The Last of the California Rangers (1928) by Jill L. Cossley-Batt

Total Page:16

File Type:pdf, Size:1020Kb

The Last of the California Rangers (1928) by Jill L. Cossley-Batt Next: Title page The Last of the California Rangers (1928) by Jill L. Cossley-Batt • Title page, dedication, and thanks • Contents • Illustrations • Preface • 13. A Skirmish with the Indians • Introduction • 14. Formation and Activities of the Mariposa Battalion • 1. Early Childhood • 15. Discovery of the Yosemite and Death of Savage • 2. Cotton, Slaves, and Mississippi • 16. California Banditti • 3. Another Venture • 17. The Ways of a Desperado • 4. With Houston in Texas • 18. Capture of Joaquin Murieta • 5. William’s First Love • 19. Hunting and Surveying • 6. Across Desert and Plain • 20. Grizzly Experiences • 7. At the Mines • 21. Pleasure and Politics • 8. Nursed by the Indians • 22. The Political Pendulum • 9. Moments with Marshall and Sutter • 23. True Love Never Runs Smooth • 10. The Pack Train • 24. Howard’s Part in the Civil War • 11. Wild and Woolly • 25. The Great Family Feud • 12. Major Savage and the Indians • 26. Another Political Ambition • 27. The Howards in The Yosemite • 28. A Psychic Experience • 29. California Duels • Index About the Author Jill L. Cossley-Batt was born June 15, 1891 in England. She is not related to the subject, Captain William Howard, as claimed by some writers, but is a friend of his eldest daughter, Mrs. Ida Tinsley Desmond. Jill Batt also wrote Elixir of Life (1935), a book about food, and Sipa Khorlo: the Tibetan Wheel of Life (1955) with Irving Baird. Jill Batt died February 1969 in New York City. Bibliographical Information Jill Lillie Emma Cossley-Batt (1891–1969), The Last of the California Rangers (New York & London: Funk & Wagnalls Company, 1928). 299+xix pages. 22 cm. Illustrated with black & white photographs, facsimilies, plates, & portraits. Frontispiece with author’s photograph. First printing "Limited Deluxe Edition" limited to 200 copies, November 1928. Also a second printing, December 1928, reproduced here. Bound in blue cloth with gilt lettering; illustrated endpapers; edges untrimmed; Dust jacket has illustration of Murieta falling off his horse when captured. LCCN 28030766. Library of Congress Call Number F864.H86. Cowan, p. 144; Rocq. 15762; Zamorano 80 #64; Herd Six Guns 499. This book is the biography of Captain William James Howard (1829–January 1924), the last surviving member of the California State Rangers. Howard ranched west of Mariposa and joined the Rangers, a posse formed by Harry Love to stop bandit gangs in central California. Not mentioned in the book is that many of the bandit gangs were Californios who were driven out of the mines by Anglo miners or heavily taxed by the Foreign Miners’ Tax Act (even though they were U.S. Citizens). The original California Rangers should not be confused with contemporary groups with the same name. The book includes information about the Mariposa Battalion and discovery of Yosemite. It also has information about Galveston Island, Republic of Texas, where Howard grew up. • A review of this book is in California History magazine 8:83-84 (1928). Copyright Copyright 16 November 1928 by Funk & Wagnalls Company (A2045). Copyright renewed 17 January 1956 by Jill L. Cossley-Batt (R162850). Copyright expires 2023 (after 95 years; 17 U.S.C. §304(b)). Despite extensive research, I have been unable to identify all the possible rights holders of this book. Thus, some of the materials provided here online are made available under an assertion of fair use (17 U.S.C. §107). Therefore, this book is provided strictly for noncommercial educational and research purposes. The responsibility for making an independent legal assessment and independently securing any necessary permissions ultimately rests with persons desiring to use particular items in the context of the intended use. I would like to learn more about materials in this book and would like to hear from individuals or institutions that have any