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CMS NOTES De La SMC
CMS NOTES de la SMC Volume 31 No. 1 February / fevrier´ 1999 In this issue / Dans ce numero´ FROM THE it did at Kingston. I want to thank PRESIDENT’S DESK all the organizers of the meeting, no- Editorial ..................... 2 tably the joint Meeting Directors, Tony Geramita and David Wehlau, and the Letter to the Editors .......... 3 Local Arrangements Committee, Leo Jonker and Fady Alajaji, for all their Education Notes ............. 3 work. The session organizers, many from the Kingston mathematical com- Du bureau du president´ ...... 5 munity, displayed great initiative and are the key reason for the success of Awards / Prix ................ 7 the meeting. Let me now turn to a number of Camel Bytes ................. 9 developments within the CMS, all of which were discussed at the December Meetings / Reunions´ Richard Kane Executive and Board meetings. Firstly, CMS Summer 1999 Meeting the Kingston meeting marked the offi- Reunion´ d’et´ e´ 1999 de la SMC 10 (voir la page 5 pour la version cial establishment of one of the most About AARMS ............. 19 franc¸aise) exciting developments within the CMS In this report, I will focus on three in recent years, namely the CMS En- Abstract Form / Formulaire de initiatives which were considered by dowment Grants (EG) Program. The resum´ e´ .................... 20 the CMS Executive and Board at our Board accepted the final report of the Registration form / Formulaire Kingston Winter meeting in Decem- Endowment Fund Task Force, chaired d’inscription ............... 22 ber. But before moving to these items, by Eddy Campbell, with its recommen- I want to warmly congratulate all of dation for the establishment of the EG Call for Nominations / Appel de the organizers of the meeting for their program. -
We're All on a Journey
FOR 5O YEARS JEWISH FOUNDATION OF MANITOBA you've made a difference 2014 ANNUAL REPORT We thank you. Your community thanks you. We’re all on a journey. Volunteers at 12/14 Staff at 06/15 Board of Directors Committees of Scholarship Committee Marsha Cowan Alex Serebnitski, Chair Chief Executive Officer We’re all on a journey. Executive the Foundation Danita Aziza Joseph J. Wilder, Q.C., Ian Barnes Audit Committee Richard Boroditsky President Chief Financial Officer Michael Averbach, Chair Ahava Halpern Steven J. Kroft, Celia (Ceci) Gorlick, Q.C. Rishona Hyman Marla Aronovitch Past President Steven Kohn Mirtha Lopez Grants & Distributions Anita Wortzman, Jeff Norton Maylene Ludwig Officer President-Elect reflections on impact Rimma Pilat Aaron Margolis Dr. Eric Winograd, Patti Boorman Danny Stoller Rimma Pilat Secretary-Treasurer Director of Operations Eric Winograd Rocky Pollack Celia (Ceci) Gorlick, Q.C. Lonny Ross Stephanie Casar Sherman Greenberg Endowment Book of Life Jerry Shrom Administrative Assistant Larry Vickar Committee Ruth Carol Feldman, Chair Leandro Zylberman Katarina Kliman Members of the Board Morley Bernstein Special Awards Committee Manager of They say that a journey of 1,000 These three men first gathered in individuals who are on their own Michael Averbach Terri Bernstein Steven Hyman, Chair Donor Relations miles begins with the first step. As the October 1963 to lay the groundwork journeys. To help some organizations Cynthia Hiebert-Simkin Susan Halprin Bonnie Cham Pamela Minuk 50th anniversary year of the Jewish for what was to become the JFM. A and individuals take that all-important David Kroft Peter Leipsic Sherman Greenberg Development Assistant Foundation of Manitoba draws to a year later, their dream became a reality. -
Living in Shuster's House
