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UDK 821.111.09-1 Larkin P. on PHILIP LARKIN's POETRY J.Ason
UDK 821.111.09-1 Larkin P. ON PHILIP LARKIN'S POETRY J.ason Blake Abstract Using his seemingly crass and apparently pessimistic "This Be the Verse" as a point of departure, this paper examines Philip Larkin's poetry with regard to the poet's own attitude towards the reader. His highly accessible poems, penned in common language, resulted in a reputation as both a 'poet of the people' and a 'philistine'. But for all its crudeness, Larkin's mode of writing always showed a keen awareness of the distancing aspects of modernism. In other words, he was not ignorant of the current political trends of his time, rather he was consciously writing against what he deemed elitist art. In conclusion, the paper returns to "This Be the Verse" and considers the moral import of Larkin's ironically acerbic "Get out early as you can, and don't have any kids yourself'. "They fuck you up, your mum and dad. They may not mean to, but they do. " In terms of beginnings, Philip Larkin's "This Be The Verse" may offend some readers, but it will not bore. The more prudish among us might throw the verse down in disgust, while Angst-ridden teenagers might embrace the poem as a form of literary protest against mum and pop. This leaves that smaller segment of the population, professional and lay literary critics, to wonder if the poem is not protesting a bit too much in its very directness and crudeness against the previous generation. Before considering the shockingly pessimistic and crass nature of "This Be The Verse," in this paper I will offer a few examples of the flavour of Larkin's poetry and consider him as a poet far removed from any ivory tower. -
А С 1 a Universi Tatis Looziensis Folia Litteraria 29, 1990
А С 1 A UNIVERSI TATIS LOOZIENSIS FOLIA LITTERARIA 29, 1990 Jerzy Jurniewicz RITUALS AND THEIR MEANING IN LARKIN’S P0E1RY Literary criticism dealing with Larkin’s poetry will in most cases arrive at such key-words as ’illusion and disillusion- ment’, ’pessimism’, ’sadness’, ’fatalism’. Critics would quo- te Larkin's statement that ’deprivation is for me what daffodils were for Wordsworth’1, and note that Larkin’s favourite subjects are failure and weakness. They would point to the nostalgic, or even melancholic, mood of moat of Larkin’s verse, notice 2 the abundance of negatives , and finally present Larkin as a poet of disenchantment, as a stoical agnostic"5, who firmly, if heroically, refuses to be ’taken in’ by arty ideas, beliefs or perspectives that offer consolation. Larkin’s poetic stance is exactly to reject all consolatory systems as illusions and to face the human condition as it really is: miserable, dissatisfy- ing, futile, since - in his own words - 'life looks insignificant beside death’ . In this context, Larkin, one of the most conservative and traditionally minded poets, may look like a nihilist 5 o b s e s s i - vely discrediting almost all accepted values. Love becomes in his poetry a source of disappointments, and when its sexual 1 Ph. L a r k i n , Required Writing, London 1983, p. 47. Ch. R i c k s , The Whitsun Weddings, "Phoenix" 1973, No. 11-12, p. 8-9. ^ A . T h w a i t e , The Poetry of Philip Larkin, "Phoenix", p. 9. 4 R i c k s , pp. -
THE NOVELS and the POETRY of PHILIP LARKIN by JOAN SHEILA MAYNE B . a . , U N I V E R S I T Y of H U L L , 1962 a THESIS SUBMITT
THE NOVELS AND THE POETRY OF PHILIP LARKIN by JOAN SHEILA MAYNE B.A., University of Hull, 1962 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF M .A. in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1968 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his represen• tatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of English The University of British Columbia Vancouver 8, Canada April 26, 1968 ii THESIS ABSTRACT Philip Larkin has been considered primarily in terms of his contribution to the Movement of the Fifties; this thesis considers Larkin as an artist in his own right. His novels, Jill and A Girl in Winter, and his first volume of poetry, The North Ship, have received very little critical attention. Larkin's last two volumes of poetry, The Less Deceived and The Whitsun Weddings, have been considered as two very similar works with little or no relation to his earlier work. This thesis is an attempt to demonstrate that there is a very clear line of development running through Larkin's work, in which the novels play as important a part as the poetry. -
A University of Sussex Mphil Thesis Available Online Via Sussex Research Online: This Thesis Is Prot
