Menander: a Greco-Buddhist King?
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Situation Report Nature of Hazard: Floods Current Situation
India SITUATION REPORT NATURE OF HAZARD: FLOODS In Maharashtra Bhandara and Gondia were badly affected but situation has improved there. Andhra Pradesh situation is getting better in Khamam, East and West Godavary districts. Road connectivity getting restored and Communication is improving. People from the camps have started returning back. Flood Situation is under control as the Rivers in Andhra Pradesh are flowing at Low Flood Levels. In Surat situation is getting much better as Tapi at Ukai dam is flowing with falling trend In Maharashtra River Godavari is flowing below the danger level. In Maharashtra Konkan and Vidharbha regions have received heavy rainfall. Rainfall in Koyna is recorded at 24.9mm and Mahableshwar 18mm in Santa Cruz in Mumbai it is 11mm. The areas which received heavy rainfall in last 24 hours in Gujarat are Bhiloda, Himatnagar and Vadali in Sabarkantha district, Vav and Kankrej in Banskantha district and Visnagar in Mehsana. IMD Forecast; Yesterday’s (Aug16) depression over Orissa moved northwestwards and lay centred at 0830 hours IST of today, the 17th August, 2006 near Lat. 22.00 N and Long. 83.50 E, about 100 kms east of Champa. The system is likely to move in a northwesterly direction and weaken gradually. Under its influence, widespread rainfall with heavy to very heavy falls at few places are likely over Jharkhand and Chhattisgarh during next 24 hours. Widespread rainfall with heavy to very heavy falls at one or two places are also likely over Orissa, Vidarbha and east Madhya Pradesh during the same period -
Blocking Fathers, Illicit Marriages: Continuity and Change from Sophocles to Menander
Blocking Fathers, Illicit Marriages: Continuity and Change from Sophocles to Menander It is a truth universally acknowledged that the plays of Menander owe a great debt to Classical Athenian drama: connections between plays such as Aristophanes’ Cocalus and Menander were noted in didascalia, and similarly the thematic and structural similarities between New Comedy and the works of Euripides were already recognized in Hellenistic scholarship (Arnott 1972; Csapo 2000; Hunter 2011). Sophocles, on the other hand, is rarely included in this discussion of dramatic influence, more often regarded solely for his role as the pinnacle of tragic poets. It is the purpose of this paper to reanalyze possible connections between the corpus of Sophocles and that of Menander by examining both the Antigone and the Dyscolus as plays employing one of the most familiar stock characters of ancient comedy: the “blocking” father figure. This father figure—whose earliest incarnation arguably belongs to Old Comedy, such as Strepsiades from Clouds—is perhaps best known for his characterization in the plays of Greek New Comedy and their later, Latin iterations. Generally an old and intransigent father, the “blocking” figure is generically defined by his interference in the life of his young offspring; in New Comedy, this interference takes the form of intervention in the budding romance of two young lovers, whose inconvenient marriage will inevitably bring about the typical finale. This character, at first glance, may appear to be a creature created solely for light-hearted drama. Creon of the Antigone, however, whose stubborn and belligerent character has been carefully surveyed for his role within the tragedy itself (see Roisman 1996), additionally shares many features with the father of Menander’s only intact play, Knemon of the Dyscolus. -
The No-Self Theory: Hume, Buddhism, and Personal Identity Author(S): James Giles Reviewed Work(S): Source: Philosophy East and West, Vol