--> Bob Aaron [email protected] January 19, 2002 Living in Shuster's house I'll always treasure the aura the late comic left behind as the original owner of my house You could say the recent death of Canadian comic legend Frank Shuster hit me where I live. Emotionally and literally. You see, the place I call home was built for Shuster in 1951 and he lived here for 19 years during the heyday of his world- famous television show. So, as a devout fan of Frank Shuster and his partner Johnny Wayne, starting from the time their CBC TV shows were broadcast in black and white, I feel lucky to be surrounded by the magical Shuster aura. The study where these New in Homes columns are written every week was the workroom where the two comedians created so many of the television scripts that are now entertainment classics. Back in July, 1955, a magazine called Canadian Homes and Gardens ran a photo feature entitled "Wayne and Shuster at Home." It's apparent, when comparing the photographs of the 1,800-square-foot Shuster house back then, with how it is today, that not much has changed. The furniture is different, of course, but the living room, dining room, centre hall and main staircase look today just as they did in 1955. Even our living room piano is in the same position as Shuster's was back then. Although the built-in bookshelves in the Shuster study have remained the same, the comedian and his partner might not recognize the room, which is now crammed with computers, printer, fax machine, desks, file cabinets, and a lot of books on real estate and coins (my other life interest). -
A City "... Waiting for the Sunrise " : Toronto in Song and Sound*
A City "... Waiting for the Sunrise " : Toronto in Song and Sound* Michael J. Doucet Abstract: One aspect of urban culture is examined to evaluate Toronto's position within the urban hierarchy, namely, the production of songs and sounds about the city. Although much music has been performed and created in Toronto over the years, and many songs have been urritten about a variety of features of life in the city, the musical images of Toronto remain largely unknown beyond its borders—even to many of the city's own residents. If Toronto is a "world-class city," the evidence for such a claim would have to be found on other dimensions than the one explored here. No one ever wrote / A single note / About Toronto. — Johnny Wayne and Frank Shuster (19%) I find that lately, I'm missing old Toronto, Where bass is strong and drums are full of fire. — from the Lenny Breau song "New York City" (1987) No nation can exist by the balance sheet alone. Stories, song, dance, music, art and the rest are the lifeblood of a country, the cultural images defining a people just as surely as their geography and the gross national product. — Robert Lewis, editor of Maclean's (19%) Interestingly, though, we don't seem to have an immediately identifiable style. The last time anyone spoke about a 'Toronto Sound' [former Mayor] Alan Lamport was booting hippies out of Yorkville. Unlike a Nashville or Manchester, there isn't any one thing that makes you say 'That's Toronto' -- Bob Mackowycz, writer and broadcaster (1991) Toronto itself doesn't have a distinctive civic culture. -
Finite Combinatorics Combinatoire Finie (Org: Robert Craigen And/Et
Finite Combinatorics Combinatoire finie (Org: Robert Craigen and/et David Gunderson (Manitoba)) WAYNE BROUGHTON, University of British Columbia Okanagan Systems of Parallel Representatives In a finite affine plane of order n, a system of parallel representatives (SPR) is a set of n + 1 lines consisting of exactly one line from each parallel class of the plane. An SPR is tight if no three of its lines are incident on a common point; this is equivalent to a hyperoval in the dual of the associated projective plane of order n. We describe some basic properties of SPR’s and characterize tight SPR’s as those on which a certain sum-of-squares function attains the value zero. We then examine some necessary conditions for an SPR to be minimal with respect to this function, and apply our results to SPR’s in a hypothetical affine plane of order 12. ZOLTAN FUREDI, University of Illinois at Urbana–Champaign Color critical hypergraphs and forbidden configurations A k-uniform hypergraph (V, E) is 3-color-critical if it is not 2-colorable, but for every edge e the hypergraph (V, E − e) is 2-colorable. Lov´asz proved in 1976 that n |E| ≤ k − 1 for a 3-color-critical k-uniform hypergraph with n vertices. Here we give a new algebraic proof and prove a generalization that leads to a sharpening of Sauer’s bound for forb(m, F ), where F is a k-by-` 0, 1-matrix. Joint work with R. Anstee, B. Fleming, and A. Sali. PENNY HAXELL, University of Waterloo On stable paths Let G be a graph with a distinguished vertex d. -
