View of the British Stage, Or Three Heads Are Better Than One, Scene in Newgate by MD-V-Te."
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The Court Theatres of the Farnese from 1618 to 1690
This dissertation has been microfilmed exactly as received 68—2969 COBES, John Paul, 1932- THE COURT THEATRES OF THE FARNESE FROM 1618 TO 1690. [Figures I-V also IX and X not microfilmed at request of author. Available for consultation at The Ohio State University Library], The Ohio State University, Ph.D., 1967 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan (S) Copyright by- John Paul Cobes 1968 THE COURT THEATRES OF THE FARNESE FROM 1618 TO 1690 DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio S tate U niversity By John Paul Cobes, B.S., M.A. ******** The Ohio State University 1967 Approved by Z. Adviser Department of Speech PLEASE NOTE: Figures I-V also IX and X not microfilmed at request of auth or. Available for consultation at The Ohio State University Library. UNIVERSITY MICROFILMS. The author wishes to acknowledge, with dee nest gratitude, the assistance, suggestions, and guidance of the following persons, all of whom were instrumental in the camnletion of this study; Dr. Row H. Bowen, adviser to this study, and all the nersonnel of the Theatre Division of the Deonrtment of Speech at the Ohio State University. Dr. John ft. McDowell and Dr. John q . Morrow, advisers to this study, a".d nil +V> -•ersonnel of the Theatre Collection of the Ohio State Universit.w, D r. A l^ent M ancini of th e I t a l i a n D iv isio n o f th e Romance La.-wn.aTes Department of the Ohio State University’. -
Frecent RESEARCHES in the MUSIC of the BAROQUE ERA
fRECENT RESEARCHES IN THE MUSIC OF THE BAROQUE ERA. A-R EDITIONS UPDATED 2012 M/2/R238 V.1 CHARPENTIER, MARC-ANTOINE. JUDICIUM SALOMONIS. EDITED BY H. WILEY HITCHCOCK. V.2 TELEMANN, GEORG PHILIPP. FORTY-EIGHT CHORALE PRELUDES. EDITED BY ALAN THALER. V.3 KERLL, JOHANN CASPAR. MISSA SUPERBA. EDITED BY ALBERT C. GIEBLER. V.4 LECLAIR, JEAN-MARIE. SONATAS FOR VIOLIN AND BASSO CONTINUO OPUS 5, 9, AND 15. PART I: OPUS 5 , SONATAS I-V. EDITED BY ROBERT PRESTON. V.5 LECLAIR, JEAN-MARIE. SONATAS FOR VIOLIN AND BASSO CONTINUO OPUS 5, 9, AND 15. PART II: OPUS 5, VI-XII. EDITED BY ROBERT PRESTON. V.6 TEN EIGHTEENTH-CENTURY VOLUNTARIES. EDITED BY GWILYM BEECHEY. V.7 BOYCE, WILLIAMS. TWO ANTHEMS FOR THE GREGORIAN COURT. PART I: THE SOULS OF THE RIGHTEOUS. EDITED BY JOHN R. VAN NICE. V.8 BOYCE, WILLIAM. TWO ANTHEMS FOR THE GREGORIAN COURT. PART II: THE KING SHALL REJOICE. EDITED BY JOHN R. VAN NICE. V.9 CACCINI, GIULIO. LE NUOVE MUSICHE. EDITED BY H. WILEY HITCHCOCK. V.10 LECLAIR, JEAN-MARIE. SONATAS FOR VIOLIN AND BASSO CONTINUO OPUS 5, 9, and 15. PART III: OPUS 9, SONATAS I-VI. EDITED BY ROBERT PRESTON. V.11 LECLAIR, JEAN-MARIE. SONATAS FOR VIOLIN AND BASSO CONTINUO OPUS 5, 9, AND 15. PART IV: OPUS 9, SONATAS VII-XII. OPUS 15, POSTHUMOUS SONATA. EDITED BY ROBERT E. PRESTON. V.12 EBERLIN, JOHANN ERNST. TE DEUM DIXIT DOMINUS MAGNIFICAT. EDIT BY REINHARD G. PAULY. V.13 AICHINGER, GREGOR. CANTIONES ECCLESIASTICAE. EDITED BY WILLIAM E. HETTRICK. V.14 LEGRENZI, GIOVANNI. -
THE ENVIRONMENTALISM of the POOR a Report for UNRISD for the WSSD
J. Martinez-Alier Professor, Dpt. of Economics and Econ.History, Universitat Autònoma de Barcelona Member of the Scientific Committee, European Environment Agency THE ENVIRONMENTALISM OF THE POOR A report for UNRISD for the WSSD. University of Witswatersrand, 30 August 2002. Summary The world economy is increasing its input of energy and materials, and also its output of different sorts of waste. Optimistic views on the “dematerialization” of the economy are premature. The environmental load of the economy, driven by consumption and by population growth, is growing all the time even when the economy (measured in money terms) is based on the service sector. Hence, the many ecological distribution conflicts that arise. They are not only conflicts of interests but also conflicts on values. In this report, several such conflicts are described, and the