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The Select (The Sun Also Rises), March 15—20 Elevator Repair Service’S Adaptation of the Hemingway Novel Was Developed at Artsemerson Last Year
FOR IMMEDIATE RELEASE Contact: Joyce Linehan for ArtsEmerson, [email protected] ArtsEmerson: The World on Stage PRESENTS THE BOSTON PREMIERE OF THE SELECT (THE SUN ALSO RISES), MARCH 15—20 ELEVATOR REPAIR SERVICE’S ADAPTATION OF THE HEMINGWAY NOVEL WAS DEVELOPED AT ARTSEMERSON LAST YEAR Please note title and date changes from earlier releases. (BOSTON) The inaugural season of international theatre programming by ArtsEmerson: The World on Stage continues with the Boston premiere of Elevator Repair Service’s The Select (The Sun Also Rises) , an adaptation of Hemingway’s 1926 novel. Performances take place March 15—20, 2011 at the Paramount Mainstage (559 Washington Street, in Boston’s Theatre District). Performance times are Tuesday, Wednesday and Thursday at 7:30 p.m., Friday at 8 p.m.; Saturday at 2 and 8 p.m.; and Sunday at 2 p.m. Running time is three hours, 25 minutes with one pause and one intermission. Tickets, starting at $25, are on sale now at www.artsemerson.org or by phone at (617) 824-8000. Elevator Repair Service thrilled Boston audiences last year with Gatz at the A.R.T. They return to Boston with a very different production – a single-sitting adaptation of The Select (The Sun Also Rises) , which had its world premiere at the Edinburgh International Festival this summer, after spending a month in residence at ArtsEmerson developing the work on the Paramount Mainstage (on a set built in the Paramount Center’s scene shop.). ArtsEmerson members were allowed a sneak peek at a dress rehearsal in August. The first world war is over, but some battles still rage on. -
Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
President Obama's Climate Hubris
At Issue this week... Obama Presidency by Betsy McCaughey August 12, 2015 Book Review President Obama’s climate hubris Jeffrey (22) Limbaugh (18) Clinton, Hillary his week, President Obama is lawsuit challenging the plan. They’ve got of the aisle are against the plan, and for Morris (10) hailing his Clean Power Plan as a strong case. Although the EPA bases its good reasons. Napolitano (8) “the single most important step authority on the Clean Air Act of 1970, Obama’s EPA has tried several end Confederate Purge AmericaT has ever taken in the fight against nothing in that law authorizes the agency runs around Congress, creatively inter- Saunders (21) global climate change.” Obama is posing to do more than require plants to use the preting the 45-year-old Clean Air Act to Dear Mark Levy (19) as the environment’s savior, just as he did best available technology — like scrub- suit its agenda. But it hasn’t always gotten Debates in 2008, when he promised his presidency bers — to reduce emissions. Congress away with it. In a stinging U.S. Supreme Thomas (14) would mark “the moment when ... the rise never authorized the EPA to force states Court rebuke against the administration’s Disparate Impact of the oceans began to slow and our planet to close coal plants and move on to nu- restrictions on mercury emissions, Justice Williams (4) began to heal.” Seven years later, that mes- clear, or wind and solar. “The brute fact is Antonin Scalia wrote that “it is not ratio- Double Standard Elder (9) sianic legacy is in doubt. -
Elevator Repair Service
ELEVATOR REPAIR SERVICE ABRONS ARTS CENTER A CONVERSATION BETWEEN JOHN COLLINS AND KATE SCELSA Kate Scelsa: So, John! John Collins: Kate, you’ve worked as a company member with ERS for about sixteen years now…And it turns out that you were doing stealth research for all these years on what would be perfect parts to write for some of our actors. KS: This is going to sound very sentimental, but writing this play has really felt like a love letter to this company. So it’s that, combined with my very deep love for Edward Albee’s play and specifically for the character of Martha. JC: And it’s exciting for me because I’m getting to work with one of my favorite novelists, who wrote one of my favorite books of the past couple of years. KS: Thank you for that plug. JC: It also fits in really nicely with the shows you’ve worked on with us, taking another work of great American literature as a jumping off point. And looking at the parts you’ve played in ERS shows, there have been a lot of Marthas in your life. KS: I’ve always been very interested in whether or not embodying that kind of female rage could be seen as sympathetic. Even powerful. Or if those women just become the shrew. Which means their rage can be dismissed. JC: Well you take Martha, who’s an extreme character… KS: She doesn’t care what anyone thinks of her. But what are the consequences of that attitude? For most of Albee’s play we see Martha as this incredible feminist character, in that she and her husband are on equal footing, and that’s what makes it so fascinating to watch, and fun to play. -
