at the OLD GLOBE THEATRE AUGUST 2010 Welcome to

THE GLOBE AT A GLANCE When we were planning the 75th The sixth-largest regional anniversary winter season for The theatre in the country, Old Globe, I knew we should begin The Old Globe offers more with a play that was both celebratory programming and a greater and extraordinary — in short, we repertoire than any theatre needed a theatrical event. This of its size. pairing of Neil Simon’s revered, semi- • • • autobiographical plays performed As a not-for-profit theatre in repertory is indeed an event — with a budget of $20 million, for you the audience, and for our the Globe earns $10 million actors and all the artists who have in ticket sales and must raise contributed to these productions. an additional $10 million from Although Simon did not write these plays as a pair, when performed together, individual and institutional they create a family saga that is almost operatic in scale and speak of the tax-deductable donations. aspirations and frustrations of a family, and a time, when it seemed like • • • anything was possible, yet all too painful. Simon recreates his and his brother’s own joy and sadness as they navigated adolescence in Brighton Beach and The Globe provides more then reached for the brass ring as Broadway beckoned. If a World War isn’t than 20 different community and education programs enough to separate these two plays, there’s also a societal gap — viewed from to nearly 50,000 people the Brighton Beach section of Brooklyn, Broadway looked like another planet. annually. We know that, in the end, Eugene and Stanley Jerome will successfully make • • • the leap to “New York” because their real life counterparts, brothers Neil and Danny Simon did just that. They flourished writing some of the biggest The Old Globe has sent 20 television comedy shows in the early 1950s and Neil became one of the most productions to Broadway successful and lauded American playwrights of all time. since 1987. Scott Schwartz, who so brilliantly helmed Lost in Yonkers earlier this year, • • • serves as director and we couldn’t be happier. I’m also thrilled to welcome In 1987, The Old Globe/ back Tony Award winner Karen Ziemba for her third role here in less than two University of San Diego years, our own Sloan Grenz, a 2009 graduate of our MFA program, and Austyn Master of Fine Arts program Myers, the brilliant young local actor who won our hearts in Lost in Yonkers. was established to provide This entire cast is picture perfect and, with them, you will find your time with the highest caliber in training the Jerome family both highly entertaining and emotionally rewarding. of young classical actors. Seeing both these plays will be an event – one that you will not soon forget.

Louis G. Spisto Executive Producer

PErFO RMANCEs MAGAZINE 1 PRESENTS BRIGHTON BEACH MEMOIRS AND BROADWAY BOUND

BY NEIL SIMON

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Ralph Funicello† Alejo Vietti Matthew McCarthy Paul Peterson

ORIGINAL MUSIC DIALECT COACH STAGE MANAGER Michael Holland Jan Gist Diana Moser*

DIRECTED BY SCOTT SCHWARTZ

Casting by Samantha Barrie, CSA

BRIGHTON BEACH MEMOIRS and BROADWAY BOUND are presented by special arrangement with SAMUEL FRENCH, INC. —————————————————— Old Globe Theatre, Donald and Darlene Shiley Stage September 14 - November 7, 2010

2EO P RF RMANCES MAGAZINe CAST OF CHARACTERS (in order of appearance)

BRIGHTON BEACH MEMOIRS EUGENE JEROME...... Brandon Uranowitz* STAN JEROME...... Joseph Parks* EUGENE JEROME...... Austyn Myers* KATE JEROME...... Karen Ziemba* BLANCHE MORTON...... Bonnie Black* LAURIE MORTON...... Julia Vanderwiel NORA MORTON...... Allie Trimm* STANLEY JEROME...... Sloan Grenz* JACK JEROME...... David Bishins* ACT ONE ACT TWO Brighton Beach, Brooklyn, New York Wednesday, a week later September 1937—6:30 p.m. About 6:30 p.m.

BROADWAY BOUND KATE JEROME...... Karen Ziemba* BEN EPSTEIN...... Howard Green* EUGENE JEROME...... Brandon Uranowitz* STAN JEROME...... Joseph Parks* BLANCHE MORTON...... Bonnie Black* JACK JEROME...... David Bishins* ACT ONE ACT TWO Brighton Beach, Brooklyn, New York Saturday, one month later February 1949—6:00 p.m. About 6:00 p.m.

Brighton Beach Memoirs and Broadway Bound will each have one 15-minute intermission.

UNDERSTUDIES...... for adult Stan Jerome — Grayson DeJesus; for Jack Jerome — Ben Diskant; for adult Eugene Jerome — Christian Durso; for Ben Epstein — Andrew Hutcheson; for young Eugene Jerome and young Stanley Jerome — Josh Pinkowski; for Kate Jerome — Ryman Sneed; for Blanche Morton — Bree Welch; for Laurie Morton and Nora Morton — Miriam White

Stage Manager...... Diana Moser* Assistant Stage Manager...... Erin Gioia Albrecht*

PRODUCTION STAFF Assistant to the Director...... Krysti Litt Assistant Scenic Design...... Sean Fanning Assistant Scenic Design...... Christopher Ward Assistant Costume Design...... Charlotte Deveaux Assistant Lighting Design...... Michelle Caron Studio Teacher...... Judy Ridgeway Movement Consultant...... Annette Yé Production Interns...... David Mancini, Amy Ramsdell

*Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. †Associate Artist of The Old Globe

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

PErFO RMANCEs MAGAZINE 3 Board of Directors

On behalf of the Board of Directors, I am proud to welcome you to the launch of the Globe’s 2010-2011 Season with a two-play special event of Neil Simon classics, Brighton Beach Memoirs and Broadway Bound. These productions, and the provocative and exciting lineup of plays and musicals that will follow, clearly embody the Globe’s mission of creating diverse and balanced theatrical experiences, and in this tradition, we are proud to unveil another world-class season.

This is an exciting time at the Globe as we continue to celebrate our year-long 75th Anniversary. I am delighted to thank you, once more, for your committed patronage as loyal subscribers and contributors, and I’m especially pleased to thank you for responding so positively to our letters and calls asking for your renewed, and in so many cases, increased support of the Annual Fund this year. Your ongoing investment in The Old Globe is appreciated beyond measure.

Thank you for participating so meaningfully, and so often, for the greater good of The Old Globe. Your encouragement and enthusiasm for what we do adds to the feeling of great celebration as we kick-off the new season.

Have a great time at the Theatre!

Sincerely,

Donald L. Cohn, Chair BOARD OF DIRECTORS

BOARD OF DIRECTORS Donald L. Cohn* Kathy Hattox* Anthony S. Thornley* Sandra Redman* Susan Major* Harvey P. White* Chair Immediate Vice Chair, Finance Vice Chair, Vice Chair, Secretary Past Chair & Treasurer Nominating Development

DIRECTORS Nanci Hull Debra Turner Gordon Luce (1925-2006) Mary Beth Adderley Viviana Ibañez Stacey LeVasseur Vasquez Dolly Poet (1921-2007) Elizabeth Altman Deni Jacobs Crystal Watkins Deborah Szekely Joseph Benoit Daphne Jameson James A. Wening Hon. Pete Wilson Pamela Cesak Jo Ann Kilty June Yoder Marsha Chandler Mitzi Yates Lizarraga Carolyn Yorston-Wellcome EMERITUS DIRECTORS Peter J. Cooper Joyce Nash Garet B. Clark Valerie S. Cooper Rafael Pastor* *Executive Committee Member J. Dallas Clark (1913–2005) Stephen M. Cusato Conrad Prebys* Sally Furay, R.S.C.J. Elaine Bennett Darwin Jeri Rovsek HONORARY DIRECTORS Bernard Lipinsky (1914-2001) Bea Epsten Reneé Schatz Mrs. Richard C. Adams Delza Martin (1915–2005) Pamela A. Farr Jean Shekhter (1912–2005) Patsy Shumway Harold W. Fuson, Jr.* Louis G. Spisto* Clair Burgener (1921-2006) Victor P. Gálvez Daniel L. Sullivan, Ph.D. Mrs. John H. Fox (1908–2003) Robert H. Gleason Julie H. Sullivan, Ph.D. Audrey Geisel Timothy P. Haidinger Evelyn Mack Truitt Paul Harter

4EO P RF RMANCES MAGAZINe Leadership Gifts Production Sponsor The Old Globe recognizes and Conrad Prebys and Debra Turner thanks the following generous individuals who have made A native of South Bend, Indiana and San Diego resident since 1965, Conrad extraordinary gifts of $1 million or Prebys is CEO of Progress Construction. Debra Turner hails from Phoenix and for more than 20 years has been involved in real estate in Southern California. more. These major contributions have been designated for artistic, Conrad and Debbie share a love of the arts and generously support San Diego endowment and facilities projects, non-profits including Scripps Mercy Hospital, San Diego Hospice, Sanford/ Burnham Medical Research Institute, San Diego Zoo, Boys and Girls Club of East and help The Old Globe remain County and UCSD Performing Arts. one of our country’s great theatre institutions. At The Old Globe, Conrad donated $10 million in 2004 to the Capital Campaign for new facilities and has been a Season Sponsor for several years, supporting $20,000,000 or greater Dirty Rotten Scoundrels, Ace and the Shakespeare Festival. Conrad and Debbie are proud to serve as Production Sponsors for this two-play special engagement. Donald and Darlene Shiley Education Sponsor $10,000,000 or greater “Charitable giving and volunteering is more than just an opportunity Conrad Prebys to share with others,” says Dean Thorp, Senior Vice President of the Wells Fargo Foundation. “It’s an opportunity to build a network $5,000,000 or greater that will have a role in San Diego’s future. It’s a chance to be a part of what’s happening in this wonderful city.” In the past year, the Wells Fargo Sheryl and Harvey White Foundation donated $2.2 million to nearly 500 non-profits and schools in San Kathryn Hattox Diego County. Not only does the Foundation make regular donations to the Globe’s Annual Fund and educational programming, but Thorp is now serving Karen and Donald Cohn his third term on the Globe’s Board of Directors. Friends like the Wells Fargo Foundation help to ensure that the Globe will continue to serve the San Diego $2,000,000 or greater Community for years to come. Viterbi Family Foundation

$1,000,000 or greater "Meet the Artist" California Cultural and Historical Endowment Estate of Dorothy S. Prough The Rivkin Family Estate of Beatrice Lynds Audrey S. Geisel/ San Diego Foundation Dr. Seuss Fund Mr. and Mrs. Victor H. Ottenstein Mrs. Helen Edison

The Stephen & Robin and the 7 Hoods Director/Choreographer Casey Nicholaw with Paul Meyer and Chris and Patricia Weil at a Mary Birch Foundation 2010 Meet the Artist event. Photo by Nowell Wisch.

The Kresge Foundation For more information on how to join us for "Meet the Artist" events, please contact Josh Martinez-Nelson, Development Manager, Individual Annual Giving, at (619) 231-1941 x2308 or [email protected].

