DOCSLIB.ORG

CBC Times 500514.PDF

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Miss Verna E. Weber, BERGEN, Alta. PRAIRIE REGION SCHEDULE May 14 . 20, 1950 Issued Each Week by the Canadian Broadcasting Corporation VOLUME III-No. 20 ISSUED AT WINNIPEG, MAY 5 5c PER COPY $LOO PER YEAR This Week: Ronald Gibson, Organist (Page 2) * Bernard Braden (Page 3) * William Primrose (Page 5) * Court Of Opinions (Page 6) * CBC Square Dance (Page 8) r * AUGHS don't often just happen-yoll have to L work for them, and jOlINNY WAYNF; and FRANK SHUSTER know that as well as anybody. This photograph shows them hard at it in the special den Frank has fixed up at his home in Toronto, where most of the work is done. They write their own scripts, always keeping at least two weeks ahead of the game. Each Friday they l.'OlIlpletc a draft script which, with a multitude of revisions and additions, will be used on their Thursday show thirteen days later. On Thursday afternoon the scheduled script starts coming to life in rehe..usal. The pressure mounts from then until broadcast time, and when the show finally goes on the air the script contains a mass of pen­ cilled changes. The general excitement is carried over right into the broadcast, and the boys pick up many a laugh over their difficulty in following its hieroglyphics. The May 18th bro.1dc.1st will be the 150th Wayne and Shuster Show amI, to mark the occasion, CBe producer Jackie Rae has written H little tribute which follows: Wayne and Shuster *** Four Years With Wayne and ShuSl.er vaudcville background, and we had met the odd It has been a great experience keeping up with time. the pace set by their energy and drive, their By JACDE RAE I mention this particular night because it was tremendous capacity for work, and their knowledge Four years ago Johnny Wayne, Frank Shuster then and there that Johnny and Frank asked me to of show-bwiness "know-how." And it really has and I, were invited to attend a party at the home join them as producer of theit soon-to·begin series been a Jot of hm. Both Johnny and Frank, espe­ of a mutual friend. We had known one anoU1fJr of radio shows. We've been working together sincc cially at rehearsals, are unpredictably funny-even before, but not well. I had secn und admired their then, and indeed it has been a wonderful education to me, and I'vc been one of their most constant work in the entertainment field, ther knew of my for me, and so much fun. fans for four years now. (Tum to page 3) Page 2 CBe TIM ES Prairie Region CLEARING UP THE WEATHER BALLET MUSIC Sunday, May 14th, 1950 This program is on thc move, origi­ CDC orchestra conducted by Samuel nating in a different part of the coun­ Hersenhoren in a program of modern try each week, The first two programs American ballet music. Suite from CBW, MANITOBA (990 Kc.) (CDT) came from the studios in Vancouver Billy the Kid, written for the Ameri­ 8:55 Musical Program 1:00 eBe News 8: 00 Stage 50 and EOUlonton. This Sund:.l.Y's broad­ can Ballet Caravan by Aaron Cop­ 9:00 eBe News 1:03 Capital Report 9:00 eBe Nalional News cast will originate in 'Winnipeg, where land; ami Fancy Free (Leonard Bern­ 9:03 Weather. Interlude 1:30 Religious Period 9: 10 Weekend Review 9:15 World Church News 2 :00 Invitation to Music 9: 20 Our Special Speaker D. M. Hohcrtson of the Dominion stein). The second work was later 9 :30 Sunday School of the 3:30 Church of the Air Puhlic Weather Office there will talk rewritten into a musical sCOre for the Air 4: 00 Land 01 Supposing 9:30 Ballet Music 10:00 CBe News 4:30 Critically Speaking 10:00 Winnipeg Sunday abdut \Veather and the Farmer. The film On the Town. Terence Gibbs, 10 :02 Neighbourly News 5:00 John Fisher Concert next fuur programs will come from producer. From Toronto. 10:15 Prairie Gardener 5:15 GBe News 11:00 Organ Recital 10:30 Recital 5:11 Clearing Up The 11:30 Vancouver String Toronto, Montreat Halifax and Gan­ W-9:30 p.m. K-8:30 p m. X-7:30 p.m. 11:0051. Poul's Anglican Weather Orchestra der, Newfoundland. Church 5:27 Weather 12:00 CBC Naws 11 :59 Dominion Time Signal 5:30 My Uncle Louis W-5: 17 11."'