Rebooting Roseanne: Feminist Voice Across Decades
Home > Vol 21, No 5 (2018) > Ford Rebooting Roseanne: Feminist Voice across Decades Jessica Ford In recent years, the US television landscape has been flooded with reboots, remakes, and revivals of “classic” nineties television series, such as Full/er House (1987-1995, 2016- present), Will & Grace (1998-2006, 2017-present), Roseanne (1988-1977, 2018), and Charmed (1998-2006, 2018-present). The term “reboot” is often used as a catchall for different kinds of revivals and remakes. “Remakes” are derivations or reimaginings of known properties with new characters, cast, and stories (Loock; Lavigne). “Revivals” bring back an existing property in the form of a continuation with the same cast and/or setting. “Revivals” and “remakes” both seek to capitalise on nostalgia for a specific notion of the past and access the (presumed) existing audience of the earlier series (Mittell; Rebecca Williams; Johnson). Reboots operate around two key pleasures. First, there is the pleasure of revisiting and/or reimagining characters that are “known” to audiences. Whether continuations or remakes, reboots are invested in the audience’s desire to see familiar characters. Second, there is the desire to “fix” and/or recuperate an earlier series. Some reboots, such as the Charmed remake attempt to recuperate the whiteness of the original series, whereas others such as Gilmore Girls: A Life in the Year (2017) set out to fix the ending of the original series by giving audiences a new “official” conclusion. The Roseanne reboot is invested in both these pleasures. It reunites the original cast for a short-lived, but impactful nine-episode tenth season. -
Word Search 'Crisis on Infinite Earths'
Visit Our Showroom To Find The Perfect Lift Bed For You! December 6 - 12, 2019 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 V A H W Q A R C F E B M R A L Your Key 2 x 3" ad O R F E I G L F I M O E W L E N A B K N F Y R L E T A T N O To Buying S G Y E V I J I M A Y N E T X and Selling! 2 x 3.5" ad U I H T A N G E L E S G O B E P S Y T O L O N Y W A L F Z A T O B R P E S D A H L E S E R E N S G L Y U S H A N E T B O M X R T E R F H V I K T A F N Z A M O E N N I G L F M Y R I E J Y B L A V P H E L I E T S G F M O Y E V S E Y J C B Z T A R U N R O R E D V I A E A H U V O I L A T T R L O H Z R A A R F Y I M L E A B X I P O M “The L Word: Generation Q” on Showtime Bargain Box (Words in parentheses not in puzzle) Bette (Porter) (Jennifer) Beals Revival Place your classified ‘Crisis on Infinite Earths’ Classified Merchandise Specials Solution on page 13 Shane (McCutcheon) (Katherine) Moennig (Ten Years) Later ad in the Waxahachie Daily Light, Midlothian Mirror and Ellis Merchandise High-End 2 x 3" ad Alice (Pieszecki) (Leisha) Hailey (Los) Angeles 1 x 4" ad (Sarah) Finley (Jacqueline) Toboni Mayoral (Campaign) County Trading Post! brings back past versions of superheroes Deal Merchandise Word Search Micah (Lee) (Leo) Sheng Friendships Call (972) 937-3310 Run a single item Run a single item Brandon Routh stars in The CW’s crossover saga priced at $50-$300 priced at $301-$600 “Crisis on Infinite Earths,” which starts Sunday on “Supergirl.” for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily2 x Light, 3.5" ad Midlothian Mirror and Ellis County Trading Post and online at waxahachietx.com All specials are pre-paid. -
COMEDY CENTRAL(R) Honored with Nine Primetime Emmy(R) Nominations