Why History Matters
SSpringpring 220101 5 + WWhyhy HHistoryistory MMattersatters 12. TThehe HHistoryistory ooff JJewishewish StudentStudent LLifeife aatt UUCC 18. UUCC QQuadrangleuadrangle PPastast aandnd ffutureuture 24 . uc.utoronto.ca/alumni CONTENTS SPRING 2015 fFeatures eauc.uttoronto.cau/alumni res KEYNOTE 08. Principal's Message CLASS NOTES 12. 18. 38. FOCUS REPORT News from Alumni Why Bother With History? The History of Jewish BY FRANCESCO GALASSI Student Life at UC BY FRANKLIN BIALYSTOK NOTA BENE 42. Campus News 24. CAMPUS Quiet, Green, and Orderly: The History of the UC Quadrangle BY JANE WOLFF 32. CAMPAIGN UPDATE 04 — UC ALUMNI MAGAZINE Leading by Example BY SHELDON GORDON CONTENTS SPRING 2015 MASTHEAD Departments uc.utoronto.ca/alumni Volume 40, No. 2 EDITOR Yvonne Palkowski (BA 2004 UC) SPECIAL THANKS Donald Ainslie Alana Clarke (BA 2008 UC) Naomi Handley Michael Henry Lori MacIntyre COVER IMAGE University College, Junior Common Room, c. 1965 Courtesy UC Archives ART DIRECTION & DESIGN www.typotherapy.com PRINTING Flash Reproductions CORRESPONDENCE AND UNDELIVERABLE COPIES TO: University College Advancement Office 15 King’s College Circle 10. Toronto, ON, M5S 3H7 University College Alumni Magazine 01. is published twice a year by the University College Advancement departments Office and is circulated to 26,000 alumni and friends of University College, University of Toronto. IMAGE 01. 06. 45. To update your address or David Secter on set CONTRIBUTORS DONATIONS Our Team University College unsubscribe send an email to IMAGE CREDIT Donors [email protected] Courtesy Gwendolyn 07. Pictures 48. with your name and address or BRIEFLY call (416) 978-2139 or toll-free Editor’s Note DONATIONS The University College 1-800-463-6048. -
A Street by Any Other Name Is Just As Sweet
--> Bob Aaron [email protected] August 1, 2009 A street by any other name is just as sweet Some roads named in a person's honour are well thought out; other choices come into question Searching title to a local condominium townhouse last month, I was surprised and pleased to discover a Toronto street name that was completely new to me. Joe Shuster Way is in the King West Village area, north and east of King and Dufferin Sts. Joe Shuster (1914-1992) was a native Torontonian and is best known as the co-creator of Superman, one of the most famous and commercially successful fictional characters of the 20th century. His family lived nearby in the area of Bathurst and College Sts. before moving to Cleveland for business reasons. As a youngster, Shuster worked as a newspaper boy for the Toronto Daily Star. When Superman first appeared in 1938, his alter ego, Clark Kent, worked for the Daily Planet, modelled after this newspaper. Toronto was the inspiration for Metropolis, Superman's home city. In another tribute to the artist, the Joe Shuster Awards were named in his honour and are presented annually to honour achievements in the field of Canadian comic book publishing. Credit for naming Joe Shuster Way goes to Toronto developer Urbancorp, which transformed the old Massey Ferguson lands into a thriving neighbourhood, now home to 1,400 people. Urbancorp also gets credit for naming two streets that intersect with Joe Shuster Way. Laidlaw St. is named after George Laidlaw, promoter of the Credit Valley Railway in 1879. -
Researching Television History: Bime-Time Canada