PErFO RMANCEs MAGAZINE 5 DON’T TOUCH THAT DIAL! by Tom Roberts

Way back in the last century, before "tweets" and "apps" and or Times Square, the Jeromes could not have afforded to YouTube and iPads, there was radio. From the 1920s until the patronize either in person. They fed their fervor through the early 1950s radio entertained and informed millions of loyal radio. In 1937, the zenith of the Golden Age of Radio, dozens listeners, making household names of personalities as diverse of gifted comic stars captivated millions of avid listeners: Jack as Walter Winchell and Kate Smith, Bob Hope and Father Benny with his well-crafted stingy persona, Fred Allen and Coughlin, Mary Margaret McBride and Mortimer Snerd. the zany residents of Allen’s Alley, Fibber McGee and Molly’s explosively overstuffed closet, George Burns propelling Radio revolutionized news. Newspapers arrived in the Gracie Allen to Everests of non sequiturs, Amos ‘n’ Andy, morning with yesterday’s events while radio brought you what Duffy’s Tavern. Perhaps the most improbable comic radio star was happening as it was happening. Even ordinary events was genuinely wooden: Charlie McCarthy, the creation of drew radio reporters, as when Herb Morrison covered the ventriloquist Edgar Bergen, wisecracked his way into listeners’ new German airship Hindenburg’s arrival on May 6, 1937. hearts. Americans in the 30s needed to laugh and radio – right Morrison’s anguished account of the Hindenburg explosion in their own homes and free – filled that need memorably. remains a testament to the power of radio. Of a more predictable and comforting nature were President Franklin In the 12 years between Brighton Beach Memoirs and D. Roosevelt’s regularly scheduled fireside chats, confiding his Broadway Bound, the world had changed irrevocably and still views to millions. the undercurrent buzzing through the Jerome household in 1949 came from the radio. An older, somewhat wiser, just as The regularity and immediacy of radio formed a perfect funny Eugene had now set his sights on making a living in radio, marriage with sports. While college football and pro boxing the medium that had energized him his whole life. And yet were regularly broadcast, it was change was in the air, and in the airwaves. Major League Baseball that exploited radio to its fullest After World War II, radio’s reign began to waver as the and turned America’s pastime new medium of television, introduced just weeks before into Americans’ obsession. the war started in 1939, began to insinuate itself gradually Radio brought the sounds, into American popular consciousness. Upwards of 90% of the personalities, the spell of American homes had radios. The introduction of television into baseball into American homes postwar America was incremental, with only six experimental and helped create the mythic TV stations on the air in 1945. It was still radio that kept the heroes whose names still mass audience informed and entertained. resonate today: Babe Ruth, Lou Gehrig, Joe DiMaggio. And radio was not about to relinquish its grasp on the The 1937 World Series was populace. It had, after all, held its own against movies and it the second “subway series” had buried vaudeville. Why worry about this new box with in a row, catnip to any New pictures? So Fred Allen and Edgar Bergen among others York kid, with the NY Yankees disdained the new medium and held on to their radio fans even defeating the NY Giants four games as Jack Benny, Bob Hope and other lesser luminaries were to one. making the leap into video.

Beyond baseball, radio The most notable of those also-rans arrived on the television brought comedy to screen June 8, 1948 and sent seismic waves thundering across Brighton Beach’s the whole entertainment landscape. Milton Berle captured Jerome household. the zeitgeist as few performers have before or since. Berle and Despite being a nickel his creative team recognized that television was not just radio subway ride away with pictures, but its own highly visual medium. His humor from Yankee Stadium was often crude and obvious but it relied on movement and

6EO P RF RMANCES MAGAZINe Charlie McCarthy and his puppeteer Edgar Bergen.

image rather than words and ideas. It was an instantaneous hit with the relative handful of people who owned televisions in 1948. Berle earned the title Mr. Television because he defined the entire medium during its formative years and because his phenomenal popularity prompted tens of thousands of people to purchase television sets.

Despite Berle’s impact on television sales, there were still relatively few TV stations on the air and a correspondingly Milton Berle. limited number of viewers. In 1948 there were 18 stations in 12 cities and 975,000 TV sets were sold. A year later there were 49 stations in 28 cities and sales reached 1.7 million sets. By 1950, those numbers had doubled and they continued to grow throughout the decade. Those early stations were principally television was centered in Manhattan, drawing its talent from in cities and the urban viewers they reached – those who Broadway, concert halls and nightclubs. could afford the hefty price tag of an early TV set – tended to The outstanding dramas of 50s television created a generation be more affluent and sophisticated than the majority of radio of writers, directors and actors who shaped American film and listeners. theatre for the rest of the 20th century. And the sophisticated Radio, its hundreds of stations affording it nearly universal comedy programs that by 1953 had eclipsed Berle, influenced saturation of the American audience, created programming virtually every piece of American humor that came after them. that was broad, simple, The epitome of sophisticated television comedy was Your unsophisticated, and Show of Shows, which ran for 90 minutes, live, every Saturday familiar, something that night on NBC. It was to that Valhalla of comic inspiration would appeal to a rural that Neil Simon, the real Eugene Jerome, migrated. Besides midwest farm family as Simon, the extraordinary crew of writers and performers who strongly as it would to an emerged from that program – Mel Brooks, Woody Allen, Carl east or west coast urban Reiner and the genius who inspired and terrified them all, Sid family. But the largely Caesar – have attained some of the same iconic power in their urban early TV viewers, world that Ruth, Gehrig and DiMaggio hold in sports. accustomed to more Media are so fragmented today that no one could command sophisticated fare in such an audience and inspire the whole country. But FDR’s their live entertainment, persuasive chats, Berle’s “invention” of television, and Caesar’s demanded something influence on American comedy are legacies that will live longer equivalent from the than classic radio itself did. new little screen in their living rooms. Unlike geographically scattered Tom Roberts is Senior Lecturer in Cultural History at the Sid Caesar and Imogene Coca. radio production, Rhode Island School of Design.

PErFO RMANCEs MAGAZINE 7 WHAT HAPPENED NEXT...

In the first volume of his autobiography, Rewrites, Neil Simon remembers the first time he and his brother Danny wrote comedy sketches together. Danny worked at Abraham & Danny and Neil Simon. Straus, a large Brooklyn department store where he met Ernie Glucksman who had been hired by Abraham & Straus just as Eugene and Stanley used the Jerome family in their to produce their annual employee's show with original radio sketch in Broadway Bound. In Come Blow Your Horn, material that poked fun at working in a store. Danny read a younger man escapes living with his parents by moving Glucksman some comic monologues he had written with in with his bachelor brother who has a swinging playboy his 15 year old brother Neil. They were hired to write the lifestyle. Eventually the younger brother outshines his comedy sketches for the show. It was the first time they brother in the dating department and the playboy starts heard an audience laugh at something they wrote and Neil acting like a parent. was hooked. Their success convinced Neil that he wanted to be a comedy writer. In real life, Neil and Danny had stopped working together and Come Blow Your Horn was a way for Simon to separate It was also Neil’s first published credit: Comedy Sketches by himself from his brother. As he writes in Rewrites, "As I grew Danny and Doc Simon. "Doc" was a nickname given to him by older, I never doubted Danny’s opinions or talent. But they his brother. As Simon recounts in Rewrites, it was assumed were always his, and it soon became clear that his point of he was given the nickname because he "doctored" plays. view was not necessarily mine. I sometimes felt that he took But that wasn’t the case. When they were young, Simon had the position of "older brother" rather than "senior writer," been given a toy doctor’s kit. He often played with it and and I soon found I rejected his ideas as I might have rejected Danny got used to calling him "Doc" and it stuck. He used the a suit of clothes he picked out for me, preferring instead the name professionally until Max Lieberman, a TV producer of one that I thought fit my style. Brothers or sisters eventually the old school, hired him for the comedy show he produced resent each other, otherwise why would those Greeks have called Your Show of Shows. He felt "Doc" wasn’t very classy written all those tragedies?" so Simon was billed as Neil and "Doc" mostly disappeared, although his first wife, Joan, used it every day of their Come Blow Your Horn was a modest success, but Simon's married life. second play, Barefoot in the Park, directed by Mike Nichols and starring Robert Redford and Elizabeth Ashley, was a Neil and Danny eventually wrote sketches for popular radio smash in 1963. Simon used his experience as a newlywed and television shows. The Sid Caesar shows, Your Show of living with his wife Joan in an impossibly small apartment in Shows and Caesar's Hour, were the incubators for talent Greenwich Village to mine laughs. It set him off on this first like Mel Brooks, Woody Allen, Larry Gelbart and the Simon stage of his career. At one point in the late 60s he had four brothers which would shape American comedy for the plays running at the same time. rest of the century and into our own. It was also a pressure cooker. Especially Your Show of Shows which was 90 minutes Despite success, his talent was considered a light one. of live television every Saturday night. Once the Saturday He wasn't a serious "artist." As John Lahr pointed out in show was over the writers barely had the chance to recover his recent New Yorker profile of Simon, "Comedy is often before they had to begin on the next week's sketches, 39 relegated to the kid's table of American theatre and critics weeks a year. have rarely given Simon his creative due. In this regard, he is one in a long list of comic maestros of the mainstream, Though successful enough to earn two Emmy Awards for including Georges Feydeau and Noël Coward, whose artistry writing in 1957 and 1959, Simon found writing for television could be distinguished from their popularity only with the unfulfilling and in the fall of 1957 began working, in his passage of time." spare time, on his first play. It took him three years and 22 completely different versions to finish. One Shoe Off was Twenty years after Barefoot in the Park, Brighton Beach the initial title, then The Mating Game. As Simon recalls in Memoirs opened. Again Simon was using his family as Rewrites, there was little similarity between the first draft inspiration, but this time, with a deeper understanding and and the 22nd, and the almost no similarity between the 22nd compassion than he had used in his earlier comedies. In and the play that opened in New York on February 22, 1961 Brighton Beach Memoirs and Broadway Bound, we meet as Come Blow Your Horn. Eugene and Stanley Jerome, thinly disguised versions of Neil and Danny, who absorb the richness of the family stories Simon based the play on his relationship with Danny and around them and send themselves into the world as comedy their parents. He was using his family to generate the story writers. Happily, we know how well that will turn out.

8EO P RF RMANCES MAGAZINe THE UNIVERSE OF A FAMILY by Scott Schwartz

Neil Simon’s two great plays, Brighton Beach Memoirs needs now that the family’s material needs are met. and Broadway Bound, are his autobiographical portrait How does relative prosperity change this family? of his family set in Brooklyn, New York in the middle of the last century. Each one tells a detailed and specific Broadway Bound is also the story of a young man story of the fictional Jerome family, a family that is named Eugene, rising in his life and becoming a man. He inspired by and springs directly from his own. experiences the particular and peculiar combination of pain and elation that comes with leaving home and In Brighton Beach Memoirs, Simon explores this family never being able to truly come back again. This Eugene during the waning years of the Great Depression, is still full of passion, energy and art. He is still looking specifically their struggle during the Recession of 1937 to chronicle his life, but he is also looking to live it. This and at the dawn of World War II. The Jerome family is the story of the beginning of a career, the beginning lives in a time of fear (particularly for European Jews), of an era of comedy, and the beginning of a major and of unease and discomfort. It is a time when people American artist. looked towards an unknowable, and probably dark, future. It is a story of this family dealing with lack and So these plays are terrific individually. But I believe that want and need. And it is the story of individuals working together, the pieces add up to a whole that is greater to protect that family, and to hold it together. Brighton than the sum of its parts. These two plays, when viewed Beach Memoirs is also the story of a boy named together as one larger play, tell a grand story. Simon, Eugene, who is chronicling his own life and writing his over the course of this greater work, tells the detailed memoirs as they happen. He is full of interest, passion, story of a family, starting with holding on and ending artistic impulse, and energy. He is looking to learn how with letting go. He paints portraits of the complex, to channel these things, and liberate them. flawed, and deeply human members of this family and explores how they relate to it over time. All the In Broadway Bound, Simon tells the story of this family characters struggle as members of this family, with how crumbling in the years after that great war. The Jeromes to be a part of it while also being true to themselves. live now in 1949, in a time of comfort and prosperity, a time when the future looks bright. The discomfort Simon raises big questions in this larger work: What and unease in this play are all about the present. Each and who is important in our lives? How do we learn and character has to deal with their individual wants and grow as a part of a whole? How can we maintain our individuality and our dignity as part of a collective? How can we have individual wants? What is our responsibility to ourselves and to each other? And what is our responsibility to the promises of our past and of our future?

The Simon plays are the saga of an American family. They are the story of a child becoming a man and taking off just as his foundation crumbles. They tell a funny story, and also one that is quite sad and, in some ways, unresolved. But at the core, their story is very true, and very human. The issues and characters are not only those that Neil Simon lived and struggled with in Brooklyn in the middle of the last century, but are those we all still do today, regardless of religious background, ethnicity, or location. I guess that’s why we call them universal.

Scott Schwartz is the director of Brighton Director Scott Schwartz (third from left) with Joseph Parks and Brandon Uranowitz (Stanley and Eugene in Broadway Bound), Karen Ziemba (Kate) and Austyn Myers and Sloan Grenz (Eugene and Stanley Beach Memoirs and Broadway Bound. in Brighton Beach Memoirs).

