Act directs April 7th Paris chez Mme. Breton, Mde. d'Estampes, au Pavillon, 1788, by J. Jones, No. 75. Great Portland Street. Jardin du Palais Royal, et rue du Chantre, Maison du Stipple with etching, 385 x 345mm. Stains in image Chandellier. £160 Coloured stipple, printed in colour. 190 x 206mm. 7½" A woman in a bonnet hunched over and pulling her x 8¼". £420 cloak around her to protect her from the wind and rain, Ref: 8480 blowing her skirts from the left. Ref: 8412

164. Pylades & Orestes at the Tomb of 169. The troublesome awakening. Le Agamemnon. Designed by Her Royal Highness the Princess Réveil importun. Dedié a Monsieur De Vin Elizabeth. Engraved by H. Thielcke. Pubd. 1st. Decr. de Fontenay, Conseiller au Parlement, Par 1816, by H. Thielcke, Queens House. Proof. son très humble et très obéisant Serviteur Angelica Kauffman pinx.t F. Bartolozzi sculp.t et Ami, Mouchet. London. Publish'd July 1.st 1785 by W. Palmer, No. Mouchet Pinxit. L.. D'Areis Sculpsit. Se Vend à Paris, 163 Strand. chez Mouchet, Quay de Bourbon, No.9. [n.d c.1750] Stipple engraving, 335 x 400mm. £350 Stipple engraving. 351 x 267mm. 13¾" x 10½". Very As described in Pliny's Natural History, when Zeuxis is fine impression. £230 asked to paint Helen of Troy for the temple of Juno, he Ref: 8764 can only do so by combining the beauties found in five different models. Ref: 8417

DOGS

172. Charity Begins At Home. Painted By C. Burton Barber. [Facsimile signature with 1882 in plate lower right.] Engraved By W.T. Davey. Printed by T. Brooker. London Published January 10th. 1884, By Arthur Tooth & Sons. 5 & 6, Haymarket, S.W. _Entered According To Act Of Congress By Messrs. Knoedler & Co. New York In The Office Of The Librarian Of Congress At Washington. Mixed-method engraving, open letters, 605 x 735mm. 23¾ x 29". £380 A young child eating cake is pestered by a Scottish terrier, Jack Russell and colly. The child's doll lies on the floor to right. Printseller's Association blindstamp lower left. Printseller's Association: pg.52. Ref: 8847

173. The Country Squire And The 170. Wisdom From the Original Picture Gipsies. From the Original Picture in the presented to the City by Ald.n Boydell. To possession of John Skerrette Stubbs, Esqre. Their Most Excellent Majesties King To whom this Plate is respectfully George III. & Queen Charlotte This Print dedicated by his obliged Servants Hodgson is most humbly Dedicated by their most & Graves. Dutiful and Loyal Subject, Jn.o Boydell. Painted By Charles Hancock. Engraved By Henry [&] Innocence... [&] Happiness... [&] Quilley. London, Published Novr. 1, 1836, By Prudence... Hodgson & Graves, Printsellers To The King, 6, Pall Painted by I.F. Rigaud R.A. Engraved by I.P. Simon. Mall. Benjamin Smith and Thomas Burke. Pub. Sept.r 29. Etching, engraving and mezzotint, image 295 x 1799, by J & J. Boydell, No. 90, Cheapside, And at the 425mm. Margin partially missing. £130 Shakespeare Gallery, Pall Mall, London. A landowner surveys a gipsy camp from his horse. Set of four stipple engravings, each 595 x 445mm. 23½ Several dogs including terriers and a lurcher are x 17½". Foxing, nicks and tears with some general time included in the scene. aging to the outer edges of the paper, minor foxing to Ex C. Lennox-Boyd Collection. margins inside plate mark. £850 Ref: 8364 Set of four moral allegories, each based around a central female figure. Providence & Innocence 174. [Envy, Hatred and Malice.] engraved by Benjamin Smith, Wisdom engraved by I. F. Stacpoole A.R.A [signed in pencil lower right]. P. Simon and finally Happiness by Thomas Burke. [Published January 1st. 1884 by Thos. Agnew & Sons, Ref: 8615 London, Liverpool & Manchester. Publication line partially invisible, in faint scratched letters.] 171. Zeuxis composing the picture of Mixed method engraving on india laid paper, working Juno. He prevailed on all the finest women proof before title. 720 x 620mm. A strong impression, light spotting to lower right corner. £420 of Agrigentum, who where even ambitious Dogs of a variety of breeds surround a girl who cradles of the honour, _____ Of these he chose five a pug puppy on her shoulder. Some look up enviously, for his models, and molding all the others growl at the lucky dog. After Briton Rivière perfections of these beauties into one, he (1840 - 1920). composed the picture of the goddess. Ref: 8333