discrepancies in the languages of valuation used by different agents are emphasized. Poor people have defended the environment in rural areas, and also in cities. Well- known instances include the Chipko movement in the Himalaya, the struggle on the Narmada dams, Chico Mendes’ fight in Amazonia, and the struggles by the Ogoni, the Ijaw and other groups in the Niger Delta against the damage from oil extraction by Shell. Until recently, the agents in such conflicts rarely saw themselves as environmentalists. Their concern is with livelihood, with ‘oikonomia’. They struggle for environmental justice, and thereby they contribute to the environmental sustainability of the economy. Such environmentalism of livelihood is often expressed as the defence of legally established old community property rights. Sometimes, new community rights are invoked. -
En Torno a Los Compositores Hurgaleses Santamaría, Oirnecla, Antonio José Y Calleja
En torno a los compositores hurgaleses Santamaría, Oirnecla, Antonio José y Calleja. Han existido músicos españoles que, bien habiendo o nó nacido en la misma región o provincia, en sus vidas y obras presentan curio- sos paralelismos; tales Bretón y Chapí, salmantino el primero y alican- tino el segundo, y Falla y Tun, ambos andaluces. Falla, de Cádiz, y Turma de Sevilla. Mas, entre las vidas, principalmente, obras y labor de los cuatro músicos objeto de esta disertación, que son Santamaría, Olmeda, Antonio José y Rafael Calleja, no se encuentran similitudes ni paralelismos tan notorios, corno entre las dos parejas de maestros nombrados, lo cual es prueba, por un lado, de lo amplio que es el campo de la música y, por tanto, la serie de especializaciones que se pueden cultivar dentro de ella y, por otro lado, es muestra de la inde- pendencia e iniciativa castellana. Cada uno de nuestros cuatro maestt os realizó labor bastante dis- tinta, conforme personalmente fueron asaz diferentes. Santamaría fué músico de gran tesón pero de escaso talento y, si su nombre perdura, es porque abordó la ópera y consiguió estrenar su única producción de tal género en el Teatro Real, de Madrid, que fue, principalmente, un feudo de la ópera italiana. Olmeda se destacó fuertemente entre los compositores españoles de música religiosa; poseyó carácter inquieto y luchador, por lo que se hizo célebre con sus polé:) icas y mostró un acendrado amor a la tierra burgalesa recopilando gran número de tonadas populares con las que formó su « Folklore de Burgos», primer cancionero editado de esta provincia. -
Atenea Atenea • Diciembre 2007 Volumen XXVII Número 2 / December Volume Number
Atenea Atenea • Diciembre 2007 Volumen XXVII Número 2 / December Volume Number Centro de Publicaciones Académicas UPR-RUM Facultad de Artes y Ciencias Impresos RUM revista bilingüe de las humanidades y las ciencias sociales/ a bilingual journal of the humanities and social sciences Universidad de Puerto Rico Recinto Universitario de Mayagüez, 2002 Diseño y arte portada: ISSN: 0885-6079 José M. Irizarry, Nandita Batra © ATENEA REVISTA BILINGÜE DE LA FACULTAD DE ARTES Y CIENCIAS DE LA UNIVERSIDAD DE PUERTO RICO, RECINTO DE MAYAGÜEZ VOLUMEN XXVII • NÚMERO 2 DICIEMBRE 2007 Centro de Publicaciones Académicas UPR-RUM Facultad de Artes y Ciencias ATENEA Revista de la Facultad de Artes y Ciencias de la Universidad de Puerto Rico, Recinto de Mayagüez Junta Administrativa: Rector: JORGE VÉLEZ AROCHO Decano: MOISÉS ORENGO AVILÉS Directora de Publicaciones: LISSETTE ROLÓN COLLAZO Junta Editorial: Editora: NANDITA BATRA Consejo Consultivo Editorial LUIS AVILÉS, Departamento de Ciencias Sociales, Universidad de Puerto Rico-Mayagüez BEN BENNANI, Facultad de Artes y Ciencias, Emirates University ANDERSON BROWN, Departamento de Humanidades, Universidad de Puerto Rico-Mayagüez RIMA BRUSI, Departamento de Ciencias Sociales, Universidad de Puerto Rico-Mayagüez LILIA DAPAZ, Departamento de Estudios Hispánicos, Universidad de Puerto Rico-Mayagüez (Jubilada) GAURAV DESAI, Departamento de Inglés, Tulane University LIBE GARCÍA ZARRANZ, Departamento de Filología Inglesa, Universidad de Zaragoza JACQUELINE GIRÓN, Departamento de Estudios Hispánicos, Universidad -