additional information. Please contact Dan Anderson. Digitized by Dan Anderson, January 2006, from a copy at the UCSD Library. These files may be used for any non-commercial purpose, provided this notice is left intact. —Dan Anderson, www.yosemite.ca.us Next: Title page [End papers: An Old-Time Mining Camp. Courtesy of A. C. Jackson, Union Pacific Railway; click to enlarge] [Editor’s note: Charles Nahl’s painting Sunday in the California Diggins—dea]. THE LAST OF THE CALIFORNIA RANGERS The Last of the California Rangers BY JILL L. COSSLEY-BATT FUNK & WAGNALLS COMPANY New York and London Copyright, 1928, by FUNK & WAGNALLS COMPANY [Printed in the United States of America] First published–November, 1928 Reprinted–December, 1928 Copyright Under the Articles of the Copyright Convention of the Pan-American Republics and the United States, August 11, 1910. WILLIAM JAMES HOWARD Last of the California Rangers, photographed on his ninety-seventh birthday by the author. This Book is Specially Dedicated to My Dear Friend MRS. IDA TINSLEY DESMOND The Eldest Daughter of Captain William J. Howard I wish to express my sincere thanks and appreciation to the California State Library, Sacramento; to the University of California, the California Historical and Pioneer Societies, the Stockton Chamber of Commerce, and the Mariposa Gazette, for assisting me in historical research by giving me entry to their old records and by introducing me to old-timers and recognized historians. J. L. Cossley-Batt CONTENTS CHAPTER PAGE Preface xiii Introduction xv IEarly Childhood 1 IICotton, Slaves and Mississippi 5 IIIAnother Venture 13 IVWith Houston in Texas 18 VWilliam’s First Love 29 VIAcross Desert and Plain 39 VIIAt the Mines 52 VIIINursed by the Indians 66 IXMoments with Marshall and Sutter 76 XThe Pack Train 90 XIWild and Woolly 97 XIIMajor Savage and the Indians 109 XIIIA Skirmish with the Indians 116 XIVFormation and Activities of the Mariposa 133 Battalion XVDiscovery of the Yosemite and Death of 144 Savage XVICalifornia Banditti 157 XVIIThe Ways of a Desperado 170 XVIIICapture of Joaquin Murieta 180 XIXHunting and Surveying 194 XXGrizzly Experiences 199 XXPleasure and Politics 205 XXIIThe Political Pendulum 217 XXIIITrue Love Never Runs Smooth 226 XXIVHoward’s Part in the Civil War 233 XXVThe Great Family Feud 237 XXVIAnother Political Ambition 248 XXVIIThe Howards in The Yosemite 260 XXVIIIA Psychic Experience 271 XXIXCalifornia Duels 282 ILLUSTRATIONS PAGE An Old-Time Mining Camp Inside Covers Courtesy of A. C. Jackson, Union Pacific Railway. William James Howard Frontispiece From a Photograph Taken by the Author. Preface by Captain Howard xiii Facsimile of Original Manuscript, Written at the Age of Ninety-seven Agreement for Purchase of Slaves 12 Facsimile of Original Contract. The Historic Alamo 20 A Close Call for Young Howard 64 James W. Marshall, Discoverer of California’s Gold 76 Sutter’s Sawmill, Where the First Gold Was Found 80 Entry in Bigler’s Diary, January 24, 1848 85 Facsimile of Original Manuscript. Mariposa County Court-House 92 A Landmark of Howard’s Romantic Youth 100 Another Relic of the Gold-Rush Days 100 Mirror Lake, Yosemite Valley 152 “Wide-Open” San Francisco 160 The Rangers in Action 160 The Spanish Fandango 172 Joaquin Murieta 188 Only Known Portrait of California’s Most Desperate Bandit. Capture of Murieta by the Rangers 188 Captain Howard and His Bride, Isabelle Holton 224 General P. Edward Connor 236 Colonel Edward Baker 236 A Yosemite Indian Mother 260 First Railroad Train to Reach the Pacific 272 Judge David Terry 284 Senator David C. Broderick 284 Preface On account of information previously published in various books and contain historical records on file, there is no doubt that many readers will be ready to question some of the statements made about Savage, Murieta and the Indians. However, I am anxious that people should know the truth about things pertaining to the early days. Under the circumstances I beg to state that it is a true statement of affairs