Perfecting the Art of Reinvention
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UNSUNG: South African Jazz Musicians Under Apartheidunsung
UNSUNG: South African Jazz Musicians under Apartheid outh African jazz under apartheid has in recent years been the subject of numerous studies. The main focus, however, has hitherto been on the musicians who went into exile. Here, for the first time, those who stayed behind are allowed to tell their stories: the stories of musicians from across the colour spectrum who helped to keep their art alive in South Africa during the years of state oppression. CHATRADARI DEVROOP &CHRIS WALTON CHATRADARI Unsung South African Jazz Musicians under Apartheid EDITORS Chatradari Devroop & Chris Walton UNSUNG: South African Jazz Musicians under Apartheid Published by SUN PReSS, an imprint of AFRICAN SUN MeDIA (Pty) Ltd., Stellenbosch 7600 www.africansunmedia.co.za www.sun-e-shop.co.za All rights reserved. Copyright © 2007 Chatradari Devroop & Chris Walton No part of this book may be reproduced or transmitted in any form or by any electronic, photographic or mechanical means, including photocopying and recording on record, tape or laser disk, on microfilm, via the Internet, by e-mail, or by any other information storage and retrieval system, without prior written permission by the publisher. First edition 2007 ISBN: 978-1-920109-66-9 e-ISBN: 978-1-920109-67-7 DOI: 10.18820/9781920109677 Set in 11/13 Sylfaen Cover design by Ilse Roelofse Typesetting by SUN MeDIA Stellenbosch SUN PReSS is an imprint of AFRICAN SUN MeDIA (Pty) Ltd. Academic, professional and reference works are published under this imprint in print and electronic format. This publication may be ordered directly from www.sun-e-shop.co.za Printed and bound by ASM/USD, Ryneveld Street, Stellenbosch, 7600. -
Upcoming-Mag-6
SOUTH AFRICAN UPCOMINGMAG July 2019 _______.._ MORE UP COMERS MORE MODELS MORE INTERVIEWS MORE ARTIST PROFILES Asandiswa Our July Viewer's Choice. UPCOMINGMAG |JULY 2019 Cover: Our July Viewer’s Choice: Asandiswa Model Focus: Lisa Page 31 - 36 Ladies have your say Page 43 Features: Important info for artists Page 2 Beat makers: Page 4 - 5 Biographies Page 7 - 10 Artist Profile Page 12 and 26 - 27 Actress Page 13 Fashion Rampage Page 15 Photoshoot with Mercy Page 16 Models Page 17 – 21 and 39 - 43 The Story behind the song Page 23 Poetrty Page 24 Interviews Page 37 – 38 amd 44 - 50 Important Announcement Page 56 Events Page 61 - 79 Don’t forget to share with all your WhatsApp contacts __ 2 UPCOMINGMAG |JULY 2019 IMPORTANT INFORMATION TO KNOW FOR ALL UPCOMING ARTISTS Register with RISA and get your ISRC (International Standard Recording Code) without this code you can do NOTHING. Register yourself and each song with SAMRO. Register yourself and All your songs with CAPASSO Register yourself and all your songs with SAMPRA Sadly, most of our musicians register with SAMRO and that is it. That is nothing. Without an ISRC, your music cannot be published anywhere. Without SAMPRA you will never be paid for Radio and TV airplay. (Needle time) Without CAPASSO anyone can pirate and duplicate your music. SAMRO only copyrights your music NOTHING ELSE. NEVER EVER SEND YOUR MUSIC TO ANY RADIO STATION WITHOUT THESE IN PLACE YOU ARE CUTTING YOUR OWN THROAT. YOU WILL BE EXPLOITED AND DIE A PAUPER As a courtesy to my fellow artists, MIH Music Publishers is including the following guidelines for your perusal RiSA The Recording Industry of South Africa) is a trade association that represents the collective interests of producers of music sound recordings, major and independent record labels in South Africa. -
Word up Ezine Aug-Sep 2011.Indd
