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UNSUNG: South African Jazz Musicians Under Apartheidunsung
UNSUNG: South African Jazz Musicians under Apartheid outh African jazz under apartheid has in recent years been the subject of numerous studies. The main focus, however, has hitherto been on the musicians who went into exile. Here, for the first time, those who stayed behind are allowed to tell their stories: the stories of musicians from across the colour spectrum who helped to keep their art alive in South Africa during the years of state oppression. CHATRADARI DEVROOP &CHRIS WALTON CHATRADARI Unsung South African Jazz Musicians under Apartheid EDITORS Chatradari Devroop & Chris Walton UNSUNG: South African Jazz Musicians under Apartheid Published by SUN PReSS, an imprint of AFRICAN SUN MeDIA (Pty) Ltd., Stellenbosch 7600 www.africansunmedia.co.za www.sun-e-shop.co.za All rights reserved. Copyright © 2007 Chatradari Devroop & Chris Walton No part of this book may be reproduced or transmitted in any form or by any electronic, photographic or mechanical means, including photocopying and recording on record, tape or laser disk, on microfilm, via the Internet, by e-mail, or by any other information storage and retrieval system, without prior written permission by the publisher. First edition 2007 ISBN: 978-1-920109-66-9 e-ISBN: 978-1-920109-67-7 DOI: 10.18820/9781920109677 Set in 11/13 Sylfaen Cover design by Ilse Roelofse Typesetting by SUN MeDIA Stellenbosch SUN PReSS is an imprint of AFRICAN SUN MeDIA (Pty) Ltd. Academic, professional and reference works are published under this imprint in print and electronic format. This publication may be ordered directly from www.sun-e-shop.co.za Printed and bound by ASM/USD, Ryneveld Street, Stellenbosch, 7600. -
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant -
Adyslipper Music by Women Table of Contents
.....••_•____________•. • adyslipper Music by Women Table of Contents Ordering Information 2 Arabic * Middle Eastern 51 Order Blank 3 Jewish 52 About Ladyslipper 4 Alternative 53 Donor Discount Club * Musical Month Club 5 Rock * Pop 56 Readers' Comments 6 Folk * Traditional 58 Mailing List Info * Be A Slipper Supporter! 7 Country 65 Holiday 8 R&B * Rap * Dance 67 Calendars * Cards 11 Gospel 67 Classical 12 Jazz 68 Drumming * Percussion 14 Blues 69 Women's Spirituality * New Age 15 Spoken 70 Native American 26 Babyslipper Catalog 71 Women's Music * Feminist Music 27 "Mehn's Music" 73 Comedy 38 Videos 77 African Heritage 39 T-Shirts * Grab-Bags 82 Celtic * British Isles 41 Songbooks * Sheet Music 83 European 46 Books * Posters 84 Latin American . 47 Gift Order Blank * Gift Certificates 85 African 49 Free Gifts * Ladyslipper's Top 40 86 Asian * Pacific 50 Artist Index 87 MAIL: Ladyslipper, PO Box 3124, Durham, NC 27715 ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat'11-5) Ordering Information INFORMATION: 919-683-1570 (same as above) FAX: 919-682-5601 (24 hours'7 days a week) PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati available. LP = record, CS = cassette, CD = com schools). Make check or money order payable to cally back-order it unless you include alternatives pact disc. Some recordings are available only on LP Ladyslipper, Inc. -
Copyright by Tyler David Fleming 2009