as I found them when there in my young days. W. J. Howard. July 17 1923 INTRODUCTION The history of every nation is fraught with instances of individual heroism, sacrifice, and adventure. Many pages of the great life-book of the American Republic are stained with the blood of martyrs and heroes. In the veins of the native American flows the same brave blood with which the nation was baptized in its infancy, and the Western march of civilization was accomplished only after incredible suffering and almost insurmountable obstacles had been overcome. As a fitting tribute to the memory of the thousands who blazed the trail, “Old Glory” proudly floats on the breezes from old New England to the golden shores of California. The early history of California was enacted long after the birth of the American Nation; there is no other State in the Union, however, whose history is so replete with tragedy, romance and real adventure. Not many old-time pioneers, men who actually took part in the shaping of this early history—in fact, only one or two, and these very advanced in years—still survive, thus making it difficult for one to take a story from them personally. One day in June, 1922, while sojourning in the scenic city of Portland, Oregon, I was invited to have tea in a quaint old-fashioned home near Portland Heights. Here it was my good fortune to meet one of California’s old pioneers, a wiry, aristocratic-looking, white-haired Soldier of Fortune, who was soon to celebrate his ninety-sixth birthday. The exceptionally interesting life of this old gentleman, and his early activities in the making of Western history, so impressed me that I was persuaded to undertake the compilation of this book. Then one day, after I had been working on it industriously for almost four years, I grew disheartened and threw the manuscript into the heap of “forgotten things.” A little later I heard from the California Historical Society that Mr.
Recommended publications
  • Slovenian Dances and Their Sources in California
    SLOVENIAN DANCES AND THEIR SOURCES IN CALIFORNIA ELSIE IVANCICH DUNIN Slovenian dance repertoire in California is traced in two Slovenski plesni repertoar v Kaliforniji živi v dveh social contexts: international recreational folk dancing družbenih kontekstih: ob mednarodnih rekreacijskih events and Slovene/American community events. Dancers ljudskih plesnih dogodkih in ob dogodkih slovensko-ameriške in California Folk Dance Federation clubs dance to skupnosti. V klubih kalifornijskega Združenja za ljudske recorded music, while Slovene/American events feature local plese plesalci plešejo ob posnetkih glasbe, medtem ko ob accordion-based bands. Recorded music in the clubs offers slovensko-ameriških dogodkih gostijo lokalne harmonikarske a non-changing soundscape for the dancers, who conform zasedbe. Posneta glasba v klubih ponuja plesalcem uniformly to a taught sequence of a dance that fits the nespremenljivo zvočno podobo: plesalci se poenotijo in recording in contrast to greater dancing variance at Slovene/ uskladijo z naučeno plesno sekvenco, ustrezno glasbenemu American dance events. posnetku, kar je v nasprotju z veliko plesno variantnostjo v Keywords: California; Folk Dance Federation; Slovene/ slovensko-ameriških plesnih dogodkih. Americans; accordion bands; polka Ključne besede: Kalifornija, Združenje za ljudske plese, Slovenci/Američani, harmonikarski orkestri, polka PRELUDE My earliest introduction to dances of Slovenia was by Mirko Ramovš during the Folklore Summer School (Ljetna škola folklora), held at the sport’s center on Badija island (near the island of Korčula), August 1969, and then again on Badija in 1971. I remember his care- ful and well-organized instructions with background information on the dances. I recall thinking that his fine teaching had to do with his knowledge of Kinetography Laban, which is an excellent tool to perceive and to analyze dancing movements, but also to describe movements to those of us who were not familiar with the dance forms.