. K-4;17 p.m. X-3:17 p.m. 12:00 Alan Mills 6:00 Sunday Evenlnq Hour 12:10 Weather WINNIPEG SUNDAY CONCERT 12: 15 Just Mary &:45 The Old Songs 12:15 Canadiana Winni­ 7: 00 Startime 12:30 Vesper Hour cnc 12:30 Way of the Spirit SUNDAY EVENING HOUR peg Orchestra CIlK, SASKATCHEWAN (540 Kc.) (MDT) This 'Neeks' speaker is Rabbi conducted b y 9:55 Weather 1:00 Invitation to Music 8: 10 Weekend Review Abraham Feinberg nf Holy Blossom E ric Wi I d; 9:00 CBC News 2: 30 Church of the Air 8:20 Our Special Speaker Therese Deni­ 3:00 Land of Supposing Tcmple in Toronto. 9:02 Neighbourly News 8 :30 Ballet Music set, soprano, 9:15 Prairie Gardener 3:30 Critically Speaking 9:00 Winnipeg Sunday \V-6:00 p.m. K 5:00 p,m. X-4:00 p.m. 9: 30 Recital 4:00 John Fisher Concert Orchestra: 10:00 BBC News 4:15 CBC News 10:15 World Church News 4:17 Clearing Up The 10:00 Organ Recital Overture - L e Weather 10:30 Vancouver String Lac de Fees 10:30 Harmony Harbour Orchestra THE OLD SONGS 10:59 Dominion Time Signal 4 :27 Weather (Allher); Chil­ 11 :00 Alan Mills 4:30 My Uncle Louis 11:00 CBC News The Four Gentkmcn's selections II: 15 Just Mary 5: 00 Sunday Evening Hour 11:10 Weather today will include To My Mother, drf'!1's Corner 11:30 Way 01 the Spirit 5:45 The Old Songs 11: 15 Canadiana Sui t c No. 1 6:00 Startime II :30 Vesper Hour lIedge H.oses, The Old Hugged Cross 12:00 eBC News __ :Sb~... (Debussy); 12:03 Capital Report 7: 00 Stage 50 12 :00 Prelude to Midnight and Through the Years. Fro III 12 :55 CBC News 12:30 Religious Period 9:00 CBC National News Toronto. Therese Deniset Pavanne(Havel); CIlX, ALBERTA (1010 Kc) (MST) S 1I i t e for Or­ \V-6:4.=i II.m. K-5;45 p.m. X-4:45p.m. chestra ( Rameau); Algerian Suite 7:55 Musical Program 12:00 Invitation to Music 7:10 Weekend Review (Saint-Saens). Therese Deniset: 9:00 CBC News 1: 30 Church 01 the Air 7 :20 Our Special Speaker 9:02 Neighbourly News 2:00 Land of Supposing 7:30 Ballet Music STARTIME Comille autrcfous dans Ie nuit, from 9:15 Prairie Gardener 2:30 Critically Speaking 8:00 Winnipeg Sunday The Pearl Fishers (nizct); L'Abscnee 9: 30 Recital 3:00 John Fisher Concert Ordwstra conducted hy Neil Cho­ 9:00 BBC News 3:15 CBC News tern; Les Disciples de Massenet, a (Bcrlio:l); L'amour :lU moi (tradi­ 9: 15 Music for Meditation 3:17 Clearing Up The 9: 00 Organ Recital tional); Minuet (Martini). This pro­ 9:30 Harmony Harbour Weath8'r 9:30 Vancouver String fifty-voice choir; Yoland Guerard. one 9:59 Dominion Time Signal 3:27 Weather Orchestra of French CanacL'l's most prolilising gram of music by French composers 10:00 Alan Mills 3:30 My Uncle Louis 10:00 CBC News will be announced by Jean-Charles :roung b.'lSS singers; and pianist Max 10:15 Just Mary 4:00 Sunday Evening Hour 10:10 Weather Chapais, hilingual announcer at CBC, 10:30 Way 01 the Spirit 4:45 The Old Songs 10:15 Canadlana Chamitov who has been playing with 11:00 CBC News 5:00 Startime 10:30 Vesper Hour "Vinnipeg, and producpr of the French II :03 Capital Report 6: 00 Staqe 50 11 :00 Prelude to Midnight American and Canadian name bands 7:00 CBC National News 11:55 CBC News language programs heard daily on 11:30 Religious Period for the last fifteen years. Lcs Disdples CBK, Suskah:hewan. Tom Taylor, CBC DOMINION (MDT) de Massenet: a group of gypsy airs; producer. From '~innipcg. the Pilgrims' Chorus fro1'll Tannhau­ 3:30 Aldrich Family 5:30 Amos 'n Andy 7:30 Bod's Scrapbook '\V-lO:OO p.m. K-9:00 p.lIl. X-8:00 I ser. Yoland Guerard: Stout-Hearted 4: DO Roy Rogers 6:00 Bergen and McCarthy 9:00 Contented Hour p.m. 4: 30 Our Miss Brooks 6:30 Enchantment 9:30 Don Wright Chorus Men from New Moon (Romberg); 5:00 Alan and Me I 7: 00 Opeora Concert 9:00 Dominion News When the Flame of Love from Fair For Corrections and Late Program Hotes for Last Week·s Maid of Perth (Bizet); Jalousie ORGAN RECITAL Times-See Page 8. (Maurice Yvain); Max Chamitov: Ay Ronald \V. Gihson, organist, will be Que Verguenza and Cumana, two heard in recital from All Saints' « « NOTES » » concert of long-plaving symphonic Latin American numbers; '~hat Is Church, Winnipeg. Prelude and recordings. TIe will playa tape record­ This Thing Called Love. Orchestra: Fugue in C Minor (J. S. Bach); RECITAL ing of an interview with the noted Y'a d'ia joie, a French chansonette; Anoante (Karl Stamitz); Paradise George Horvath, 'cellist, and Leo conductor and records of Mozart's A Motherless Child (arr.
Recommended publications
  • CBC Times 500507.PDF