A University of Sussex MPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the aut hor, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details By Muhammad Rashid Submitted in accordance with the requirements For the degree of MPhil. The University of Sussex School of English May 2018 Declaration: I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another University for the award of any other degree. Signature: Contents: Chapters Titles P.no. Summary i Introduction 1-25 Chapter 1 Jill and A Girl in Winter: A Revelation of Self 26-48 Chapter 2 Submission is the only Good : The Unconditional Love 49-74 Chapter 3 The Sad-eyed, Clear-eyed: 75-187 (I) Rejecting the Myths 75-95 (II) A Hunger for Seriousness: Religion, Sex, Art 96-118 (III) From Conflict to Compromise 119-134 (IV) The Padlocked Cube of Light: The Urge for 135-178 Freedom (V) The Total Extinction: Perception vs Reality 179-187 Chapter 4 Beyond the Shapes and Shingles 188-205 Chapter 5 From ‘Here’ to High Windows 206-224 Chapter 6 The Quest for Meaning: From Proximate to Ultimate 225-234 Bibliography 235-245 i Summary Philip Larkin’s work covers a span of life that marks one of the most turbulent and transitional stages in British history: having WW2 at one end and the ‘swinging sixties’ at the other, it serves as a really useful document about not only Larkin’s personal life but also the contemporary cultural, social and political circumstances. -
The North Ship Author Summary
ST. LAWRENCE HIGH SCHOOL A JESUIT CHRISTIAN MINORITY INSTITUTION CLASS - IX ENGLISH TEXT STUDY MATERIAL TOPICS: THE NORTH SHIP DATE:09.11.2020 THE NORTH SHIP AUTHOR On August 9, 1922, Philip Larkin was born in Coventry, England. He attended St. John's College, Oxford. His first book of poetry, The North Ship, was published in 1945 and, though not particularly strong on its own, is notable insofar as certain passages foreshadow the unique sensibility and maturity that characterizes his later work.With his second volume of poetry, The Less Deceived (1955), Larkin became the preeminent poet of his generation. Like Hardy, Larkin focused on intense personal emotion but strictly avoided sentimentality or self-pity.In 1964, he confirmed his reputation as a major poet with the publication of The Whitsun Weddings, and again in 1974 with High Windows: collections whose searing, often mocking, wit does not conceal the poet's dark vision and underlying obsession with universal themes of mortality, love, and human solitude. Deeply anti-social and a great lover and published critic of American jazz, Larkin never married and worked as a librarian in the provincial city of Hull, where he died on December 2, 1985. SUMMARY The poem opens with the poet’s own view where he saw that three ships got ready to sail over the sea. It was a pleasant weather to sail by as the wind rose in the morning sky. Each ship was fully ready to go on a journey. The poet saw, the first ship went towards the west sea and it was full of wind and waves and that is how it reached to a wealthy country. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Different From Himself: Reading Philip Larkin After Modernism Sarah Humayun PhD English Literature University of Edinburgh 2013 ABSTRACT: This thesis addresses the work of Philip Larkin in the light of critical positions, stemming from mainly modernist perspectives, which characterize it as the opposite of what counts as innovatory, experimental and progressive in twentieth-century poetry. It aims to critique this assumption without, however, trying to prove that Larkin’s work is modernist or experimental. Rather, understanding ‘form’ in modernism as an entity that resists subjectivity and ostensibly includes otherness within its self-reflexive boundaries, it aims to offer readings of Larkin’s work that do not begin from these parameters but from an understanding of otherness as relational. Additionally, it gives extended consideration to Larkin’s prose with the aim of initiating a reconsideration of Larkin’s contribution to literature in English from a perspective that includes the essays and the novels. -
The Thought of High Windows