COMEDY CENTRAL(R) Honored With Nine Primetime Emmy(R) Nominations Thirteen-Time Emmy-Winner "The Daily Show With Jon Stewart" Cited Again For Program, Writing, Directing, Plus Nods For Technical Direction And thedailyshow.com's "Ask A Correspondent," Totaling Five Nominations Emmy-Winner Hit "The Colbert Report" Scores Three Big Nominations For Show, Writing And Directing Four-Time Emmy-Winning Animated Favorite "South Park" Receives Tenth Nomination NEW YORK, July 8, 2010 /PRNewswire via COMTEX/ -- COMEDY CENTRAL earned nine nominations in the 2009-2010 Primetime Emmy® Awards competition, it was announced today by the Academy of Television Arts and Sciences (ATAS). Thirteen-time Emmy-winner (seven times for program and six for writing) "The Daily Show with Jon Stewart" the network's unique news parody series, is nominated this year in five categories: Outstanding Variety, Music Or Comedy Series, Outstanding Writing For A Variety, Music Or Comedy Series and Chuck O'Neil, singled out for the seventh year-in-a-row for Outstanding Directing For A Variety, Music Or Comedy Series. Two additional nominations came in the Technical Direction category and The Daily Show Ask a Correspondent piece, "The Meaning of Life," credited to thedailyshow.com, COMEDY CENTRAL Digital. This brings the grand total of Primetime Emmy nominations for the "Daily Show" to 37. The program is also a two-time winner of the prestigious Peabody® Award for Excellence in Broadcasting. "The Colbert Report," with Stephen Colbert assuming a dismissive, Bill O'Reilly-like persona while commenting on the issues of the day, received three Emmy Award nominations: Outstanding Variety, Music Or Comedy Series, Outstanding Writing For A Variety, Music Or Comedy Series, a category in which it won its first Emmy in 2008, and Director Jim Hoskinson was cited for Outstanding Directing For A Variety, Music Or Comedy Series. -
The Morning Line
THE MORNING LINE DATE: Friday, May 22, 2015 FROM: Michelle Farabaugh, Jennie Mamary Eliza Ranieri, Raychel Shipley PAGES: 22, including this page. Boneau/Bryan-Brown will close today at 2:00pm in observance of Memorial Day weekend. Our offices will be closed on Monday, May 25, and we will reopen on Tuesday, May 26 at 9:30am. May 22, 2015 Next Wave at BAM: New Season to Include Binoche, Whelan, Soto and Kentridge By Michael Cooper Juliette Binoche will play the title role in “Antigone” in a production that premiered at the Grand Théâtre de Luxembourg. Wendy Whelan and Jock Soto will dance in the world premiere of a new dance-chamber opera inspired by a Noh drama, “Hagoromo.” And the Debussy String Quartet will play Shostakovich while Australian acrobats perform tricks all around them. These will be among the offerings of the Brooklyn Academy of Music’s 2015 Next Wave Festival, whose lineup was announced on Thursday, and will present a mixture of theater, dance, music and performance art from around the world from Sept. 16 through Dec. 20. William Kentridge, the South African artist, will perform in the United States premiere of his “Refuse the Hour” — a work that is described as “an elliptical lecture-performance” and a “multimedia chamber opera,” which features music by Philip Miller, choreography by Dada Masilo and a cast of a dozen dancers, musicians, performers and vocalists. A new play constructed from the writings of Queen Elizabeth I by the director Karin Coonrod, called “texts&beheadings/ElizabethR,” will be performed in October. And “Steel Hammer,” by the composer Julia Wolfe, who won the Pulitzer Prize in music this year, will be staged by the director Anne Bogart and played by the Bang on a Can All-Stars. -
Sex and Difference in the Jewish American Family: Incest Narratives in 1990S Literary and Pop Culture
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses March 2018 Sex and Difference in the Jewish American Family: Incest Narratives in 1990s Literary and Pop Culture Eli W. Bromberg University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the American Studies Commons Recommended Citation Bromberg, Eli W., "Sex and Difference in the Jewish American Family: Incest Narratives in 1990s Literary and Pop Culture" (2018). Doctoral Dissertations. 1156. https://doi.org/10.7275/11176350.0 https://scholarworks.umass.edu/dissertations_2/1156 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. SEX AND DIFFERENCE IN THE JEWISH AMERICAN FAMILY: INCEST NARRATIVES IN 1990S LITERARY AND POP CULTURE A Dissertation Presented by ELI WOLF BROMBERG Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2018 Department of English Concentration: American Studies © Copyright by Eli Bromberg 2018 All Rights Reserved SEX AND DIFFERENCE IN THE JEWISH AMERICAN FAMILY: INCEST NARRATIVES IN 1990S LITERARY AND POP CULTURE A Dissertation Presented By ELI W. BROMBERG -