PErFO RMANCEs MAGAZINE 9 A GLOBE TRIBUTE TO ̃ Donald P. Shiley ̃ 1920 - 2010

“ We’re interested in the Globe staying The Old Globe until the end of time. That’s what I feel strongly, deeply and unwaveringly, and Donald joins me in supporting that.” Darlene Shiley — The San Diego Union-Tribune, March 16, 2006

or more than a quarter century, Donald and Darlene Shiley have been dedicated supporters of The Old Globe, serving as volunteers, advocates and major donors. The Shileys made their first gift to the Globe in 1981, and since� that time, their support and commitment only continued to grow. We mourn the loss of Donald Shiley, and pay tribute to Donald and Darlene’s generosity to The Old Globe and to the betterment of the City of San Diego.

Globe Executive Producer, Lou Spisto, says about Donald that “through his professional work (as the inventor of the Bjork-Shiley heart valve), Donald Shiley was able to save hundreds of thousands of lives and, through his philanthropy, and along with his wife Darlene, helped change the face of a community. San Diego is a much better place because of the extraordinary generosity of Donald and Darlene Shiley.”

In 2006, Donald and Darlene made the largest gift in Globe history — $20 million for endowment and artistic programs — as part of the Globe’s $75 million campaign: Securing a San Diego Landmark. Other examples of their generosity to the Globe are carried in perpetuity through the naming of the Shiley Terrace Apartments housing our actors who come from across the U.S., The Old Globe/USD Master of Fine Arts Program, The Donald and Darlene Shiley Stage of the Old Globe Theatre, and the Donald and Darlene Shiley Terrace in the new education center.

In their 32-year marriage, Donald and Darlene focused their charitable giving and energy to three primary areas: health, education and the arts, which are connected to their respective personal experiences: Donald as the inventor of the life-saving Bjork-Shiley heart valve and other medical break throughs, and Darlene as a former professional actor, who values education, literature, theatre and performing arts as vital elements in our society.

Through the establishment of the Shiley Awards in Health, Education and the Arts, the Shileys have supported the Alzheimer’s Association, Burnham Institute, Elizabeth Hospice, Girl Scouts of America, Glenner Alzheimer’s Family Centers, KPBS, University of Notre Dame, San Diego Hospice, San Diego Repertory Theatre, San Diego Zoological Society, Scripps Green Hospital, Scripps Health Foundation, San Diego State University, United Through Reading, University of California, San Diego, UCSD Shiley-Marcos Alzheimer’s Research Center, UCSD Shiley Eye Center, University of Portland, University of San Diego and Vista Hill.

The entire Globe family extends its heartfelt sympathy to the Shiley family, and will hold Donald in our memories forever. Donald and Darlene Shiley with Executive Producer Lou Spisto.

10EO P RF RMANCES MAGAZINe Profiles

DAVID BISHINS Nickleby in The Life and Adventures of Robin Hood (Park Playhouse), Tradition (Jack Jerome) New York Nicholas Nickleby). Her guest appear- (Fringe NYC) and Little Shop of Horrors theatre credits include The ances with regional and stock theatres (Jewish Theatre Ensemble). He has Glass House with Harris throughout the country include Last of the appeared in multiple industrials for NYU, Yulin (Clurman Theatre), We Red Hot Lovers with Gary Burghoff,A Bellevue and various police departments. Declare You a Terrorist Midsummer Night’s Dream (The Shake- As a singer, he's performed at CBGB, The (Summer Play Festival at speare Theatre), The Love of the Nightin- Knitting Factory, Pianos, the Chicago The Public Theater), Incident at Vichy, gale at L.A. Theatre Works with Robert Humanities Festival and in his own Henry Miller in Anais Nin: One of Her Lives Foxworth and the one-woman show When one-man show at The Duplex. He received (Beckett Theatre), Catch-22 (Lucille Lortel Something Wonderful Ends (Playwright’s his undergraduate degree from North- Theatre), A Mother, a Daughter and a Gun Theatre of New Jersey). Her television western University’s Theatre/Music with Olympia Dukakis (Dodger Stages), credits include “Law & Order,” “Law & Theatre program and his MFA in Acting Sympathetic Magic by Lanford Wilson Order: Criminal Intent,” several soap from The Old Globe/USD. (Second Stage), Bad Girls (The Directors operas, recurring as Cathy Wilson on www.SloanGrenz.com Company), The Nest (directed by Moses “Loving,” and Life Among the Lowly and Kaufman), The Boys in the Band (WPA The Grimke Sisters for PBS. AUSTYN MYERS Theatre and Lucille Lortel Theatre), Teibele (Eugene Jerome/Brighton and Her Demon (Jewish Repertory Theater) HOWARD GREEN Beach Memoirs) recently and Tower of Evil (Classic Stage Company). (Ben Epstein) returned to appeared at The Old His regional credits include Atticus in To Kill an acting career (after a Globe in Lost in Yonkers a Mockingbird (Intiman Theatre), Place stint as a senior executive and The First Wives Club Setting (directed by Evan Bergman), The at Paramount and Fox) that – A New Musical. He was Great Game (directed by Wilson Milam), now spans 50 years in part of the Lost in Yonkers cast at McCoy Lee in True West (Vermont Stage Company), theatre and television. Mr. Rigby Entertainment. Mr. Myers appeared Rag and Bone (directed by Tina Landau), A Green has been seen in Richard III and the on Broadway in the revival of Les Mi- Month in the Country (Long Wharf Theatre), Henry VI cycle (New York Shakespeare sérables and was also in the National Tour. As Bees in Honey Drown (directed by Evan Festival), The Ceremony of Innocence His regional credits include The Secret Bergman), Arcadia (Wilma Theater), The (American Place Theatre), The Silent Garden (Lamb’s Players Theatre), A Dybbuk (Pittsburgh Public Theater) and Partner (The Actor’s Studio), Cyrano de Christmas Carol (North Coast Repertory Reckless (Hartford Stage). Mr. Bishins’ film Bergerac (Lincoln Center Theater), Troilus Theatre), The Roar of the Greasepaint— and television credits include Salt, The and Cressida and The Winter’s Tale The Smell of the Crowd (Starlight Theatre), Adjustment Bureau with Matt Damon (Washington Shakespeare Festival), Family Big River, Seussical the Musical, Ragtime (Spring 2011), Henry’s Crime with Keanu Business (Berkshire Theatre Festival), The and Les Misérables (California Youth Reeves (late 2010), Sorry, Haters, The War Poison Tree (Philadelphia Playhouse in the Conservatory Theatre), Li’l Abner Within, Tracks, “Liberty! The American Park), Waiting for Godot (Theatre at St. (American Rose Theatre), Seussical Revolution” (PBS), A Magic Helmet, “Fringe,” Clement’s), The Comedy of Errors (J*Company Youth Theatre), Celebrity “Babylon Fields,” “Law & Order,” "Law & (Shakespeare on the Sound) and Imagin- Sonnets (San Diego Shakespeare Society) Order: Criminal Intent," "Law & Order: SVU" ing Madoff (Stageworks on the Hudson). and King John (Intrepid Shakespeare and "Law & Order: Trial by Jury." He is a He was a founding member of the Company). His film and television roles graduate of The Juilliard School and a Counterpoint Theater Company in New include Meet Dave, Moonrock & Lighter member of the AEA since 1989. York City, appearing in Awake and Sing, Fluid and “Bommi and Friends.” He is an Rocket to the Moon and Uncle Vanya. His Associate Artist with California Youth BONNIE BLACK television credits include “Paradise Lost” Conservatory Theatre. (Blanche Morton) is and “The Ceremony of Innocence” (PBS). delighted to be making her Member HB Ensemble, AEA, SAG, JOSEPH PARKS Old Globe debut. Her Off AFTRA. (Stan Jerome/Broadway Broadway and NYC credits Bound) Off Broadway: include HB Playwrights SLOAN GRENZ Eurydice (Second Stage Foundation Theatre, the (Stanley Jerome/Brighton Theatre). Regional: The musical The Fan Tan King (NY Interna- Beach Memoirs) was last History of Invulnerability tional Fringe Festival), Pan Asian Reper- seen at The Old Globe in and Love Song (Cincinnati tory Theatre, Horton Foote’s The Roads to Six Degrees of Separation, Playhouse in the Park), Eurydice and Home (78th Street Theatre Lab), The Sea of Tranquility and the Richard II (Yale Repertory Theatre), The Comedy of Errors (Equity Library Theatre) 2008 and 2009 Summer Goat, or Who is Sylvia? and Slay the and recently, The Usher’s Ball (CAP21). Shakespeare Festivals. His other credits Dragon (American Conservatory Theater), Other theatre work includes residency include a season at Weathervane Theatre, The Sweetest Swing in Baseball (Magic with Adrian Hall’s Trinity Square Repertory Hamlet and Romeo and Juliet (Whit & Will Theatre), Wintertime (San Jose Repertory Company (notably Cordelia in King Lear Players), Cinderella (Lycian Centre for the Theatre), In the Red and Brown Water, Run, with Richard Kneeland) and company Performing Arts), Meaningless (Bailiwick Mourner, Run, The Ghost Sonata and Venus membership of both the Alley Theatre Repertory Theatre), the premiere of Henry (Yale School of Drama). Television: "Law & (notably Regina in the production and tour & Mudge and Huckleberry Finn (Theatre- Order.” Mr. Parks received his MFA from of Another Part of the Forest) and Great works/USA), Mrs. Bob Cratchit’s Wild Yale School of Drama and is a co-founding Lakes Theater Festival (notably Kate Christmas Binge (The Gallery Players), member of New Theater House.