    CBC Times 500507.PDF

    Miss Verna E. Weber, BERGEN, Alta. PRAIRIE REGION SCHEDULE May 7·13, 1950 Issued Each Week by the Canadian Broadcasting Corporation VOLUME III No. 19 ISSUED AT WINNIPEG. APRrt 28 !Ie PER COPY SI.OO PER YEAR This Week: Land Of Supposing (Page 2) * Edmund Hockridge (Page 3) * Variety Time (Page 4) * English Composers (Page 5) * Sir Basil Brooke (Page 6) * PEECII anu dr;lmatirs ha"e been BETH S LocIU:l\DII::'!> (."()n~llll1in~ intf.'TE"SlS since her girl. hood days in Regina. and she wa~n't far into her teens when she ht>gan applying her skill to radio work in Calgary and \Vinnipcg. SIlt' went to Toronto in 1946 and h currently heard as "~Iom" in Alan and .\le. and IIdl'n ~Ianning in Bract' \'oljage. * * * Beth Lockerbie. on our ('O\er this wt.'ck, has onf' of tIle wannl'St voit.'t's in Canadian mdio. a thor· ough Unin''TSity training in speech :md dramatics, and a \Va)' with chiJdH'n. So it is not surprising that her current acth·ities should inc,.'luul:' the widely contrasting roles of "Mmll" in thE' wt"t"kly family drama series Alan and Me, and thl' young heroine of the ~10nda)--to-Frid:lY Jaytimf' drama BrULe \ ·oyage. She also appcl.lrs frequently ill the Stage series, Bllckingham 1'1lealre und Forel Theatre, and Toronto theatre-gm'rs have seen her in the sta~{(' productions of various drama grullps. Beth Lockerbie She has been interested in all phases of dramatics sinec her childhood in I\egiua, enrolling Thert~ she clividt'd lll:'r time hctwL"{'n l!ipeech classes, nipeg chool of Radio" Dramatics-~hrough which in the drama :\nd speech COurse at Regina College, stage work with amateur groups, and organizing she produc(.'d student.;' radio features for three and continuing at Emerson College in Boston, n and directing one of the first radio schools in the ye-ars.
  • 100 Years: a Century of Song 1950S

