DOCSLIB.ORG

Burton at the BBC: Classic Excerpts from the BBC Archive Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Burton at the BBC: Classic Excerpts from the BBC Archive Free FREE BURTON AT THE BBC: CLASSIC EXCERPTS FROM THE BBC ARCHIVE PDF Richard Burton | 1 pages | 19 Nov 2015 | BBC Audio, A Division Of Random House | 9781785292040 | English | London, United Kingdom Sounds amazing: how audio drama is thriving in the digital age February 5, Saturday April 26, Wednesday 6. Morning on With Tommy Pearson. May 18, Thursday Masterworks With Jonathan Swain. June 8, Thursday August 4, Friday 6. September 6, Wednesday 6. September 20, Wednesday 6. October 24, Tuesday 6. January 2, Tuesday This week featuring Janacek orchestral works and recordings by Julian Bream. January 3, Wednesday Sanz Canarios Julian Bream guitar January 4, Thursday January 5, Friday April 11, Wednesday 9. Although the music of Villa- Lobos and Bach may seem to be strange bedfellows, this Brazilian composer considered the music of Bach to be "a universal and rich folklore source, deeply rooted in the folk music of every country in the world. Bach is a mediator among all races". With Donald Macleod. October 24, Wednesday 9. Donald Macleod and Piers Burton-Page discuss the relationships behind some of the composer's most popular music. November 8, Thursday 6. Morning on 3 With Penny Gore. December 3, Monday 9. In the week that marks the 25th anniversary of Benjamin Britten 's death, Donald Macleod explores the final period of the composer's life which followed his spectacular success with the War Requiem in This week's programmes examine the key aesthetic features of the late works and draw on the rich archive of recordings made by the composer and Burton at the BBC: Classic Excerpts from the BBC Archive of his friends. March 29, Friday 9. A year later Walton visited the island of Ischia with his new wife. It was here that he completed his opera Troilus and Cressida, and where he continued to compose until the end of his life in March 31, Sunday Dennis Marks begins by tracing Walton's early life from his birthplace in Oldham to the pubs and elegant drawing rooms of Chelsea. Presented by Humphrey Burton. Dennis Marks explores Sitwellian family life, including interviews and memories from the archive of Edith, Sacheverell and Walton himself. Although Walton's music brought him fame, he was prey to insecurity and vulnerable to criticism. Humphrey Burton unmasks the man behind the music. Cressida is deceived by her manipulative father into betraying Troilus and the opera ends with her suicide. June 6, Thursday July 2, Thursday 9. Peter Pears tenorJulian Bream lute. July 17, Wednesday 6. September 16, Monday This week featuring Rachmaninov symphonic works and recordings by Julian Bream. September 17, Tuesday September 18, Wednesday September 19, Thursday September 20, Friday January 13, Monday January 14, Tuesday January 15, Wednesday January 16, Thursday January 17, Friday March 25, Tuesday May 26, Monday Featuring Debussy orchestral music Burton at the BBC: Classic Excerpts from the BBC Archive recordings by Hesperion XX. July 12, Saturday October 14, Tuesday Donald Macleod looks at the works Falla completed within a year of his return to Spain inwhere he now found himself revered by critics. But the composer would never forget the neglect he had suffered in his home country. October 19, Sunday The existence of the British 20th- century guitar repertoire is largely due to Julian Bream, who worked with many composers to create new pieces for the instrument. John Williams introduces Bream's recordings of works by Walton, Britten and Arnold, and discusses his own collaborations with composers such as Stephen Dodgson and Richard Harvey. December 8, Monday Featuring music by Marin Marais and recordings by Igor Markevitch. December 14, Sunday January 6, Tuesday March 19, Friday September 17, Friday 7. Music includes: 7. October 21, Thursday 7. November 29, Monday Presented by Jonathan Swain. March 3, Thursday April 17, Sunday The creation of the British 20th-century guitar repertoire was largely due to Julian Bream and the way he worked with many composers to create new works for the instrument. John Williams introduces Bream's recordings of works by Walton, Britten and Arnold and discusses his own collaborations with such composers Burton at the BBC: Classic Excerpts from the BBC Archive Stephen Dodgson and Richard Harvey. He also takes a look at Stanley Myers's Cavatina, one of the most widely known of all guitar pieces. April 26, Tuesday April 29, Friday Burton at the BBC: Classic Excerpts from the BBC Archive. Morning on 3 Presented by Penny Gore. July 25, Monday This week featuring orchestral music by Bruch and recordings by great lutenists. October 16, Sunday 9. November 8, Tuesday November 30, Wednesday Peter Pears tenorJulian Bream lute December 16, Friday Angelica May celloGustav Leonhardt