Gladiators at Ancyra
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PD GLADIATORS FITNESS NETWORK - SAMPLE SCHEDULE Now Operated by the Parkinson's Foundation
PD GLADIATORS FITNESS NETWORK - SAMPLE SCHEDULE Now Operated by the Parkinson's Foundation Classes Instructor Location Facility MONDAY 10:45am - 11:45am Parkinson's Movement Class YMCA Staff East Lake East Lake Family YMCA 11:00 am - 12:00 pm Parkinson's Movement Class YMCA Staff Newnan Summit Family YMCA 11:00 am - 12:15 pm Optimizing Exercise (1st and 3rd M) LDBF Sandy Springs Fitness Firm 11:00 am - 12:15 pm Boxing Training for PD (I/II) LDBF Sandy Springs Fitness Firm 11:15 am - 12:10 pm Parkinson's Movement Class YMCA Staff Canton G. Cecil Pruett Comm. Center Family YMCA 11:30 am - 12:25 pm Parkinson's Movement Class YMCA Staff Chamblee Cowart Family/Ashford Dunwoody YMCA 11:35 am - 12:25 pm Parkinson's Movement Class YMCA Staff Lawrenceville J.M. Tull-Gwinnett Family YMCA 12:00pm - 12:45pm Parkinson's Movement Class YMCA Staff Cumming Forsyth County Family YMCA 12:30 pm - 1:30pm Boxing Training for PD (III/IV) LDBF Sandy Springs Fitness Firm 1:00 pm - 1:30 pm PD Group Cycling YMCA Staff Cumming Forsyth County Family YMCA 1:20pm - 2:15pm PD Group Cycling YMCA Staff Alpharetta Ed Isakson/Alpharetta Family YMCA 2:30 pm - 3:30 pm Knock Out PD - Boxing TITLE Boxing Staff Kennesaw TITLE Boxing Club Kennesaw 7:00 pm - 8:00 pm Dance for Parkinson's Paulo Manso de Sousa Newnan Southern Arc Dance TUESDAY 10:30 am - 11:15 am Dance for Parkinson's Paulo Manso de Sousa Newnan Southern Arc Dance 10:30 am - 11:30 am Ageless Grace Lori Trachtenberg Vinings Kaiser Permanente (members only) 10:30 am - 11:15 am Parkinson's Movement Class YMCA Staff Covington Covington Family YMCA 11:00 am - 12:00 pm Parkinson's Movement Class YMCA Staff Decatur South DeKalb Family YMCA 11:00 am - 12:15 pm Boxing Training for PD (I/II) LDBF Sandy Springs Fitness Firm 11:30 am - 12:00 pm PD Group Cycling YMCA Staff Kennesaw Northwest Family YMCA 12:00 pm - 1:00 pm Dance for Parkinson's Eleanor/Rob Rogers Cumming Still Pointe Dance Studios 12:15 pm - 12:45 pm Parkinson's Movement Class YMCA Staff Buckhead Carl E. -
Gladiators Handout
Gladiators Handout Who were gladiators? Mostly unfree individuals such as condemned criminals, prisoners or war, slaves. Some were volunteers (freedmen or low class free-born men) who did it for fame and money. Women could be gladiators – called Gladeatrix – but these were rare. Different types of gladiatorial games • Animals in the arena - Venationes • Executions • Man vs man Q. What is the name of the arena (above) recreated for the film Gladiator (2000)? Q. How many people could it hold and when was it built? Types of gladiators Gladiators were distinguished by the kind of armour they wore, the weapons they used and their style of fighting. • Eques These would begin on horseback and usually finish fighting in hand-to-hand combat. • Hoplomachus These were heavy-weapons fighters who fought with a long spear and dagger. • Provocator These were attackers who were usually heavily armed. Generally, they were slower and less agile than the other fighters listed above. They wore pectoral covering the vulnerable upper chest, padded arm protector and one greave on his left leg. • Retiarius These were known as “net-men”, i.e. they fought with a net with a long trident and small dagger. They were the quickest and most mobile of all the fighters. They fought with practically no armour that made them more vulnerable to serious injuries during fights. • Bestiarius These were individuals who were trained to fight against wild animals such as tigers and lions. Mostly criminals were sentenced to fight in this role, they, however, would not be trained nor armed. They were the least popular of all the gladiator fighters. -