    100 Years: a Century of Song 1950S

    100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary
  • CBC Times 490508.PDF

    CBC Times 490508.PDF

    Jl' Miss Verna E. Web.el"'l- B8:RG8:N, Alta. PRAIRIE REGION SCHEDULE May 8 -14,1949 Issued Each Week by the Canadian Broadcasting Corporation VOLUME II-No. 19 ISSUED AT WNNIPEG. APRIL 29 5c PER COpy $1.00 PER YEAR This Week: Winnipeg Sunday Concert (Page 2) * Kerry Wood, Naturalist (Page 3) CBC Wednesday* Night- Gentlemen of the Jury (Page 5) * Summer Concert (Pace 7) Horse Racing-* The Preakness (Page 8) * Radio Actress ~ OU WOULD never guess it from the photo­ Y graph, but this young Toronto radio actress, SANDRA SCOTT, says she seldom sees a microphone without feeling a pang of fcar. Her ambition is clear and straightfoTward-"to become a better actress" and judging from the demand for her talent, which has been steady ever since her debut in the spring of 1945, she is well on the way. At present she has roles in three weekly dramas: She is John's wife, Christine, in JOHN AND JUDY on Thursdays; Brenda Walker, the woman next door, in ALAN A!\'D ME on Sundays; and Emily \Vardle in the PICKWICK PAPERS on Mondays. This week, and every third week, she replac..'Cs Dorothy Jane Coulding as the teacher on KnmERGARTEN VF/~ AIR; and she will be heard May 8 0!l STACE.:?t' A DOLL'S HOUSE, by Ibsen. Her ne?'t big J~ be a lead in TUE SAGA OF BOB EDWAR~'.Jklle drama series about the famous ~r of""th CalglU)' Eye-Opener. starting May 23. '"'&3'6 Taylor, CBC producer at Winnipeg whose chief SERVA PADRONA (The Maid as Mistress) writ­ interest is serious music.
  • Billboard 1967-11-04

    Billboard 1967-11-04

    EijilNOVEMBER 4, 1967 SEVENTY -THIRD YEAR 75 CENTS The International Music -Record Newsweekly Labels Hold Boston Capitol to Back Labels Int'l Pop Fest Koppelman & Rubin Talent) Parties in Of By ELIOT TIEGEL Planned for N.Y. NEW YORK - Capitol Rec- Koppelman, co -owner of the ords will finance and distribute two -year -old independent disk All -Out Artist Hunt a series of pop labels formed producing firm /music publish- By HANK FOX by Charles Koppelman and Don ing combine, said Capitol's in- To Help Charity BOSTON - "Stand up straight -talent scouts Rubin. The affiliation marks vestment in the first of his new are watching you" is the advice circulating the record manufacturer's sec- labels, The Hot Biscuit Disc By CLAUDE HALL through this town and Cambridge. Record com- ond such deal with an out- Co., was over $1 million. Hot moving side interest. The Beach Boys' Biscuit's debut single, sched- NEW YORK -An International Pop Music panies and independent producers are 40 of the world's into the region, furiously signing local talent for Brother Records was launched uled for release in two weeks, Festival, featuring more than top artists and groups, is being planned for late a major onslaught of releases by Boston -based several months ago from the introduces a new New York Coast. (Continued on page 10) June next year in Central Park here. Sid Bern- groups due to hit the market in January. organizing Boston and Cambridge groups are stein, the promoter- manager who is At least six it more than scheduled for release in January, and the Festival, believes will draw already for a three -day event.
  • The Rita Williams Popular Song Collection a Handlist