175. [Girl and Poodle.] François Flameng. 179. A Portrait Of An Italian Dancing Dog Etching, 350 x 250mm. 13¾ x 9¾". Stamp of Société Master. des Amis de l'Eau-Forte, Paris in bottom left; signed in Painted by E. Bird. Engraved by Willm. Ward pencil by the artist. £120 Engraver to His Royal Highness the Duke of York. A girl with a poodle. Remarque Proof. Bristol Published July 1805, by E. Bird. Lugt: 113. Coloured mezzotint, 500 x 355mm. 19¾ x 14". £450 Ref: 9108 A street entertainer posing with his bagpipe, a monkey sitting on the back of his chair. V. Rare. Ref: 8530

180. The Young Recruit. To Sir Robert Johnson Eden Bart. of Windleston This Print is by permission respectfully dedicated in token of gratitude by his greatly obliged and very humble Servant William Cribb. Painted By J. Thom Of Edinburgh 1814. Engraved By A. Duncan No.8 Upper Ashby Street. London, Published May 27th. 1825 by W. Cribb 34 King Street, Covent Garden. Etching and engraving, 395 x 460mm. 15½ x 19". Light foxing, crease through lower right corner of plate. £180 A genre domestic scene in the interior of a Scottish crofter's house. A young boy stands to attention in front of his father in the manner of a soldier. A terrier looks on. Ref: 9253

181. [Borzoi.] [By Henri Riche.] [n.d., c.1930.] 176. Dans la Bruyère. Etching, touched proof. 340 x 225mm, 13½ x 9". Rust Peint par Hermann-Leon. Photogravure Goupil & Co. hole in sky. £160 Imprimé et Publié par Boussod, Valadon & C.ie., Man restaining four borzoi. This proof has been Successeurs de Goupil & C.ie le 1.er 8bre 1885_ Paris_ touched with pencil. Londres_La Haye. Ref: 9289 Photogravure on india paper. 480 x 480mm. £400 A pointer in the heather, with a partridge. 182. 'Cave Canem!' (Beware of the Dog.) Ref: 7024 Engraved from, and the same size as, the original Picture in the possession of Henry 177. Het Rekest. James Turner Esq. of Stockleigh House, B. te Gempt del. Joh.s de Mare sculps. [n.d., c.1860.] Mezzotint. Sheet 295 x 425mm. Trimemd to image on Regents Park. three sides. £220 Painted By Briton Riviere, R.A. Engraved by J.J. A dog's court scene! "The Petition". Chant. London Published May 3rd. 1881, By Arthur Ref: 8358 Lucas, The Proprietor, 37, Duke Street, Piccadilly, S.W. Mezzotint and etching, final published state on india 178. Qui Vive!. Who Goes There!. laid paper, 605 x 455mm. 23¾ x 17¾". Some spotting; Emile Lassalle d'apres Alfred De Dreux. Imp. par traces of mold in image. Margins trimmed. £360 Lemercier, a Paris. ['Emile Lassalle' signature facsimile A puppy stands guard at a doorway. After Briton in plate lower left.] New-York, Pubd. by Goupil & Co. Rivière (1840 - 1920). 289 Broadway. Paris._Goupil, Vibert & Cie. Printseller's Association: pg.49. _Editeurs, 15. Boulevart Montmatre et 10 rue Ref: 8849 d'Enghien. London._Pubd. By E. Gambart & Co. 25 Berners St. Oxford St. [n.d., c.1855.] Coloured lithograph highlighted with gum arabic, 183. [Dogs grooming themselves.] image 460 x 630mm. Light staining to title area. £680 [Etched by Paul Renouard.] [n.d., 1907.] A Cavalier King Charles spaniel and fox terrier alerted Etching. 280 x 225mm, 11 x 8¾". £130 by someone approaching. Charles Paul Renouard (1845-1924). While at the With publisher's blindstamp below publication line. Ecole des Beaux-Arts in 1875 he and his instructor Ref: 8329 were hired to decorate the ceiling of the Paris opera house, which was the inspiration for his most well- as engravings. Maud Earl died in New York in 1943 known series of etchings, Le Nouvel Opéra. He came and is buried at Sleepy Hollow Cemetery in Sleepy to London in the 1890s and started work for the Hollow, New York. 