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UT Digital Repository Copyright by Tyler David Fleming 2009 The Dissertation Committee for Tyler David Fleming Certifies that this is the approved version of the following dissertation: “King Kong, Bigger Than Cape Town”: A History of a South African Musical Committee: Toyin Falola, Supervisor Barbara Harlow Karl Hagstrom Miller Juliet E. K. Walker Steven J. Salm “King Kong, Bigger than Cape Town”: A History of a South African Musical by Tyler David Fleming, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2009 Dedication For my parents because without them, I literally would not be here. “King Kong, Bigger Than Cape Town”: A History of a South African Musical Publication No._____________ Tyler David Fleming, Ph.D. The University of Texas at Austin, 2009 Supervisor: Oloruntoyin Falola This dissertation analyzes the South African musical, King Kong , and its resounding impact on South African society throughout the latter half of the twentieth century. A “jazz opera” based on the life of a local African boxer (and not the overgrown gorilla from American cinema), King Kong featured an African composer and all-black cast, including many of the most prominent local musicians and singers of the era. The rest of the play’s management, including director, music director, lyricist, writer and choreographer, were overwhelmingly white South Africans. -
The South African All-Stars Tony Cedras
The South African All-Stars Member Bios Tony Cedras BORN in Elsies River, Cape Town in 1952, Tony Cedras is a sought after session player who has toured the world as part of the Gracelands show band, and before that, as a member of Amandla cultural ensemble in exile. Cedras' first musical experiences were in the local church choir, singing and also playing accordion. He soon progressed to trumpet, taking in the local jazz scene, as well as the American jazz influences prominent in South Africa at that time. Cedras became a key session player in the Cape jazz circuit, working with artists such as Jonathan Butler, tenor saxophonist Winston Mankunku Ngozi, altoist Robbie Jansen, flautist/guitarist Russel Herman, and bassist Basil Moses. The Estudio project, together with Robbie Jansen and others was acknowledged as a highlight of this period. After touring inside South Africa, Cedras relocated to Gaborone, in the neighbouring state of Botswana in the early 1980's. At that stage, Botswana was a home-away-from-home for many exiles, and it was here that he met trombonist/bandleader Jonas Gwangwa. Gwangwa was the musical director of the Amandla ensemble of the ANC, which Cedras joined, travelling not only in Africa, but also in Europe, Canada and Brazil. While working with Amandla, Cedras spent time in London, where he made contact with other South African artists who were part of the ex-patriot South African music scene. He moved there in 1985, and soon formed the group Kintone, a band which "explored the common musical ground between its West Indian and South African membership". -
University of Zululand Master of Music
UNIVERSITY OF ZULULAND INDIGENOUS FEATURES INHERENT IN AFRICAN POPULAR MUSIC OF SOUTH AFRICA A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF MUSIC in the department of Music at the University of Zululand by THULASIZWE NKABINDE DECEMBER 1997 INDIGENOUS FEATURES INHERENT IN POPULAR MUSIC OF SOUTH AFRICA SUPERVISOR: PROF MK XULU DECLARATION The whole of this work is a product of my original thought and research. Where the contrary is found that willl always be acknowledged in full. THULASIZWE NKABINDE ACKNOWLEDGMENTS I would like to express my gratitude to Professor Musa ~IU for his patience, advice and guidance, without which this project would have been all the more difficult. My deepest appreciate goes to my father, Mr. Gibson Siyabonga Nkabinde, my wife Beauty and all my children, Khayelihle, Phelelani and Banele for all their support and encouragement, and to Ms Brenda Trimmel for her endless hours of typing and perfectionist care in the format of this project. I would also like to thank all those people who, in one way or another, made this project reach completion. They are: Professor Joseph Bhekizizwe Shabalala of the Ladysmith Black Mambazo, Marks