Researching Television History: Bime-Time Canada, by PAUL RUTHERFORD* Television came to Canada in one great hurry. In 1951, only 43,000 households, a mere 1 per cent of the total, had a television set.' After the introduction of Canadian television late in 1952, a buying craze started in the cities of central Canada which soon spread throughout the nation, paralleling the expansion of the service and its coverage. By 1961, 3,757,000 households, or 83 per cent of the total, had TV. Indeed, more homes had a television set than a flush toilet, bath, or sh~wer!~Viewing statistics show that the TV was one of the most used appliances: in February 1959, on any given day, nine out of ten households had a television on at some point during the daytime or evening. Most of the viewing took place in the evening, especially between 8:00 P.M.and 10:OO P.M. when about 80 per cent of these households were tuned in.3 That made prime-time viewing the most widely shared cultural experience of the vast majority of Canadians. This article investigates the prime-time phenomenon from its origins in the early 1950s to its maturity in the late 1960s. This grand story mixes a number of distinct tales. First, it raises a question about whether this era was, in truth, a "golden age" when television's novelty fostered an innovative art form that maturity would later stultify with formulas and conventions. The story includes the noble experiment of a national television service (public and private, francophone and anglophone) which strove to supply viewers with a Canadian brand of entertainment and affairs. -
Tokyo! an Omnibus Triptych Examining the Modern Urban Life of This Unforgettable City
PROGRAM SCHEDULE JULY • AUGUST 2009 Infoline: 925-3457 100 Arthur St. IN THE EXCHANGE www.winnipegcinematheque.com TULPAN (see page 2 for details) NONSENSE! NONSENSE? FEATURING A POST SCREENING ACTING UP A STORM: ARTIST TALK BY DEIRDRE LOGUE AND SHAWNA DEMPSEY Fringe Actors Film Festival The Winnipeg Film Group is thrilled to welcome Toronto artist Deirdre Logue for an exclusive screening of her early work, paired with the work of prolific local artists Shawna Dempsey and July 24 – 29 • See page 3 for details Lorri Millan, followed by a post screening artist talk. Nonsense! Nonsense? has been curated for the Winnipeg Film Group by Jenny Bisch. Admission is free and all are welcome. See page 3 for details. TOKYO! An omnibus triptych examining the modern urban life of this www.winnipegcinematheque.com unforgettable city. July 10 – 16 • See page 2 for details Summer Nights LatvianAugust 19 – 20 • See page 4 for details The Cinematheque is proud to be in partnership with UMFM Campus Radio...and is a sponsor of Winnipeg’s only film talk radio show Ultrasonic Film. Tune to 101.5 on the FM dial every Thursday evening Phantom of the Opera • Page 2 TOKYO! • Page 2 from 10 PM to 11 PM for the best in film reviews and discussion with hosts James and Lindsay. The Winnipeg Film Group’s Cinematheque gratefully acknowledges the on-going support of the Canada Council For The Arts, the Manitoba Arts Council, and the City of Winnipeg through the Winnipeg Arts Council. We also acknowledge the media sponsorship of CKUW 95.9 and UMFM 101.5 FM. -
Canadian Humour
Canadian humour Canadian humour is an integral part of the Canadian Identity. There are several traditions in Canadian humour in both English and French. While these traditions are distinct and at times very different, there are common themes that relate to Canadians' shared history and geopolitical situation in North America and the world. Various trends can be noted in Canadian comedy. One thread is the portrayal of a "typical" Canadian family in an on-going radio or television series. Examples include La famille Plouffe, with its mix of drama, humour, politics and religion and sitcoms such as King of Kensington and La Petite Vie. Another major thread tends to be political and cultural satire: television shows such as CODCO, Royal Canadian Air Farce, La Fin du monde est à 7 heures and This Hour Has 22 Minutes, monologuists such as Yvon Deschamps and Rick Mercer and writers, including Michel Tremblay, Will Ferguson and