'Graphic' newspaper, sketching theater-goers and Ref: 2260 performers at the Theater Royal in Drury Lane, and policemen and defendants at one of London’s many 187. [In the Heather.] police courts. [Leon Hermann.] October 1st 1885. London Published Ref: 9059 Boussad, Valadon & Co., successors to Goupil & Co., 116 & 117 New Bond Street, W. 184. [Dalmation Dogs and kennels.] Photogravure, ltd edition of 100 on india paper. £450 [Etched by Paul Renouard.] [n.d., 1907.] A pointer on a moor, with a partridge. Etching. 280 x 225mm, 11 x 8¾". £150 Ref: 3862 Charles Paul Renouard (1845-1924). While at the Ecole des Beaux-Arts in 1875 he and his instructor 188. Le Lunch. were hired to decorate the ceiling of the Paris opera Peint par Heywood Hardy. Photogravure Goupil & house, which was the inspiration for his most well- Cie. Imprime & Publie le 1er. Avril 1892 par Boussod, known series of etchings, Le Nouvel Opéra. He came Valadon & Co. Editeurs, Successeurs de Goupil & Cie. to London in the 1890s and started work for the Paris_Londres_La Haye. Berlin, Verlag von Boussod, 'Graphic' newspaper, sketching theater-goers and Valadon & Cie. New-York, Published by Valadon & performers at the Theater Royal in Drury Lane, and Co. policemen and defendants at one of London’s many Photogravure coloured by hand, on india laid paper. police courts. 600 x 740mm. 23½ x 29". £420 Ref: 9058 Very fine shooting party scene with retrievers. Ref: 8487 185. [Girl with dog.] 19. Heywood Hardy [pencil signature] [n.d. c.1900] 189. On The Moors (Dogging). Etching. 202 x 254mm. 8" x 10". £260 Painted by Heywood Hardy, Goupil gravure. Printed in Heywood Hardy [British Painter, 1843-1933]. Mastiff. Paris & Published April 1st 1894 by Boussod Valadon Ref: 8687 & Co. Publishers, Successors to Goupil & Co. Paris_London_The Hague. Berlin Verlad von Boussod, 186. May. Visiting the Coops. Ilchester Valadon & Co. New York Published by Boussod, Retriever. Valadon & Co. Maud Earl. Copyright 1906. Published by the Berlin Photogravure. 590 x 745mm. £550 Photographic Company Berlin - London W. 133 New Very fine shooting scene with setters. Bond Street. Ref: 3011 Colour photogravure. 220 x 350mm. £260 An Ilchester Retriever. Maud Alice Earl (1864-1943) was an eminent British-American canine painter. Her works are much enjoyed by dog enthusiasts and also accurately record many breeds. Earl was the born in London, the daughter of artist George Earl and his first wife Alice Beaumont Rawlins. Maud's profession was the continuation of a family tradition. George Earl, an avid sportsman and noted sporting painter, was his daughter’s first teacher and had his daughter study the anatomy of her subjects, drawing dog, horse and human skeletons to improve her skill. She later said that her father’s instruction had given her ability that set her apart from other dog painters. After her father's tutelage Maud went on to study at Royal Female School of Art (later incorporated into the Central School of Art). Earl became famous during the Victorian Era, a time when women were not expected 190. Pointer Bitch, & Puppies. [&} Setters. to make their living at painting. Nevertheless, she Painted by J.Ward. Engraved by S. Reynolds. [&] developed a select clientele, including Royals amongst Painted by G. Morland. Engraved by S. Reynolds. her patrons such as Queen Victoria and Queen London Published March 1. 1799 by S. Morgan No. 22 Alexandra. Although evidently extremely successful in Margaret Street Cavendish Square. England, Earl felt that the world she knew had been Pair of mezzotints, printed in colours. Each 330 x destroyed by World War I and she emigrated to New 380mm. Framed. Very fine matching pair of colour York City in 1916. By this time her work had received prints. Unexamined out of frame. £1250 wide international recognition and her popular images Ref: 8367 were published in a number of books and in print form. The Sportsman's Year featured twelve of Earl's works 191. Pointers. on buying, selling and editing prints. Being one on the Painted by J.N.Sartorius. Engraved by W.Ward leading art dealers of 19th Century Goupil had Engraver to H.R.H. the Duke of York. Proof. London, branches in most of European capitals and North Published June 16 1806. by James Linnell No 2 America. It is suggested that this image and others Streatham Street, Bloomsbury. very similar , [please see items Ref: 3418-22] were Mezzotint. 