PErFO RMANCEs MAGAZINE 11 Profiles

ALLIE TRIMM JULIA VANDERWIEL in Yonkers (1991 Pulitzer Prize, Tony (Nora Morton) is a San (Laurie Morton) is making Award), Jake’s Women, The Goodbye Girl, Diego native and honored her Old Globe debut. Her Laughter on the 23rd Floor, Proposals, to be a part of Brighton previous credits include The Dinner Party and 45 Seconds from Beach Memoirs! She has Joseph and the Amazing Broadway. Off Broadway:London Suite. been seen as Kim MacAfee Technicolor Dreamcoat Films include Barefoot in the Park, The in the Roundabout Theatre (Moonlight Stage Produc- Odd Couple, The Out-of-Towners, Plaza Company’s 2009 Broadway revival of Bye tions), Little Shop of Horrors and Bye Bye Suite, The Heartbreak Kid, The Prisoner Bye Birdie with John Stamos and Gina Birdie (Stagedoor Manor), 13 (American of Second Avenue, Murder by Death, Gershon. Prior to that, she made her Rose Theatre) and High School Musical, The Sunshine Boys, The Goodbye Girl, critically acclaimed Broadway debut as You’re a Good Man, Charlie Brown and The Cheap Detective, California Suite, Patrice in Jason Robert Brown’s new Bye Bye Birdie (Actors’ Conservatory Chapter Two, Seems Like Old Times, Only musical 13. Her other credits include 13 Theatre, San Diego). When I Laugh, I Ought to Be in Pictures, (Patrice) at Goodspeed Opera House, The Max Dungan Returns, Brighton Beach Secret Garden (Mary Lennox) at Lamb’s KAREN ZIEMBA Memoirs, Biloxi Blues and Lost in Yonkers. Players Theatre, Dr. Seuss’ How the Grinch (Kate Jerome) Broadway: Stole Christmas! (Phyllis Who) at The Old Contact (Tony, Drama Desk SCOTT SCHWARTZ (Director) directed Globe, The Will Rogers Follies and Annie and Outer Critics Circle the Broadway productions of Golda’s Get Your Gun at Moonlight Stage. She Awards), Curtains (Tony Balcony and Jane Eyre (co-directed with recently guest starred on “30 Rock” and is Award nomination, Outer John Caird). He recently directed Lost in currently in production on Disney’s feature Critics Circle Award), Steel Yonkers at The Old Globe starring Judy filmProm . Ms. Trimm has performed in Pier (Tony, Drama Desk and Outer Critics Kaye. His Off Broadway work includesBat various concerts and galas across the Circle nominations), Never Gonna Dance Boy: The Musical (Lucille Lortel and Outer country with some of her favorite compos- (Tony Award nomination, Outer Critics Critics Circle Awards, Outstanding Off ers. She has been a part of many readings Circle Award), Chicago, 42nd Street, A Broadway Musical; Drama Desk nomina- and workshops including The Water, On a Chorus Line and Crazy for You. Off tion, Outstanding Director of a Musical), Glorious Day and the 2012 Broadway Broadway: And the World Goes ‘Round Tick, Tick… Boom! (Outer Critics Circle bound production of Allegiance with Lea (Drama Desk Award); I Do! I Do! (Drama Award, Outstanding Off Broadway Musi- Salonga and George Takei. Desk nomination). New York City Opera: cal; Drama Desk nomination, Outstanding www.allietrimm.com. 110 in the Shade, The Most Happy Fella. Director of a Musical), Rooms: A Rock City Center Encores!: Bye Bye Birdie, The Romance, The Foreigner starring Matthew BRANDON URANOWITZ Pajama Game, Allegro. Regional: Six Broderick for Roundabout Theatre Com- (Eugene Jerome/Broad- Degrees of Separation, The First Wives pany, Kafka’s The Castle (Outer Critics way Bound) is honored to Club (The Old Globe), Much Ado About Circle nomination, Outstanding Director be making his Old Globe Nothing (The Shakespeare Theatre of a Play), Miss Julie and No Way to Treat debut playing this role. His Company; Hartford Stage), Sylvia (Long a Lady. He also directed Golda’s Balcony theatre credits include Wharf Theatre), Leading Ladies (Ford’s on tour, in London, in Los Angeles at the Rent - The Broadway Tour Theatre), House and Garden (Geva Wadsworth Theater and in San Francisco starring Adam Pascal and Anthony Rapp, Theatre Center), The Threepenny Opera at American Conservatory Theater. He directed by Michael Greif (Ensemble; u/s (Williamstown Theatre Festival), The directed the world premiere of Séance Mark), Feste in Twelfth Night (Off Opposite of Sex (Magic Theatre), Shooting on a Wet Afternoon, a new opera starring Broadway; 2009 Falstaff Award nominee Star (Penguin Rep Theatre). Television and Lauren Flanigan, at Opera Santa Barbara for Best Supporting Performance by a film:The Producers, “Scrubs,” all three and will restage this production at New male), Mercutio/Capulet in Romeo and “Law & Order” series, The Kennedy York City Opera in the Spring of 2011. Mr. Juliet (Lake George Theater Lab), Art in Center Honors and for PBS, “My Favorite Schwartz’s other recent credits include F*cking Art (winner of the 2009 Samuel Broadway: The Leading Ladies,” “Gershwin Othello and Much Ado About Nothing French Off Off Broadway Short Play at 100” and “Stephen Sondheim: A at the Alley Theatre; Backwards in High Festival), King of France in All’s Well That Celebration at Carnegie Hall.” Heels, a new musical about Ginger Rogers, Ends Well (directed by Tim Carroll), The at the Asolo Repertory Theatre in Florida; Tale of the Good Whistleblower of NEIL SIMON (Playwright) has been and a reinvisioning of Seven Brides for Chaillot’s Caucasian Mother and Her represented on Broadway by Come Blow Seven Brothers at Paper Mill Playhouse, Other Children of a Lesser Marriage Your Horn, Little Me, Barefoot in the Park, Theatre Under The Stars, Theatre on the Chalkcircle (Theatre Askew), the Little Boy The Odd Couple, Sweet Charity, The Square and North Shore Music Theater in Ragtime (world premiere cast), A Star-Spangled Girl, Plaza Suite, Promises, (2008 IRNE Award, Outstanding Director Christmas Carol (directed by Susan Promises, Last of the Red Hot Lovers, The of a Musical). Mr. Schwartz is a member Stroman), Evita (Paper Mill Playhouse), Gingerbread Lady, The Prisoner of Second of the Stage Directors and Choreogra- The Broadway Kids (Off Broadway; Avenue, The Sunshine Boys, The Good phers Society, an Associate Artist at the original cast recording). His television Doctor, God’s Favorite, California Suite, Alley Theatre, and a graduate of Harvard credits include “Law & Order: Criminal Chapter Two, They’re Playing Our Song, University. Intent” and “As the World Turns.” I Ought to Be in Pictures, Fools, Brighton Beach Memoirs, Biloxi Blues (1985 Tony Award), the female version of The Odd Couple, Broadway Bound, Rumors, Lost

12EO P RF RMANCES MAGAZINe RALPH FUNICELLO (Scenic Design) of Eastwick (Signature Theatre), Altar Boyz The Intelligent Design of Jenny Chow, The Old Globe: Summer Shakespeare and The Last Train to Nibroc (Cincinnati Blue/Orange, Time Flies, Pentecost, Festivals 2004-2010, Lost in Yonkers, Res- Playhouse in the Park), John Patrick Shan- Compleat Female Stage Beauty, The toration Comedy, The Constant Wife, The ley’s Romantic Poetry (New York Stage Boswell Sisters and Crumbs from the Lady with All the Answers, Julius Caesar, and Film), Camelot, Big River and 1776 Table of Joy. His regional credits include Pericles, The Taming of the Shrew, The Tro- (Goodspeed Opera), over 25 productions Milwaukee Repertory Theater, San Jose jan Women, Henry V, The Merry Wives of of the Ella Fitzgerald biographical play Ella Repertory Theatre, CENTERSTAGE, La Windsor, The Hostage, Paramour, Romeo and Enchanted April (Pasadena Playhouse, Jolla Playhouse, Sledgehammer Theatre and Juliet, Othello, The Comedy of Errors, Ovation Award nomination). He also works (Associate Artist), Mo’olelo Performing Pride’s Crossing, Macbeth, American Buf- at Arena Stage, Arizona Theatre Company, Arts Company, The Wilma Theater, L.A. falo, Private Lives, The Gate of Heaven, Asolo Repertory Theatre, Barrington Stage Theatre Works, San Diego Repertory Mister Roberts, Henry IV, Dancing at Company, Cleveland Play House, Colo- Theatre, Florida Studio Theatre, Lorraine Lughnasa, Hedda Gabler, The Way of the rado Ballet, Columbia University, Florida Hansberry Theatre, North Coast World, Twelfth Night, King Lear, Ghosts, Stage, Guthrie Theater, Hangar Theatre, Repertory Theatre, Diversionary Theatre, Interior Decoration, From the Mississippi Long Wharf Theatre, Northlight Theatre, Cape Fear Regional Theatre, Hope Delta, The Winter’s Tale, Mr. Rickey Takes a Philadelphia Theatre Company, Pittsburgh Summer Repertory Theatre, Malashock Meeting, Bargains, The Tempest, The Mer- Public Theater, San Diego Repertory The- Dance Company, University of San Diego, chant of Venice, The White Rose, Hamlet, ater, The Repertory Theatre of St. Louis, San Diego State University and the Freud Our Town, Driving Miss Daisy and Measure Theatreworks Hartford, Westport Country Theatre at UCLA. He received his BFA for Measure. Elsewhere: Mr. Funicello has Playhouse and Williamstown Theatre in Drama with an emphasis in Technical designed scenery on and off Broadway Festival. His international credits include Design from San Diego State University. and for many theatres across the country, The Edinburgh Festival Fringe and the including Lincoln Center Theater, Manhat- Donetsk Opera in the Ukraine. Mr. Vietti’s MICHAEL HOLLAND (Original Music) tan Theatre Club, American Conservatory additional credits include Ringling Broth- Composer/lyricist: Hurricane (2009 New Theater, A Contemporary Theatre, Mark ers Barnum & Bailey Gold Unit 08/09. York Musical Theatre Festival), Believe Taper Forum, Arizona Theatre Company, in Me…A Bigfoot Musical (New York Seattle Repertory Theatre, Berkeley MATTHEW MCCARTHY (Lighting Times’ #1 pick, FringeNYC 2004), Mikey Repertory Theatre, Milwaukee Repertory Design) recently designed Lost in Yonkers Writes It! (2002 MAC Award, Best Revue), Theater, Denver Center Theatre Com- at The Old Globe. He has designed several Times Square Association Centennial pany, The Shakespeare Theatre, Guthrie Off Broadway productions including Blue Celebration, Kelly Kinsella Live Under Theater, South Coast Repertory, Oregon Man Group in New York, Boston and Broadway (FringeNYC 2007) and The Shakespeare Festival, Williamstown The- Chicago, The Odyssey, A Stage Version by Girl Most Likely To (American Cancer atre Festival, Huntington Theatre Com- Derek Walcott for Willow Cabin Theatre Society Benefit, Brooklyn, CT 1999). He pany, Intiman Theatre, Stratford Festival in Company, and Rum & Coke and Texas received BackStage Magazine’s Ira Eaker Ontario, The Royal Shakespeare Company, Homos for Abingdon Theatre Company. Special Achievement Award in 2006 New York City Opera, LA Opera and San His opera credits include Juilliard Opera (“Outstanding performer/songwriter on Diego Opera. He currently holds the posi- Company, Opera Columbus, Connecticut the rise”). Composer: Incidental music tion of Powell Chair in Set Design at SDSU. Opera and Arizona Opera. Mr. McCarthy’s for Alley Theatre, Playwrights Horizons regional credits include Florida Repertory (A.R. Gurney’s Crazy Mary, world ALEJO VIETTI (Costume Design) has Theatre, Stages St. Louis, Contemporary premiere), Colorado Shakespeare, The designed costumes for several shows in Stage Company, New Harmony Theatre, Juilliard School and NYU Tisch School New York including Secrets of the Trade and Cumberland County Playhouse. He of the Arts. Orchestrator/Arranger: (Primary Stages), Manhattan Theatre has served as Lighting Director for exten- dance arrangements for All that Glitters Club’s Nightingale and MCC Theater’s sive tours of Poland, Brazil and Austria (workshop 2010), New York City Gay Grace both staring Lynn Redgrave, Rooms, with several modern dance companies. Men’s Chorus (ongoing), arrangements/ William Finn’s Make Me a Song, Tryst, www.mccarthylighting.com musical direction for countless NYC Roulette starring Anna Paquin, The Last cabarets. Performer/arranger/musical Sunday in June, 16 Wounded, Two by PAUL PETERSON (Sound Design) has director of downtown critical favorite Tennessee, Servicemen directed by Sean designed over 85 productions at The Gashole (2001-present; 5 MAC Awards, Mathias, Five Flights, Love’s Labour’s Lost, Old Globe, including The Last Romance, BackStage Bistro Award [Best Duo]). Measure for Measure and Of a White Alive and Well, Lost in Yonkers, I Do! I Recordings: 4 self-produced original Christmas. His regional credits include Do!, The Savannah Disputation, The CDs, including Darkness Falls (2001 over 11 productions at the Alley Theatre Mystery of Irma Vep, Cornelia, The Price, Blockbuster/MP3 Award) and Beach including Cyrano de Bergerac, A Christ- Kingdom, Six Degrees of Separation, Toys Won’t Save You (2004 OutMusic mas Carol, Eurydice, Othello and Rock Since Africa, The Women, Sight Unseen, Award, Songwriter of the Year), world ‘n’ Roll, Meet John Doe and A Christmas The Pleasure of His Company, Dr. Seuss’ premiere of “Another Day in the Modern Carol (Ford’s Theatre in Washington, How the Grinch Stole Christmas!, Bell, World” on The Maury Yeston Songbook D.C.), Our Town starring Hal Holbrook, The Book and Candle, Who’s Afraid of Virginia (ps classics, 2004); arrangements/ Mystery of Irma Vep, The Dying City, Bad Woolf?, Two Trains Running, Hold Please, production/session work on numerous Dates, Mistakes Were Made (Hartford Restoration Comedy, Pig Farm, The recordings. Current/Upcoming: The Stage), the world premiere of Stephen Sisters Rosensweig, Trying, Moonlight Nightmare Before Christmas for Disney Schwartz’s opera Séance on a Wet After- and Magnolias, Vincent in Brixton, I Just Theatricals (new lyrics, new songs, noon (Opera Santa Barbara) The Witches Stopped By to See the Man, Lucky Duck, orchestrations), Godspell, Broadway