    [Show full text]
  • Dancers: New Work by Borbála Kováts Dance in California: 150 Years of Innovation
    USF Home > Library Home > Thacher Gallery The University of San Francisco’s Thacher Gallery presents January 13—February 23, 2003 Hungarian collage artist Borbála Kováts explores dance through computer- generated textures and imagery alongside a San Francisco Performing Arts Library & Museum (SFPALM) photo history of California Dance. Please join us Thursday, February 20, from 3 to 5 p.m. for the Closing Reception featuring an improvisational dance performance by the USF Dance Program at 4 p.m. Co-sponsored by SFPALM, USF’s Visual and Performing Arts Department and Budapest, Hungary Cultural Immersion Program. Dancers: New Work by Borbála Kováts Dance in California: 150 Years of Innovation Dancers: New Work by Borbála Kováts Following studies in fine arts and experimentation with traditional graphic arts, I first turned to photocopying and then to digital techniques. In recent years, I have engaged in preparing computer prints and have found that digital techniques are suitable for more than transmitting and perfecting photographic images of everyday life. I now use the computer to search for a language of representation that is unique to the digital medium. In my work the role of technique is far wider ranging than transmitting or retouching images; with the aid of computerized tools, I create a new pictures within the machine itself. My compositions are mostly non-figurative and work to create an integrated pictorial unity using various digital graphic surfaces. Starting from digital photographs, scanned material, or my own drawings, I create new surfaces and shapes using the computer so that the original pictures lose their earlier meanings.
    [Show full text]
  • Panel Pool 2
    FY18-19 PEER REVIEW PANELS Panel Applicants (November deadline) This list contains potential panelists to be added to the pool for peer review panels. Approved panelists may be called upon to serve on grant panels in FY2018-2019 or FY2019-2020. Click a letter below to view biographies from applicants with corresponding last name. A .............................................................................................................................................................................. 2 B ............................................................................................................................................................................... 9 C ............................................................................................................................................................................. 18 D ............................................................................................................................................................................. 31 E ............................................................................................................................................................................. 40 F ............................................................................................................................................................................. 45 G ............................................................................................................................................................................
    [Show full text]
  • An Evening of Mixed Repertory Curator/Artistic Director Brandon Whited
    Community Celebration: An Evening Of Mixed Repertory Curator/Artistic Director Brandon Whited June 18, 2021 Center Stage Theater Director’s Note t is with great joy and pleasure that we welcome you back to the theater. It goes without saying that this has been an incredibly challenging year. While many industries have been effected by the pandemic in significant ways, the performing arts—and dance in particular—have endured devas- tating economic and structural ramifications. COVID’s impact on the arts has been widely un-addressed at the governmental level and it is due to the unshakeable support of arts advocates, donors, and community organizers that we are here today. For so many of us, the restrictions and limitations of the pandemic have also ushered in a lengthy period of separation, division and isolation. Through screens we worked to forge new connections, and reconnect with those who had drifted away from us. We created times to meet and “zoomed” all over the globe in an attempt to recreate the vital, human need for social interaction and community support. There is great power in community—holding the power of connection, cooperation, and under- standing. After so much time apart, it is that much more meaningful to join together tonight in order to celebrate the art form that kept so many of us going this past year. Tonight’s offerings represent many of the different aesthetics, genres and performance styles that illuminate the range and diversity with- in the field of dance. Representing many generations, cultural histories, creative points-of-view through both live and digital performances, the works featured tonight are an important step toward what will be a long process of the reemergence and rebuilding of our field.
    [Show full text]
  • 2007-2008 Season Sponsors
    2007-2008 Season Sponsors The City of Cerritos gratefully thanks our 2007-2008 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. Season 07/08 Your Favorite Entertainers, Your Favorite Theater If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. presents AN EVENING WITH SONNY ROLLINS Saturday, April 5, 2008, 8:00 PM This performance will not include an intermission. The taking of photographs or use of recording devices is strictly prohibited. BIOGRAPHY SONNY ROLLINS was born Walter Theodore film Alfie. At decade’s end he undertook one final hiatus, Rollins in Harlem, New York, on September 7, 1930, to studying Zen Buddhism in Japan and yoga in India. He parents native to the Virgin Islands. His older brother and considered leaving music permanently in order to pursue sister were also musically inclined, but only Rollins veered spiritual studies, but a teacher convinced him that music away from Classical music after his uncle, a professional was his spiritual path. In 1972, with the encouragement saxophonist, introduced him to Jazz and Blues. He gravitated and support of his wife Lucille, who had become his business to the tenor saxophone in high school, inspired in particular manager, Rollins returned to performing and recording, and by Coleman Hawkins. By the time he was out of the release of Next Album. He has worked with school, Rollins was already working with big-name all-star ensembles, including Tommy Flanagan, Jack musicians such as Bud Powell, Fats Navarro, and DeJohnette, Stanley Clarke, and Tony Williams.