375 x 445mm. Some surface creasing. produced to hang in a panel of three, the central image £420 being the four dogs with a pair of individual portraits Frankau: 223, this state not listed. Ex: Collection of on either side. The Hon. C. Lennox-Boyd. Ref: 8270 Ref: 8203 196. [Foxhounds outside their kennels.] 192. [Water Spaniel.] Drawn on Stone by George Augustus Frederick Fitz- O De. Penne [facsimile signature.] [Goupil, c.1880.] Wygram Esqr. [n.d., c.1820.] Colour photolitho with hand finishing. Oval, 480 x Lithograph, image 270 x 405mm. 10½ x 16". Lightly 410mm. £480 foxed. £350 Early proof from Goupil's own reserve stock. An attractive lithograph. Very rare, possibly a private Ref: 1668 plate. Ref: 8883 193. Meute de le Mr.le Comte de Barral. - Barbaro. 197. Relais de Chiens dans le Desert. [G.Jadin pinxt]. Pirodon lith. Imp. Lemercier & Co. J.L.Gerome Rajon Sct. Paris. Publie par Goupil & Compie. Editeurs Paris, Peint par J.L. Gérôme. Gravé par P.A. Rajon. [n.d. London, La Haye, Berlin. [n.d., c. 1870.] c.1890] Publié & Imprimé par Goupil & Cie. Paris. Lithograph. Printed area 370 x 445mm. Publisher's Etched engraving. 184 x 248mm. 7¼" x 9¾". blind stamp. £320 Watermark in the platemark. £140 Ref: 3418 Two salukis held by their handler. Orientalist theorists and academics have often retitled this print as a "Negro 194. Meute de le Mr.le Comte de Barral. - Master of the Hounds," and "An Arab and his Dogs." Ref: 8705 Calypso. [G.Jadin pinxt]. Pirodon lith. Imp. Lemercier & Co. Paris. Publie par Goupil & Compie. Editeurs Paris, 198. [Jester and Dogs.] London, La Haye, Berlin. [n.d. c. 1870.] Briton Riviere [signed in pencil lower left.] ['BR 1896' Lithograph. Printed area 370 x 445mm. Publisher's dated, with artist's monogram, in plate lower left.] blind stamp. £320 Published by Franz Hanfstaengl, Munich, London & Ref: 3419 New York. Printed in Munich. Copyright 1898 by Franz Hanfstaengl. Photogravure on india laid paper, signed artist's proof 195. Limiers De La Venerie - Morico before title. 735 x 495mm. 29 x 19½". Paper age toned Metamort Linda Rusteau. outside india. £240 G.Jadin pinxt. E. Pirodon lith. Publie par Goupil & A jester looks anxiously down at an angry pack of dogs Compie Editeurs Paris Londres, La Haye, Berlin. from the top of a wall. Lithograph. Printed area 450 x 900mm. £620 Publisher's blindstamp lower right. Batard Saintongeois, Bauve de Bretagne, Bloodhound, Ref: 8523 Saintongeois. Louis Godefroy Jadin [French, 1805 -1882] was a sporting artist described in 'Le Grand Livre du Chien' as a painter of dogs of the 'haut monde' of the Second Empire and of Napoleon III's hunting packs. He first exhibited at the Salon in 1831, winning medals in 1840 and 1855. He painted on of the Hunting scenes in NApoleon III's rooms as the Louvre. As a friend of Alexandre Dumas, he travelled with him on many occasions to Florence and Naple where Dumas introduced him to Ferdinand-Philippe of Orleans, from whom he gained many commissions. His work is in many European galleries and museums. The Victoria and Albert includes a painting of Greyhounds. 199. Patience. Goupil & Cie - After various starts, Goupil & Cie was [Herbert Dicksee.] Copyright 1922 by Frost & Reed in formed in 1850; the partners were Adolphe Goupil the United States. 1850-1884,Alfred Mainguet 1850-1856, Léon Goupil Etching. 