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Yukio Mishima, the Unambiguous, and Myself: Living Through a Writer’S Legacy*
Advances in Literary Study 2013. Vol.1, No.4, 50-53 Published Online October 2013 in SciRes (http://www.scirp.org/journal/als) http://dx.doi.org/10.4236/als.2013.14012 Yukio Mishima, the Unambiguous, and Myself: Living through a Writer’s Legacy* Larry Johnson Department of English, Wake Technical Community College, Raleigh, NC, USA Email: [email protected] Received July 21st, 2013; revised August 25th, 2013; accepted October 14th, 2013 Copyright © 2013 Larry Johnson. This is an open access article distributed under the Creative Commons Attri- bution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. The recent release by Criterion on DVD of Paul Schrader’s film Mishima: A Life in Four Chapters (1985) and Mishima’s own film Patriotism (1965) has caused the author of this essay to reconsider his relation- ship with the late Japanese writers’ books and literary legacy. Believing that these fine films’ presence on DVD will stimulate much renewed discussion of Mishima both in the US and Japan, the author recalls his first discovery of Mishima’s existence shortly after his famous suicide in 1970, reading and responding to his literary output, and prodding famous authors such as Tennessee Williams and Cormac McCarthy for their thoughts on Mishima’s influence. The author’s two poems about Mishima are included to illustrate his changing inner perceptions of the internationally famous writer and the (now-fading) adverse reaction to his work in Japan caused by his politics and his virtually public suicide. Keywords: Mishima; Japanese Literature Many readers probably remember that Yukio Mishima (1925- girls (Piven, 2004: p. -
Alienation in the Novels of Yukio Mishima
Alienation in the Novels of Yukio Mishima David W. Atkinson, The University of Lethbridge Few novelists dominate twentieth-century Japanese fiction as does Yukio Mishima. Born on January 14,1925 to an upper middle-class family in Tokyo, Yukio Mishima distinguished himself early as a brilliant student, graduating from Gakushuin or Peers' School in 1944. While still in school, Mishima pub lished his first significant work Hanazakari no Mori (1941; The Florest in Full Flower), which expresses many of the ideas and influences that had a continu ing impact on Mishima's writing throughout his life. While Mishima produced over twenty-five pieces of major fiction, as well as short stories, plays, and criti cal works, it was not his writing that initially drew him to the world's attention. Frustrated by the lack of spiritual values in Japanese society, as well as a gen eral erosion of Japanese influence and strength, Mishima committed seppuku or ritual suicide on November 25,1970.1 For a time, Mishima's literary works were the subject of intense psycho analysis, as critics looked to find reasons for his extraordinary final act. To ap proach Mishima only in this way, however, is to do him a disservice, for Mishima stands as a major spokesman for a Japan experiencing immense so cial and cultural dislocation. In this regard, Mishima very often seems divided, as he at once celebrates the glory of the past and condemns the stagnation and meaninglessness of traditional values. In one way, however, Mishima is very clear: he sees a Japanese society that is stultifying to individual freedom. -
SO 008 492 Moddrn Japanese Novels.In English: a Selected Bibliography
DOCUMENT RESUME ED 109 045 SO 008 492 AUTHOR Beauchamp, Nancy. Junko TITLE Moddrn Japanese Novels.in English: A Selected Bibliography. Service Cebter Paper on Asian Studies, No. 7. INSTITUTION Ohio State Univ., Columbus. Service Center for Teachers of Asian Studies. PUB DATE May 74 NOTE 44p. AIAILABLE FROM Dr. Franklin Buchanan, Association for Asian Studies, Ohio State University, 29 West Woodruff Avenue-, Columbus, Ohio 43210 ($1.00) 'EDRS PRICE MF-$0.76 HC -$1.95 PLUS POSTAGE DESCRIPTORS *Annotated Bibliographies; *Asian Studies; Elementary Secondary Education; Fiction; Humanities; *Interdisciplinary Approach; Literary Perspective; Literature Appreciation; *Literature Guides; Novels; Social Sciences; Social Studies; *Sociological Novels IDENTIFIERS *Japan IJ ABSTRACT Selected contemporary Japanese novels translated into English are compiled in this lbibliography as a guide for teachers interested in the possibilities offered by Japanese fiction. The bibliography acquaints teachers with available Japanese fiction, that can.be incorporated into social sciences or humanities courses to introduce Japan to students or to provide a comparative perspective. The selection, beginning with the first modern novel "Ukigumo," 1887-89, is limited to accessible full-length noyels with post-1945 translations, excluding short stories and fugitive works. The entries are arranged alphabetically by author, with his literary awards given first followed by an alphabetical listing of English titles of his works. The entry information for each title includes-the romanized Japanese title and original publication date, publications of the work, a short abstract, and major reviews. Included in the prefatory section are an overview of the milieu from which Japanese fiction has emerged; the scope of the contemporary period; and guides to new publications, abstracts, reviews, and criticisms and literary essays. -