    The Rita Williams Popular Song Collection a Handlist

    The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy
  • THE HOCKEY SWEATER Carnival of the Animals

    THE HOCKEY SWEATER Carnival of the Animals

    London’s Premier Orchestra THE HOCKEY SWEATER Carnival of the Animals SATURDAY, 30 JAN 2021 at 7:30 P.M. live from FANSHAWE COLLEGE Join us for BEHIND THE MUSIC at 7:00 P.M. London Symphonia Tom Allen, narrator Scott Harrison, conductor THE HOCKEY SWEATER CARNIVAL OF THE ANIMALS SATURDAY, 30 JAN 2021 at 7:30 P.M. Program The Hockey Sweater Abigail Richardson-Schulte with text by Roch Carrier The Carnival of the Animals Camille Saint-Saëns (1835-1921) with new poems by Tom Allen I. Introduction and Royal March of the Lion II. Hens and Roosters III. Wild Donkeys Swift Animals IV. Tortoises V. The Elephant VI. Kangaroos VII. Aquarium VIII. Characters with Long Ears IX. The Cuckoo in the Depths of the Woods X. Aviary XI. Pianists XII. Fossils XIII. The Swan XIV. Finale This concert will not have an intermission. The approximate running time is 55 minutes. London Symphonia wishes to acknowledge and honour the land on which we are meeting as the traditional territory of the First Nations peoples; the Chippewa of the Thames First Nation (part of the Anishinaabe), the Oneida Nation of the Thames (part of the Haudenosaunee) and the Munsee- Delaware Nation (part of the Leni-Lunaape). Let us reflect on how we as individuals and as a community can carry this spirit of gratitude into everything we do to honour the work that all the First Nations peoples of the Turtle Island have done, and continue to do, for the land that supports us all. London Symphonia would like to thank all of our volunteers who work with great dedication to bring live orchestral music to London and region.
  • CBC Program Schedule 470928.PDF

    CBC Program Schedule 470928.PDF

    NEWS BROADCASTS CBK DAILY WATROUS Trans·Canada Network: (Trans·Canlda Network) 8:00,9:00 a.m. 1:00,6:30, 9:00 p.m. 12:00 p.m. 540 KC8. CBC Dominion Network: Prairie Region 10:00 p.m. Transmitter .r':: :;Times given in this Schedule are Central Standard DATE OF IsSUE, OCTOBER 10, 1947 PRAIRIE REGION W..k 01 Octobor 19th, 1947 612 Telephone Bldg., Winnipeg, Canada The Winnipeg Symphony More than 8,000 music lovers gathered in Winnipeg's million-dollar Civic Auditorium on October 2nd, when two 'Preliminary concerts designed to sttmulate interest in the proposed Winnipeg Symphony Orchestra joundatton were given by an orchestra of 65 pieces CQnductect by ERIC WTLn oj Winnipeg and HENRY DENECKE 01 MinneapOlis. An afternoon concert tOT children brought out lour thousand happy youngsters from the Winnipeg schools, and in the evening the great Auditorium was again packed when a mare elaborate program for adult listeners was performed, and a hall. hour of the concert, conducted by Mr. Wild, with Mr. Denecke as guest conductor for one number, was broculcast by the CSC. Left, above, Mr. Wild is seen conducting the charming "Man FrOm The Sea," from Eric Coates' Three Men Suite. On the right is a portion of the vast evening audience, and Mr. Denecke conducting. The CBe Emblem is seen above the stage. from 1941 to 1943, and since 1943 has "One of the holiest and purest out­ The play will be produced on CBC Beethoven's inth held the same position with the pourings of exultation in the whole by Archie MacCorkindale with a cast Montreal Orchestra Opens Season Chicago Symphony, though retain­ domain of mystical music," is the of Winnipeg actors.
  • A City "... Waiting for the Sunrise " : Toronto in Song and Sound*

