Camcorders.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Connectivity & Mobility / XDCAM -Wireless Operations
/ Connectivity & Mobility / XDCAM -Wireless operations Sony Professional Solutions Europe February 2015 How to be first on air and on the web • Simple & Flexible • Cost-efficient • Aligned with European Regulations 2 Sony wireless operation solutions Live Streaming SD or HD Streaming • Central server • Cloud* Wi-Fi remote control *under study File transfer 1 / Web / News Proxy • Central server 2 / Off-line edit • Cloud High Res 3 / High Res On-Air Wi-Fi remote control 3 File transfer File Transfer: benefits 1 / Web / News Proxy • Central server 2 / Off-line edit • Cloud High Res 3 / High Res On-Air Wi-Fi remote control • Nothing lost : picture , audio, TC , file name • Choice of transmission: Wi-Fi, 3G or 4G • High Resolution file transfer enabled 4 File transfer Ongoing and future development • Proxy Trimming • Central server • Cloud Wi-Fi Router Controlled by tablet/smartphone (Android/iOS) Wi-Fi remote control Mark In/Out for partial file creation (GUI image) • Multi-Link File Transfer : use multiple LTE links with any smartphone and any carrier • Near-Live File Transfer: For instant preview/edit, the file is transferring while recording 5 File transfer File Transfer: XAVC proxy formats Video Bitrate Frame Rate Profile Audio Wrapper Resolution (typical) AVC Proxy 50p, 59p 6-12Mbps SD 1280 x 720 MP/HP (16:9) AVC 23p, 24p, 25p, 29p 4-9Mbps MP/HP AAC-LC 2/ 4/ 6/ 8ch MP4 640 x 360 AVC 23p, 24p, 25p, 29p 1.5-3Mbps 128kbps for 2ch High rez (16:9) MP SxS 480 x 270 AVC 23p, 24p, 25p, 29p 384k-1Mbps (16:9) MP 6 File transfer XAVC proxy interoperability on NLE software Software Products Version Import Timecode Handing Proxy-HiRes Relink Adobe Premiere Pro CC 2014 ✔ ✔ ✔ Avid Media Composer 7.0.4 ✔ ✔ under study Apple Final Cut Pro X 10.1.1 ✔ ✔ under study Grass valley EDIUS PRO 7.31 ✔ ✔ under study Sony Creative Software 13 ✔ ✔ ✔ Vegas Pro 7 Live Streaming Live Streaming: benefits SD or HD Streaming • Central server • Cloud* Wi-Fi remote control *under study • Cost efficient solution: single dongle. -
Scalable Multi-View Stereo Camera Array for Real World Real-Time Image Capture and Three-Dimensional Displays
Scalable Multi-view Stereo Camera Array for Real World Real-Time Image Capture and Three-Dimensional Displays Samuel L. Hill B.S. Imaging and Photographic Technology Rochester Institute of Technology, 2000 M.S. Optical Sciences University of Arizona, 2002 Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning in Partial Fulfillment of the Requirements for the Degree of Master of Science in Media Arts and Sciences at the Massachusetts Institute of Technology June 2004 © 2004 Massachusetts Institute of Technology. All Rights Reserved. Signature of Author:<_- Samuel L. Hill Program irlg edia Arts and Sciences May 2004 Certified by: / Dr. V. Michael Bove Jr. Principal Research Scientist Program in Media Arts and Sciences ZA Thesis Supervisor Accepted by: Andrew Lippman Chairperson Department Committee on Graduate Students MASSACHUSETTS INSTITUTE OF TECHNOLOGY Program in Media Arts and Sciences JUN 172 ROTCH LIBRARIES Scalable Multi-view Stereo Camera Array for Real World Real-Time Image Capture and Three-Dimensional Displays Samuel L. Hill Submitted to the Program in Media Arts and Sciences School of Architecture and Planning on May 7, 2004 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Media Arts and Sciences Abstract The number of three-dimensional displays available is escalating and yet the capturing devices for multiple view content are focused on either single camera precision rigs that are limited to stationary objects or the use of synthetically created animations. In this work we will use the existence of inexpensive digital CMOS cameras to explore a multi- image capture paradigm and the gathering of real world real-time data of active and static scenes. -