The No-Self Theory: Hume, Buddhism, and Personal Identity Author(s): James Giles Reviewed work(s): Source: Philosophy East and West, Vol. 43, No. 2 (Apr., 1993), pp. 175-200 Published by: University of Hawai'i Press Stable URL: http://www.jstor.org/stable/1399612 . Accessed: 20/08/2012 03:38 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Hawai'i Press is collaborating with JSTOR to digitize, preserve and extend access to Philosophy East and West. http://www.jstor.org THE NO-SELF THEORY: HUME, BUDDHISM, AND JamesGiles PERSONAL IDENTITY The problem of personal identity is often said to be one of accounting for Lecturerin Philosophy what it is that gives persons their identity over time. However, once the and Psychologyat Folkeuniversitetet problem has been construed in these terms, it is plain that too much has Aalborg,Denmark already been assumed. For what has been assumed is just that persons do have an identity. To the philosophers who approach the problem with this supposition already accepted, the possibility that there may be no such thing as personal identity is scarcely conceived. As a result, the more fundamental question-whether or not personal identity exists in the first place-remains unasked. -
The Satrap of Western Anatolia and the Greeks
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 The aS trap Of Western Anatolia And The Greeks Eyal Meyer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Ancient History, Greek and Roman through Late Antiquity Commons Recommended Citation Meyer, Eyal, "The aS trap Of Western Anatolia And The Greeks" (2017). Publicly Accessible Penn Dissertations. 2473. https://repository.upenn.edu/edissertations/2473 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2473 For more information, please contact [email protected]. The aS trap Of Western Anatolia And The Greeks Abstract This dissertation explores the extent to which Persian policies in the western satrapies originated from the provincial capitals in the Anatolian periphery rather than from the royal centers in the Persian heartland in the fifth ec ntury BC. I begin by establishing that the Persian administrative apparatus was a product of a grand reform initiated by Darius I, which was aimed at producing a more uniform and centralized administrative infrastructure. In the following chapter I show that the provincial administration was embedded with chancellors, scribes, secretaries and military personnel of royal status and that the satrapies were periodically inspected by the Persian King or his loyal agents, which allowed to central authorities to monitory the provinces. In chapter three I delineate the extent of satrapal authority, responsibility and resources, and conclude that the satraps were supplied with considerable resources which enabled to fulfill the duties of their office. After the power dynamic between the Great Persian King and his provincial governors and the nature of the office of satrap has been analyzed, I begin a diachronic scrutiny of Greco-Persian interactions in the fifth century BC. -
Intersecting Identities: Cultural and Traditional Allegiance in Portrait of an Emir
INTERSECTING IDENTITIES: CULTURAL AND TRADITIONAL ALLEGIANCE IN PORTRAIT OF AN EMIR Ariana Panbechi In Iranian history, the period between the eighteenth and early twentieth centuries can be best described as an era of monumental change. Transformations in economics, technology, military administration, and the arts reverberated across the Persian Empire and were further developed by the Qajar dynasty, which was quick to embrace the technological and industrial innovations of modernism. 1 However, the Qajars were also strongly devoted to tradition, and utilized customary Persian motifs and themes to craft an imperial identity that solidified their position as the successors to the Persian imperial lineage.2 This desire to align with the past manifested in the visual arts, namely in large-scale royal portraiture of the Qajar monarchy and ruling elite. Executed in 1855, Portrait of an Emir (Fig. 1) is a depiction of an aristocrat that represents the Qajar devotion to reviving traditional imagery through art in an attempt to craft a nationalist identity. The work portrays a Qajar nobleman dressed in lavish robes and seated on a two-tone carpet within a palatial setting. The subject is identified as Emir Qasem Khan in the inscription that appears to the left of his head.3 Figure 1. Attributed to Afrasiyab, Portrait of an Emir, 1855. Oil on cotton, 59 x 37 in. Brooklyn Museum, accession number 73.145. Gift of Mr. and Mrs. Charles K. Wilkinson, Brooklyn, New York. Image courtesy the Brooklyn Museum. In this paper, I argue that Emir Qasem Khan’s portrait, as a pictorial representation of how he presented himself during his lifetime, is a visualization of the different entities, ideas, and traditions that informed his carefully crafted identity as a member of the Qajar court. -