    A City "... Waiting for the Sunrise " : Toronto in Song and Sound*

    A City "... Waiting for the Sunrise " : Toronto in Song and Sound* Michael J. Doucet Abstract: One aspect of urban culture is examined to evaluate Toronto's position within the urban hierarchy, namely, the production of songs and sounds about the city. Although much music has been performed and created in Toronto over the years, and many songs have been urritten about a variety of features of life in the city, the musical images of Toronto remain largely unknown beyond its borders—even to many of the city's own residents. If Toronto is a "world-class city," the evidence for such a claim would have to be found on other dimensions than the one explored here. No one ever wrote / A single note / About Toronto. — Johnny Wayne and Frank Shuster (19%) I find that lately, I'm missing old Toronto, Where bass is strong and drums are full of fire. — from the Lenny Breau song "New York City" (1987) No nation can exist by the balance sheet alone. Stories, song, dance, music, art and the rest are the lifeblood of a country, the cultural images defining a people just as surely as their geography and the gross national product. — Robert Lewis, editor of Maclean's (19%) Interestingly, though, we don't seem to have an immediately identifiable style. The last time anyone spoke about a 'Toronto Sound' [former Mayor] Alan Lamport was booting hippies out of Yorkville. Unlike a Nashville or Manchester, there isn't any one thing that makes you say 'That's Toronto' -- Bob Mackowycz, writer and broadcaster (1991) Toronto itself doesn't have a distinctive civic culture.
  • The Chart Book – the Specials Record Mirror Singles 1955-1962

    The Chart Book – the Specials Record Mirror Singles 1955-1962

    The Chart Book – The Specials Record Mirror Singles 1955-1962 Compiled by Lonnie Readioff Chart History For Record Mirror Single Charts Between 22 January 1955 and 17 March 1962 Entry Peak Weeks on chart, Title (Number 1 Number) (Awards symbols, if any for this record in this period) (Composer) Full artist credit (if different) B-Side (Or EP/Album track listing if any charted on this chart) Label (Catalogue Number) Duration. Notes are presented below the title for some entries. Entries are sorted by artist, then by entry date and finally, in the event of ties, by peak position and finally weeks on chart. All re-entries are shown as separate entries, but track listings of any albums or EP's which re-entered the chart are not shown for their re-entries. Fats Domino (Continued) 19.12.1959 12 5 Be My Guest (Tommy Boyce / Fats Domino / John Marascalco) I've Been Around London 7": HLP 9005 02:16 30.01.1960 15 4 Be My Guest (Re-entry 1) (Tommy Boyce / Fats Domino / John Marascalco) I've Been Around London 7": HLP 9005 02:16 09.04.1960 18 1 Country Boy (Dave Bartholomew / Fats Domino) If You Need Me London 7": HLP 9073 02:10 Lonnie Donegan Entry: 07.01.1956 Hits: 27 Peak: 1 Weeks: 211 07.01.1956 6 12 Rock Island Line (Lonnie Donegan) The Lonnie Donegan Skiffle Group John Henry Decca 7": 45FJ 10647 02:30 07.04.1956 15 3 Rock Island Line (Re-entry 1) (Lonnie Donegan) The Lonnie Donegan Skiffle Group John Henry Decca 7": 45FJ 10647 02:30 28.04.1956 2 16 Lost John (Lonnie Donegan) The Lonnie Donegan Skiffle Group Stewball Pye Nixa 78: N 15036 02:13
  • Hifi/Stereo Review August 1961