The Thought of High Windows Lynne Kositsky Kids Can Press Text © 2004 Lynne Kositsky Cover photograph © 2004 Lorraine Parow All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, without the prior written permission of Kids Can Press Ltd. or, in case of photocopying or other reprographic copying, a license from The Canadian Copyright Licensing Agency (Access Copyright). For an Access Copyright license, visit www.accesscopyright.ca or call toll free to 1-800-893-5777. This is a work of fiction and any resemblance of characters to persons living or For Roger: dead is purely coincidental. Kids Can Press acknowledges the financial support of the Government of My dearest Elephant, Ontario, through the Ontario Media Development Corporation’s Ontario Book Initiative; the Ontario Arts Council; the Canada Council for the Arts; and the My far-away yet close companion, Government of Canada, through the BPIDP, for our publishing activity. My little brother, Published in Canada by Published in the U.S. by My always friend. Kids Can Press Ltd. Kids Can Press Ltd. 29 Birch Avenue 2250 Military Road Toronto, ON M4V 1E2 Tonawanda, NY 14150 www.kidscanpress.com Edited by Charis Wahl Designed by Julia Naimska Excerpt from “High Windows” from COLLECTED POEMS by Philip Larkin. Copyright © 1988, 1989 by the Estate of Philip Larkin. Reprinted by permission of Farrar, Straus and Giroux, LLC. Printed and bound in Canada CM 04 0 9 8 7 6 5 4 3 2 1 CM PA 04 0 9 8 7 6 5 4 3 2 1 National Library of Canada Cataloguing in Publication Data Kositsky, Lynne, 1947– The thought of high windows / Lynne Kositsky. -
1. Philip Larkin
Notes References to material held in the Philip Larkin Archive lodged in the Brynmor Jones Library, University of Hull (BJL), are given as file numbers preceded by 'DPL'. 1. PHILIP LARKIN 1. Harry Chambers, 'Meeting Philip Larkin', in Larkin at Sixty, ed. Anthony Thwaite (London: Faber and Faber, 1982) p. 62. 2. John Haffenden, Viewpoints: Poets in Conversation (London, Faber and Faber, 1981) p. 127. 3. Christopher Ricks, Beckett's Dying Words (Oxford: Oxford University Press, 1993). 4. D. J. Enright, 'Down Cemetery Road: the Poetry of Philip Larkin', in Conspirators and Poets (London: Chatto & Windus, 1966) p. 142. 5. Hugo Roeffaers, 'Schriven tegen de Verbeelding', Streven, vol. 47 (December 1979) pp. 209-22. 6. Andrew Motion, Philip Larkin: A Writer's Life (London: Faber and Faber, 1993). 7. Philip Larkin, Required Writing (London: Faber and Faber, 1983) p. 48. 8. See Selected Letters of Philip Larkin 1940-1985, ed. Anthony Thwaite (London: Faber and Faber, 1992) pp. 648-9. 9. DPL 2 (in BJL). 10. DPL 5 (in BJL). 11. Kingsley Amis, Memoirs (London: Hutchinson, 1991) p. 52. 12. Philip Larkin, Introduction to Jill (London: The Fortune Press, 1946; rev. edn. Faber and Faber, 1975) p. 12. 13. Donald Davie, Thomas Hardy and British Poetry (London: Routledge & Kegan Paul, 1973) p. 64. 14. Required Writing, p. 297. 15. Blake Morrison, 'In the grip of darkness', The Times Literary Supplement, 14-20 October 1988, p. 1152. 16. Lisa Jardine, 'Saxon violence', Guardian, 8 December 1992. 17. Bryan Appleyard, 'The dreary laureate of our provincialism', Independent, 18 March 1993. 18. Ian Hamilton, 'Self's the man', The Times Literary Supplement, 2 April 1993, p. -
We Met at the End of the Party’
APPENDIX: ‘Be my Valentine this Monday’ and ‘We met at the end of the party’ These poems came to light in 2002, as a result of a complicated sequence of events. Following Monica Jones’s death on 15 February 2001, the staff of the Brynmor Jones Library, Hull, cleared 105 Newland Avenue of Larkin’s remaining books and manuscripts. The Philip Larkin Society then purchased the remaining non-literary items: furniture, pictures and ornaments. These were removed in late 2001 and early 2002, and are now on long-term loan to the Hull Museums Service and the East Riding Museum Service. Both searches missed a small dark red ‘©ollins Ideal 468’ hard-backed manu- script notebook which had slipped behind the drawers of a bedside cabinet. This cabinet was removed by the house-clearer with the final debris, and subse- quently fell into the hands of a local man, Chris Jackson, who contacted the Larkin Society. I confirmed the authenticity of the book in a brief meeting with Mr Jackson in the Goose and Granite public house in Hull on 17.vii.2002. The notebook seems initially to have been intended for ‘Required Writing’, which Larkin wished to keep separate from the drafts in his workbooks proper. The first eleven sides are occupied by pencil drafts of ‘Bridge for the Living’, dated between 30 May 1975 and 27 July 1975. These are followed by notes on Thomas Hardy and other topics. Seven months later, however, Larkin used the book again, this time for more personal writing. The central pages were left blank but on the final five sides he wrote pencil drafts, dated between 7 February 1976 and 21 February 1976, of ‘Morning at last: there in the snow’, ‘Be my Valentine this Monday’ and ‘We met at the end of the party’. -
{TEXTBOOK} the Complete Poems of Philip Larkin