ART XVI.—On the Identity of Xandrames and Krananda
447 ART XVI.—On the Identity of Xandrames and Krananda. By EDWARD THOMAS, ESQ. AT the meeting of the Royal Asiatic Society, on the 21st Nov., 1864,1 undertook the task of establishing the identity of the Xandrames of Diodorus Siculus and Quintus Curtius, the undesignated king of the Gangetic provinces of other Classic Authors—with the potentate whose name appears on a very extensive series of local mintages under the bilingual Bactrian and Indo-Pali form of Krananda. With the very open array of optional readings of the name afforded by the Greek, Latin, Arabic, or Persian tran- scriptions, I need scarcely enter upon any vindication for con- centrating the whole cifcle of misnomers in the doubly autho- ritative version the coins have perpetuated: my endeavours will be confined to sustaining the reasonable probability of the contemporaneous existence of Alexander the Great and the Indian Krananda; to exemplifying the singularly appro- priate geographical currency and abundance of the coins themselves; and lastly to recapitulating the curious evidences bearing upon Krananda's individuality, supplied by indi- genous annals, and their strange coincidence with the legends preserved by the conterminous Persian epic and prose writers, occasionally reproduced by Arab translators, who, however, eventually sought more accurate knowledge from purely Indian sources. In the course of this inquiry, I shall be in a position to show, that Krananda was the prominent representative of the regnant fraternity of the " nine Nandas," and his coins, in their symbolic devices, will demonstrate for us, what no written history, home or foreign, has as yet explicitly de- clared, that the Nandas were Buddhists. -
Iasbaba's 60 Days Plan – Day 35 (History)
IASbaba’s 60 Days Plan – Day 35 (History) 2018 Q.1) Consider the following pairs. Sculpture Material made from 1. Mother goddess Stone 2. Bearded priest Terracotta 3. Dancing girl Copper Which of the above pairs is/are correctly matched? a) 1 and 3 only b) 3 only c) All the above d) None Q.1) Solution (d) Terracotta: Terracotta figures are more realistic in Gujarat sites and Kalibangan. Toy carts with wheels, whistles, rattles, bird and animals, gamesmen, and discs were also rendered in terracotta. The most important terracotta figures are those represent Mother Goddess. Stone Statues: Stone statues found in Indus valley sites are excellent examples of handling the 3D volume. Two major stone statues are: Bearded Man (Priest Man, Priest-King) and Male Torso Bronze Casting: Bronze casting was practiced in wide scale in almost all major sites of the civilization. The technique used for Bronze Casting was Lost Wax Technique. Dancing girl and bull from Mohenjo-Daro. Do you know? Thousands of seals were discovered from the sites, usually made of steatite, and occasionally of agate, chert, copper, faience and terracotta, with beautiful figures of animals such as unicorn bull, rhinoceros, tiger, elephant, bison, goat, buffalo, etc. Some seals were also been found in Gold and Ivory. THINK! 1 IASbaba’s 60 Days Plan – Day 35 (History) 2018 Harappan pottery. Q.2) Arrange the following parts of stupa from top to bottom. 1. Yasti 2. Harmika 3. Chatras 4. Anda Select the correct answer using the codes given below. a) 3-1-2-4 b) 3-2-1-4 c) 2-3-1-4 d) 2-1-3-4 Q.2) Solution (a) Stupa dome is called as Anda. -
Middle Comedy: Not Only Mythology and Food