PErFO RMANCEs MAGAZINE 13 revival in Winter 2010-11 (orchestrations/ Theatre Company. Ms. Moser received her LOUIS G. SPISTO (Executive Producer) vocal arrangements) and Hurricane (in MFA in directing from Purdue University. directs both the artistic and administra- development — music/lyrics/co-librettist). When not doing theatre, she splits her tive activities of The Old Globe. During his time between Nova Scotia and the classic tenure, Mr. Spisto spearheaded the return JAN GIST (Dialect Coach) has been wooden sailboat, Simba I. of the Shakespeare Repertory Com- Voice, Speech, and Dialect Coach for pany, revitalized the Globe’s new works The Old Globe since 2002. Previously ERIN GIOIA ALBRECHT (Assistant Stage program, resulting in 12 world premiere she was Head of Voice and Speech for Manager) regional stage management plays and 10 world premiere musicals, the Alabama Shakespeare Festival for credits include The Madness of George and produced more than 100 produc- nine years and 140 productions. She has III, The Taming of the Shrew, King Lear, tions. Under Mr. Spisto’s leadership, ticket coached at theatres around the country Cyrano de Bergerac, Twelfth Night, Corio- sales and contributions have increased including: Ahmanson Theatre, La Jolla lanus, Working, Bell, Book & Candle (The substantially, and the fiscal health of the Playhouse, Oregon Shakespeare Festival, Old Globe) and Creditors, The Third Story, organization has been strengthened to The Shakespeare Theatre (DC), American No Child and The Weathermen (La Jolla support the expanded artistic vision. Mr. Shakespeare Center, Utah Shakespearean Playhouse). Her New York Credits include Spisto has successfully led the Globe’s $75 Festival, Arena Stage, Milwaukee Rep, The Third Story (MCC Theater), Marvin’s million Capital Campaign and managed PlayMakers Rep, Indiana Rep, American Room (T. Schreiber Studio), The Great the development of the Conrad Prebys Players Theatre, and Mo’olelo. Gist has American Desert (78th St Theatre Lab), Theatre Center, which includes a state- been a guest on KPBS radio’s A Way With The Chekhov Dreams (Manhattan Theatre of-the-art arena theatre and education Words, narrated San Diego Museum of Source). Her UC San Diego credits include center. An advocate of arts education, Mr. Art documentaries, coached dialects The Misanthrope, Surf Orpheus, Medea, Spisto created a number of new programs for the filmThe Rosa Parks Story, and Red State Blue Grass, Twelfth Night and that serve tens of thousands of young recorded dozens of Books To Listen To. The Labyrinth of Desire. Ms. Albrecht San Diegans each year. These programs She is a founding member of The Voice received her MFA in Stage Management include a bilingual summer Shakespeare and Speech Trainers Association and from UC San Diego. intensive, a major initiative in southeastern has presented at many national and San Diego which includes the develop- international conference workshops ment of new works for younger and more for them and for The Voice Foundation. diverse audiences, and free student mati- Recently she was invited to Russia to nees of the Globe’s regular productions. teach in the International Voice Teachers Mr. Spisto holds a Master’s degree from Exchange at The Moscow Art Theatre, the University of Wisconsin and a Bach- and to London’s Central School of Speech elor’s degree from the University of Notre & Drama to teach Shakespeare. She Dame. He has served as chief executive for has been published in VASTA Journals; the Pacific Symphony, Detroit Symphony chapters in books include: The Complete and American Ballet Theatre. Vocal Warm-Up, More Stage Dialects, and an interview in Voice and Speech Training SPECIAL THANKS JACK O’BRIEN (Artistic Director Emeri- in the New Millennium: Conversations Furs by Graf tus) served as the Artistic Director of The With Master Teachers. She teaches in Old Globe from 1982 through 2007. The Old Globe/ USD Graduate Theatre Recent Globe productions: Dirty Rotten Program. Scoundrels, Imaginary Friends, Twelfth Night, The Full Monty, The Seagull, The DIANA MOSER (Stage Manager) recently Magic Fire, Dr. Seuss’ How the Grinch Stole stage managed The Whipping Man at The Christmas! West End: Love Never Dies Old Globe. Her additional credits at the This theatre operates under an agreement between the League of Resident Theatres (sequel to Andrew Lloyd Webber’s The Globe include Lost in Yonkers, I Do! I Do!, and Actors’ Equity Association, the union of Phantom of the Opera), Hairspray (Olivier The Price, Opus, Six Degrees of Separa- professional actors and stage managers in the United States. Award for Best Musical, Best Director tion, The Pleasure of His Company, The nomination). Broadway: Impressionism Glass Menagerie, In This Corner, 2007 (Creator/ Supervisor), Dr. Seuss’ How the Summer Shakespeare Festival, Restoration The Directors are members of the Society Grinch Stole Christmas!, The Coast of Uto- of Stage Directors and Choreographers, an Comedy, Christmas on Mars, A Body of independent national labor union. pia (2007 Tony Award for Best Direction Water, Lobby Hero, Fiction and The Intel- of a Play, which won a total of seven Tony ligent Design of Jenny Chow. Ms. Moser’s This Theatre operates under an Agreement with Awards, including Best Play), Dirty Rotten regional credits include La Jolla Playhouse, the International Alliance of Theatrical Stage Employees Local No. 122. Scoundrels (Tony nominations: Best Direc- San Diego Repertory Theatre, Arena tor and Musical), Henry IV (Tony Award), Stage, The Repertory Theatre of St. Louis, Hairspray (Tony Award), The Invention of New York Theatre Workshop, Berkshire The Scenic, Costume, Lighting and Sound Love (Tony nominations: Best Director and Theatre Festival, The Children’s Theatre Designers in LORT Theatres are represented by Play), The Full Monty (Tony nominations: United Scenic Artists Local USA-826, IATSE. Company of Minneapolis and Arizona Best Director and Musical), More to Love,

14EO P RF RMANCES MAGAZINe Labor Day, St. Louis Woman, Pride’s Cross- ing 15 productions prior to World War tory; the Governor’s Award for the Arts; ing, The Little Foxes, Hapgood (Lucille II. Since then he directed more than 200 University of Arizona Alumni Association’s Lortel Award for Direction, 1995), Damn plays of all styles and periods and pro- Outstanding Citizen, for his contribution Yankees (Tony nomination Best Musical duced an additional 270 productions. His to their Fine Arts department; San Diego Revival), Two Shakespearean Actors (Tony vision for The Old Globe resulted in the State University’s Outstanding Alumnus; nominations: Best Director and Play), establishment of the Shakespeare Festival Conservator of American Arts Award from Porgy and Bess for Houston Grand Opera and the San Diego Junior Theatre in the American Conservatory Theater; the San and Broadway (Tony Award), as well as Ra- late ‘40s, the expansion to two theatres in Diego Press Club Headliner Award; San dio City Music Hall, Il Trittico, Metropolitan the ‘50s, Globe Educational Tours in the Diego Gentleman of Distinction Award; Opera. RECENT AWARDS: 2008 Theatre ‘70s and Teatro Meta and the Old Globe/ and a combined tribute from the Public Hall of Fame Inductee, 2004 Thomas University of San Diego MFA program Arts Advisory Council and the San Diego Degaetani Award (USITT), 2002 “Mr. Ab- in the ‘80s. During the 1940s, Mr. Noel County Board of Supervisors. Mr. Noel bott” Award (SDCF), 2001 Joan Cullman served as dialogue director for the 20th was particularly proud of the following Award for Extraordinary Creativity, 2001 Century Fox Studios and was the former three honors representing education and Joe A. Callaway Award (SDCF), the Drama director of the Ernie Pyle Theatre in Tokyo. theatre: Honorary Doctorate of Humane League’s Julia Hansen Award for Excel- Described by Variety as the eminence Letters, University of San Diego, Honorary lence in Directing, 2001. Honorary Doctor- grise of San Diego theatre, Mr. Noel is Doctorate in Fine Arts, San Diego State ate, University of Michigan. Honorary Doc- one of the few San Diegans to have had University and the annual Awards for tor of Humane Letters, University of San an entire year (1987) proclaimed in his Excellence in Theatre named in his honor Diego. Recipient of ArtServe Michigan’s honor, and to be named one of San Diego’s by the San Diego Theatre Critics Circle. In 2008 International Achievement Award. “Living Treasures.” He was a founder of the 2007, he received the National Medal of Mr. O’Brien is a member of the College of California Theatre Council and a former Arts – the nation’s highest honor for artistic Fellows of the American Theatre. vice president of the California Confed- excellence – in a ceremony at the White eration of the Arts. His numerous honors House. Craig Noel died on April 3, 2010 at CRAIG NOEL (Founding Director) was include The San Diego Union-Tribune list the age of 94. first appointed director in 1939, direct- of 25 persons who shaped the city’s his-

NOVEMBER 20 – DECEMBER 26, 2010 OLD GLOBE Theatre

Book and Lyrics by Timothy Mason m usic by Mel Marvin ORI GInaL PRoducTION CONCEIVED AND DIRECTED BY Jack O’Brien

TICKETS ON SALE NOW! NEW! 11AM matinee performances are open to ALL AGES. Shea Starrs Siben as Cindy-Lou Who and Everyone must have a ticket. Jeff Skowron as The Grinch. Photo by Craig Shwartz

PErFO RMANCEs MAGAZINE 15 The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Globe’s high quality of artistic programming and award-winning work in the community.

75th Anniversary Sponsors

Karen and Donald Cohn Joan and Irwin Jacobs Donald and Darlene Shiley

Season Sponsors

The Legler Benbough Foundation Edgerton Foundation John A. Berol Audrey S. Geisel Mary Ann Blair Lonnie Gettman - Designer Fabric Peter Cooper and Globe Guilders Norman Blachford The Lipinsky Family Valerie and Harry Cooper Conrad Prebys and Debra Turner David C. Copley Mickey Stern The County of San Diego Sheryl and Harvey White at the recommendations of Chairwoman Pam Slater-Price Anonymous and Vice-Chairman Bill Horn

For additional information on how you may become a Season Sponsor, please contact Todd R. Schultz, Director of Development, at (619) 231-1941 x2310.

16EO P RF RMANCES MAGAZINe Education

REACHING STUDENTS AND TEACHERS ALIKE: The Old Globe’s Teaching Artists

Old Globe Teaching Artist Craig Rovere prepares students for a classroom performance.

Roberta Wells-Famula, Director of Education, guides a Theatre Tots workshop for very young children.

he Old Globe’s many education programs provide exciting learning experiences for children and adults throughout Tthe year and Teaching Artists play an important role in many of those programs. From the early childhood adventure of the Theatre Tots program to inspiring workshops for Teaching Artist Jamie educators, the Globe’s Teaching Artists offer their expertise Kootarrapallil leads a and artistry to enlighten learners of all ages. playwriting residency. The Old Globe’s Teaching Artists are experienced, professional theatre artists (often actors and directors) who are also gifted educators. With their unique and varied backgrounds, they enjoy sharing their knowledge with others and work effectively in bridging the theatre and the academic worlds. Old Globe Teaching Artists often make multiple classroom visits to schools throughout San Diego County providing residency programs that teach children about acting, Teaching Artists Shakespeare and playwriting. Residencies give students an collaborate in a in-depth look at the art form and more opportunities for curriculum writing creating exciting theatre on their own. seminar.