harpsichord Ich sehe. Richard Tunnicliffe celloPaul Nicholson harpsichord Burton at the BBC: Classic Excerpts from the BBC Archive. To order either CD set please send a cheque payable to Selections, to Selections. December 30, Friday January 1, Sunday 9. February 26, Sunday Julian Bream. BBC Audiobooks Ltd books and biography | Waterstones No catches, no fine print just unadulterated book loving, with your favourite books saved to your own digital bookshelf. Browse audiobooks narrated by Richard Burton, listen to samples and when you're ready head over to Audiobooks. I'd be amazed if it isn't dominating the shortlists come next year's awards season' M. Murder at leisure? London, Susannah rushes into marriage to a young and wealthy surgeon. After a passionate honeymoon, she returns home with her new husband wrapped around her little finger. But then everything changes. Thomas's behaviour becomes increasingly volatile and violent. He stays out all night, returning home bloodied and full of secrets. The gentle caresses she enjoyed on her wedding night are now just a honeyed memory. When the first woman is murdered in Whitechapel, Susannah's interest is piqued. But as she follows the reports of the ongoing hunt for the killer, her mind takes her down the darkest path imaginable. Every time Thomas stays out late, another victim is found dead. Is it coincidence? Or is her husband the man they call Jack the Ripper? Years ago, a spy was Burton at the BBC: Classic Excerpts from the BBC Archive The Cold War will soon be over, but for BOX 88, a top secret spying agency, the espionage game is heating up. Lachlan Kite, recruited from an elite boarding school, Burton at the BBC: Classic Excerpts from the BBC Archive sent to France, tasked with gathering intelligence on an enigmatic Iranian businessman implicated in the Lockerbie bombing. Taken captive and brutally tortured, Kite has a choice: reveal the truth about what happened in France thirty years earlier — or watch his family die. In a battle unlike anything he has faced before, Kite must use all his skills to stay alive. Brought to you by Penguin. Sittenfeld's wryly hilarious and insightful new collection, HELP YOURSELF, illuminates human experience and gracefully upends our assumptions about class and race, envy and disappointment, gender dynamics and celebrity. Suburban friends fall out after a racist encounter at a birthday party is caught on video and posted on Facebook; an illustrious Manhattan film crew are victims of their own snobbery when they underestimate a pre-school teacher from the Mid-West; and a group of young writers fight about love and narrative style as they compete for a prestigious bursary. Connecting Burton at the BBC: Classic Excerpts from the BBC Archive of these three stories is Sittenfeld's truthful yet merciless eye, as her characters stagger from awkwardness, to humiliation and, if they're lucky, to reconciliation. Full of tenderness and compassion, this dazzling collection celebrates our humanity in all its pettiness and glory. She was newly qualified as an advanced clinical practitioner, responsible for life or death decisions about the patients she saw, when the unthinkable happened and the country was hit by the Covid pandemic. The stress on the NHS was huge and for the first time in her life, the job was going to take a toll on Louise herself. They worried about their regulars, now missing, and saw an increase in domestic abuse victims and suicide attempts as loneliness hit people hard. By turns heartbreaking and heartwarming, this book shines a light on the compassion and dedication of hospital staff during such dark times. Here too are some of her LRB diaries, including her first meeting with her stepfather and a confrontation with a circus strongman. Constantly illuminating, always penetrating and often very funny, interleaved with letters and other ephemera gathered from the archive, Mantel Pieces is an irresistible selection from one of our greatest living writers. See the world. Then make it better. I am I've had Burton at the BBC: Classic Excerpts from the BBC Archive extraordinary life. It's only now that I appreciate how extraordinary. As a young man, I felt I was out there in the wild, experiencing the untouched natural world - but it was an illusion. The tragedy of our time has been happening all around us, barely noticeable from day to day - the loss of our planet's wild places, its biodiversity. I have been witness to this decline. A Life on Our Planet contains my witness statement, and my vision for the future - the story of how we came to make this, our greatest mistake, and how, if we act now, we can yet put it right. We have the opportunity to create the perfect home for ourselves and restore the wonderful world we inherited. All we need is the will to do so. In a peaceful retirement village, four unlikely friends meet up once a week to investigate unsolved killings.