410 x 660mm. £850 1854-1855, Léon Boussod 1856-1884, Vincent van A deerhound and a terrier waiting. Gogh 1861-1872, Albert Goupil 1872-1884,René Ref: 1799 Valadon 1878-1884. Until 1861, the firm concentrated 200. [Silent Sympathy.] Ref: 8742 Herbert Dicksee. [pencil signature.] Published at 8, Clare Street, Bristol by Frost & Reed, Printsellers of 206. The Sextette from Bonny. London & Bristol, 1894. Morgan Dennis. Limited edition 80/100. [n.d. c.1930] Signed etching, 500 x 590mm, in publisher's frame. Etching. Sheet 264 x 356mm. 10" 3/8 x 14". £240 £1500 Morgan Dennis (American, 1892 to 1960). A litter of A woman staring into the fire, accompanied by her scotties looking over a fence. deerhound. One of Dicksees most romantic scenes. Ref: 8460 Ref: 1810 207. [Child with biscuit & two King 201. [Waiting.] Charles Spaniels.] H.D. Herbert Dicksee [pencil signature]. [Copyright Haywood Hardy 1887. 1924 by Frost & Reed Ltd (of Bristol, England) in the Mixed method engraving, printed in colours and hand United States of America.] finished. 350 x 460mm. 13¾ x 18". £680 Signed etching. 210 x 230mm, 8½ x 9". Five Ref: 8539 blindstamps in lower left of plate. £1250 A study of Dicksee's own Scottish deerhound. 208. The Lion Dog, From Malta. The Last Ref: 9169 of his Tribe. Engraved from the Original 202. [Studies of Staffordshire Bull Picture in the possession of H.R.H. The Terriers.] Duchess of Kent. [Etched by Paul Renouard.] [n.d., 1907.] Painted by Edwin Landseer R.A. Engraved by Etching. 280 x 225mm, 11 x 8¾". £230 W.T.Davey. London. Published July 9th 1851, by Charles Paul Renouard (1845-1924). While at the Thomas McLean, 26, Haymarket. Ecole des Beaux-Arts in 1875 he and his instructor Mezzotint. 375 x 405mm. £330 were hired to decorate the ceiling of the Paris opera A Maltese Terrier, seated on a table with the artist's house, which was the inspiration for his most well- tools, a mouse and a lump of cheese. Looking on is a known series of etchings, Le Nouvel Opéra. He came St. Bernard. to London in the 1890s and started work for the Ref: 8214 'Graphic' newspaper, sketching theater-goers and performers at the Theater Royal in Drury Lane, and policemen and defendants at one of London’s many police courts. Ref: 9079

203. [Dandie Dinmont.] [Engraved by Charles Mottram after Sir Edwin Landsser.] London Published Nov.r 5th 1874 by Henry Graves & Co., the Proprietors, Publishers to H.M. the Queen and T.R.H. the Prince & Princess of Wales, Pall Mall. Copyright registered. Engraving on india, proof before title. 420 x 510mm, 16½ x 20". With Printsellers' blind-stamp. £320 A Dandie Dinmont terrier examining a hedgehog. From the series of Queen Victoria's Pets. Ref: 9301

204. [Babes in the Wood] 209. [On the Threshold.] E.A. Holmes, R. Wallace Hester London Published H.D. Published at 8 Clare Street, Bristol, by Frost & November 1st 1898 by J.P. Mendoza, Printseller & Reed, Printsellers of Bristol, Clifton & London, Publisher to H.M. the Queen. St. James' Gallery, 4a November 24th 1904. King Street, St. James'. Copyright registered. Printed Etching, Artist's Proof on vellum, signed by the artist, by A. Holdgate. plate destroyed. 440 x 305mm. Narrow margins. £380 Photogravure, 350 c 470mm. 13¼ x 18½". £360 A woman on the step of a cottage, with a sheepdog to Two fox terriers together set against a woodland one side. backdrop. Proof signed in pencil by artist and engraver Ref: 1797 Ref: 8744 210. Rat-Catching. Brutus; Boxer; Vixen. 205. [Scottish Terrier.] Edwin Landseer pinxit. Tho.s Landseer, Aqf.f. John Sandy Mac Havish Lisl Grossmann Landseer, Sculpt. Engraver to the King & F.S.A. Etching, 245 x 205mm. 9¾ x 8". Slight stains; tears on London. Published by Hurst, Robinson & Co. 90 left. £75 Cheapside, March 10, 1823. A Scottish Terrier, facing to the right, with a small ball. Engraving, 345 x 490mm. 13½ x 19¼". £130 Three dogs approaching two dead rats, whilst another Calendar adopted by the Convention). It held executive rat timorously surveys the situation. power in France during the first years of the French Ref: 9302 First Republic. It was succeeded by the Directory, commencing 2 November 1795. Prominent members of the original Convention included Maximilien HISTORICAL, SOCIAL & POLITICAL Robespierre of the Jacobin Club, Jean-Paul Marat (affiliated with the Jacobins, though never a formal member), and Georges Danton of the Cordeliers. Ref: 8910