Unbinding the Japanese Novel in English Translation
Department of Modern Languages Faculty of Arts University of Helsinki UNBINDING THE JAPANESE NOVEL IN ENGLISH TRANSLATION The Alfred A. Knopf Program, 1955 – 1977 Larry Walker ACADEMIC DISSERTATION To be presented, with the permission of the Faculty of Arts of the University of Helsinki, for public examination in Auditorium XII University Main Building, on the 25th of September at 12 noon. Helsinki 2015 ISBN 978-951-51-1472-3 (paperback) ISBN 978-951-51-1473-0 (PDF) Unigrafia Helsinki 2015 ABSTRACT Japanese literature in English translation has a history of 165 years, but it was not until after the hostilities of World War II ceased that any single publisher outside Japan put out a sustained series of novel-length translations. The New York house of Alfred A. Knopf, Inc. published thirty-four titles of Japanese literature in English translation in hardcover between the years 1955 to 1977. This “Program,” as it came to be called, was carried out under the leadership of Editor-in-Chief Harold Strauss (1907-1975), who endeavored to bring the then-active modern writers of Japan to the stage of world literature. Strauss and most of the translators who made this Program possible were trained in military language schools during World War II. The aim of this dissertation is to investigate the publisher’s policies and publishing criteria in the selection of texts, the actors involved in the mediation process and the preparation of the texts for market, the reception of the texts and their impact on the resulting translation profile of Japanese literature in America, England and elsewhere. -
Negotiating Existential Concerns Through the Grotesque in Yukio Mishima’S Forbidden Colours
ISSN: 2637-0875 Journal of Language and Communication, 8(1),30-44 (2021) ©Universiti Putra Malaysia Press NEGOTIATING EXISTENTIAL CONCERNS THROUGH THE GROTESQUE IN YUKIO MISHIMA’S FORBIDDEN COLOURS Seach Jin Beng1 and Arbaayah Ali Termizi2* Department of English, Faculty of Modern Languages and Communication Universiti Putra Malaysia 43400 UPM Serdang, Selangor, Malaysia Email: [email protected] ; [email protected] *Corresponding Author ABSTRACT The grotesque and existential concerns are rarely studied alongside each other in the field of literature. History has it that the grotesque is always associated with aspects which denote negative connotations, such as deformity, death, violence or monstrosity. Additionally, the grotesque is also popularly employed as an approach to challenge traditions and deviate from what is accepted as the norm. Meanwhile, the origins of existentialism can be traced back to as early as the 19th century. The existentialists’ main concerns have always been seeking the meaning of life and they are constantly looking for ways to justify one’s existence in a world where pessimism rules. Thus, this paper aims to establish a connection between existentialism and the grotesque by primarily focussing on how the two male protagonists, Yuichi and Shunsuke, in Yukio Mishima’s Forbidden Colours (1951), employ the grotesque as a way to deal with their existential concerns of death and meaninglessness as posited by Irvin Yalom. Grotesque elements, such as misogyny, pederasty and carnivalesque, will be studied alongside two existential concerns, which are death and meaninglessness. This is meant to show how the male protagonists are able to rely on the grotesque to subdue their fears and anxieties brought upon by their existential concerns in order to justify their sense of existence. -
Death in Midsummer & Other Stories 1St Edition PDF Book