MPEG Video ES Utils User's Guide
MPEG Video ES Utils User’s Guide MPEG VIDEO ES UTILS USER’S GUIDE 2 LEGAL NOTICE The information in this manual is furnished for informational use only. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, for any purpose, without the prior written permission of Jongbel Media Solutions Ltd. The software described in this manual is owned by Jongbel Media Solutions Ltd. It is protected by Bulgarian Copyright Law as well as by international copyright treaties and may be used or copied only in accordance with the license agreement. Jongbel Media Solutions Ltd. provides this manual “as is” without any warranty, either express or implied. This publication may contain typographical errors or technical inaccuracies. While every precaution has been taken in the preparation of this document, Jongbel Media Solutions Ltd. assumes no responsibility for errors or omissions. Nor is any liability assumed for damages resulting from the use of the information contained herein. Changes are periodically made to the information herein; they will be incorporated in new versions of the manual. Please check the Jongbel Media Solutions website regularly for User Manual updates. Jongbel Media Solutions Ltd. may introduce changes or improvements in the products described in this manual at any time without any special notice. Please address your comments or questions to: Jongbel Media Solutions Ltd. [email protected] www.jongbel.com www.jongbel.com MPEG VIDEO ES UTILS USER’S GUIDE 3 TABLE OF CONTENTS 1. Overview.............................................................................................................................................. -
Cyberlink Media Suite User's Guide Copyright and Disclaimer All Rights Reserved
CyberLink Media Suite User's Guide Copyright and Disclaimer All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or otherwise without the prior written permission of CyberLink Corporation. To the extent allowed by law, Media Suite IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESS OR IMPLIED, INCLUDING WITHOUT LIMITATION ANY WARRANTY FOR INFORMATION, SERVICES, OR PRODUCTS PROVIDED THROUGH OR IN CONNECTION WITH Media Suite AND ANY IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, EXPECTATION OF PRIVACY, OR NON-INFRINGEMENT. BY USING THIS SOFTWARE, YOU AGREE THAT CYBERLINK WILL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, OR CONSEQUENTIAL LOSS ARISING FROM THE USE OF THIS SOFTWARE OR MATERIALS CONTAINED EITHER IN THIS PACKAGE. The terms and conditions here under shall be governed and construed in accordance with the laws of Taiwan. Media Suite is a registered trademark along with other company and product names mentioned in this publication, used for identification purposes and remain the exclusive property of their respective owners. International Headquarters Mailing Address CyberLink Corporation 15F., No. 100, Minquan Rd., Xindian Dist. New Taipei City 231, Taiwan (R.O.C.) Web Site http://www.cyberlink.com Telephone 886-2-8667-1298 Fax 886-2-8667-1300 Copyright © 2012 CyberLink Corporation. All rights reserved. Contents In.t.r.o..d..u..c..t.i.o..n.....................................1 CyberLin.k.. .M...e...d..i.a.. .S..u..i.t..e.. .P..r..o..g..r..a..m...s.......................................................2 The PowerStarter. -
GLOSSARY C Length and Aperture