CULTURE MAGAZINE | 05 | Aug/Sept 2011 p2 ILLUSTRATION ARTICLES 2 . Die Drie Skelms 5 . Mamagoema – by Toni Stuart 13 . The time is NOW! – by DelaRoss SCULPTURE 22 . Prefi x – by Toni Stuart 10 . Shawn Smith – Pixel Lord 24 . Skaftien – by Nadine Christians MUSIC FEATURES 14 . Nadine Matthews EVENTS 30 . African Hip Hop Indaba 2011. 16 . QBA (Cuba) . 18 . Blaq Pearl 31 The Best of Ekapa Under Ground Hip Hop presents Ladies in Hip Hop 20 . DJ Hamma . 26 El Phoenix IN EVERY ISSUE 1 . Editor’s Letter PHOTOGRAPHY 28 . Movie Reviews 6 . Photos by Kent Lingeveldt 29 . Music Reviews . VERSE 32 In the Mix 25 . M. Coco Putuma – Woman 33 . On the Download/Directory p22 p6 AUGUST – SEPTEMBER 2011 / Issue NO. 5 [email protected] Co-founder / Editor Big Dré Co-founder / Creative Nash Contributing Writers Toni Stuart, Nadine Christians, DelaRoss and Arsenic Cover sculpture by Shawn Smith WORD UP EDITOR’S LETTER To the people over here, to the people If you or anyone else you may know over there... is talented, spread the magazine and the word. We welcome all submissions Word Up is down to support all kinds of creative expression (photos, graffiti, design, fine art, tattoo whether it’s, visual art, photography or music etc. Creative is creative! Why art, articles, music for reviews, etc.) I mention it is because I’m tired of people saying “this is real art” or “that’s Please help us make it easier to expose not real art”. It’s all real art, you may not prefer that particular artist, music your art. -
Liberian Girl from Wikipedia, the Free Encyclopedia
Liberian Girl From Wikipedia, the free encyclopedia "Liberian Girl" was the ninth single released from American recording artist Michael "Liberian Girl" Jackson's 1987 album Bad. The song was written as early as 1983 and was among those considered for The Jacksons' Victory album. It was reworked and rewritten for Bad. The song was released as a single in Europe and Australia. Contents 1 Critical reception 1.1 Reaction in Liberia Single by Michael Jackson 2 Chart performance from the album Bad 3 Music video 4 Track listing B-side "Girlfriend" 5 Covers and sampling Released July 4, 1989 6 Personnel 7 References Format CD single, 12" 8 External links Recorded 1987 Genre R&B Length 3:53 (album version) Critical reception 3:40 (edit) The New York Times editor Jon Pareles wrote Label Epic that a melody line from Billie Jean reappears in Writer(s) Michael Jackson [1] this song. Rolling Stone's Davitt Sigerson Producer(s) Quincy Jones praised the song: "'Liberian Girl' — is Michael's Michael Jackson (co- filler, which makes it richer, sexier, better than producer) Thriller's forgettables" and he also described that it "glistens with gratitude for the existence Michael Jackson singles chronology of a loved one."[2] In 2003, Q Magazine ranked "2300 "Liberian "Black or the song at number 1,001 in their list of the Jackson Girl" White" "1001 Best Songs Ever".[3] Street" (1989) (1991) (1989) Reaction in Liberia Bad track listing The song received a positive reception in "Speed "Liberian "Just Good Demon" Girl" Friends" [4] Liberia, with women from the country viewing (3) (4) (5) [4] the song as empowering. -
Faculty of Commerce Graduate School of Business
FACULTY OF COMMERCE GRADUATE SCHOOL OF BUSINESS ORDER OF PROCEEDINGS Academic Procession. (The congregation is requested to stand as the procession enters the hall and is invited to participate in the singing of Gaudeamus) The Vice-Chancellor will constitute the congregation. The National Anthem. The University Dedication will be read by a representative of the SRC. Musical Item. Welcome by the Deputy Vice-Chancellor, Professor T Nhlapo. Professor Nhlapo will present the honorary graduands to the Vice-Chancellor. Response by Caiphus Semenya and Letta Mbulu. The graduands and diplomates will be presented to the Vice-Chancellor by the Director of the Graduate School of