Load more

Recommended publications
  • Radio 4 Extra Listings for 6 – 12 June 2020 Page 1 of 9 SATURDAY 06 JUNE 2020 Lady Lettice Melland
    Radio 4 Extra Listings for 6 – 12 June 2020 Page 1 of 9 SATURDAY 06 JUNE 2020 Lady Lettice Melland ...... Helen Ryan The Garage ...... James Bryce Anne Artingstall ...... June Barry Pansy the Dog ...... Percy Edwards SAT 00:00 Schalken the Painter by Sheridan Le Fanu Lizzie Lightowler ...... Rosalie Crutchley Alfred ...... Henry Stamper (b007sw35) Arnold Ryerson ...... Andrew Jackson Dramatised and directed by Peter King 2. The Deal Pen Muff ...... Vida Paterson First broadcast on BBC Radio 4 in December 1983. The ghoulish Vanderhausen seals his deal with Rose's uncle who Harry Liskeard ...... Peter Guinness SAT 07:30 Great Lives (b04vdzyh) is unaware that his pupil Godfrey Schalken is in love with her... Jimmy Newboult ...... John Baldwin Series 35 Ian McDiarmid concludes the unabridged reading of Sheridan Ellen Stansfield ...... Rosalie Williams Brian Eno on Lord Young of Dartington Le Fanu's supernatural tale. Edith Ryerson ...... Ann Rye Brian Eno has worked with David Bowie, David Byrne and U2 Producer: Lawrence Jackson Nell Richards ...... Nina Holloway but his choice of Great Life is not a rock star but the sociologist Made for BBC 7 by BBC Northern Ireland. Marsden ...... Herbert Smith Lord Young of Dartington. First broadcast in June 2005. Carrickfergus ...... James Tomlinson Michael Young wrote the Labour Party's 1945 election SAT 00:30 Off the Page (b0076x93) Evan Vaughan ...... Richard Clay-Jones manifesto, researched slum clearance in the East End of Are We Alone? Gallery Assistant ...... Rory Scase London, set up the Consumers' Association, coined the word Victoria Coren on paranormal beliefs with Charlie Skelton, Director: Trevor Hill "meritocracy", co-founded the Open University and planned the Nick Pope and Christopher French.
    [Show full text]
  • Sibelius Society
    UNITED KINGDOM SIBELIUS SOCIETY www.sibeliussociety.info NEWSLETTER No. 84 ISSN 1-473-4206 United Kingdom Sibelius Society Newsletter - Issue 84 (January 2019) - CONTENTS - Page 1. Editorial ........................................................................................... 4 2. An Honour for our President by S H P Steadman ..................... 5 3. The Music of What isby Angela Burton ...................................... 7 4. The Seventh Symphonyby Edward Clark ................................... 11 5. Two forthcoming Society concerts by Edward Clark ............... 12 6. Delights and Revelations from Maestro Records by Edward Clark ............................................................................ 13 7. Music You Might Like by Simon Coombs .................................... 20 8. Desert Island Sibelius by Peter Frankland .................................. 25 9. Eugene Ormandy by David Lowe ................................................. 34 10. The Third Symphony and an enduring friendship by Edward Clark ............................................................................. 38 11. Interesting Sibelians on Record by Edward Clark ...................... 42 12. Concert Reviews ............................................................................. 47 13. The Power and the Gloryby Edward Clark ................................ 47 14. A debut Concert by Edward Clark ............................................... 51 15. Music from WW1 by Edward Clark ............................................ 53 16. A
    [Show full text]
  • Radiotimes-July1967.Pdf
    msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy.
    [Show full text]
  • 2020-08-22-Corona-Chronicle-06
    Watford Philharmonic Society Corona Chronicle, Issue 6 22 August 2020 Dear Friends, In any normal season, we’d have been happily looking forward to starting a new term and catching up with friends after the summer break, but of course these are unfamiliar times. We await further advice on safe opening of venues as well as research findings on the relative safety of group singing as opposed to – say – shouting across a crowded pub or nightclub. Summer holidays too have had to be sacrificed, though many people will have benefitted from some kind of break and at least the weather has favoured outdoor pursuits at home or further afield. For most however, the idea of golden sands, clear blue tropical waters and gently wafting palm trees will have been parked for this year – so no apologies for focussing this month’s Corona Chronicle on more members’ choices of the 8 discs they would take with them as castaways on a desert island. We have contributions from Chris Robinson, Chrissie Russ, Martin Fletcher and Roger Prangnell – interesting choices and back-stories all round. By some happy co-incidence, Roy Plomley (the originator of the BBC’s Desert Island Discs) lived in Bushey for a while in the 1940s. Audrey Adams has contributed a lively account of his residence in Little Bushey Lane, together with an entertaining collection of DID trivia. We have a copy of a concert programme from May 1984 in the archive (see p3) which featured Roy Plomley as narrator – yet another famous name to have performed with us in the past.