Mankwane of the Makgona Tsohle Band, Mahlathini and the Mahotella Queens, Yvonne Chaka Chaka, Simon Buthelezi, Bongani Hlatshwayo, Print and Electronic Media, the entire SABC staff and the SABC Choristers, not forgetting the enormous support from the audience, the music lovers. DEDICATION This thesis is dedicated to my late mother Mrs Thembakuye Nkabinde who gave me all the support to pursue my career. ABSTRACT The central aim of this study is to identify those features in the music of Ladysmith Black Mambazo, Yvonne Chaka Chaka, Mahlathini and the Mahotella Queens that derive from Indigenous African music and show how they have been transformed to become part of popular idioms. -
AFRICAN MUSIC and PEACE Conrad Grebel University College/UW 10:00 – 11:20, Monday and Wednesday, Room 1300, Professor Carol Ann Weaver
MUSIC 390/PACS 301, WINTER 2013 – AFRICAN MUSIC AND PEACE Conrad Grebel University College/UW 10:00 – 11:20, Monday and Wednesday, Room 1300, Professor Carol Ann Weaver Week Dates Material Studied; Assignment Listings 1 Jan. 7 Overview of continental Africa – its music and peace/conflict issues Jan. 9 Guest, PACS Prof. Reina Neufeldt, “Snapshots of Peace-building in Africa” Readings: G&G: Chapters 1, 2 – Intro and Geography 2 Jan. 14, 16 Senegal and Guinea – national issues, perspectives, music Readings: G&G: Chapter 3 – History 3 Jan. 21 Nigeria – national issues, perspectives, music Nigerian Documentary DVD, The Amam and the Pastor – in-class screening Jan. 23 Guest Lecturers, Dave and Mary Lou Klassen, “Peace Work in Nigeria” Readings: G&G: Chapter 4 – Politics 4 Jan. 28, 30 Mali and Cameroon – national issues, perspectives, music Readings: G&G: Chapter 5 – Economics Short-short essay on Nigeria DVD, G&G questions (Ch. 1-5), due Wed., Jan. 30 5 Feb. 4 Congo (DRC) – national issues, perspectives, music Guest: Marlene Epp (Grebel History/PACS), “Dancing with Congolese Women” Feb. 6 Guest: Maurice Mondengo (Congolese Musician), “Having to Leave The Congo” Readings: G&G: Chapter 6 – International Relations 6 Feb. 11 Uganda – national issues & perspectives Guest Lecturer, Jennifer Ball, “Children, War, and Peace in Uganda” Listening Quiz 1, Mon., Feb. 11: Files 1 – 6 (Senegal through Congo) Feb. 13* Ugandan DVD, War Dance *Screening at 9:00AM, Wed. Feb. 13, Rm 1300 Readings: G&G: Chapters 7 – Population, Urbanization, AIDS READING WEEK, -
Lovemore Majaivana and the Township Music of Zimbabwe
Lovemore Majaivana and the Township Music of Zimbabwe ---------------------------------------------------------------------------------------- Author: Themba Nkabinde. Themba Nkabinde was an MA student and Graduate Assistant in the Centre for Cultural and Media Studies, University of Natal, Durban, during the early 1990s. He was formerly a lecturer at the University of Zimbabwe. He was killed in a car accident under suspicious circumstances in Zimbabwe in late 1992. This site is dedicated to Themba's memory. His work is reproduced here with permission of his family, as it deals with aspects of Zimbabwean music not previously studied. Date: 1992 Type of product: Uncompleted chapter towards an MA thesis. Published: No Copyright: CMS, University of Natal, and Durban. ------------------------------------------------------------------------------------ Preface The story of Lovemore Majaivana is the story of cultural struggle and revolution. From the seedy days of rock cabarets in white Rhodesia, Lovemore "returned to the source", a return effectively marked by the 1983 epoch-making album, "Isitimela." Culture is the most critical element of revolution. The reconstruction of Zimbabwe economically, politically and socially cannot be achieved without an accompanying cultural shift away from the colonial and neo-colonial cultures that have