    [Show full text]
  • Case Studies of Civic Participation Among Mexican Immigrants in Central Valley Communities
    Here to Stay: Case Studies of Civic Participation Among Mexican Immigrants In Central Valley Communities By Ed Kissam July 15, 2003 Research Team: Anna Garcia, Richard Mines, Holly Mines, Anna Rodriguez The Aguirre Group, 555 Airport Blvd., Burlingame, CA 94010 Acknowledgements Thanks should go first to Craig McGarvey, former Director of the Civic Culture program at the James Irvine Foundation, for making this research possible and for ongoing dialogue and insights as we moved along. Marty Campbell, the foundation’s Director of Evaluation, and Lande Ajose, our current Program Officer, have been engaged and collegial, throughout the project. I greatly appreciate their support. The project’s field research team interviewing Mexican immigrants in the Central Valley-- Anna Garcia, Ana Rodriguez, and Rick Mines--brought years of experience, insights, and energy to the project. Santiago Ventura introduced me to several Mixteco civic activists and helped with translation at key points. Special thanks are due to Holly Mines for a marvelous job preparing the profile of one of the civic activists in Chapter 7. The immigrant activists who appear in this report were generous with their time and patient in allowing us to ask them so many questions about their lives, their thoughts and their hopes. I am grateful for their insights and inspiration and hopeful that I adequately portrayed their perspectives. They are: Luis Magaña, Filemon Lopez, Polo Chavez, Jorge San Juan, Raquel Velasco, Gustavo Dominguez, Herlinda Gonzalez, and Gloria Hernandez. The stories and reflections of other insightful immigrant activists and community leaders also informed the current analysis although their experiences are not explicitly mentioned in this report.
    [Show full text]
  • Sixty Years in Southern California, 1853-1913, Containing the Reminiscences of Harris Newmark
    Sixty years in Southern California, 1853-1913, containing the reminiscences of Harris Newmark. Edited by Maurice H. Newmark; Marco R. Newmark HARRIS NEWMARK AET. LXXIX SIXTY YEARS IN SOUTHERN CALIFORNIA 1853-1913 CONTAINING THE REMINISCENCES OF HARRIS NEWMARK EDITED BY MAURICE H. NEWMARK MARCO R. NEWMARK Every generation enjoys the use of a vast hoard bequeathed to it by antiquity, and transmits that hoard, augmented by fresh acquisitions, to future ages. In these pursuits, therefore, the first speculators lie under great disadvantages, and, even when they fail, are entitled to praise.— MACAULAY. WITH 150 ILLUSTRATIONS Sixty years in Southern California, 1853-1913, containing the reminiscences of Harris Newmark. Edited by Maurice H. Newmark; Marco R. Newmark http://www.loc.gov/resource/calbk.023 NEW YORK THE KNICKERBOCKER PRESS 1916 Copyright, 1916 BY M. H. and M. R. NEWMARK v TO THE MEMORY OF MY WIFE v In Memoriam At the hour of high twelve on April the fourth, 1916, the sun shone into a room where lay the temporal abode, for eighty-one years and more, of the spirit of Harris Newmark. On his face still lingered that look of peace which betokens a life worthily used and gently relinquished. Many were the duties allotted him in his pilgrimage splendidly did he accomplish them! Providence permitted him the completion of his final task—a labor of love—but denied him the privilege of seeing it given to the community of his adoption. To him and to her, by whose side he sleeps, may it be both monument and epitaph. Thy will be done! M.