Eric Nicol draw their inspiration from Canadian and Québécois society and politics. Another trend revels in absurdity, demonstrated by television series like The Kids in the Hall and The Frantics, and musician-comedians such as The Arrogant Worms, Three Dead Trolls in a Baggie and Bowser and Blue. Satire is arguably the primary characteristic of Canadian humour, evident in each of these threads, and uniting various genres and regional cultural differences. Humber College in Toronto and the École nationale de l'humour in Montreal offer post-secondary programmes in comedy writing and performance. Montreal is also home to the bilingual (English and French) Just For Laughs festival and to the Just for Laughs museum, a bilingual, international museum of comedy. -
Wednesday, June 12, 2019 Time: 6:00 -7:30 Pm Location: St. Lawrence Hall, 157 King St. E., 3Rd Floor
Date of meeting: Wednesday, June 12, 2019 Time: 6:00 -7:30 pm Location: St. Lawrence Hall, 157 King St. E., 3rd floor RSVP/Enquiry: Amanda LeClair, [email protected], 416-338-1338 Closed meeting requirements: If the Heritage Toronto Board wants to meet in closed session (privately), a member of the Board must make a motion to do so and give the reason why the Board has to meet privately. (City of Toronto Act, 2006). To receive copies of reports or to speak to the Board on an agenda item, please contact Amanda LeClair prior to the meeting. A. OPENING REMARKS, AGENDA, AND MINUTES 1. Acknowledgment of Traditional Territory 2. Call to Order 3. Introductions and Opening Remarks by Chair and Executive Director 4. Approval of Agenda 5. MOTION: Approval of Minutes of Previous Board Meeting 6. Declarations of Confidentiality and Conflict of Interest B. CONSENT AGENDA 1. EXECUTIVE COMMITTEE 1.1 Executive Committee Minutes of June 4, 2019 2. EXECUTIVE REPORT 3. FINANCE AND AUDIT COMMITTEE 3.1 Finance Committee Minutes of June 3, 2019 4. PROGRAMS COMMITTEE 4.1 Programs Committee Minutes of May 22nd, 2019 4.2 Historical Plaque Applications 5. JURIES COMMITTEE 5.1 Juries Committee Minutes of June 3, 2019 6. DEVELOPMENT COMMITTEE 6.1 Development Committee Minutes of April 16, 2019 7. MARKETING & DIGITAL MEDIA COMMITTEE 7.1 Website Task Force Minutes of March 28, 2019 7.2 Website Task Force Minutes of June 3, 2019 C. REPORTS 1. CHAIR'S REPORT – Richard Moorehouse 1.1 Tours 1.2 Bill 108 - Provincial Legislation 2. -
Celebrating 60 Years: the ACTRA STORY This Special Issue Of
SPECIAL 60TH EDITION 01 C Celebrating 60 years: THE ACTRA STORY This special issue of InterACTRA celebrates ACTRA’s 60th Anniversary – 60 years of great performances, 60 years of fighting for Canadian culture, 4.67 and 60 years of advances in protecting performers. From a handful of brave and determined $ 0256698 58036 radio performers in the ‘40s to a strong 21,000-member union today, this is our story. ALLIANCE ATLANTIS PROUDLY CONGRATULATES ON 60 YEARS OF AWARD-WINNING PERFORMANCES “Alliance Atlantis” and the stylized “A” design are trademarks of Alliance Atlantis Communications Inc.AllAtlantis Communications Alliance Rights Reserved. trademarks of “A” design are Atlantis” and the stylized “Alliance 1943-2003 • actra • celebrating 60 years 1 Celebrating 60 years of working together to protect and promote Canadian talent 401-366 Adelaide St.W., Toronto, ON M5V 1R9 Ph: 416.979.7907 / 1.800.567.9974 • F: 416.979.9273 E: [email protected] • W: www.wgc.ca 2 celebrating 60 years • actra • 1943-2003 SPECIAL 60th ANNIVERSARY ISSUE 2003 VOLUME 9, ISSUE 3 InterACTRA is the official publication of ACTRA (Alliance of Canadian Cinema, Television and Radio Artists), a Canadian union of performers affiliated to the Canadian Labour Congress and the International Federation of Actors. ACTRA is a member of CALM (Canadian Association of Labour Media). InterACTRA is free of charge to all ACTRA Members. EDITOR: Dan MacDonald EDITORIAL ADVISORY COMMITTEE: Thor Bishopric, Stephen Waddell, Brian Gromoff, David Macniven, Kim Hume, Joanne Deer CONTRIBUTERS: Steve