Saturday, September 23, 2017 Letter from the Presenting Sponsor
present the Environmental Media Awards Celebrating OUTSTANDING achievement within the ENTERTAINMENT and ENVIRONMENTAL communities #EMAAWARDS Saturday, September 23, 2017 Letter from the presenting sponsor Good evening ladies and gentleman, On behalf of Toyota and Lexus, welcome to the 27th annual Environmental Media Awards! Tonight we are honored to serve as presenting sponsors and celebrate the 17th anniversary of our partnership with the Environmental Media Association. Over the past 17 years, we’ve helped honor the thought leaders that inspire millions to lead more environmentally conscious lives. Tonight we continue to celebrate the efforts of the entertainment industry and celebrities that shape our culture. After all these years, we are still inspired by EMA’s efforts to promote environmental awareness using the powerful medium of entertainment. Tonight we’ve brought an inspiring vehicle line up to the party. The 2017 Toyota Mirai hydrogen fuel cell vehicle returns to the green carpet. As one of the world’s first mass-produced hydrogen fuel cell electric vehicles, the Toyota Mirai is a four-door, mid- size sedan with performance that fully competes with traditional internal combustion engines – but uses no gasoline. Instead, Mirai creates electricity on demand using hydrogen, oxygen and a fuel cell, and emits nothing but water vapor in the process. Lexus is excited to showcase its all-new hybrid luxury sedan, the LS 500h. With smooth power and an estimated 33 miles per gallon on the highway, it has a range of more than 600 miles of luxurious driving. On sale in February 2018 with a starting price around $80,000, the LS 500h will be the luxury sedan of choice for environmentally minded drivers. -
Wingmanmagazine
BECAUSE EVERY MAN NEEDS ONE ISSUE 9 |2018 WINGMANMAGAZINE JON HUERTAS From “THIS IS US,” MARTHA HIGAREDA From “ALTERED CARBON,” + RICK GONZALEZ From “ARROW” Prove The Importance Of Latin Visibility And Live... THE AMERICAN DREAM! MORE STARS! ROBERT PATRICK REBECCA DE MORNAY JAMES DEVELINSHAMARKO THOMAS MICHAEL FISHMAN ALEX RUSSELL LILY JI PLUS! - KELSEY ASBILLE Helps Pay Tribute To Iconic Director PLUS MORE! JOEL SCHUMACHER! www.wingmanmagazine.com WINGMAN MAGAZINE EDITOR’S WINGMAN ISSUE 9 / 2018 NOTE Being in my 30’s I have grown up in a time where “The Goonies” were able to run around like explorers, Zack and Slater were best friends and the coolest guys at Bayside High, Cory and Topanga were the couple that everyone wanted to be like, MTV actu- ally played music videos, and unfortunately endured one of the worst attacks on American soil on 9/11. The 80’s and 90’s were the time that shaped my generation and made them into hardworking, respectful men and women. What can we expect from the generations to come? The older generations lined up to defend their countries, work in INDEX factories, scrounge to pay bills and live without a lot so their kids 4- Editor’s Note 5- Table Of Contents didn’t have to. So many of us grew up in single parent homes and still FASHION do and saw our parents struggle to make ends meet. They would take 8- Winter Wardrobe Update! every bit of overtime to make sure the mortgage was paid, food was ICON SECTION on the table and we got what we needed. -
Theatre and Adaptation
Theatre and Adaptation 9781472533166_txt_print.indd 1 19/03/2014 13:47 9781472533166_txt_print.indd 2 19/03/2014 13:47 Theatre and Adaptation: Return, Rewrite, Repeat Edited by Margherita Laera 9781472533166_txt_print.indd 3 19/03/2014 13:47 Bloomsbury Methuen Drama An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury is a registered trade mark of Bloomsbury Publishing Plc First published 2014 © Margherita Laera, 2014 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Margherita Laera has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as author of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the author. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-1-4725-3316-6 PB: 978-1-4081-8472-1 ePDF: 978-1-4725-2241-2 ePub: 978-1-4725-2221-4 Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress Typeset by Fakenham Prepress Solutions, Fakenham, Norfolk NR21 8NN Printed and bound in India 9781472533166_txt_print.indd