    [Show full text]
  • Ballet and Modern Dance in the Construction of Modern México (1919-1940): an Overview 9
    UNIVERSITY OF CALIFORNIA Los Angeles Choreographing Politics, Dancing Modernity: Ballet and Modern Dance in the Construction of Modern México (1919-1940) A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Jose Luis Reynoso 2012 © Copyright by Jose Luis Reynoso 2012 ABSTRACT OF THE DISSERTATION Choreographing Politics, Dancing Modernity: Ballet and Modern Dance in the Construction of Modern México (1919-1940) by Jose Luis Reynoso Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2012 Professor Susan Leigh Foster, Chair In this dissertation, I analyze the pivotal role that ballet and modern dance played in the construction of modern México during the development of its post-revolutionary history and culture from 1919 to 1940. In this doctoral research, I approach dance as a means of knowledge production that contributes to shaping the cultural contexts in which individual and collective identities are produced while perpetuating systems of sociopolitical and economic domination and/or offering alternatives to restructure unequal power relations. As an organizing principle, this dissertation presupposes that dances always enact, explicitly and/or implicitly, sets of political assumptions that affect the bodies that participate by dancing or by watching dance. In other words, I examine how dance represents race, class, gender, and sexuality; how corporeal ii difference is arranged in space; what does the dance say about human relations; and how subjectivity is constructed through dance training and performing on stage. I also consider whose worldview, values and interests are enacted on stage and thereby normalized beyond the stage.
    [Show full text]
  • 35 Sierra Lodestar 10-30-13 32 Pg.Qxp
    Discovering the lost memo- Love and his posse,” Rubio area’s most important turn-of-the- ries of Contreras inspired observed. “We know from Los century writer. Rubio to dig deeper into the Angeles newspapers that some of John R. Andrews was born out- Mexican influence on the them survived and made it to side Jackson in 1899. By the age Mother Lode for her blog, Southern California to tell their of 15, he’d developed an adven- Dreaming Casually. One of the story. There had been a man in turous spirit, which led him to most misunderstood elements that group named Joaquin start tracking down the remnants of this era, in Rubio’s opinion, Valenzuela, whom the survivors of Gold Rush towns and camps involves the “bandit legend” of said was killed and decapitated by that were scattered to dust before Joaquin Murrieta. In 1853, a Love. I think they killed the his eyes. Andrews had a deep retired Texas Ranger named wrong guy. Joaquin Murrieta’s sis- respect for the Mother Lode’s Harry Love appeared in ter went and looked at the head Spanish and Mexican residents Stockton with the severed head and said she was certain it wasn’t and heritage, which he learned of a man who he claimed was his. To me, it looks like Love about from older residents who the notoriously murderous pulled one over on everyone.” had lived through the later period highwayman, Murrieta. The While yarns of the bandit of the Gold Rush. The influential head Love carried was pickled Murrieta were more tall tales than book he would later write, “The in a jar and reputedly put on truth, a very different, very real, Ghost Towns of Amador,” docu- display at various bars in San bandit story would have disastrous mented the hidden histories of Joaquin and Mariposa counties.
    [Show full text]
  • Bulletin Gary F
    California State Library Foundation Number 98 2010 California State Library Foundation Number 98 2010 EDITOR Bulletin Gary F. Kurutz 2 � � � � � � � � Stitching the Picture Together: EDITORIAL ASSISTANT Kathleen Correia A Profile of Vincent Beiderbecke By M. Patricia Morris COPY EDITOR M. Patricia Morris 12� � � � � � � My Part of 100 Years of California County Library History BOARD OF DIRECTORS By Gary E. Strong Kenneth B. Noack, Jr. President 18� � � � � � � Daguerreotyping John Rollin Ridge, George Basye Vice-President the First Native American Novelist Thomas E. Vinson By Gary F. Kurutz Treasurer Donald J. Hagerty 24� � � � � � � New Legislator Profiles: Assembly Members Secretary Alyson Huber and Paul Fong Stacey Aldrich By Mimi Morris State Librarian of California 27� � � � � � � Foundation Notes Robert Dickover JoAnn Levy Allan Forbes Sue T. Noack Foundation Board Meets in Woodland Herbert Hunn Marilyn Snider JoAnn Levy & Philip Isenberg Elected to Board Phillip L. Isenberg Thomas W. Stallard Mead B. Kibbey Sandra Swafford State Library Muybridge Images in Traveling Exhibition Early Abraham Lincoln Document Discovered Gary F. Kurutz Julia Schaw Foundation Announces New Publication: The Final Days Executive Director Administrative Assistant of Father Miguel Hidalgo y Costilla Shelley Ford Bookkeeper 32� � � � � � � Contributors List The California State Library Foundation Bulletin is Note: Recent issues of The Bulletin, including this one, may be viewed published when we are able. © 2004-2010. in full color on our website at www.cslfdn.org. Opinions of the authors are their own and do not Front Cover: This striking 1897 La Fiesta de Los Angeles poster was necessarily reflect the opinions of their institutions, the California State Library or the Foundation.