Sometimes Teaching Artists lead a short workshop right before matter and enlivening their classes. Theatre teachers also a group of students sees one of our shows. These workshops benefit from technical theatre seminars with our Teaching give the students insight into the plot, characters, directorial Artists and crafts persons. choices and other pertinent elements of Globe productions. Even Teaching Artists take workshops. All Old Globe Classroom teachers also benefit from Teaching Artist Teaching Artists participate in training seminars, learning new programs. The Old Globe offers professional development techniques and collaborating with their colleagues to build seminars and workshops that give educators an opportunity their skills and to be inspired to teach more effectively. to explore ways to use theatre to teach other core curriculum concepts. Using concepts learned from these programs, To learn more about The Old Globe’s Education programs teachers discover exciting new ways of approaching subject email us at [email protected].

PErFO RMANCEs MAGAZINE 17 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above)

The Legler Benbough Foundation Audrey S. Geisel/The San Diego The James Irvine Foundation City of San Diego Commission for Foundation Dr. Seuss Fund Donald & Darlene Shiley Arts & Culture Globe Guilders The Shubert Foundation The Helen K. and James S. Copley The County of San Diego The County of San Diego Foundation at the recommendation of at the recommendation of Vice-Chairman Bill Horn Chairwoman Pam Slater-Price

Season Sponsors ($50,000 to $99,999)

John A. Berol Valerie & Harry Cooper National Endowment for the Arts Mary Ann Blair David C. Copley Conrad Prebys & Debra Turner California Bank & Trust Lonnie Gettman - Designer Fabric Mickey Stern Continental Airlines HM Electronics, Inc. Qualcomm, Inc. J. Dallas & Mary H. Clark Fund at Joan & Irwin Jacobs Fund of the U.S. Bank The San Diego Foundation Jewish Community Foundation Wells Fargo Karen & Donald Cohn Las Patronas Sheryl & Harvey White Foundation Peter Cooper & Norman Blachford The Bernard & Dorris Lipinsky Fund of Mickey Stern Advised Fund at the San Diego the Jewish Community Foundation Human Dignity Foundation

Production Sponsors ($25,000 to $49,999)

Bank of America National Corporate Theatre Fund Sempra Energy Alan Benaroya The San Diego Foundation, a grant Sheraton San Diego Hotel & Marina Arthur & Sophie Brody Fund of the made possible by the Colonel Frank Gillian & Tony Thornley Jewish Community Foundation C. Wood Memorial Fund; Ariel W. Union Bank Cohn Restaurant Group/ Coggeshall Fund; Kantor-Lebow- Erna & Andrew Viterbi Prado Restaurant Stroud Memorial Endowment Fund; Mandell Weiss Charitable Trust Kathryn & John Hattox and Mary E. Hield and Robert R. June E. Yoder Barbara Kjos Hield Endowment Fund

Director Circle ($10,000 to $24,999)

Anonymous Hal & Pam Fuson San Diego Tourism Mary Beth Adderley & Robert Gleason & Marc Matys Promotion Corporation Elizabeth Adderley Lee & Frank Goldberg Renee Schatz Jane Smisor Bastien Leonard & Elaine Hirsch Jean & Gary Shekhter Richard & Kathy Binford The Hull Family Patsy & Forrest Shumway Barbara Bloom Deni & Jeff Jacobs Ms. Jeanette Stevens Pamela & Jerry Cesak Daphne H. & James D. Jameson Iris & Matthew Strauss Elaine & Dave Darwin Jo Ann Kilty Anne Taubman & David Boyle Mr. & Mrs. Brian Devine Dr. Ronald & Mrs. Ruth Leonardi Evelyn Mack Truitt Nina & Robert Doede Sue & John Major Brent V. Woods & Laurie C. Mitchell Dr. & Mrs. Robert Epsten Dr. Patricia Montalbano Carolyn Yorston-Wellcome Pamela A. Farr Allison & Robert Price Robert & Deborah Young Danah H. Fayman Price Family Charitable Fund

18EO P RF RMANCES MAGAZINe FOUNDER CIRCLE Martha & George Gafford Nancy Steinhart & Elspeth & Jim Myer ($5,000 to $9,999) Deede Gales Rebecca Goodpasture Jack & Virginia Oliver Anonymous Elaine & Murray Galinson Hannah & Eugene Step Ben & Joan Pollard Lawrence G. Alldredge & Barbara & Albert Garlinghouse Cherie Halladay Tirschwell Dr. Julie Prazich & Dr. Sara Rosenthal Dawn Moore Bill & Judy Garrett Carol Vassiliadis Jeffrey & Vivien Ressler The Louis Yager Cantwell Private Drs. Thomas H. & Jane D. Gawronski Doris & Lou Vettese Dr. Joseph & Carol Sabatini Foundation Nancy Reed Gibson Merle Wahl Marilies Schoepflin, PhD. Nicole A. Clay Wendy Gillespie Mary R. Warkentin Alice & Lewis Silverberg The Colwell Family Fund at Sheila & Tom Gorey Jan Harden Webster & Raul Ortega Alan & Esther Siman The San Diego Foundation Ms. Cheryl Haimsohn Chris & Pat Weil Faustina F. Solis R. Patrick & Sharon Connell Norm Hapke & Valerie Jacobs Hapke Christian Winther Nancy & George Stassinopoulos Bernard J. Eggertsen & Patricia & Richard Harmetz Alice M. Young Jack & Louise Strecker Florence Nemkov Drs. Patrick Harrison & Helene & Allan Ziman Margery & John Swanson Barbara & Dick Enberg Eleanor Lynch Linda Terramagra Carol Spielman-Ewan & Joel Ewan Susan & Dr. Ronald Heller ($1,500 to $2,499) Celeste & Gene Trepte Diane & Elliot Feuerstein Dr. & Mrs. Peter K. Hellwig Anonymous Stan & Anita Ulrich Mary Ann & Arnold Ginnow Rhonda Heth & Thomas Mabie Anita Busquets & William Ladd Rosetta & Michael Volkov Alexa Kirkwood Hirsch Dr. & Mrs. Harry F. Hixson, Jr. Lisa & David Casey Brendan M. & Kaye I. Wynne Carol & George Lattimer Dr. David K. Hostetler Devora & Ron Eisenberg M.J. Zahnle Peter & Inge* Manes Richard & Janet Hunter of Great News! Christy & Howard Zatkin Paul I. & Margaret W. Meyer Hut cheson Family Fund at Joy & Dr. Fred Frye Money/Arenz Foundation, Inc. The San Diego Foundation Gary & Carrie Huckell GOLD Harle Garth Montgomery Andrew & Sonia Israel Fund of the William & Edythe Kenton ($500 to $999) Arthur & Marilyn Neumann Jewish Community Foundation Sherry & Larry Kline Anonymous (2) The Kenneth T. & Eileen L. Norris Al* & Pat JaCoby Christopher & Cheryl Lee George Amerault Foundation Mary & Russell Johnson Robin J. Lipman & Miro Stano Drs. Michael & Gabriela Antos Brian & Paula Powers Jackie Johnston-Schoell Elizabeth Meyer Alicia Atun Jeannie & Arthur Rivkin William Karatz Akiko Charlene Morimoto & Beverly Bartlett & Barbara Sailors Robert & Julie Sullivan Marge & Jerry Katleman Hubert Frank Hamilton,Jr. Richard & Linda Basinger Deborah Szekely Bob* & Gladys King Nancy & James Mullen Deron & Toni Bear Dixie & Ken Unruh Ken & Sheryl King Dolly* & Jim Poet Madelyn Bennett Jordine Skoff Von Wantoch Webster & Helen Kinnaird Marie & Don Prisby Nicholas B. Binkley John & Cindy Klinedinst Marisa SorBello & Peter Czipott Bob & Joyce Blumberg CRAIG NOEL CIRCLE Jane & Ray Klofkorn Pat & Jack Thomas Mr. & Mrs. Blaine A. Briggs As of July 2008, the Craig Noel Circle Curt & Nancy Koch Pamela J. Wagner Nancy Brock includes gifts of $2,500 - $4,999. For Brooke & Dan Koehler Z.J. Waxenberg Fund of the Dr. & Mrs. Simon C. Brumbaugh, Jr. donors who contributed to the Paver Betty & Leonard Kornreich Jewish Community Foundation Ruth Mary Campbell Campaign, the phase-in period runs Rosalie Kostanzer & Mike Keefe James & Ellen Weil Beth & Tim Cann through 2012. Regina Kurtz & Al Isenberg Shirli Fabbri Weiss Greg & Loretta Cass Dr. & Mrs. Wayne Akeson Bob & Laura Kyle Dr. Steve & Lynne Wheeler Luc Cayet & Anne Marie Pleska Gail Andrade and John & Dr. Eric Lasley & Judith Bachner Lynne Champagne & Wilfred Kearse Jennifer Andrade Terry & Mary Lehr DIAMOND Betsy Dam Anonymous (2) Ms. Sherrill Leist ($1,500 to $2,499) Dr. & Mrs. William Davidson Mr. & Mrs. Richard Baldwin James & Pamela Lester Anonymous Wes & Elaine Dillon Diana J. Barliant & Nowell Wisch Jerry Lester, M.D./Rosarito, Mexico Mrs. Lazare F. Bernhard Sam Dolnick in memory of Melissa Garfield Bartell & Sandy & Arthur Levinson Dr. & Mrs. Robert M. Callicott Edith Dolnick Michael Bartell Barbara & Mathew Loonin Enid & Martin Gleich Dr. Donald & Eilene Dose Joan & Jeremy Berg Merriel F. Mandell, Ph.D. Joy & Ronald Mankoff Elisabeth K. Ecke Charles & Charlotte Bird Charlie & Jackie Mann Susan Parker Patricia Eichelberger Paul Black Elizabeth & Edward McIntyre Peggy Price Bill Eiffert & Leslie Hodge Dr. Herman & Irene Boschken Harold O. McNeil Serenity Grace Foundation Pauline Forman & Jack Burke Dr. & Mrs. Edgar D. Canada Rebecca Moores Susan Steele & Mike Conley Dr. & Mrs. Steven Garfin George & Ellen Casey Mr. & Mrs. David Mulliken WD-40 Company Peter & Christine Gault Rudy & Carol Cesena Ruth & Jim Mulvaney Arthur & Judy Getis Marsha & Bill Chandler Joyce & Martin Nash PLATINUM Norman & Patricia Gillespie Carol & Jeff Chang National Alliance for Musical Theatre ($1,000 to $1,499) Louise & Doug Goodman Garet & Wendy Clark Eileen & Lawrence Newmark Anonymous (2) Robert & Edry Goot Jack & Carol Clark Tom & Lisa Pierce Edward Anderson Drs. Barbara & Leonard Gosink Ms. Heidi Conlan/ Matthew & Judith Pollack Dr. Bob & Jill Andres Chris Graham & Michael Albo The Sahan Daywi Foundation Mo & Bill Popp Jeff & Donna Applestein Carol & Don Green Richard & Stephanie Coutts Dr. & Mrs. Daniel Porte Gary & Barbara Blake Family Fund of Theodore Gryga Susan B. Cowell Joanne Powers the Jewish Community Foundation George C. Guerra Gigi & Ed Cramer The Arthur & Jeanette Pratt Sandra & Harry Carter Richard & Candace Haden Ann & John Davies Memorial Fund Roger Cornell, M.D. Alex & Mary Hart Darlene G. Davies in memory Joseph & Jane Rascoff Ken Crouch Mr. & Mrs. Arnold Hess of Lowell Davies Sarah B. Marsh-Rebelo & Dorothy Dring Stephen Hopkins & Pat & Dan Derbes John G. Rebelo Peter & Doris Ellsworth Dr. Carey Pratt Mrs. Philip H. Dickinson Mrs. Charlotte Rees Paul & Clare Friedman Susan D. Inot Jim & Sally Ditto Roger & Christine Roberts In Memory of John A. Geisel Edward & Linda Janon Marion Eggertsen Nancy J. Robertson Mr. & Mrs. Arthur A. Greenberg Dr. & Mrs. Clyde W. Jones Mr. & Mrs. Ira S. Epstein Warren & Beverly Sanborn Leo S. Guthman Fund Kathy & Rob Jones Carol Fink Gabriela & Charles Sanders Kenneth & Marilyn Jones Nancy Jones Mary & David Fitz Sanderson Family Donor Advised Jerome & Gayle Klusky David & Susan Kabakoff Susanna & Michael Flaster Fund at the Rancho Santa Dr. & Mrs. James E. Lasry Mr. & Mrs. Henry P. Kagey Jean & Sid Fox Fe Foundation Don & Mary Jane Lincoln Patricia & Alexander Kelley Karen Fox & Harvey Ruben Jay & Julie Sarno Dr. Robert & Marcia Malkus Gerald & Phyllis Kelly Samuel I. & John Henry Fox Drs. Joseph & Gloria Shurman Jasna Markovac & Gary Miller Kaaren H. Kerlin Foundation at Union Bank Dee E. Silver, M.D. Valorie McClelland Bill & Linda Kolb of California Herbert & Elene Solomon Dr. & Mrs. M. Joseph McGreevy Dr. Marvin Kripps Chuck Freebern Nancy & Alan Spector and Family Rena Minisi & Rich Paul LABS, Inc./Silvia Dreyfuss Millicent & Charles Froehlich Judith & Neil Morgan Dixon & Pat Lee