Business, Professor W Baets. The Vice-Chancellor will congratulate the new graduates and diplomates. Professor Nhlapo will make closing announcements and invite the congregation to stand. The Vice-Chancellor will dissolve the congregation. The procession, including the new graduates and diplomates, will leave the hall. (The congregation is requested to remain standing until the procession has left the hall) 34 35 HONORARY DEGREES Caiphus Semenya and Letta Mbulu DMus (honoris causa) Caiphus Semenya and Letta Mbulu are South Africans with international careers and reputations as musicians. Caiphus Semenya is an accomplished musical director and composer.. His early group (the Katzenjammer Kids) led to a part in the legendary 1959 production of King Kong. In 1964, after a brief tour with the musical Sponono, Caiphus decided to stay in America. He worked with other exiled artists such as Miriam Makeba and formed a group with Hugh Masekela and Jonas Gwanga called the Union of South Africa. He has curated the Montreux Jazz Festival and composed works performed by legends such as Cannonball Adderley, Harry Belafonte, Herb Alpert, The Crusaders, Lou Rawls, Nina Simone and his own wife Letta Mbulu. -
Semenya Wins 2000M Race
Click Or Tap to Skip to page Cover: Model, Actress, TV Personality, busi- nesswoman and now Hip-Hop artist 17 Boitumelo “Boity” Thulo . (Page 17) (14;15) 10 years of Don- ald The art of longevity 10 14 A How 11 Tresor Is Taking UNIQUE Breed African of Acapella - Music Beyond Vocals Global 13 FASHION Check out the 21 Men’s Health Fash- ion Show review brought to you by 29 RuffCart NICHUME OPENED UP ABOUT DEPRESSION BEFORE SUICIDAL MOVIE OF THE DEATH 32 MONTH THERE’S NOTHING LIKE A COUPLE’S GAME NIGHT FOR AN EASY AT HOME DATE IDEA(26) 39 Surprise dream location 37 BENEFITS OF CRANBERRY JUICE www.kaslam.co.za Managing Editor & Director: Bobo.M Digital Manager: TRapz Bonginkosi Mhlanga Tumelo Rapodile [email protected] [email protected] Facebook: Bobo M thefuture Facebook: Tumelo Trapz Rapodile Instagram: Bobomthefuture Instagram: Tumelo Rapodile PR Manager Koketso Rakgetse Fashion Editor 1: Mike (RuffCart) Dlamini [email protected] Instagram: Ruffcart Family Facebook: Koketso Rakgetse Facebook: Ruffcart Family holding Instagram: Osisi_bendawo Beaty & Profile features– Precious McJane Facebook: Precious McJane Instagram: Precious_McJane [email protected] Graphic Designer: Egma Mhlanga [email protected] Facebook: kas’lam magazine Instagram: @kaslammagazine Thank you for downloading our issue. Please Videography: David Deydey Aidoo write to us about you experience or any sug- [email protected] gestions. Follow us on all Social Media plat- Facebook: David Deydey Aidoo form and share with friends Instagram: @deydey_aidoo Media Strategist: Nkululeko Mpofu [email protected] Liverpool were crowned champions of European for the sixth time af- ter seeing off Premier League rivals Tottenham Hotspur in the UEFA Champions League final on Saturday evening 01 June 2019. -
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant -
WOMAN IMAGES in 30 TOP HIT SONGS in A.D.2010S
WOMAN IMAGES IN 30 TOP HIT SONGS IN A.D.2010s KAMONWAN KAEWPHUT Graduate School Srinakharinwirot University 2019 ภาพลักษณ์สตรีใน เพลงยอดนิยมติดอันดับในคริสต์ทศวรรษที่ 30 2010 กมลวรรณ แก้วผัด สารนิพนธ์นี ้เป็นส่วนหนึ่งของการศึกษาตามหลักสูตร ศิลปศาสตรมหาบัณฑิต สาขาวิชาภาษาอังกฤษ คณะมนุษยศาสตร์ มหาวิทยาลัยศรีนครินทรวิโรฒ ปีการศึกษา 2562 ลิขสิทธิ์ของมหาวิทยาลัยศรีนครินทรวิโรฒ WOMAN IMAGES IN 30 TOP HIT SONGS IN A.D.2010s KAMONWAN KAEWPHUT A Master’s Project Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS (English) Faculty of Humanities, Srinakharinwirot University 2019 Copyright of Srinakharinwirot University THE MASTER’S PROJECT TITLED WOMAN IMAGES IN 30 TOP HIT SONGS IN A.D.2010S BY KAMONWAN KAEWPHUT HAS BEEN APPROVED BY THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE MASTER OF ARTS IN ENGLISH AT SRINAKHARINWIROT UNIVERSITY (Assoc. Prof. Dr. Chatchai Ekpanyaskul, MD.) Dean of Graduate School ORAL DEFENSE COMMITTEE .............................................. Major-advisor ............................................ Chair (Asst. Prof.Supaporn Yimwilai, Ph.D.) (Assoc. Prof.NITAYA SUKSAERESUP, Ph.D.) ............................................ Committee (Nanthanoot Udomlamun, Ph.D.) D ABST RACT Title WOMAN IMAGES IN 30 TOP HIT SONGS IN A.D.2010s Author KAMONWAN KAEWPHUT Degree MASTER OF ARTS Academic Year 2019 Thesis Advisor Assistant Professor Supaporn Yimwilai , Ph.D. This study aimed to explore images of women in song lyrics. The lyrics of thirty songs selected from the Decade-End Hot 100 Songs charts in the 2010s were analyzed using feminist theory, consisting of the aspects of objectification, inferiority, and gender stereotypes. Findings showed that fifteen song lyrics featured the objectification of women. In other words, women can be bought and sold and are generally perceived as objects for men’s desires, mostly in terms of sexual objects. -
Fête De La Musique Media Pack
FÊTE DE LA MUSIQUE MEDIA PACK MEDIA CONTACTS Prisca Cerneaux Claire Metais Lance McCormack Communication Coordinator Communication Officer Director - Marketing and New Business Alliance française of Johannesburg French Institute of South Africa Bassline E: [email protected] E: [email protected] E:[email protected] T: 011 646 1169 T: 011 403 0458 T: 011 838 9145 Caroline Hillary Thato Tholo Artist PR Artist PR E: [email protected] E: [email protected] T : 011 447 8283 T : 011 447 8283 FÊTE DE LA MUSIQUE MEDIA PACK The 5th edition of Fête de La Musique in Newtown Junction is presented by the Alliance Francaise of Johannesburg, the French Institute of South Africa and the Bassline with the support of Total South Africa. FÊTE DE LA MUSIQUE MEDIA PACK PRESENTATION The Alliance Française of Johannesburg, the French Institute of South Africa and Bassline are proud to announce the 5th edition of the Fête de La Musique, taking place on Saturday June 18th 2016. Last year over 6,000 people gathered in Newtown Junction to enjoy this celebration of music in all its forms as well as dance and street performance. With its previous success, Newtown Junction confirmed its position as the ideal location for this festive day. In 2016, 6 stages will be set up to offer a wide panel of free shows. This edition represents a new opportunity to encourage local musicians and discover new ones from around the world. The Johannesburg general public – families, visitors, tourists, professionals – will enjoy ideal conditions in terms of security, parking and food to make the most of this festival. -
Africa's Soft Power : Philosophies, Political Values, Foreign Policies and Cultural Exports / Oluwaseun Tella
“This seven-chapter book is a powerful testimonial to consummate African scholarship. Its analysis is rigorous, insightful, lucid and authoritative, providing fresh perspectives on selected uniquely African philosophies, and the potential ities, deployment and limitations of soft power in Africa’s international relations. The author rigorously Africanises the concept, broadening its analytic scope from its biased Western methodology, thus brilliantly fulfilling that great African pro verb made famous by the inimitable Chinua Achebe: ‘that until the lions have their own historians, the history of the hunt will always glorify the hunter’. This is truly an intellectual tour de force.” W. Alade Fawole, Professor of International Relations, Obafemi Awolowo University, Ile-Ife, Nigeria. “This book addresses an important tool in the arsenal of foreign