Challenging the Hierarchies of the City: Oscar Niemeyer’s Mid-Twentieth-Century Residential Buildings Challenging the Hierarchies of the City: Oscar Niemeyer’s Mid-Twentieth-Century Residential Buildings Styliane Philippou
[email protected] +44 20 7619 0045 Keywords: Oscar Niemeyer; architecture; Modernism; Brazilian city; mestiçagem; social, racial and gender city hierarchies Abstract This paper discusses the ways in which Oscar Niemeyer’s mid-twentieth-century residential buildings for the rapidly growing Brazilian cities challenged prevailing assumptions about the hierarchies of the city, and the profoundly patriarchal, white-dominated Brazilian society. The aesthetics of randomness and utilitarian simplicity of Niemeyer’s first house for himself (Rio de Janeiro, 1942) steered clear of any romanticisation of poverty and social marginalisation, but posited the peripheral, urban popular Black architecture of the morros as a legitimate source of inspiration for modern Brazilian residential architecture. At a time of explosive urban growth in Latin American cities, suburban developments allured those who could afford it to flee the city and retreat in suburbia. Niemeyer’s high density residential environment (Copan Apartment Building, 1951, São Paulo), right in the centre Brazil’s industrial metropolis, configured a site of resistance to urban flight and the ‘bourgeois utopia’ of the North American suburban, picturesque enclaves insulated from the workplace. The Copan’s irrational, feminine curves contrasted sharply with the ‘cold, hard, unornamental, technical image’ (Ockman) of the contemporaneous New York City Lever House, typical of the North American corporate capitalist landscape. At a time when Taylorism- influenced zoning was promoted as the solution to all urban problems, the Copan emphatically positioned in the city centre the peripheral realm of domestic, tropical, feminine curves, challenging prevailing images of the virile city of male business and phallic, stifling skyscrapers.