PErFO RMANCEs MAGAZINE 19 Annual Fund Donors COMING SOON

(continued) Helga & Sam Strong Ron & Susan Styn Sherry & Rick Levin Clifford & Kay Sweet Marshall & Judy Lewis Fund of the Eric Leighton Swenson Jewish Community Foundation Dr. Terry & Naomi Tanaka Dr. & Mrs. David D. Lynn Dr. Charles & Brita Tesar Edward & Nancy Lyon Lt. & Mrs. Jack E. Timmons Steve & Yvonne Maloney Gertrude Trebon Carl Maguire & Margaret Sheehan Jeffrey & Sheila Truesdell Jeanne Maltese Natalie C. Venezia & Drs. Betty Joan Maly & John Meyers Paul A. Sager Ron & Mercy Mandelbaum R. Douglas Wallingford F. Dale & Lois Marriott Kathy & Jim Waring Martin & Joanne Marugg Jo & Howard Weiner Rev. Stephen J. Mather David & Irene Weinrieb Ronald McCaskill & Judith L. White Robyn Rogers Katherine White Mr. & Mrs. William McKenzie Dennis & Carol Wilson Estelle D. & Jim Milch Cass Witkowski Family Carole S. Miller Bill & Betty Witman Steve & Jill Morris Charles & Susan Muha Shirley Mulcahy Marsha J. Netzer *In Memoriam Katherine Newton Mark Niblack Barbara B. Oswalt This list current as of August 20, 2010 Jaa brnu ry 15 – Fe uary 27, 2011 OLD GLOBE Theatre Anthony Passante & Maureen Hallahan As announced in July 2008, the names Jane Austen’s Julius J. Pearl Fund at of Annual Fund donors at the Silver The San Diego Foundation level are published semi-annually, once In Memory of Margaret Peninger in the Shakespeare Festival program Lawrence Roy Perrin and again in a winter Globe program. Emma Kathleen H. Porter A Musical Romantic Comedy Robert & Doris Reed For additional information on how you Rowling Family Charitable Fund may support The Old Globe’s artistic, Book, Music and lyrics by Paul Gordon of The Jewish Community education and community programs, Dre i ect d by Jeff Calhoun Foundation please visit our website at Jack & Carol Sanders www.TheOldGlobe.org, or contact Josh Linda J. Seifert Martinez-Nelson, Development Manager, Mr. & Mrs. Randall Silvia Individual Annual Giving, at William Smith & Carol Harter (619) 231-1941 x2308 or Gloria Penner Snyder & [email protected]. Bill Snyder

Public Support

Jaa brnu ry 22 – Fe uary 27, 2011 SHERYL AND HARVEY WHITE Theatre

Arthur Miller’s Death of a

Major funding provided by the City of San Diego Commission for Arts and Salesman Culture. The Old Globe is funded by the County of San Diego at the by Arthur Miller recommendation of Chairwoman Pam Slater-Price, Vice-Chairman Bill Horn and the County of San Diego Board of Supervisors. Dre i ect d by Pam MacKinnon

20EO P RF RMANCES MAGAZINe Globe Ambassadors

Globe Ambassadors are generous supporters Marion Eggertsen Joanne C. Powers of The Old Globe who contribute major gifts Bernard J. Eggertsen and Jeannie and Arthur Rivkin to the Annual Fund, attend special Globe Florence Nemkov Donald and Darlene Shiley◆ meetings and activities, and serve as advocates Carol Speilman Ewan Ms. Jeanette Stevens in the community for the Globe’s mission and and Joel EwanDanah H. Fayman Evelyn Mack Truitt goals. As a group, Ambassadors sponsor one Susanna and Michael Flaster Dixie and Ken Unruh Globe production each season. Mary Ann and Arnold Ginnow Doris and Lou Vettese◆ Alexa Kirkwood Hirsch Pamela J. Wagner◆ Lawrence G. Alldredge and Dawn Moore Leonard and Elaine Hirsch◆ Jordine Von Wantoch◆ Paul Black◆ Pat Jacoby Dr. and Mrs. Edgar D. Canada Mary and Russell Johnson◆ *In Memoriam Carol and Rudy Ceseña Bob* and Gladys King◆ Mary H. Clark Rosalie Kostanzer and Mike Keefe ◆Denotes increased giving in 2010 Steven J. Cologne Bob and Laura Kyle R. Patrick and Sharon Connell James & Pamela Lester For additional information on how you may Susan B. Cowell Dr. Jerry Lester◆ become a Globe Ambassador, please contact Gigi and Ed Cramer◆ Merriel F. Mandell, Ph.D.◆ Marilyn McAvoy, Major Gifts Director, at Elaine and Dave Darwin Peter and Inge* Manes (619) 231-1941 x2309 or Darlene G. Davies◆ Paul I. and Margaret W. Meyer [email protected]. Mrs. Philip H. Dickinson David and Noreen Mulliken Nina and Robert Doede Arthur and Marilyn Neumann

Corporate Donors

SEASON SPONSORS ($50,000 or more) FOUNDER CIRCLE ($5,000 - $9,999) Bertrand at Mister A’s Hyatt Regency La Jolla M2000 Corporation Take A Break Service

CRAIG NOEL CIRCLE ($2,500 - $4,999) Break-Away Tours Target Nordstrom

National Corporate Theatre Fund is a not-for-profit corporation created to increase and strengthen support from the business community for ten of this country’s most distinguished professional theatres. The following foundations, individuals and corpo- rations support these theatres through their contributions to NCTF:

Addams Family Broadway, LP Nederlander Producing Company of Bank of America America, Inc. Bingham McCutchen Ogilvy & Mather PRODUCTION SPONSORS ($25,000 - $49,999) Bloomberg Frank Orlowski BNY Mellon Wealth Management Ovation TV Steven Bunson Pfizer, Inc. Christopher Campbell/Palace Karen Pritzker & Michael Vlock Production Center Thomas Quick Cisco Systems, Inc. RBC Wealth Management Citi RVM/Vincent Brunetti Credit Suisse Samuel French, Inc. Dorsey & Whitney Foundation Sharp Electronics Dramatists Play Service, Inc. Skadden, Arps, Slate, Meagher & Flom LLC Ernst & Young George S. Smith, Jr. Richard Fitzburgh The McGraw-Hill Companies Goldman, Sachs & Co. Theatermania.com/Gretchen Shugart JPMorgan Chase Foundation James S. Turley KPMG Evelyn Mack Truitt Eugene & Brooke Lee UBS Marsh & McLennan Companies USA Today ($10,000 - $24,999) McCarter & English LLP Wells Fargo DIRECTOR CIRCLE MetLife Willkie Farr & Gallagher LLP City National Bank ResMed Foundation Morgan Stanley NBC/Saturday Night Live Higgs, Fletcher & Mack, LLP Torrey Pines Bank KPMG, LLP Vistage International Corporate Partners enjoy benefits and recognition, including the opportunity to Neiman Marcus The Westgate Hotel entertain clients and employees with exclusive receptions at the Theatre, behind-the- scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

PErFO RMANCEs MAGAZINE 21 Supporting The Old Globe Forever

Members of the Craig Noel League are ensuring a successful future for The Old Globe by contributing to the Endowment Fund or including the Globe in their Estate Plans. We thank our members for their legacy gifts and urge others to join them in the Craig Noel League.

Earnings generated from the Endowment Fund support the Theatre’s artistic and educational programming, helping sustain the Globe’s high level of artistic excellence. As future generations discover great theatre at the Globe, they will have our Craig Noel League donors to thank. Globe staff can advise how to leave a lasting gift to the Globe whether it is a cash contribution, a charitable bequest in your will or living trust, a Charitable Remainder Trust, Craig Noel in 1957 Lead Trusts, Gift Annuities, Life Estates or a number of other available options.

As we celebrate the Globe’s 75th Anniversary as a local cultural landmark and national icon, it is time to build for the future. Join those listed below who have chosen to support our Theatre forever and help secure the future of The Old Globe — for the next 75 years — and beyond!

For additional information on how you may join the Planned Giving Society, please contact Bridget Cantu Wear, Associate Director of Development, Planned Giving, at (619) 231-1941 x2312 or [email protected].

Craig Noel League Planned Giving Society of The Old Globe

Anonymous (14) J. Robert* & Gladys H. King Patsy & Forrest Shumway Robert S. Albritton* Marilyn Kneeland B. Sy & Ruth Ann Silver Diana Barliant Jean & David Laing Stephen M. Silverman Nancine Belfiore Jerry Lester Foundation Roberta Simpson Alan Benaroya Dr. Bernard Lipinsky* Dolores & Rod Smith Dorothy Brown Endowment Fund Heather Manion Marisa SorBello & Peter Czipott Dr. & Mrs. Edgar D. Canada Calvin Manning* John & Cindy Sorensen Garet & Wendy Clark Chris & Jill Metcalf Marje Spear* J. Dallas* & Mary H. Clark Paul I. & Margaret W. Meyer Nancy A. Spector & Alan R. Spector R. Patrick & Sharon Connell Judy* & George Miller Jeanette Stevens Patricia W. Crigler, Ph.D., Steve Miller Eric Leighton Swenson CAPT/USN/Ret. Dr. Robert W. Miner Anne C. Taubman Carlos & Patricia Cuellar Shirley Mulcahy Cherie Halladay Tirschwell Patricia* & Donn DeMarce Laurie Dale Munday Marian Trevor (Mrs. Walter M.)* Mrs. Philip H. Dickinson Stanley Nadel & Cecilia Carrick Evelyn Mack Truitt Dr. & Mrs. Robert Epsten Alice B. Nesnow Ginny Unanue Frank A. Frye, III Arthur & Marilyn Neumann Carol & Lawrence Veit Nancy Reed Gibson Ronald J. Newell Harvey* & Jordine Von Wantoch Robert Gleason & Marc Matys Craig Noel* Merle & Phil* Wahl Marcy Goldstone Greg & Polly Noel Holly J. B. Ward Carol & Don Green PACEM (Pacific Academy of Sheryl & Harvey P. White Kathryn Hattox Ecclesiastical Music) Mrs. Jack Galen Whitney David & Debbie Hawkins Mrs. Margaret F. Peninger* Stanley E. Willis II* Jill Denison Holmes Velda Pirtle* Julie Meier Wright Craig & Mary Hunter Florence Borgeson Plunkert* Carolyn Yorston-Wellcome Barbara Iredale* Dolly* & Jim Poet Bob Jacobs Dorothy Shorb Prough* *In Memoriam Joseph E. Jessop* Sarah B. Marsh-Rebelo & John Rebelo Grace Johnston Donald & Darlene Shiley

