Harry Crosby, Frances Andre, Kenneth Rexroth, Arthur L
IN THIS ISSUE: EZRA POUND, PAUL FREDERIC BOWLES, HARRY CROSBY, FRANCES ANDRE, KENNETH REXROTH, ARTHUR L. CAMPA, W. C. EMORY, DONAL McKENZIE, GEORGE ST. CLAIR, PHIL IPPE SOUPAULT, CHARLES HENRI FORD, JAY G. SIGMUND, GEORGES LINZE, RALPH CHEY NEY, NORMAN MACLEOD, DEAN B. LYMAN, JR., GLENN WARD DRESBACH, C. V. WICKER. RICHARD JOHNS, M. F. SIMPSON, CATHERINE STUART, and VAN DEUSEN CLARK. THIRTY-FIVE CENTS. AUTUMN '( '! I NOTES HARRY CROSBY is an advisory editor of transition. He lives in Paris where, with Caresse Crosby, he edits the Black Sun Press. He has published five volumes of verse, Sonnets For Caresse, Red Skeletons, (illustration by Alastair), Chariot of the Sun (introduction by D. II. Lawrence), Transit of Venus, and Mad Queen and one book of prose, Shadows of the Sun. He has contributed to Blues, transition, Exchange (Paris) and Poetry. PAUL FREDERIC :BOWLES has contributed to transition (12 and 13), Tambour (4) and This Quarter (4). He attended the University of Virginia, lived ·in Paris several months, and hiked through Switzerland and Germany. I He lives in New York. FRANCES ANDRE is a peasant of Luxembourg, who is not a professional writer but a farmer. He has published one slim volume, Peasant Poems. Con tinental critics have hailed him as 01ie of the most authentic forerunners of that proletarian literature which is bound to be realized shortly. KENNETH REXROTH has been published in Blues. IIe lives in San Franeiseo. ARTHUR L. CAMPA is a fellow at the University of New Mexico. He is collect I ing the folk-lore of Nueva Mexico.
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