    [Show full text]
  • Performance, Power & Production
    PERFORMANCE, POWER & PRODUCTION A SELECTIVE, CRITICAL AND CULTURAL HISTORY OF THE RADIO INTERVIEW Kathryn McDonald Thesis submitted in fulfilment of the requirements of Bournemouth University for the degree of Doctor of Philosophy December 2014 COPYRIGHT STATEMENT This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. II ABSTRACT Title: Performance, Power & Production. A selective, critical and cultural history of the radio interview Author: Kathryn McDonald This thesis charts the historical evolution of the ‘personal’ radio interview, in order to understand its use as a speech device, a social relationship and a communicative genre. Four contrasting styles of interviewing have been chosen to illustrate key moments and to illuminate significant shifts in the history of UK broadcasting: Desert Island Discs (1942-1954), The Radio Ballads (1958-64 & 2006), the confessional style phone interview format on independent local radio (1975) and Prison Radio projects (1993-present). These cases draw together an assortment of live and pre-recorded material, across a variety of genres that encompass over seventy years of production output, granting an opportunity to demonstrate the specificities of each example, whilst also identifying any overarching themes or differences. Primary research has been carried out using an assortment of audio content and written archive, comprising of scripts, memos, letters, diaries, training documents, contracts, policies and guidelines, which give us a further sense of how this method of talk has developed over the decades.
    [Show full text]
  • A Little Digging at the BBC
    A Little Digging at the BBC After almost a century of public radio broadcasting the BBC has built up an immense archive of past programmes, probably unequalled anywhere else in the world. There are fairly primitive recordings from the earliest days, but it was the introduction of tape recording after World War 2 which led to the massive increase which we take for granted today. The digital revolution makes the archiving process even easier. Aware of its responsibility to the licence payer, who after all is footing the bill, the BBC is using the internet to make as much of this historical material available to the general public as possible. (Its digital radio channel BBC 4 Extra also draws on this rich legacy). Accessing the material is straightforward. Just enter BBC Podcasts into Google and choose the radio channel that interests you, - BBC Radio 4 (the former Home Service), Radio 3 (the former Third programme) etc. The archive can also be reached via the iTunes App. The programmes can be heard “live” via the iPlayer App, or downloaded as a podcast to listen to at your convenience. The problem will be choosing from the huge range of programmes on offer. To give you a flavour here are just a few of the offerings: Virtually all “Letters from America” by Alistair Cooke from the 1940s onwards. All of “In Our Time” with Melvyn Bragg, (this series is still running.) All of the Reith Lectures from 1948. Front Row the long running arts and culture programme. To satisfy my own addiction and need for a steady flow of nostalgia I have been dipping into the longest running programme on the BBC, (and the second longest running radio programme in the world), Desert Island Discs.
    [Show full text]
  • Two Day Autograph Auction - Day 1 Saturday 16 July 2011 12:00
    Two Day Autograph Auction - Day 1 Saturday 16 July 2011 12:00 International Autograph Auctions (IAA) Radisson Edwardian Heathrow Hotel 140 Bath Road Heathrow UB3 5AW International Autograph Auctions (IAA) (Two Day Autograph Auction - Day 1) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 6 CRICKET: A good 8vo page removed from an autograph album GRACE W. G.: (1848-1915) English Cricketer. Fine fountain individually signed in fountain pen ink by eight cricketers, four of pen ink signature ('W. G. Grace') on a slip of paper, them Test Captains, comprising William Newham (1860-1944, professionally matted in green and ivory beneath four different England & Sussex), C. Aubrey Smith (1863-1948, England & vintage postcard photographs of Grace, three showing him in Sussex), Arthur Kemble (1862-1925, Lancashire), William L. full length cricket poses and one standing in a full length pose Murdoch (1854-1911, Australia & Sussex), A. E. Stoddart (1863- alongside the young Edward, Prince of Wales. Framed and 1915, England & Middlesex; committed suicide), Walter Read glazed in a wooden frame to an overall size of 21.5 x 14.5. VG (1855-1907, England & Surrey), Ernest Smith (1869-1945, Estimate: £200.00 - £300.00 England & Yorkshire) and John Ferris (1867-1900, Australia, England & Gloucestershire; tragically died at the age of 33). Annotated in ink at the head of the page by a collector, 'Cricket Lot: 7 for Ever!' and dated Hastings, 16th September 1891. A rare AUSTRALIAN CRICKET: A page removed from an autograph grouping of cricket signatures, about VG album individually signed by fourteen members of the Estimate: £200.00 - £300.00 Australian Cricket team of 1909, comprising Monty Noble, Sammy Carter, Victor Trumper, Syd Gregory, Warren Bardsley, Warwick Armstrong, Vernon Ransford, Bert Hopkins, Peter Lot: 2 McAlister, Bill Whitty, Barlow Carkeek, Jack O'Connor, Roger CRICKET: A good selection of individual signed clipped pieces Hartigan and William Ferguson (scorer and baggage man).