Trompete De Espanha Partitura Pdf 174
1 / 2 Trompete De Espanha Partitura Pdf 174 Morales?, ¿cómo identificar dichas partituras dentro de un corpus musical tan ... arreglo para canto y piano:] cuño en gomígrafo ... la que se cambió el clarinete en Do y el cornetín por clarinete y trompeta en Sib ... diciembre 2002): 165-174.. Beethoven - Piano Sonatas - Rubinstein (1962) [RCA,SACD] ... 174. Rossini - Il Barbiere di Siviglia - I - Galliera, Callas, Gobbi, Alva (1957) [EMI,HD Remaster] ... Falla, Chopin - Noches en los Jardines de Espana, Piano Concerto No.2 - Haskil .... tradições culturais europeias: a espanhola (latino-americana e caribenha), ... formação por instrumentos de sopro, bateria, banjo e piano. 42 ... Era a instrumentação mesmo de uma orquestra: trombone, trompete, sax, violão, ... 174. SAROLDI, Luiz Carlos. O rádio e a música. Revista USP, São Paulo, n.. em meados dessa década há o primeiro Método Infantil para Piano, de ... violão do espanhol Fernando Sor, por exemplo, um dos primeiros ... Trompete: Para esta imitação, a mão direita deve pulsar as cordas próximas da ponte, ... 174 organizar as partes dentro do todo, mesmo quando o esperado seria .... edição da partitura utilizada nesta tese; e aos membros da banda da polícia que ... 34 FÉTIS, F.J. Manual dos compositores, directores de musica, ... portuguesa e espanhola nos séculos XVI a XVIII do historiador ... 19-20; 132; 161-174). ... de três a quatro músicos (duas ou três charamelas, o trompete ou .... Book Title: Quatre mélodies judéo-espagnols pour chant et piano (ou harpe) ... Uma canção popular francesa na tradição brasileira: A Filha do Rei da Espanha ... (174-175), compuesto de retazos de varios romances tradicionales (entre ellos ... -
Manuel II Palaiologos' Point of View
The Hidden Secrets: Late Byzantium in the Western and Polish Context Małgorzata Dąbrowska The Hidden Secrets: Late Byzantium in the Western and Polish Context Małgorzata Dąbrowska − University of Łódź, Faculty of Philosophy and History Department of Medieval History, 90-219 Łódź, 27a Kamińskiego St. REVIEWERS Maciej Salamon, Jerzy Strzelczyk INITIATING EDITOR Iwona Gos PUBLISHING EDITOR-PROOFREADER Tomasz Fisiak NATIVE SPEAKERS Kevin Magee, François Nachin TECHNICAL EDITOR Leonora Wojciechowska TYPESETTING AND COVER DESIGN Katarzyna Turkowska Cover Image: Last_Judgment_by_F.Kavertzas_(1640-41) commons.wikimedia.org Printed directly from camera-ready materials provided to the Łódź University Press This publication is not for sale © Copyright by Małgorzata Dąbrowska, Łódź 2017 © Copyright for this edition by Uniwersytet Łódzki, Łódź 2017 Published by Łódź University Press First edition. W.07385.16.0.M ISBN 978-83-8088-091-7 e-ISBN 978-83-8088-092-4 Printing sheets 20.0 Łódź University Press 90-131 Łódź, 8 Lindleya St. www.wydawnictwo.uni.lodz.pl e-mail: [email protected] tel. (42) 665 58 63 CONTENTS Preface 7 Acknowledgements 9 CHAPTER ONE The Palaiologoi Themselves and Their Western Connections L’attitude probyzantine de Saint Louis et les opinions des sources françaises concernant cette question 15 Is There any Room on the Bosporus for a Latin Lady? 37 Byzantine Empresses’ Mediations in the Feud between the Palaiologoi (13th–15th Centuries) 53 Family Ethos at the Imperial Court of the Palaiologos in the Light of the Testimony by Theodore of Montferrat 69 Ought One to Marry? Manuel II Palaiologos’ Point of View 81 Sophia of Montferrat or the History of One Face 99 “Vasilissa, ergo gaude...” Cleopa Malatesta’s Byzantine CV 123 Hellenism at the Court of the Despots of Mistra in the First Half of the 15th Century 135 4 • 5 The Power of Virtue. -
Italian Theater Prints, Ca