Acta Ant. Hung. 56, 2016, 421–433 DOI: 10.1556/068.2016.56.4.2 VIRGINIA MASTELLARI MIDDLE COMEDY: NOT ONLY MYTHOLOGY AND FOOD View metadata, citation and similar papersTHE at core.ac.ukPOLITICAL AND CONTEMPORARY DIMENSION brought to you by CORE provided by Repository of the Academy's Library Summary: The disappearance of the political and contemporary dimension in the production after Aris- tophanes is a false belief that has been shared for a long time, together with the assumption that Middle Comedy – the transitional period between archaia and nea – was only about mythological burlesque and food. The misleading idea has surely risen because of the main source of the comic fragments: Athenaeus, The Learned Banqueters. However, the contemporary and political aspect emerges again in the 4th c. BC in the creations of a small group of dramatists, among whom Timocles, Mnesimachus and Heniochus stand out (significantly, most of them are concentrated in the time of the Macedonian expansion). Firstly Timocles, in whose fragments the personal mockery, the onomasti komodein, is still present and sharp, often against contemporary political leaders (cf. frr. 17, 19, 27 K.–A.). Then, Mnesimachus (Φίλιππος, frr. 7–10 K.–A.) and Heniochus (fr. 5 K.–A.), who show an anti- and a pro-Macedonian attitude, respec- tively. The present paper analyses the use of the political and contemporary element in Middle Comedy and the main differences between the poets named and Aristophanes, trying to sketch the evolution of the genre, the points of contact and the new tendencies. Key words: Middle Comedy, Politics, Onomasti komodein For many years, what is known as the “food fallacy”1 has been widespread among scholars of Comedy. -
Studies in Central & East Asian Religions Volume 9 1996
Studies in Central & East Asian Religions Volume 9 1996 CONTENTS Articles Xu WENKAN: The Tokharians and Buddhism……………………………………………... 1 Peter SCHWEIGER: Schwarze Magie im tibetischen Buddhismus…………………….… 18 Franz-Karl EHRHARD: Political and Ritual Aspects of the Search for Himalayan Sacred Lands………………………………………………………………………………. 37 Gabrielle GOLDFUβ: Binding Sūtras and Modernity: The Life and Times of the Chinese Layman Yang Wenhui (1837–1911)………………………………………………. 54 Review Article Hubert DECLEER: Tibetan “Musical Offerings” (Mchod-rol): The Indispensable Guide... 75 Forum Lucia DOLCE: Esoteric Patterns in Nichiren’s Thought…………………………………. 89 Boudewijn WALRAVEN: The Rediscovery of Uisang’s Ch’udonggi…………………… 95 Per K. SØRENSEN: The Classification and Depositing of Books and Scriptures Kept in the National Library of Bhutan……………………………………………………….. 98 Henrik H. SØRENSEN: Seminar on the Zhiyi’s Mohe zhiguan in Leiden……………… 104 Reviews Schuyler Jones: Tibetan Nomads: Environment, Pastoral Economy and Material Culture (Per K. Sørensen)…………………………………………………………………. 106 [Ngag-dbang skal-ldan rgya-mtsho:] Shel dkar chos ’byung. History of the “White Crystal”. Religion and Politics of Southern La-stod. Translated by Pasang Wangdu and Hildegard Diemberger (Per K. Sørensen)………………………………………… 108 Blondeau, Anne-Marie and Steinkellner, Ernst (eds.): Reflections of the Mountains. Essays on the History and Social Meaning of the Cult in Tibet and the Himalayas (Per K. Sørensen)…………………………………………………………………………. 110 Wisdom of Buddha: The Saṃdhinirmocana Mahāyāna Sūtra (Essential Questions and Direct Answers for Realizing Enlightenment). Transl. by John Powers (Henrik H. Sørensen)………………………………………………. 112 Japanese Popular Deities in Prints and Paintings: A Catalogue of the Exhibition (Henrik H. Sørensen)…………………………………………………………………………. 113 Stephen F. Teiser, The Scripture on the Ten Kings and the Making of Purgatory in Medieval Chinese Buddhism (Henrik H. -
The Edicts of King Ashoka
THE EDICTS OF KING ASHOKA An English rendering by Ven. S. Dhammika THE EDICTS OF KING ASHOKA Table of Contents THE EDICTS OF KING ASHOKA........................................................................................................................1 An English rendering by Ven. S. Dhammika.................................................................................................1 PREFACE......................................................................................................................................................1 INTRODUCTION.........................................................................................................................................2 THE FOURTEEN ROCK EDICTS...............................................................................................................4 KALINGA ROCK