A2 STEREO 2.35:1: The picture aspect ratio of some 35 processing video originated content, which COMPACT DISC (CD) and 70mm film. reduces motion artifacts for smoother image The official audio standard for analog reproduction. "Optical digital disc storage that television broadcasting in Australia. It is a AT ATTACHMENT PACKET encompasses audio, video, and computer technique of implementing stereo or dual- INTERFACE (ATAPI) BIT ERROR RATE (BER) data. mono audio for NTSC and PAL video. One A hardware and software specification that The ratio of received bits that are in error FM subcarrier transmits a L+R signal, and a •CD Digital Audio (CDDA): 44.1kHz audio, 80 documents the interface between a host relative to the total number of bits received. second FM subcarrier transmits a R signal minutes capacity. computer and CD-ROM drives using the It is used as a measure of noise induced (for stereo) or a second L+R signal. Also ATA bus. distortion in a digital bit stream. BER is •CD Recordable (CD-R): Write-once media, known as Zweiton Stereo. expressed as a power of ten. 700MB capacity, optimised for data use. AUDIO FREQUENCY MODULATION A-B REPEAT (AFM) BIT RATE •CD ReWritable (CD-RW): Re-writable The player will loop (repeat) a portion of a media, 700MB capacity, optimised for data The audio recording technology used in The digital equivalent of bandwidth, bit rate is disc between two designated points. use. Video 8 and Hi8 Handycam camcorders. measured in bits per second (bps). It is used AC-3 to express the rate at which the •CD Read-only Memory (CD-ROM): Pre- AUDIO VIDEO INTERLEAVED (AVI) compressed bit stream is transmitted. -
The Role of Camera Convergence in Stereoscopic Video See-Through Augmented Reality Displays
(IJACSA) International Journal of Advanced Computer Science and Applications, Vol. 9, No. 8, 2018 The Role of Camera Convergence in Stereoscopic Video See-through Augmented Reality Displays Fabrizio Cutolo Vincenzo Ferrari University of Pisa University of Pisa Dept. of Information Engineering & EndoCAS Center Dept. of Information Engineering & EndoCAS Center Via Caruso 16, 56122, Pisa Via Caruso 16, 56122, Pisa Abstract—In the realm of wearable augmented reality (AR) merged with camera images captured by a stereo camera rig systems, stereoscopic video see-through displays raise issues rigidly fixed on the 3D display. related to the user’s perception of the three-dimensional space. This paper seeks to put forward few considerations regarding the The pixel-wise video mixing technology that underpins the perceptual artefacts common to standard stereoscopic video see- video see-through paradigm can offer high geometric through displays with fixed camera convergence. Among the coherence between virtual and real content. Nevertheless, the possible perceptual artefacts, the most significant one relates to industrial pioneers, as well as the early adopters of AR diplopia arising from reduced stereo overlaps and too large technology properly considered the camera-mediated view screen disparities. Two state-of-the-art solutions are reviewed. typical of video see-through devices as drastically affecting The first one suggests a dynamic change, via software, of the the quality of the visual perception and experience of the real virtual camera convergence, -
Real-Time 3D Head Position Tracker System with Stereo
REAL-TIME 3D HEAD POSITION TRACKER SYSTEM WITH STEREO CAMERAS USING A FACE RECOGNITION NEURAL NETWORK BY JAVIER IGNACIO GIRADO B. Electronics Engineering, ITBA University, Buenos Aires, Argentina, 1982 M. Electronics Engineering, ITBA University, Buenos Aires, Argentina 1984 THESIS Submitted as partial fulfillment of the requirements for the degree of Doctor of Philosophy in Computer Science in the Graduate College of the University of Illinois at Chicago, 2004 Chicago, Illinois ACKNOWLEDGMENTS I arrived at UIC in the winter of 1996, more than seven years ago. I had a lot to learn: how to find my way around a new school, a new city, a new country, a new culture and how to do computer science research. Those first years were very difficult for me and honestly I would not have made it if it were not for my old friends and the new ones I made at the laboratory and my colleagues. There are too many to list them all, so let me juts mention a few examples. I would like to thank my thesis committee (Thomas DeFanti, Daniel Sandin, Andrew Johnson, Jason Leigh and Joel Mambretti) for their unwavering support and assistance. They provided guidance in several areas that helped me accomplish my research goals and were very encouraging throughout the process. I would especially like to thank my thesis advisor Daniel Sandin for laying the foundation of this work and his continuous encouragement and feedback. He has been a constant source of great ideas and useful guidelines during my Thesis’ program. Thanks to Professor J. Ben-Arie for teaching me about science and computer vision. -