DEATH IN MIDSUMMER & OTHER STORIES 1ST EDITION PDF, EPUB, EBOOK Yukio Mishima | 9780811201179 | | | | | Death in Midsummer & Other Stories 1st edition PDF Book Cinema Stories. Condition: Collectible; Very Good. Ex library book with usual stamps and stickers, in good condition, complete with good jacket. A new edition of the definitive book on the depression-era immigrant experience in New York Can you add one? Well, I chose not to star the book because the stars about 'like or not like it', and if I chose stars based on my preference and taste, my stars won't do the justice for the book. Here were notes I took while reading: Was Mishima being lazy in this sentence: "Three disciples and dressers joined to remove what had to be removed and store it away" Mishima More information about this seller Contact this seller 7. I've dropped friends because I decided they didn't like me now because I remembered something vaguely bitchy they said one time and then decided some look that may have had nothing at all to do with me was some judgemental look over something stupid like me not having money when they did. Classifications Library of Congress PZ3. It might just be this one short story, but it had the similar style as "Patriotism". My alphabet soup won't spell I'm sorry. The watching people for the signs of how they live. It is to the author's credit that the heart of the tale is not dead children, but that of a grieving couple surviving, staying together. -
Transatlantica, 1 | 2021 the Samurai and the Artist: Henry Miller’S Reflections on the Death of Mishima 2
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2021 Line Breaks in America: the Odds and Ends of Poetry The Samurai and the Artist: Henry Miller’s Reflections on the Death of Mishima Wayne E. Arnold Electronic version URL: https://journals.openedition.org/transatlantica/16813 DOI: 10.4000/transatlantica.16813 ISSN: 1765-2766 Publisher Association française d'Etudes Américaines (AFEA) Electronic reference Wayne E. Arnold, “The Samurai and the Artist: Henry Miller’s Reflections on the Death of Mishima”, Transatlantica [Online], 1 | 2021, Online since 07 July 2021, connection on 19 July 2021. URL: http:// journals.openedition.org/transatlantica/16813 ; DOI: https://doi.org/10.4000/transatlantica.16813 This text was automatically generated on 19 July 2021. Transatlantica – Revue d'études américaines est mise à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. The Samurai and the Artist: Henry Miller’s Reflections on the Death of Mishima 1 The Samurai and the Artist: Henry Miller’s Reflections on the Death of Mishima Wayne E. Arnold Introduction 1 The year 2020 marks the 50th anniversary of Mishima Yukio’s dramatic ritual suicide on 25 November 1970, an event that stunned Japan and the rest of the world.1 When the news reached American author Henry Miller (1891-1980), he immediately felt a reverberating shock. Moved to write about the incident, in March 1971 he began composing the short epistle Reflections on the Death of Mishima. Translated into Japanese by Tobita Shigeo, the article was serialized in one of Japan’s most popular gossip magazines, the Shuukan Post ( Weekly Post) in October and November of 1971. -
Plagiat Merupakan Tindakan Tidak Terpuji
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A PSYCHOLOGICAL STUDY OF THE CHARACTER DEVELOPMENT OF ETSUKO IN YUKIO MISHIMA’ S THIRST FOR LOVE AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By RITA PRILIA A Student Number : 004214109 Student Registration Number : ENGLISH LETTERS STUDY PROGRAMME DEPARTMENTS OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2006 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI WELCOME TO WHEREVER YOU ARE Maybe we· re all different But we· re still the same We all got the blood of Eden Running through our veins I know sometimes It· s hard for you to see You· re caught between Just who you are And who you want to be If you feel alone And lost and need a friend Remember every new beginning Is some beginning· s end Welcome to wherever you are This is your life You made it this far Welcome, you got to believe That right here Right now you· re exactly Where you· re supposed to be Welcome to wherever you are When everybody· s in And you· re left out And you feel you· re drowning In the shadow of a doubt Everyone· s a miracle In their own way Just listen to yourself, Not what other people say When it seems you· re lost, Alone and feelin· down Remember, everybody· s different Just take a look around When you want to give up And your heart· s about to break Remember that you· re perfect God makes no mistake <Bon Jovi> iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI This undergraduate thesis is dedicated to: My beloved father and mother And also for My lovely sister and brother v PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS First of all, I would like to thank the Almighty Jesus Christ for His guidance. -
Drama Cross-Cultural Echoes of Silence, Identity and Difference (The Case of Japanese and American Women Playwrights)