THE COMPLETE POEMS OF PHILIP LARKIN PDF, EPUB, EBOOK Archie Burnett,Philip Larkin | 768 pages | 04 Sep 2014 | FABER & FABER | 9780571240074 | English | London, United Kingdom 10 of the Best Philip Larkin Poems Poet Lovers Must Read However, we must settle down, here at the back of the class, and grant that The Complete Poems is an almost fanatically painstaking and altogether admirable piece of work. The publishers, though betraying a hint of desperation in their efforts to make the volume seem attractive to the common poetry reader — is there such a creature? Larkin had such an acute, anarchic and bleak sense of humour, or of the comic, at least — the comical and the humorous not being always synonymous — that we might be forgiven for taking him at his own face value. Although he produced some of the most delicately beautiful works of art of the 20th century, it amused him to present himself to the world as a cross between Colonel Blimp and The Archers ' Walter Gabriel of old, and to adopt in his public utterances the baleful tones of an apoplectic stockbroker complaining about immigrants on the letters page of the Daily Telegraph. Self-depreciation was not second but first nature to him. Here he is in his rueful but not unfond Introduction to the Faber reissue of his first collection, The North Ship :. Looking back, I find in the poems not one abandoned self but several — the ex-schoolboy, for whom Auden was the only alternative to "old-fashioned" poetry; the undergraduate, whose work a friend affably characterised as "Dylan Thomas, but you've a sentimentality that's all your own"; and the immediately post-Oxford self, isolated in Shropshire with a complete Yeats stolen from the local girls' school. -
MAY 2013 Laura Mccullough, Pp
EXCERPTS FROM “GOOD MORNING!” Hugh Behm-Steinberg, pp. 4–10 A MAZE LIVES INSIDE THE SKY Erica Hayes, pp. 11–12 VOLUME 1 OUT OF THE BLUE, WHO ISSUE 5 MAY 2013 Laura McCullough, pp. 13–14 PHILIP LARKIN AND THE POETRY OF SELF-DEFENSE Jerry Bradley, pp. 15–22 © tab: The Journal of Poetry & Poetics. Volume 1. Issue 5. May 2013. No part of this publication may be reproduced in any form or by any WILKINSON COLLEGE FALL 2012 • Colloquium means, electronic or mechanical,of Human iwithoutties and Social prior Sc iwrittenences permission from tab. Rights to individual submissions remain the property of their authors. Department of English Chapman University WILKOneINS OUniversityN COLLE DriveGE WILKINSON COLLEGE of Humanities and Social Sciences Orange, ca 92866 of Humanities and Social Sciences www.chapman.edu/poetry issn: 2169-3013 WILKINSON COLLEGE Department of of Humanities and Social Sciences Department of WILKINSON COLLEGE Department of of Humanities and Social Sciences COMMUNICATION STUDIES Department of COMMUNICATION STUDIES WILKINSON COLLEGE Department of ENGLISH of Humanities and Social Sciences Department of ENGLISH WILKINSON COLLEGE Department of HISTORY of Humanities and Social Sciences Department of HISTORY WILKINSON COLLEGE Department of of Humanities and Social Sciences LANGUAGES Department of LANGUAGES WILKINSON COLLEGE Department of of Humanities and Social Sciences POLITICAL SCIENCE Department of POLITICAL SCIENCE Department of WILKINSON COLLEGE TAB: THE JOURNAL OF POETRY & POETICS VOL 1. ISSUE 5 2 of Humanities and Social Sciences -
Literary a Guide to a Walk Around the City Centre Taking in Writers Who Have Lived In, Passed Through and Written About Coventry
COVENTRy’s TRAIL Literary A guide to a walk around the city centre taking in writers who have lived in, passed through and written about Coventry. AL POSITIVE TIV ES IMAGES F Eleanor Nesbitt CELEBRATING COVENTRY’S DIVERSITY Coventry’s Literary Trail 1 Railway Station 2 2 Park Road and Manor Road 4 3 Warwick Road railway bridge and King Henry VIII School 5 4 Drinking Trough, Greyfriars Green 7 5 29, Warwick Row 8 6 Sir Thomas White’s Statue 8 7 1, The Quadrant 9 8 Ristorante Etna, 54-57 Hertford Street 10 9 The Council House, Earl Street 11 10 The Herbert, Bayley Lane 11 11 The Cathedral 13 12 St Mary’s Guildhall, Bayley Lane 15 13 The Golden Cross, Hay Lane/Pepper Lane 16 14 Holy Trinity Church 17 15 Statue of Lady Godiva, Broadgate 18 3 5 ad Coventry yfriars Ro 4 re Railway Station 6 G 1 n Road Eato Greyfriars W e arwi Green ck Roa d Squar 7 Hertford Street Station 8 Manor RoadPark Road 2 Grey The Burges friars Lane 15 ew Union Street N Broadgate P Tri epper nity St eet re r et Salt Lane La 13 w 14 Hay La Cucko Ro Little Park Street High St o La ry io 12 Pr 9 St Mary St l Street Bayley La 11 Ear Bayley La Prio 10 ry Street © Crown Copyright and database right 2014. Ordnance Survey 100026294 COVENTRy’s TRAIL Literary oventry abounds in literary connections: over the past nine hundred Cyears writers have lived in Coventry, passed through the city and written about it.