    [Show full text]
  • Bibliographies of Northern and Central California Indians. Volume 3--General Bibliography
    DOCUMENT RESUME ED 370 605 IR 055 088 AUTHOR Brandt, Randal S.; Davis-Kimball, Jeannine TITLE Bibliographies of Northern and Central California Indians. Volume 3--General Bibliography. INSTITUTION California State Library, Sacramento.; California Univ., Berkeley. California Indian Library Collections. St'ONS AGENCY Office of Educational Research and Improvement (ED), Washington, DC. Office of Library Programs. REPORT NO ISBN-0-929722-78-7 PUB DATE 94 NOTE 251p.; For related documents, see ED 368 353-355 and IR 055 086-087. AVAILABLE FROMCalifornia State Library Foundation, 1225 8th Street, Suite 345, Sacramento, CA 95814 (softcover, ISBN-0-929722-79-5: $35 per volume, $95 for set of 3 volumes; hardcover, ISBN-0-929722-78-7: $140 for set of 3 volumes). PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC11 Plus Postage. DESCRIPTORS American Indian History; *American Indians; Annotated Bibliographies; Films; *Library Collections; Maps; Photographs; Public Libraries; *Resource Materials; State Libraries; State Programs IDENTIFIERS *California; Unpublished Materials ABSTRACT This document is the third of a three-volume set made up of bibliographic citations to published texts, unpublished manuscripts, photographs, sound recordings, motion pictures, and maps concerning Native American tribal groups that inhabit, or have traditionally inhabited, northern and central California. This volume comprises the general bibliography, which contains over 3,600 entries encompassing all materials in the tribal bibliographies which make up the first two volumes, materials not specific to any one tribal group, and supplemental materials concerning southern California native peoples. (MES) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** U.S.
    [Show full text]
  • E^ 'Dcutee the Mtaizine of INTCRNATION/IL FOLK Ouncilia APRIL 1976 VOL.33 No.4 TABLE of CONTENTS
    vm»."m .^e^ 'Dcutee THE MtaiZINE OF INTCRNATION/IL FOLK OUNCIlia APRIL 1976 VOL.33 No.4 TABLE OF CONTENTS OFFICIAL PUBLICATION OF THE BLOSSOM FESTIVAL................. 1 FOLK DANCE FEDERATION OF CALIFORNIA, INC. Costumes of the 1776 Era......... 2 EDITOR.........................Linda Horn STATEWIDE '76.................... 4 ASSOCIATE EDITOR.................Max Horn DANCE RESEARCH EDITOR...Dorothy Tamburini Slavic-American Society.......... 5 COSTUME RESEARCH EDITOR.....Eleanor Bacon BUSINESS MANAGER.................Max Horn Apple Blossom Festival........... 6 APRIL CONTRIBUTORS Idyllwild Folk Dance Workshop___ 7 Ruth Ruling Perle Bleadon Publications Corner.............. 8 Virginia Wilder Dee Rossi Eleanor Bacon Berle Woolf Carol Walker Hona Verzi What Has Happened to Squares?.... 9 Margaret Harrison Genevieve Pereira President's Ball.................10 Cathy Jair Bee Whittier FOTEM............................11 Announcements....................14 FEDERATION OFFICERS (North) From the Editor..................15 PRESIDENT.................Ernest Drescher BIG Things are Happening 920 Junipero Serra Blvd., S.F. 94127 VICE PRESIDENT..............Raymond Olson EAST of the Border........16 TREASURER.....................Earl Wi 1 son RECORDING SECRETARY.....Genevieve Pereira Scholarship Article..............17 DIR. OF PUBLICATIONS.............Max Horn DIR. OF EXTENSION............George Marks Dance Descriptions: DIR. OF PUBLICITY...............June Horn HISTORIAN....................Bee Mitchell llbyii,>vU. (Slovenia).........18 Od Buczka Vo 8uczfea(Poland).20
    [Show full text]