marginalised black humanity and threatened its creativity. Lovemore's music is a fighting culture. It is for this reason that the music and the story of Majaivana is being recorded. Introduction Our work is an attempt of further scholarship on urban black culture. Those who know Zimbabwean music know only the ethnographic exertions of Hugh Tracey and Paul Berliner, or the occasional, though now frequent journalistic coverage of Zimbabwean musicians, either on radio or TV talk-shows on the BBC, or in magazines and newspapers, international or local, or on video by either American, British or New Zealand travelling journalists. -
Grade 11 November 2018 Music P1 Marking Guideline
NATIONAL SENIOR CERTIFICATE GRADE 11 NOVEMBER 2018 MUSIC P1 MARKING GUIDELINE MARKS: 120 This marking guideline consists of 56 pages. 2 MUSIC P1 (EC/NOVEMBER 2018) INSTRUCTIONS AND INFORMATION 1. This question paper consists of SIX sections, namely SECTIONS A, B, C, D, E and F. 2. SECTIONS A and B are COMPULSORY. 3. SECTION C: WESTERN ART MUSIC (WAM), SECTION D: JAZZ and SECTION E: INDIGENOUS AFRICAN MUSIC (IAM) are choice questions. Answer only ONE of these sections (SECTIONS C or D or E). 4. SECTION F consists of multiple choice questions. Choose the two most suitable ones according to the description at the top of the section. 5. Answer all music notation in SECTION A in pencil only and all the written text in blue or black ink. 6. Answer SECTIONS B, C, D, E and F in blue or black ink in the spaces provided on this question paper. 7. Number the answers correctly according to the numbering system used in this question paper. 8. The last page of this question paper is manuscript paper intended for rough work. Candidates may remove this page. 9. Write neatly and legibly. Copyright reserved Please turn over (EC/NOVEMBER 2018) MUSIC P1 3 MARKING GRID SECTION QUESTION MARKS MARKER MODERATOR A: THEORY OF MUSIC 1 20 (COMPULSORY) 2 15 3 10 4 15 SUBTOTAL 60 AND B: GENERAL KNOWLEDGE OF 5 10 MUSIC (COMPULSORY) 6 10 SUBTOTAL 20 AND C: WAM 7 10 8 10 9 10 SUBTOTAL 30 OR D: JAZZ 10 10 11 10 12 10 SUBTOTAL 30 OR E: IAM 13 10 14 10 15 10 SUBTOTAL 30 AND F: COMPULSORY 16 5 (CHOICE OF 2) AND/OR 17 5 AND/OR 18 5 SUBTOTAL 10 GRAND TOTAL 120 Copyright reserved Please turn over 4 MUSIC P1 (EC/NOVEMBER 2018) SECTION A: THEORY OF MUSIC (COMPULSORY) (90 minutes) ANSWER QUESTION 1 AND QUESTION 2.1 OR QUESTION 2.2 AND QUESTION 3.1 OR QUESTION 3.2 AND QUESTION 4.1 OR QUESTION 4.2. -
Ladyslipper Catalog Table of Contents
I ____. Ladyslipper Catalog Table of Contents Free Gifts 2 Country The New Spring Crop: New Titles 3 Alternative Rock 5g Celtic * British Isles 12 Rock * Pop 6i Women's Spirituality * New Age 16 R&B * Rap * Dance 64 Recovery 27 Gospel 64 Native American 28 Blues ' 04 Drumming * Percussion 30 Jazz • '. 65 African-American * African-Canadian 31 Classical 67 Women's Music * Feminist Music 33 Spoken .... 68 Comedy 43 Babyslipper Catalog 70 Jewish 44 Mehn's Music 72 Latin American 45 Videos 75 Reggae * Caribbean 47 Songbooks * Sheet Music 80 European 47 Books 81 Arabic * Middle Eastern 49 Jewelry, Cards, T-Shirts, Grab-Bags, Posters 82 African 49 Ordering Information 84 Asian * Pacific 50 Order Blank 85 Folk * Traditional 51 Artist Index 86 Free Gifts We appreciate your support, and would like to say thank you by offering free bonus items with your order! (This offer is for Retail Customers only.) FMNKK ARMSTRONG AWmeuusic PIAYS SO GHMO Order 5 items: Get one Surprise Recording free! Our choice of title and format; order item #FR1000. Order 10 items: choose any 2 of the following free! Order 15 items: choose any 3 of the following free! Order 20 items: choose any 4 of the following free! Order 25 items: choose any 5 of the following free! Order 30 items: choose any 6 of the following free! Please use stock numbers below. #FR1000: Surprise Recording - From Our Grab Bag (our choice) #FR1100: blackgirls: Happy (cassette - p. 52) Credits #FR1300: Frankie Armstrong: ..Music Plays So Grand (cassette - p. 14) #FR1500: Heather Bishop: A Taste of the Blues (LP - p. -