22EO P RF RMANCES MAGAZINe Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. William Anton Tim Donoghue Mark Harelik Jonathan McMurtry Ken Ruta Irene Tedrow * Gregg Barnes Richard Easton Bob James Stephen Metcalfe Douglas W. Schmidt Sada Thompson Jacqueline Brooks Tovah Feldshuh Charles Janasz Robert Morgan Seret Scott Paxton Whitehead Lewis Brown Monique Fowler Peggy Kellner* Patrick Page David F. Segal James Winker Victor Buono* Robert Foxworth Tom Lacy Ellis Rabb* Richard Seger Robert Wojewodski Wayland Capwell * Ralph Funicello Diana Maddox Steve Rankin Diane Sinor G Wood* Kandis Chappell Lillian Garrett-Groag Dakin Matthews William Roesch Don Sparks Eric Christmas* Harry Groener Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam Patricia Conolly A.R. Gurney Katherine McGrath Marion Ross Conrad Susa George Deloy Joseph Hardy John McLain Steven Rubin Deborah Taylor

Patron Information

TICKET SERVICES HOURS may be given alternative seating and will be seated at an Monday: Closed appropriate interval. Tuesday - Sunday: Noon – last curtain Hours subject to change. Please call ahead. YOUNG CHILDREN Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to FAX (619) 231-6752 performances. Email [email protected] ELECTRONIC DEVICES AND CAMERAS ADMINISTRATION HOURS Monday - Friday: 9am – 5pm Use of recording devices and cameras is not permitted. Phone (619) 231-1941 Please silence all digital watches, pagers and cellular Website www.TheOldGlobe.org phones prior to entering the theatre. Address The Old Globe P.O. Box 122171 ASSISTED LISTENING SYSTEM San Diego, CA 92112-2171 For the convenience of the hearing impaired, the assisted listening system is available in the Old Globe Theatre and ORDERING TICKETS/CHANGE OF ADDRESS the White Theatre. Lightweight headsets may be obtained The Old Globe accepts Visa, Discover, MasterCard, or from the house manager prior to performances, free of American Express. Phone orders for non-subscribers charge. are subject to a $3.50 per ticket service charge. Ticket exchanges are subject to a service charge for non- PUBLIC TOURS subscribers. If you have moved, please notify the Ticket Go behind the scenes at The Old Globe to learn about the Services Office to update our records. Call (619) 234-5623 history, three stages, shop and craft areas. Open tours: most during Ticket Services hours, mail your change of address Saturdays and Sundays at 10:30am. Groups by reservation. to the Ticket Services Office, or email us at Tickets@ $5 adults; $3 seniors and students. Phone (619) 231-1941 TheOldGlobe.org. x2142 for information/reservations.

UNABLE TO ATTEND? LOST AND FOUND If you find you are unable to use your tickets, please give If you have misplaced a personal item while at the theatre, them to a friend, or turn them in to the Ticket Services please contact the Ticket Services Office or Security as Office and receive a tax receipt for your donation. Tickets soon as possible. If we are unable to locate your item, must be received by show time. we’ll happily take down your contact information and a description of the item and contact you if it is found. The RESTROOMS Old Globe does not assume liability for items left behind on Restrooms are located in the lower lobby of the Old Globe the premises. Theatre, the lobby of the White Theatre and adjacent to the Festival Theatre. Natural Herb Cough Drops - Courtesy of Ricola USA, Inc., are available upon request. Please ask an usher. SEATING OF LATECOMERS Although we understand parking is often at a premium, the seating of latecomers is extremely disruptive. Latecomers

PErFO RMANCEs MAGAZINE 23 Staff

Louis G. Spisto...... Executive Producer David Medina...... Properties Buyer Donor Services Michael G. Murphy...... General Manager Andy Recker...... Property Master, Globe Lee Conavay, Monica Jorgensen, Barbara Lekes, Dave Henson...... Director of Marketing and Communications David Buess...... Property Master, White Pamela Malone, Richard Navarro, Stephanie Reed, Todd Schultz...... Director of Development Trevor Hay...... Property Master, Festival Judy Zimmerman...... Suite Concierges Mark Somers...... Director of Finance Richard Seer...... Director of Professional Training Lighting MARKETING Robert Drake...... Director of Production Nate Parde...... Lighting Director Jeffrey Weiser...... Public Relations Director Roberta Wells-Famula...... Director of Education Shawna Cadence...... Lighting Assistant Mia Fiorella...... Audience Development Manager Tonnie Ficken...... Master Electrician, Globe Kelly Barry...... Digital and Print Publications Coordinator ARTISTIC Jim Dodd...... Master Electrician, White Marissa Haywood...... Marketing Assistant Jack DePalma...... Play Development Director Kevin Liddell...... Master Electrician, Festival Monica Jorgensen, Susie Virgilio...... Marketing/Events Assistants Samantha Barrie...... Casting Director Eben Alguire, Kevin Anthenill, Troy Castelblanco, Craig Schwartz...... Production Photographer Bernadette Hanson...... Artistic Associate Mickey Finn, Noah Gehr, Justin Hobson, Luke Olson, Evan Ruwe, Rafael Vallejo, Chris Ward, PRODUCTION Amanda Zieve...... Electricians Subscription Sales Scott Cooke...... Subscription Sales Manager Debra Pratt Ballard...... Associate Director of Production Anna Bowen-Davies, Arthur Faro, Andy Fink, Ron Cooling...... Company Manager Sound Pamela Malone, Yolanda Moore, Jessica Morrow, Carol Donahue...... Production Coordinator Paul Peterson...... Sound Director Erik Carstensen...... Master Sound Technician, Globe Ken Seper, Cassandra Shepard, Jerome Tullmann, Desiree Williams...... Company Management Assistant Grant Walpole...... Subscription Sales Representatives Jeremy Siebert...... Master Sound Technician, White Jeremy Nelson...... Master Sound Technician, Festival Stage Management Ticket Services Dana Pickop...... Mic Runner, Festival Leila Knox...... Production Stage Manager Bob Coddington...... Ticket Services Manager Rachel Doemelt...... Mic Runner, Globe Marsi Fisher...... Ticket Operations Manager Technical ADMINISTRATION Dani Meister...... Group Sales Manager Benjamin Thoron...... Technical Director Tony Dixon, Rob Novak Brian Franko...... Assistant General Manager Wendy Berzansky...... Associate Technical Director ...... Lead Ticket Services Representatives Bryan Scott...... Executive Assistant Sean Fanning...... Resident Design Assistant Brian Abraham, Kari Archer, Brittany Bailey, Eric Kessler...... Assistant Technical Director Sarah Ditges, Stephen Greenhalgh, Merri Fitzpatrick, Eliza Korshin...... Technical Assistant/Buyer Information Technology Claire Kennelly, Cassie Lopez, Caryn Morgan, Christian Thorsen...... Stage Carpenter/Flyman, Globe Dean Yager...... Information Technology Manager Carlos Quezada...... Ticket Services Representatives Carole Payette...... Charge Scenic Artist Thad Steffen...... Information Technology Assistant Manager W. Adam Bernard, Victoria Erbe, John Ralston...... Information Technology Assistant PATRON SERVICES David Garcia...... Scenic Artists Mike Callaway...... Theatre Manager Gillian Kelleher...... Master Carpenter Human Resources David Carson, Brian Davis...... House Managers Robert Dougherty...... Master Carpenter, Festival Sandra Parde...... Human Resources Director A. Samantha Beckhart...... Front of House Assistant Andrew Young...... Charge Carpenter, White Elaine Gingery...... Food and Beverage Manager Laura McEntyre...... Assistant Master Carpenter Maintenance Haydee Aldas...... Food and Beverage Assistant Manager Daniel Klebingat...... Globe Run Crew Randy McWilliams...... Facilities Manager Michael Collins, Samantha Harper, Katherine Johnson, Chris Chauvet, Jason Chohon, Jack Hernandez, Violanda Corona, Ismael Delgado, Miguel Gaspar, Nicole Leonetti, Laneea Love, Israel Mejia, Rashaad Howell, Bill Kalman, Josh Letton, Roberto Gonzalez, Reyna Huerta, Jose Morales, Valerie Rhodes, Anne-Marie Shafer, Dave Dick, Devin Morrow...... Carpenters Albert Rios, Maria Rios, Vielka Smith, Nicolas Torres, Ben Salazar-Dunbar...... Pub Staff Leonardo Rodriguez ...... Building Staff Rose Espiritu, Stephanie Rakowski, Costumes Stephanie Reed...... Gift Shop Supervisors Stacy Sutton...... Costume Director PROFESSIONAL TRAINING Charlotte Devaux Shields...... Resident Design Associate Llance Bower...... Program Coordinator Security/Parking Services Maureen Mac Niallais...... Assistant to the Director Maria Carrera, Cynthia Caywood, Ray Chambers, Rachel “Beahr” Garcia...... Security Supervisor Gerhard Gessner, Jan Gist, Fred Robinson, Shelly Williams...... Design Assistant/Shopper Dallas Chang, Sherisa Eselin, Bernardo Holloway, Liz Shipman...... MFA Faculty Janet Larson, Jeffrey Neitzel...... Security Officers Michelle Souza...... Design Assistant Jeannie Marie Galioto, Ben Seibert, Patricia Ceja, Lee Conavay, Stephanie Eberl, Erin Cass, Su Lin Chen, Wendy Miller...... Drapers George Yé...... MFA Production Staff Nicole Hagemeyer, Jeff Howell...... Parking Lot Attendants Babs Behling, Anne Glidden Grace, Chris Horning, Danny Wilcox...... V.I.P. Valet Attendants Susan Sachs...... Assistant Cutters EDUCATION Mary Miller ...... Costume Assistants Kim Montelibano Heil...... Education Associate Joanna Stypulkowska...... Stitchers Carol Green...... Speakers Bureau Coordinator Jack O’Brien...... Artistic Director Emeritus Erin Carignan...... Craft Supervisor/Dyer/Painter Shirine Babb, James Cota, Andrew Dahl, Craig Noel...... Founding Director Sharon King...... Craft Artisans Marisela De la Parra, Christian Durso, Jo Anne Glover, Molly O’Connor...... Wig and Makeup Supervisor Brian Hammond, Jason Maddy, Sarah Price-Keating, Kim Parker...... Assistant to Wig and Makeup Supervisor Steven Marzolf, Jordan McArthur, Danielle Griffith...... Wig Assistant Jennifer Barclay Newsham, Aubrey Saverino, Beverly Boyd...... Wardrobe Supervisor Globe/White Craig Rovere, Radhika Rao...... Teaching Artists Lindsay Hall...... Wardrobe Supervisor Festival Beth Merriman...... Crew Chief Globe FINANCE Debbie Allen, Suzi Arnson...... Wardrobe Crew Globe Carly Bennett...... Senior Accountant Anna MacDonald...... Crew Chief White Trish Guidi...... Accounts Payable/Accounting Assistant Anna Knoll...... Wardrobe Crew White Adam Latham...... Payroll Coordinator/Accounting Assistant Kristin Bongiovanni, Bryce Davis, Sunny Haines, Tim Cole...... Receptionist Suzanne A. Noll, A. Rae Simmons, Chelsea Dechaine, Noelle Van Wyk...... Wardrobe Crew Festival DEVELOPMENT Marie Jezbera...... Rental Agent Marilyn McAvoy...... Major Gifts Director Annamarie Maricle...... Associate Director, Institutional Grants Properties Bridget Cantu Wear...... Associate Director, Planned Giving Neil A. Holmes...... Properties Director Eileen Prisby...... Events Manager Kristin Steva Campbell...... Assistant to the Director Josh Martinez-Nelson...... Development Manager, Kristi Hummel-Rosen...... Assistant Individual Annual Giving M.H. Schrenkeisen...... Shop Foreman Diane Addis...... Membership Administrator Rory Murphy...... Lead Craftsman Rachel Plummer...... Development Assistant Jennifer Blazek, Josh Camp, Katie Dupont...... VIP Donor Ticketing Andy Estep, Patricia Rutter...... Craftspersons

24EO P RF RMANCES MAGAZINe