http://oac.cdlib.org/findaid/ark:/13030/kt9b69q7n7 No online items Finding aid for the Italian theater prints, ca. 1550-1983 Finding aid prepared by Rose Lachman and Karen Meyer-Roux. Finding aid for the Italian theater P980004 1 prints, ca. 1550-1983 Descriptive Summary Title: Italian theater prints Date (inclusive): circa 1550-1983 Number: P980004 Physical Description: 21.0 box(es)21 boxes, 40 flat file folders ca. 677 items (623 prints, 13 drawings, 23 broadsides, 16 cutouts, 1 pamphlet, 1 score) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles, California, 90049-1688 (310) 440-7390 Abstract: The Italian theater prints collection documents the development of stage design, or scenography, the architecture of theaters, and the iconography of commedia dell'arte characters and masks. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in Italian Access Open for use by qualified researchers. Publication Rights Contact Library Reproductions and Permissions . Preferred Citation Italian theater prints, ca. 1550-1983, Getty Research Institute, Research Library, Accession no. P980004. http://hdl.handle.net/10020/cifaP980004 Acquisition Information Acquired in 1998. Processing History The Italian theater prints collection was first processed in 1998 by Rose Lachman. Karen Meyer-Roux completed the processing of the collection and wrote the present finding aid in 2004. Separated Materials All of the approximately 4380 secondary sources from the Italian theater collection were separated to the library. In addition, ca. 1500 rare books, some of which are illustrated with prints, have also been separately housed, processed and cataloged. -
Los Motivos Del Fracaso De La Ópera Nacional En España
ANUARIO MUSICAL, N.º 74 enero-diciembre 2019, 37-52 ISSN: 0211-3538 https://doi.org/10.3989/anuariomusical.2019.74.03 “COMO SI LOS AMANTES Y GARÍN FUERAN RUSOS”: LOS MOTIVOS DEL FRACASO DE LA ÓPERA NACIONAL EN ESPAÑA “AS IF LOS AMANTES AND GARÍN WERE RUSSIANS”: REASONS FOR THE FAILURE OF NATIONAL OPERA IN SPAIN Francisco Manuel López Gómez Universidad de Castilla-La Mancha [email protected] ORCID ID: https://orcid.org/0000-0002-2988-2700 Resumen Abstract Las recientes investigaciones, a través del análisis de partitu- Recent research on Spanish 19th-century opera scores that ras del siglo XIX hasta hoy olvidadas, han puesto en valor algunos have been hitherto ignored has recognised the value of some of the de los trabajos operísticos de los compositores españoles más desta- works written by the most notable Spanish composers. This fact has cados, lo cual no ha hecho más que sorprender a la comunidad mu- surprised the musicological community that does not fully under- sicológica, que no termina de comprender por qué estas obras nunca stand why these works have never been included in the regular na- llegaron a implantarse dentro del repertorio canónico operístico tional repertory of opera. In this paper, we will start with some re- nacional. En este artículo, partiremos de los análisis existentes de cent opera analysis, and then, the contemporary written sources will las óperas, reflexionaremos sobre el contexto en que se crearon y enable us to assess public and critic opinion about these works. A tomaremos en consideración las fuentes escritas coetáneas, para co- reception study of these works will lead to the main causes that nocer la opinión de la crítica y el público y llegar a conclusiones prevented Spanish composers from developing a national opera. -
Forgotten Reality, Remembered Fiction, Production Values and Court Opera
INFORMATION TO USERS This manuscript has been repockiced frwn the mkdilrn master. UMI films the text directly ftom the original or copy submitted. Thus, some thesis and dissertation copies are in Merface, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Brdcen or indistinct print, cdored or poor quality illustrations and photographs, print Meedttrmugh, substandard margins, and impmper alignment can adversely affect reprodudion. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e-g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuirlg from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6' x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, MI 48106-1346 USA 800-521-0600 FORGOTTEN mITY, REMEMBERED FICTION: PRODUCTION VALUES AND COURT OPERA, 1598-1608 Peter Eliot Weiss A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Centre for Study of Drama University of Toronto O Copyright by Peter Eliot Weiss 1999 National Library Biblioth4que nationale 1+1 of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. -