    [Show full text]
  • A Life in Television: Sir Michael Parkinson 23 November 2016 at BAFTA, 195 Piccadilly, London Krish Majumdar: Good Evening, My Name’S Guest Is One Such Person
    A Life in Television: Sir Michael Parkinson 23 November 2016 at BAFTA, 195 Piccadilly, London Krish Majumdar: Good evening, my name’s guest is one such person. Throughout the Krish Majumdar, I’m the Chairman of BAFTA’s decades his programmes were what is now Television Committee, and I’m also on the known as appointment to view television. It Board of Trustees. Welcome to this A Life in wasn’t when he started making television. Television event with Sir Michael Parkinson. Let’s just give ourselves a quick reminder. I’m really thrilled so many people are here, and we’re very lucky to have him here. The [Clip plays] point of these events, and all the events we do at BAFTA, are about two things for me; Ladies and gentlemen, please welcome the they’re about inspiration and excellence, broadcasting great that is Sir Michael and I think Sir Michael Parkinson embodies Parkinson. both of those things. He made interviewing on television, he elevated it to an art form. [Applause] And some of the most memorable television moments over the last few decades have Welcome. Very nice to see you. come with his interviews, with people like Muhammad Ali, Tony Blair. And recently Michael Parkinson: And that’s only one or when Muhammad Ali died there were lots two. and lots of interviews on television about Muhammad Ali, and the Parkinson clips just KY: I’m sure it’s a complete treat for them, it brought it all back to me. When I was is an entire treat for me to have you sitting growing up, it’s one of the few programmes here.
    [Show full text]
  • 12 Brown Desert Island Dislocation Bibliog Check FINAL With
    Chapter 12 Desert island dislocation: emotion, nostalgia, and the utility of music Julie Brown 1. Introduction Two and a half months after the first transmission of Desert Island Discs (DID) Assistant Director of Programme Planning in the BBC’s Gramophone Department Leslie A. Perowne wrote to the programme’s anchor Roy Plomley: I have given much thought to ‘D.I.D.’ recently, and take leave to suggest that you should impress upon your shipwreckees that they are not in fact spending a couple of nights on a sun-drenched island, but that they must sit down and consider very seriously what sort of moods they would be in after about six months entirely alone with their gramophone. They may be entirely gloomy, or if they feel they want gaiety it must be just the right kind. In other words the programme is not just ‘My favourite eight records’ but something much more significant.1 What interests me about this intervention is Perowne’s insistence on the utility of castaways’ chosen discs, their potential to help the shipwreckees to manage their moods while alone on the imaginary island. Ethnomusicologists have long studied music in its social situation, taking into account the way individuals and whole societies – typically traditional societies – utilise music as part of everyday life. Musicologists, however, have devoted less attention to how we in the West use it than to how Western art music works as an object of aesthetic 1 Letter from Leslie Perowne to Roy Plomley, 16 March 1942, in BBC WAC RCONT1, Roy Plomley, File 2a (1942).