National Senior Certificate Grade 11 November 2016
NATIONAL SENIOR CERTIFICATE GRADE 11 NOVEMBER 2016 MUSIC P1 MEMORANDUM MARKS: 120 This memorandum consists of 65 pages. 2 MUSIC P1 (EC/NOVEMBER 2016) INSTRUCTIONS AND INFORMATION 1. This question paper consists of SIX sections, namely SECTIONS A to F. 2. Answer SECTION A in pencil only, in the spaces provided on this question paper. 3. Answer SECTIONS B and C or D or E in blue or black ink in the ANSWER BOOK. 4. Number the answers correctly according to the numbering system used in this question paper. 5. You may not have access to any musical instrument for the duration of this examination. 6. The last page of this question paper is manuscript paper intended for rough work. This page may be removed. 7. Use the table on the next page as a guide for mark and time allocations when answering each question. 8. Write neatly and legibly. MARKING GRID SECTION QUESTION MARKS MARKER MODERATOR A: Theory of Music 1 20 (COMPULSORY) 2 15 3 10 4 15 SUBTOTAL 60 AND B: (COMPULSORY) 5 10 6 10 SUBTOTAL 20 AND C: WAM 7 10 8 13 9 7 SUBTOTAL 30 OR D: JAZZ 10 12 11 10 12 8 SUBTOTAL 30 OR E: IAM 13 10 14 9 15 11 SUBTOTAL 30 AND F: (COMPULSORY) 16 5 17 5 18 5 SUBTOTAL 10 GRAND TOTAL 120 Copyright reserved Please turn over (EC/NOVEMBER 2016) MUSIC P1 3 SECTION A: THEORY OF MUSIC Answer QUESTIONS 1, 2.1 OR 2.2, 3 and 4.1 OR 4.2. QUESTION 1 Study the extract from Sonata No.4, Op.7 by L. -
Perfecting the Art of Reinvention
SEPTEMBER 2017 · NO. 7 PERFECTING THE ART OF REINVENTION THANDISWA MAZWAI TAMARA DEY BRIDGING THE GAP 10 24 32 reclaims her spot in the talks about her with legend Letta Mbuli music industry musical journey 1 Contents Meet the CEO JOHANNESBURG CONTACT US CONTACT US 6 Meet the CEO (HEAD OFFICE) : +27(0) 21 410 9974 : (015) 812 0081 20 De Korte Sreet, : [email protected] : [email protected] 8 The passing of Paul Ross marks the Braamfontein, 2001, passing of an era Duncan breathes New life South Africa DURBAN RUSTENBURG The Playhouse Company 214 Beyers Naude Drive 10 Thandiswa Mazwai reclaims her into THE OLD SCHOOL POSTAL 29 Anton Lembede St Rustenburg spot in the music industry 6 KWAITO SOUND P.O. Box 31609, Durban North West Braamfontein, 4001 0299 12 DALRO / Theatricals turns 50 Johannesburg, CONTACT US CONTACT US 14 Duncan breathes new life to the old South Africa, : (031) 369 9536 : (014) 523 3732 school Kwaito sound18 Entries 2017 : [email protected] : [email protected] CONTACT US 16 The law regarding sampling : +27 11 712 8000 EAST LONDON NELSPRUIT and cover versions : +27 (0) 86 674 4391 2 Buffalo Street Regus Building East London Corner Ferreira and Van Der Merwe Street 18 Multi-talented Musos : [email protected] 14Multi-talented 5200 Nelspruit musos: 1200 20 Zoe Modiga – A star in making PORT ELIZABETH CONTACT US Fairview Office Park : 043 704 7542 Contact us 22 Dispelling Myths around DJ 3rd Floor : [email protected] +27 13 754 7814 Licensing Ring Road [email protected] Greenacres 24 Kwaito diva, Tamara Dey talks about 6045 THOHOYANDOU WITBANK her musical journey CONTACT US Jerice’s Palace : (041) 399 9615 Post Office Street 10 Corridor Crescent 26 CEO Roundtable Thohoyandou Smokey Mountain Office Park : (041) 503 7520 28 DJs performing with : [email protected] 0950 Ben Fleur Extension 1 A star in the Emalahleni instrumentalists 18 making CONTACT US CAPE TOWN : (015) 962 6345 CONTACT US 30 Exploring synchronisation Artscape : [email protected] +27 13 656 0713 opportunities and licensing D.F.