EDICTS..........................................................................................................................8 MINOR ROCK EDICTS...............................................................................................................................9 THE SEVEN PILLAR EDICTS..................................................................................................................10 THE MINOR PILLAR EDICTS..................................................................................................................13 NOTES.........................................................................................................................................................13 -
DIRECTORY 2018-19 New .Cdr
Directory2019 YJCCI DHARMA CHAKRA at Village Topra Kalan, Distt. Yamunanagar YAMUNANAGAR - JAGADHRI CHAMBER OF COMMERCE AND INDUSTRY Yamunanagar, Haryana, INDIA C/o. ORIENTAL ENGG. WORKS PVT. LTD., INDUSTRIAL AREA, YAMUNA NAGAR -135001 (HARYANA) Tel. : +91 1732-251750 • E-mail : [email protected], [email protected] • Web : www.yjcci.com Special Steel Components Corporation · AN ISO 9001, ISO 14001 & OHSAS 18001 CERTIFIED COMPANY · Process Control Solutions & Turnkey Instrumentation Projects for Oil and Gas Refineries and Petrochemical Industries. World Class & Hightech Equipment, Safety Fittings, Valves / Gauges and Computerized System For Large LPG Storage & Bottling Plants. TM BSI OF MULTI ER LAT B ER M A E L M R E T C IAF N O E GN EM ACCREDITED ITION ARRANG INTEGRATED MANAGEMENT SYSTEM In Technical Collaboration With: MIDLAND ROCHESTER GAUGES MANUFACTURING CORPORATION INTERNATIONAL S.A. USA & EUROPE TOKYO KEISO CO., LTD. JAPAN USA METAL GOODS M A N U F O PRODUCTS A C T M U MGM LP-GAS EQUIPMENT R GI N G M EXCESS FLOW CHECK VALVES Engineered Controls COMPANY USA International, Inc. SCG (Thailand) Germany With Best Compliments From: NK Gupta, Vinod Gupta & Vishal Gupta M-9, Industrial Area, Yamunanagar - 135 001 (Haryana) INDIA Tel.: +91-1732-255055 to 60 • Fax: +91-1732-255057 • E-mail: [email protected] • Web: www.specialsteel.net 1 2 UPPER INDIA Mfrs of ZINC OXIDE 382715: +91-9978629532, +91-8572800368 UPPER INDIA 9215822418 3 EXECUTIVE COUNCIL For the Year 2018-2019 ATUL GUPTA RAJESH KHARBANDA MUNISH DHIMAN President Vice President Secretary ISH ANAND SAMIRA SALUJA VARINDER MEHANDIRATTA Treasurer Secretary General Joint Secretary EXECUTIVE MEMBERS Arun Oberoi Jaideep S. -
Depiction of Asoka Raja in the Buddhist Art of Gandhara
Journal of the Research Society of Pakistan Volume No. 54, Issue No. 2 (July - December, 2017) Mahmood-ul-Hasan * DEPICTION OF ASOKA RAJA IN THE BUDDHIST ART OF GANDHARA Abstract Asoka was the grandson of the Chndragupta Maurya, founder of one of the greatest empires of the ancient India (321-297 BC). The empire won by Chandragupta had passed to his son Bindusara, after his death, it was again transmitted to his son Asoka. During early years of his kingship he was a very harsh ruler. But after witnessing the miseries and suffering of people during the Kalinga War (260 BCE.) Ashoka converted to Buddhism and decided to substitute the reign of the peace and tranquility for that of violence. Due to his acts of piety and love for the Buddhist faith he become the most popular and personality after Buddha for the Buddhists. Many legends associated with him i.e. “a handful dust”, “redistribution of Relics”, “ his visit of underwater stupa at Ramagrama” are depicted in Gandhara Art. In the present article an effort has been made to identify and analyze the legends of Ashoka in the light of their historical background. Keywords: Chandragupta Maurya, Bindusara, Ashoka, Kalanga war, Buddhism. Introduction The Buddhist Art of Gandhara came in to being in the last century before the Christian era, when the Sakas were ruling in the North-West (Marshall, 1973:17) and further developed during the Parthian period (1st century A.D.). Like the Sakas, the Parthians were confirmed philhellenes and proud of their Hellenistic culture, and not only had they large numbers of Greek subjects in their empire but they were in a position to maintain close commercial contacts with the Mediterranean coasts (Ibid: 6).