Models: 42Px4d/42Px5d 42Px4d-Ub/42Px5d-Ub
PLASMA TV OWNER'S MANUAL MODELS: 42PX4D/42PX5D 42PX4D-UB/42PX5D-UB R TruSurround XT TM Please read this manual carefully and completely before operating your TV. Retain this manual for future reference. Record model number and serial number of the TV in the spaces provided below. See the label attached on the back cover and relate this information to your dealer if you require service. Model Number : Serial Number : LG Electronics U.S.A., Inc. Warning/Caution Warning/CautionWarning/Caution WARNING/CAUTION WARNING/CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER (OR BACK). NO USER SERVICEABLE PARTS INSIDE. REFER TO QUALIFIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of suffi- cient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appli- ance. WARNING/CAUTION: TO PREVENT FIRE OR SHOCK HAZARDS, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE. FCC NOTICE ? A Class B digital device This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. -
3D-Con2017program.Pdf
There are 500 Stories at 3D-Con: This is One of Them I would like to welcome you to 3D-Con, a combined convention for the ISU and NSA. This is my second convention that I have been chairman for and fourth Southern California one that I have attended. Incidentally the first convention I chaired was the first one that used the moniker 3D-Con as suggested by Eric Kurland. This event has been harder to plan due to the absence of two friends who were movers and shakers from the last convention, David Washburn and Ray Zone. Both passed before their time soon after the last convention. I thought about both often when planning for this convention. The old police procedural movie the Naked City starts with the quote “There are eight million stories in the naked city; this has been one of them.” The same can be said of our interest in 3D. Everyone usually has an interesting and per- sonal reason that they migrated into this unusual hobby. In Figure 1 My Dad and his sister on a keystone view 1932. a talk I did at the last convention I mentioned how I got inter- ested in 3D. I was visiting the Getty Museum in southern Cali- fornia where they had a sequential viewer with 3D Civil War stereoviews, which I found fascinating. My wife then bought me some cards and a Holmes viewer for my birthday. When my family learned that I had a stereo viewer they sent me the only surviving photographs from my fa- ther’s childhood which happened to be stereoviews tak- en in 1932 in Norwalk, Ohio by the Keystone View Com- pany. -
Micro MV V.5 / Micro 100 Operator Manual (Enron Modbus)
MicroMVG OPERATORS MANUAL Flow Computer Gas Version5 12603 Southwest Freeway, Suite 320 Stafford, Texas 77477 USA (281) 565-1118 Fax (281) 565-1119 Date: 8/13/2013 WARRANTY Dynamic Flow Computers warrants to the owner of the Smart Flow Computer that the product delivered will be free from defects in material and workmanship for one (1) year following the date of purchase. This warranty does not cover the product if it is damaged in the process of being installed or damaged by abuse, accident, misuse, neglect, alteration, repair, disaster, or improper testing. If the product is found otherwise defective, Dynamic Flow Computers will replace or repair the product at no charge, provided that you deliver the product along with a return material authorization (RMA) number from Dynamic Flow Computers. Dynamic Flow Computers will not assume any shipping charge or be responsible for product damage due to improper