213. Grand Sanhédrin des israélites de l’Empire français & du Royaume d’Italie. Damame De’Martrait del. Et sculpt. Beaublé script. Convoqué à Paris par ordre de Napoleon-le-Grand assemblé pour la premiere fois le 9 fev, 1807. Déposé à la Bibliothèque Impériale. Ce Corps tombé ave le Temple, va reparaitre 211. Addresses to Her Majesty Queen (Discours de M.M.les Commissaires Impériaux, dit Caroline Presented at Brandenburgh 1807.) House 30 Oct.r 1820. Aquatint. 520 x 712mm. 20½" x 28". Damaged with Pub.d by G.Humphrey 27 S.t James's St 1821. some creases, tears and visible repairs. £680 Coloured aquatint. Sheet 225 x 420mm, 9 x 16½". Extremely rare. The 'Grand Sanhedrin' was a Jewish Trimmed within plate. £250 high court convened by Napoleon I to give legal The British public showing their support for Queen sanction to the principles expressed by the Assembly of Caroline during George IV's attempts to have his Notables in answer to the twelve questions submitted marriage declared void. to it by the government. On October 6, 1806, the Ref: 9034 Assembly of Notables issued a proclamation to all the Jewish communities of Europe, inviting them to send 212. De Conventie [Vernietiging van alle delegates to the Sanhedrin, to convene on October 20. This proclamation, written in Hebrew, French, erflyke Waardigheden] Rechten van de German, and Italian, speaks in extravagant terms of the Mensche] [Oppermacht des Volks]. In het importance of this revived institution and of the midden staat Neer=lands zetel, dien de greatness of its imperial protector. While the action of leeuw verdeedigt, daarnaast de vryheid, die Napoleon aroused in many Jews of Germany the hope aan een' gemeenen burger het recht geeft that, influenced by it, their governments also would grant them the rights of citizenship, others looked upon om er zich op te plaatzen op voorwaarde, it as a political contrivance. dat hy drie artijkelen die hem de drie Ref: 8957 Bovenzweevende genies vertoonen bezweert, hetgeen hy ook Gewillig doet: 214. The landing of Julius Caesar, Agter hem volgen de ambagten, Landbouw An:ant:Chr:55 Rom:699. en Vryekunsten, om met hem van hetself N Blakey Invt. & Delin S.F. Ravenet. Publish'd for I & de recht gebruik te maaken, de hoop liefde P. Knapton & R. Dodsley, according to Act of Parliament, 1751. en eer staan eens=Gelijks rondom. Den Engraving. 428 x 480mm. £380 xetel, om hunne vereeniging, en hoop tot Caesar r. at prow as Roman galleys approach shore beterschap aantetoonen, het welk de beneath hail of arrows and rocks; hand-to-hand conflict blaazende faam bekend maakt, de hoorn in foreground. des overvloeds ligt op den voorgrond bei Ref: 7964 het gereedschap der handwerklieden, als 215. The Kings Entry into Paris on the 6 een gevolg dezer gebeurenisse; terwijl het of October 1789. Entrée du Roi a Paris le 6 juk door den Sterken arm van een held in Octobre 1789. het gezigt der Gewapende schutterij Drawn on the Spot by an Eminent Artist. Designé sur verbroken wordt. Enz. le lieu par un Amateur distingué. John Wells Bakker del. K.F. Bendorp sculps. te Rotterdam by J.H. aquatinta. London Publish'd Nov. 20. 1789. by B. en G.J.Derens. in comp: Proefdruk. [n.d. c.1790] Vander Gucht Lower Brook Street.& J.White Engraving, proof. 343 x 405mm. 13½" x 16". £220 Tavistock Street. Londres chez B. Vander Gucht & J. During the French Revolution, the National White. Convention or Convention, in France, comprised the Aquatint. Plate 318 x 603mm. 12½" x 23¾". Very fine. constitutional and legislative assembly which sat from £480 20 September 1792 to 26 October 1795 (the 4th of Ex: Oettingen-Wallerstein collection. Brumaire of the year IV under the French Republican Ref: 9207 Painted by B. West, Historical Painter to His Majesty. Engraved by De Launay. Published as the Act directs, by B. West, I. Hall & E. Woollett, London. [n.d. c.1782.] Line engraving. Plate 323 x 400mm. 12¾" x 15½". £160 The Long Parliament is the name of the English Parliament called by Charles I, on 3 November 1640, following the Bishops' Wars. It received its name from the fact that through a unique Act of Parliament, it could only be dissolved with the agreement of the members, and those members did not agree to its dissolution until after the English Civil War and at the end of Interregnum in 1660. Ex: Oettingen-Wallerstein collection. Ref: 9213