PEOPLE’S DEMOCRATIC REPUBLIC OF ALGERIA MINISTRY OF HIGHER EDUCATION AND SCIENTIFIC RESEARCH DJILALI LIABES UNIVERSITY SIDI BEL ABBES FACULTY OF LETTERS, LANGUAGES AND ART DEPARTMENT OF ENGLISH Drama Cross-Cultural Echoes of Silence, Identity and Difference (The Case of Japanese and American Women Playwrights) THESIS SUBMITTED TO THE DEPARTMENT OF ENGLISH IN CANDIDANCY FOR THE DEGREE OF DOCTORAT IN LITERATURE Presented by: Supervised by: Mrs. Imen HENRY-ZELLAT Prof. Fewzia BEDJAOUI Board of Examiners: Prof. Nourreddine GUERROUDJ (President) University of Djilali Liabes Prof. Fewzia BEDJAOUI (Supervisor) University of Djilali Liabes Prof. Abbes BAHOUS (External Examiner) University of Mostaganem Prof. Ilhem SERIR (External Examiner) University of Tlemcen Dr. Azzedine BOUHASSOUN (External Examiner) University of Ain Temouchent Dr. Wassila MOURO (External Examiner) University of Tlemcen Academic Year: 2019 – 2020 Dedications I dedicate this work to the poet, the dramatist and the novelist of my life: Mum, to my inner voice: Dad, to my confidant, love interest and the deuteragonist of my everlasting love story: Elyas, to the smiling face of my mask: Rouaym, to my Pearl: Rozayna, to the vivid scenes on the stage of my motherhood: Ahmed, to my cute face of The Moon: Assim, to the metaphor of the endless beauty: Kawthar, to my wise persona of raisonneur: Rayhana, to my secrecy: Israa, to my e-book: Salah Eddine, to the aesthetic multicultural side of my theater in the other land: my in-laws. I ABSTRACT Abstract The immense cultural achievements of women writers in Japan facilitate the flowering of Japanese literature and break their silence in a very noisy society. -
Agrégation De Japonais 2020
MISHIMA YUKIO GOGO NO EIKŌ ((Pqs Agrégation de japonais 2020 Bibliographie sélective Septembre 2019 Mishima Yukio, Gogo no eikō (1963) – Agrégation de japonais 2020 Cette bibliographie a été rédigée à l’occasion du programme d’agrégation de Japonais 2020, disponible en ligne à l’adresse suivante : http://media.devenirenseignant.gouv.fr/file/agreg_externe/58/9/p2020_agreg_ext_l ve_lang_cult_japon_1107589.pdf Elle répertorie la totalité des œuvres originales disponibles dans la série des Œuvres complètes, accessibles en Bibliothèque de recherche (Rez-de-jardin) : romans, pièces de théâtres et nouvelles, pour certains accompagnés de notes d’écriture, ainsi que poésie, essais et entretiens. Elle présente également l’ensemble des titres qui ont été traduits en français. Elle propose enfin une sélection de travaux critiques et ouvrages de référence en japonais, anglais et français principalement, analysant l’œuvre de Mishima dans son ensemble ainsi que ceux portant en particulier sur Gogo no eikō, disponibles majoritairement en magasin ou en ligne sous forme électronique. Mishima Yukio, de son vrai nom Kimitake Hiraoka, naît en 1925 à Tōkyō. Dès l’adolescence, il publie des récits dans des revues littéraires et fréquente l’École romantique japonaise. Appuyée par Kawabata Yasunari, la publication en 1949 de Kamen no kokuhaku (Confessions d’un masque) le fait connaître au plan national ; la reconnaissance internationale sera plus tardive, avec le succès de Kinkaku-ji (Le Pavillon d’or), publié en 1956. Fasciné par l’esthétique classique tant occidentale, grecque notamment, que japonaise (littérature médiévale, nō, kabuki), Mishima est l’auteur d’une œuvre où prédominent le sens du tragique et de la catastrophe. -
The Absence of Fatherhood in Yukio Mishima's Novel the Temple of the Golden Pavilion
The Absence of Fatherhood in Yukio Mishima’s novel The Temple of the Golden Pavilion Shiau-Chiou, Yu (余筱秋) 1. Introduction Yukio Mishima (1925-1970), the writer who chose to end his life dramatically in the manner of the Samurai on 25 November 1970, dealt with the issue of masculinity in many of his works throughout his whole writing career. The pursuit of masculinity was also represented in his numerous works including novels, plays, and stint as a movie star. With the exception of his early works, Mishima showed through his reproduction of paternal stories his intent to diverge from the traditional Japanese novelist trope of writing about motherhood. In fact, 4 years after Mishima’s death, the book “Oyaji: family in the age without father1” (1974), which was published by NHK, analyses the Japanese social conditions in the 30 years after World War 2 and mentions that “Now the Japanese society is in an age without fatherhood”. Additionally, the writer Chie Nakane also points out in the above book that an ideal father’s image in Japan was considered traditionally to be authoritarian; one such example is the Japanese proverb “Earthquake, thunder, fire, and father,” which means that typical stern father was as scary as other disasters. Therefore, at the time, fathers lost a considerable amount of prestige and found they were far removed from the ideal old image of an authoritative father figure. Moreover, they were in a difficult situation since the new image of an ideal father had not arisen in spite of their widely-regarded responsibility for the lost war.