ITALIAN, PORTUGUESE, SPANISH and LATIN AMERICAN SYMPHONIES from the 19Th Century to the Present
ITALIAN, PORTUGUESE, SPANISH AND LATIN AMERICAN SYMPHONIES From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman FRANCO ALFANO (1876-1960, ITALY) Born in Posillipo, Naples. After studying the piano privately with Alessandro Longo, and harmony and composition with Camillo de Nardis and Paolo Serrao at the Conservatorio di San Pietro a Majella, Naples, he attended the Leipzig Conservatory where he completed his composition studies with Salomon Jadassohn. He worked all over Europe as a touring pianist before returning to Italy where he eventually settled in San Remo. He held several academic positions: first as a teacher of composition and then director at the Liceo Musicale, Bologna, then as director of the Liceo Musicale (later Conservatory) of Turin and professor of operatic studies at the Conservatorio di San Cecilia, Rome. As a composer, he speacialized in opera but also produced ballets, orchestral, chamber, instrumental and vocal works. He is best known for having completed Puccini’s "Turandot." Symphony No. 1 in E major "Classica" (1908-10) Israel Yinon/Brandenburg State Orchestra, Frankfurt ( + Symphony No. 2) CPO 777080 (2005) Symphony No. 2 in C major (1931-2) Israel Yinon/Brandenburg State Orchestra, Frankfurt ( + Symphony No. 1) CPO 777080 (2005) ANTONIÓ VICTORINO D'ALMEIDA (b.1940, PORTUGAL) Born in Lisbon.. He was a student of Campos Coelho and graduated from the Superior Piano Course of the National Conservatory of Lisbon. He then studied composition with Karl Schiske at the Vienna Academy of Music. He had a successful international career as a concert pianist and has composed prolifically in various genres including: instrumental piano solos, chamber music, symphonic pieces and choral-symphonic music, songs, opera, cinematic and theater scores. -
Annual Newsletter and Bibliography of the International Society Of
Standing Committee PERLA International Society of Plecopterologists Annual Newsletter and Bibliography of John Brittain Zoologisk Museum The International Society of University of Oslo, Sarsgt. 1. N-0562 Oslo, NORWAY Plecopterologists C. G. Froehlich Department of Biology, Philosophy Faculty University of Sao Paulo 14049 Ribeirao Preto, SP, BRAZIL Peter P. Harper Département de Sciences biologiques Université de Montréal C.P. 6128, Succ. "Centre-Ville" Montréal, Québec, H3C 3J7, CANADA Boris Kondratieff Department of Bioagricultural Sciences and Pest Management Colorado State University Ft. Collins, Colorado 80523, USA Ian D. McLellan P. O. Box 95 Westport, NEW ZEALAND Ignac Sivec Prirodoslovni Muzej Slovenije Prešernova 20, POB 290 YU- 61001 Ljubljana, SLOVENIA Kenneth W. Stewart Department of Biological Sciences Acroneuria arenosa (Pictet) University of North Texas Photograph by Bill P. Stark Denton, Texas 76203, USA Stanley W. Szczytko University of Wisconsin College of Natural Resources Stevens Point, Wisconsin 54481, USA PERLA NO. 25, 2007 Department of Bioagricultural Sciences and Pest Management Colorado State University Fort Collins, Colorado 80523 USA PERLA TABLE OF CONTENTS Annual Newsletter and Bibliography of the International Society of Plecopterologists PERLA Subscription Policy 2 Available on Request to the Managing Editor Report on the Eighth North American Plecoptera Symposium, 3 Announcements: International Joint Meeting of the XII MANAGING EDITOR: International Conference on Ephemeroptera and XVI Boris C. Kondratieff International Symposium on Plecoptera 6 Department of Bioagricultural Sciences Current research on Plecoptera 7 And Pest Management Obituaries 11 Colorado State University On-line journal, Illiesia, International Journal of Stonefly Research 13 Fort Collins, Colorado 80523 USA Recent Plecoptera Literature 13 Fax: 970-491-3862 E-mail: [email protected] EDITORIAL BOARD: Richard W.