    Hifi/Stereo Review August 1961

    2061 Life " N 17 V:JI.Ln )~1 GNV1H~\H 6\00 5V\<tJHl 3 ~ ZlCIZOIH811CH So Compact ••• A startling achievement-an ultra­ compact (7U,/1 H, 13/1 W, 4%/1 D ) 2-speaker system capable of sound you'd expect from a much larger unit. Volume control on front. P er­ fect for FM Multiplex, very low cost stereo, other-room extensions. x-1O ' .speaker 2- mIV way system for use with amplifier having 4, 8, or 16 ohm output. Power rating 6 watts. Adequate room sound with 1 watt to speaker. In Oiled Walnut. ••••.•••••••• $29.15 So Big in Sound ... Strikingly bea~tiful compact bookshelf systems-perfect for every ...........•••................ stereo or mono hi-fi need. Recent " blindfold" tests by audio experts proved a preference for the TF-3 and TF-2 over " rated" systems costing much more. Make your own careful comparison. You wiII be delighted with such big sound in small space. TF-2 3-speaker 2-way TF-3 4-speaker 3-way system. Covers full frequency range with system. Full size Flexair* Flexair* woofer In Bass-Superflex* enclosure, two coloration-free woofer for distortion­ midrange units, and the sensational Sono-Dome* Ultra-Tweeter. free bass response, plus 13X" H, 23%" w, 11%" D. two special direct radia­ In Oiled Walnut. ......•........•.......•... •.. ............ $99.50 tor tweeters giving ex­ Decorator Styling . ... .. .. ......•...........•..... .• ...• $109.50 tended smooth highs. 13X" H, 23%" W, 11%" D. Unfinished Hardwood .•.•......•..•..•..........• ... ... $79 .50 In Oiled Walnut. .......•....••••.•.•... $79.50 Unfinished Hardwood . .. •. .....•....... $64.50 · T.M. Reg. 6601 S. Laramie Avenue, Chicago 38, lliinpis In Canada: Renfrew Electric Co., Ltd., Toronto In Mexico : Universal De Mexico, S.A., Mexico, D.F.
  • The Lived Experience of Working As a Musician with an Injury

    The Lived Experience of Working As a Musician with an Injury

    Work 40 (2011) 269–280 269 DOI 10.3233/WOR-2011-1230 IOS Press The lived experience of working as a musician with an injury Christine Guptill Assistant Professor, Don Wright Faculty of Music, the University of Western Ontario, London, Ontario, Canada Post-doctoral Fellow, School of Rehabilitation Science, McMaster University, Hamilton, Ontario, Canada Hand & Upper Limb Clinical Research Lab, St. Joseph’s Healthcare London, Ontario, Canada E-mail: Christine [email protected] Received 1 May 2010 Accepted 26 November 2010 Abstract. Objective: Research and clinical experience have shown that musicians are at risk of acquiring playing-related injuries. This paper explores findings from a qualitative research study examining the lived experience of professional instrumental musicians with playing-related injuries, which has thus far been missing from the performing arts health literature. Methodology: This study employed a phenomenological methodology influenced by van Manen to examine the lived experiences of professional musicians with playing-related injuries. Participants and Methods: Ten professional musicians in Ontario, Canada were interviewed about their experiences as musicians with playing-related injuries. Six of the participants later attended a focus group where preliminary findings were presented. Results:Thefindings demonstrate a need for education about risk and prevention of injuries that could be satisfied by healthcare professionals and music educators. Conclusions: The practice and training of healthcare professionals should
  • Researching Television History: Bime-Time Canada

    Researching Television History: Bime-Time Canada

    Researching Television History: Bime-Time Canada, by PAUL RUTHERFORD* Television came to Canada in one great hurry. In 1951, only 43,000 households, a mere 1 per cent of the total, had a television set.' After the introduction of Canadian television late in 1952, a buying craze started in the cities of central Canada which soon spread throughout the nation, paralleling the expansion of the service and its coverage. By 1961, 3,757,000 households, or 83 per cent of the total, had TV. Indeed, more homes had a television set than a flush toilet, bath, or sh~wer!~Viewing statistics show that the TV was one of the most used appliances: in February 1959, on any given day, nine out of ten households had a television on at some point during the daytime or evening. Most of the viewing took place in the evening, especially between 8:00 P.M.and 10:OO P.M. when about 80 per cent of these households were tuned in.3 That made prime-time viewing the most widely shared cultural experience of the vast majority of Canadians. This article investigates the prime-time phenomenon from its origins in the early 1950s to its maturity in the late 1960s. This grand story mixes a number of distinct tales. First, it raises a question about whether this era was, in truth, a "golden age" when television's novelty fostered an innovative art form that maturity would later stultify with formulas and conventions. The story includes the noble experiment of a national television service (public and private, francophone and anglophone) which strove to supply viewers with a Canadian brand of entertainment and affairs.