219. Roman Tesselated Pavement

216. Le Droit justifié. Discovered at Pitney near Langport, à Ausbourg chéz J.J. Haid et fils. [n.d. c.1750.] Somersetshire, and viewed by the Members Mezzotint with line engraving. Plate 241 x 272mm. of the Somerset Archaeological and 9½" x 10¾". Very fine. £420 Natural History Society to whom this is 'Suum cuique' ['to each his own'] (engraved on the respectfully dedicated October 1861. Scale: shield of the angelic messenger) served as a motto to Prussia's King Frederick the Great.. It was a symbol of one inch to one foot. the liberalism and religious tolerance of the Prussian On Stone by W. Pomeroy, Langport. Printed in Kingdom, which meant that 'each can do as they Colours by J. Lavars Broad St. Hall, Bristol. choose', but all citizens must unite in their support of Coloured lithograph, 260 x 345mm. 13½ x 10¼". Very Prussia. In this image, Frederick the Great judges the rare. £130 wrongdoers. Roman pavement discovered in Pitney, Somerset. Ex: Oettingen-Wallerstein collection. Ref: 8795 Ref: 9203 220. Stone Tablet Found in a Tomb at 217. Magna Carta. Reproduced from the Thebes; Discovered by the Earl of Original in the British Museum. (A Belmore. _1818. Height of the Original 1 Translation of this will be found in Part I. ft. 10½ in. Breadth 1 ft. 5in. of "The Dictionary of English History".) G. Scharf del. Printed by C. Hullmandel. [n.d. c.1822.] [n.d. c.1850] Vincent Brooks, Day & Son, Lith. Lithograph with hand-colour. Sheet 578 x 445mm. Lithograph. Sheet 578 x 444mm. 22¾" x 17½". 22¾" x 17½". Tear into the image and creases. Bright Creased. £260 colour. £160 Magna Carta, is an English legal charter, written in Somerset Lowry-Corry, 2nd Earl Belmore (11 July Latin, originally issued in the year 1215. It required 1774 - 18 April 1841), known as Viscount Corry from King John of England to proclaim certain rights, 1797 to 1802, was an Irish nobleman and politician. respect certain legal procedures, and accept that his This plate comes from his "Collection of Egyptian will could be bound by the law. It explicitly protected antiquities", published in 1822. certain rights of the King's subjects, whether free or Ref: 8473 fettered — most notably the writ of habeas corpus, allowing appeal against unlawful imprisonment. 221. [The Queen giving audience to Lord Beaconsfield at Osborne after his return Magna Carta was arguably the most significant early from Berlin bringing 'Peace with Honour'.] influence on the extensive historical process that led to [Painted by T.B. Wirgman. Engraved by T.L. the rule of constitutional law today in the English Atkinson. Signed in pencil by artist and engraver.] speaking world. Similarly, it has influenced the [London, published by Dickinson 1887.] development of the common law and many Mixed method engraving on india laid paper, signed constitutional documents, including the United States artist's proof before all letters. 770 x 870mm. 30¼ x Constitution. 34¼". £330 Ref: 8682 Queen Victoria with Benjamin Disraeli, Earl of Beaconsfield (1804 - 1881), Prime Minister and 218. Oliver Cromwell dissolving the Long novelist. Through his outstanding abilities as a Parliament. From the original Picture in politician and orator, Disraeli became Prime Minister the possession of The Right Honourable the in 1868 and guided the Second Reform Bill through Earl Grosvenor. Parliament. His diplomatic triumphs included the 224. William Penn's Treaty with the Indians, when he founded th