    [Show full text]
  • Doctor Who 50Th Anniversary Page 9
    The newspaper for BBC pensioners – with highlights from Ariel online Doctor Who 50th anniversary Page 9 December 2013 • Issue 6 Life before Attenborough Cover story North 3 news Page 7 Page 8 Page 12 NEWS • MEMORIES • CLASSIFIEDS • YOUR LETTERS • OBITUARIES • CROSPERO 02 BBC PENSIONS 2013 Pension Liaison Meeting Fifty-one pensioners attended this year’s Pension Liaison Meeting, which was held in the Council Chamber at Broadcasting House London, on Thursday 21 November. he meeting is open to all BBC the Scheme is well managed and have regular enough money in the pot to pay people’s with the US$4 million we got from the pensioners to attend. It’s their training on their responsibilities. In order to pensions as they fall due. That’s the priority.’ Chicago property – again showing how we’re opportunity to put questions to the ensure the Trustees have the right strategic The Scheme’s assets – the amount of looking for long-term revenue streams that CEO and other people involved in guidance in the future, they decided that a money in the pot – has been growing, will help us pay those benefits promised to Trunning the Scheme. Chief Executive Officer, who is functionally helped by the reasonably positive investment members.’ This year’s speakers include some familiar independent from the BBC, was needed to environment. ‘At the end of March the Geoff Jones, the pensioner elected Trustee, faces – Geoff Jones (pensioner elected support them. Scheme was worth £10.3 billion; if you then spoke about the role of the Trustees in Trustee) and James Duberley (Director of ‘Right now the Trustees have been looked at it today it would be more like managing the Scheme for the benefit of all its Pensions Investment) – and also some newer working on agreeing the valuation with £10.5 billion.’ members.
    [Show full text]
  • St Nicholas Parish Church, Prestwick the Thought for the Week Sunday 4Th October 2020 Someone Laughed the Other Day When I Said
    St Nicholas Parish Church, Prestwick The Thought for the Week Sunday 4th October 2020 Someone laughed the other day when I said that I had been listening to the wireless! “Gosh, Fraser!” she exclaimed, “that gives your age away!” And she is right! I have lived through history! We didn’t have a television set until I was five, so it was the radio that brought us the news and entertained us. I have vague memories of my Mother listening to “Mrs Dale’s Diary” and I can still vividly recall the dulcet tones of Alvar Lidell reading the News. To this day one, I still enjoy the radio, and thanks to Alexa, I can tune in immediately to a whole variety of stations. Apart from Classic FM, my favourite is Radio 4 - such programmes like The Archers, Poetry Please, Any Questions, Just A Minute and a programme that I have appreciated for a very long time is called “Desert Island Discs” – it is the second longest running programme on the radio, having been first broadcast away back in 1942, with its wonderfully atmospheric opening music of “By a Sleepy Lagoon” by Eric Coates. Now, believe it or not, despite appearances to the contrary, I have not been a listener since its inception, but only much later! Originally devised and presented by a man called Roy Plomley, who one night in November 1941 at his digs in Hertfordshire, his fire had gone out and he was in his pyjamas ready for bed, and the idea for the programme came into his head; he wrote to the BBC, got and favourable reply and the programme was born.
    [Show full text]
  • Journal January 1992
    r The Elgar Society JOURNAL i January 1 1992 Contents Page Editorial 3 Articles Elgar and Programme Music - Part I 4 Where Corals Lie by a Sleepy Lagoon 10 Elgar in America 13 Elgar Choral Festival 13 Leonard Slatkin 14 The Original Musical Wallpaper 15 Birthplace News 15 Elgar’s Worcester Sauce 16 Random Ramblings 17 Concert Diary 22 Music Review 24 Book Review 25 Concert Review 26 Branch Reports 27 Record Reviews 31 Letters 41 Subscriptions Back Cover «**»»*»*»»»•••»*»•••»»»•••••**•••»»»*••••**»»»••»•»»*••••»•*•**••••*****•***••••**•• The Editor does not necessarily agree with the views expressed by contributors nor does the Elgar Society accept responsibility for such views. The cover portrait is reproduced by kind permission of RADIO TIMES ELGAR SOCIETY JOURNAL ISSN 0143-1269 rhe Elgar Society Journal 115 MONKHAMS AVENUE, WOODFORD GREEN, ESSEX IG8 OER 081-506 0912 VoL 7, No.4 EDITORIAL January 1992 Elgarians can always take pride in the fact that Elgar was the first major composer to commit himself to making gramophone records of his music, at a time when many people still regarded the gramophone as little more than a toy, and when the acoustic process gave a very imperfect reproduction of orchestral sound. Nowadays of course recording is not only big business but can be very influential in establishing a composer’s reputation — or re-establishing it, as in the case of Parry for example. The triumphant progress of the Compact Disc over the last few years has had some interesting spin-offs so far as the repertoire is concerned. Whereas in the days of LP an average disc would last 40-50 minutes, the CD can take much more, and the record-buying public feel hard done by if they get less than an hour! So for the Elgar symphonies (average playing time about 50-55 minutes) there now has to be a ‘fill-up’, and several of Elgar’s shorter works have received a number of recordings recently.
    [Show full text]