policy from an African perspective. African states have significant soft power capacities, although soft power is not always appreciated as a lever of influence, or fully integrated into countries’ foreign policy strategies. Tella takes Nye’s original concept and Africanises it, discussing Egypt, Kenya, Nigeria and South Africa via their respective philosophies of Pharaonism, Harambee, Omolúwàbí and Ubuntu. This study is a critical contribution to the literature on African foreign policies and how to use soft power to greater effect in building African agency on the global stage.” Elizabeth Sidiropoulos, Chief Executive, South African Institute of International Affairs, Johannesburg, South Africa. “Soft power is seldom associated with African states, given decades bedevilled by coup d’états, brazen dictatorships and misrule. This ground-breaking book is certainly a tour de force in conceptualising soft power in the African context. -
Brève Histoire Du Jazz Sud-Africain Sous L'apartheid
Brève histoire du jazz sud-africain sous l’apartheid Denis-Constant Martin To cite this version: Denis-Constant Martin. Brève histoire du jazz sud-africain sous l’apartheid. 2021, https://elam.hypotheses.org/3441. halshs-03268351 HAL Id: halshs-03268351 https://halshs.archives-ouvertes.fr/halshs-03268351 Submitted on 23 Jun 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - ShareAlike| 4.0 International License Brève histoire du jazz sud-africain sous l’apartheid Citer : MARTIN, Denis-Constant, 2021. Brève histoire du jazz sud-africain sous l’apartheid. Esquisses | Les Afriques dans le monde [en ligne]. Disponible à l’adresse : https://elam.hypotheses.org/3441. Version PDF : 13 pages. L’auteur : Denis-Constant Martin, directeur de recherche à la Fondation nationale des sciences politique, à la retraite, chercheur associé à LAM (Sciences po Bordeaux), a longtemps travaillé sur les relations entre pratiques culturelles (notamment musiques et fêtes populaires) et politique. Ses recherches au cours des dernières décennies ont porté, entre autres, sur les musiques sud-africaines, en particulier celles du Cap. Mots-clés : jazz, Afrique du Sud, apartheid, censure, exil, créativité. -
Finesse Mp3 Download Free Bruno Mars & Cardi B: "Finesse" (Remix) Free MP3 Download
finesse mp3 download free Bruno Mars & Cardi B: "Finesse" (Remix) Free MP3 Download. Bruno Mars is a well-acknowledged American single-songwriter, perfoming a wide variety of musical genres - pop, rock, R&B, hip hop and etc, and famous for a great many top-charting songs, such as “Just the Way You Are” & “Grenade” in his first album “Doo-Wops & Hooligans” , “Treasure” & “When I Was Your Man” in his second album “Unorthodox Jukebox” and the single “Uptown Funk” released afterwards. “Finesse” is originally a solo song in Bruno Mars’ third album “24K Magic” . But what makes it more popular is the remix version with Cardi B , which made the song surge to No. 3 from its’ 35 debut on US Billboard Hot 100. "Finesse" (Remix) is Bruno Mars’ and Cardi B’ second No. 1 on Streaming Songs, being available on both of the leading streaming music services – Spotify and Apple Music, as well as in iTunes Store. The following is a step-by-step tutorial on how to download Bruno Mars and Cardi B’s “Finesse” from Spotify Free to MP3 , without costing you a penny. Note: If you are an Apple Music subscriber, please refer to How to Download Songs from Apple Music to MP3 for more details. Tool Required: Free Spotify Music to MP3 Downloader. Spotify is a streaming music service offering three types of subscription: Spotify Free ($0.00 per month), Spotify Premium ($9.99 per month) and Spotify Family ($14.99 per month), and all the songs on Spotify are protected in DRM, for which we are limited to enjoy them with Spotify App.