shipping. THE ABOVE WARRANTY IS IN LIEU OF ANY OTHER WARRANTY EXPRESS IMPLIED OR STATUTORY. BUT NOT LIMITED TO ANY WARRANTY OF MERCHANTABILITY, FITNESS FOR PARTICULAR PURPOSE, OR ANY WARRANTY ARISING OUT OF ANY PROPOSAL, SPECIFICATION, OR SAMPLE. LIMITATION OF LIABILITY: DYNAMIC FLOW COMPUTERS SHALL HAVE NO LIABILITY FOR ANY INDIRECT OR SPECULATIVE DAMAGES (INCLUDING, WITHOUT LIMITING THE FOREGOING, CONSEQUENTIAL, INCIDENTAL AND SPECIAL DAMAGES) ARISING FROM THE USE OF, OR INABILITY TO USE THIS PRODUCT. WHETHER ARISING OUT OF CONTRACT, OR UNDER ANY WARRANTY, IRRESPECTIVE OF WHETHER DFM HAS ADVANCED NOTICE OF THE POSSIBILITY OF ANY SUCH DAMAGE INCLUDING, BUT NOT LIMITED TO LOSS OF USE, BUSINESS INTERRUPTION, AND LOSS OF PROFITS. NOTWITHSTANDING THE FOREGOING, DFM’S TOTAL LIABILITY FOR ALL CLAIMS UNDER THIS AGREEMENT SHALL NOT EXCEED THE PRICE PAID FOR THE PRODUCT. -
UNDERWATER VIDEO 284 Housing and Accessories
UNDERWATER VIDEO 284 Housing and Accessories www.BandH.com HD10 High Definition UW Video Housing Pro8 Underwater Video Housing Pro6 Underwater Video Housing • 6-10 Standard manual controls- • 7 Mechanical Controls • 7 Mechanical Controls Power on/off, Record-start/stop, • Rugged PVC Material Construction • Rugged PVC Material Construction Zoom-Wide/Telephoto, White • Includes Color-Correcting Filter • Includes Color-Correcting Filter Balance, Auto focus, Auto/Manual and Wide-Angle Lens and Wide-Angle Lens focus Switch, ND filter • Ballast Release System Handles • Ballast Release System Handles • 250 ft depth rating • Rated Down to 250’ • Rated Down to 250’ • Close to neutral buoyancy at approx. 33 ft • BRS (Ballast Release System) for easy travel of if trouble f/ Panasonic DVX100B ................... #EQPP8DVX100Q���� 1249.95 f/ Canon FS-31/300 ............................. #EQP6CFS31���������CALL occurs on a dive, simply pull the quick release pin on one of for Sony PD170 ...................................#EQPP8PD170���������CALL f/ Panasonic PV-GS180 ........................ #EQP6GS180���������CALL the wings, the wing and handle (ballast) release, the housing f/ Canon GL2 .......................................#EQPP8GL2Q���� 1249.95 f/ Panasonic HDC-HS250 .............. #EQP6PHDCHS25���������CALL now becomes positive and shoots to the surface f/ Sony VX-2100 .................................#EQP8VX2100���� 1299.95 f/ Panasonic SDR-H80 .................... #EQP6PSDRH80���������CALL • Includes 2.5” Color LCD monitor with battery and -
3D Frequently Asked Questions
3D Frequently Asked Questions Compiled from the 3-D mailing list 3D Frequently Asked Questions This document was compiled from postings on the 3D electronic mail group by: Joel Alpers For additions and corrections, please contact me at: [email protected] This is Revision 1.1, January 5, 1995 The information in this document is provided free of charge. You may freely distribute this document to anyone you desire provided that it is passed on unaltered with this notice intact, and that it be provided free of charge. You may charge a reasonable fee for duplication and postage. This information is deemed accurate but is not guaranteed. 2 Table Of Contents 1 Introduction . 7 1.1 The 3D mailing list . 7 1.2 3D Basics . 7 2 Useful References . 7 3 3D Time Line . 8 4 Suppliers . 9 5 Processing / Mounting . 9 6 3D film formats . 9 7 Viewing Stereo Pairs . 11 7.1 Free Viewing - viewing stereo pairs without special equipment . 11 7.1.1 Parallel viewing . 11 7.1.2 Cross-eyed viewing . 11 7.1.3 Sample 3D images . 11 7.2 Viewing using 3D viewers . 11 7.2.1 Print viewers - no longer manufactured, available used . 11 7.2.2 Print viewers - currently manufactured . 12 7.2.3 Slide viewers - no longer manufactured, available used . 12 7.2.4 Slide viewers - currently manufactured . 12 8 Stereo Cameras . 13 8.1 Currently Manufactured . 13 8.2 Available used . 13 8.3 Custom Cameras . 13 8.4 Other Techniques . 19 8.4.1 Twin Camera . 19 8.4.2 Slide Bar .