PRESS RELEASE MOTUL FIM Ice Speedway Gladiators World
PRESS RELEASE MIES, 23/01/2015 FOR MORE INFORMATION: ISABELLE LARIVIÈRE COMMUNICATION MANAGER [email protected] TEL +41 22 950 95 68 MOTUL FIM Ice Speedway Gladiators World Championship 2015 Starting List – Final Series, updated 23, January (Changes in bold) N° RIDER FMN COUNTRY 1 Daniil Ivanov MFR Russia 2 Dimitry Koltakov MFR Russia 3 Dimitry Khomitsevich MFR Russia 4 Igor Kononov MFR Russia Stefan Svensson 5 SVEMO Sweden 6 Jan Klatovsky ACCR Czech Republic 7 Günther Bauer DMSB Germany 8 Stefan Pletschacher DMSB Germany 9 Per-Anders Lindström SVEMO Sweden 10 Franz Zorn OeAMTC Austria 11 Vitaly Khomitsevich MFR Russia 12 Hans Weber DMSB Germany 13 Mats Järf SML Finland 14 Antonin Klatovsky ACCR Czech Republic 15 Harald Simon OeAMTC Austria 16 FMNR Wild Card To be accepted by CCP Reserve 1 Reserve 2 11 ROUTE DE SUISSE TEL +41 22 950 95 00 CH – 1295 MIES FAX +41 22 950 95 01 [email protected] FOUNDED 1904 WWW.FIM-LIVE.COM Nominated Substitute Riders List N° RIDER FMN COUNTRY 19 Daniel Henderson SVEMO Sweden 20 Niclas Kallin Svensson SVEMO Sweden 21 Jimmy Olsen SVEMO Sweden 22 Ove Ledstrom SVEMO Sweden 23 Max Niedermaier DMSB Germany -------------------------------------------------------------------------------------------------------------------------------------- About the FIM (www.fim-live.com) The FIM (Fédération Internationale de Motocyclisme) founded in 1904, is the governing body for motorcycle sport and the global advocate for motorcycling. The FIM is an independent association formed by 112 National Federations throughout the world. It is recognised as the sole competent authority in motorcycle sport by the International Olympic Committee (IOC). Among its 50 FIM World Championships the main events are MotoGP, Superbike, Endurance, Motocross, Supercross, Trial, Enduro, Cross-Country Rallies and Speedway. -
Greek Cities & Islands of Asia Minor
MASTER NEGATIVE NO. 93-81605- Y MICROFILMED 1 993 COLUMBIA UNIVERSITY LIBRARIES/NEW YORK / as part of the "Foundations of Western Civilization Preservation Project'' Funded by the NATIONAL ENDOWMENT FOR THE HUMANITIES Reproductions may not be made without permission from Columbia University Library COPYRIGHT STATEMENT The copyright law of the United States - Title 17, United photocopies or States Code - concerns the making of other reproductions of copyrighted material. and Under certain conditions specified in the law, libraries or other archives are authorized to furnish a photocopy the reproduction. One of these specified conditions is that for any photocopy or other reproduction is not to be "used purpose other than private study, scholarship, or for, or later uses, a research." If a user makes a request photocopy or reproduction for purposes in excess of fair infringement. use," that user may be liable for copyright a This institution reserves the right to refuse to accept fulfillment of the order copy order if, in its judgement, would involve violation of the copyright law. AUTHOR: VAUX, WILLIAM SANDYS WRIGHT TITLE: GREEK CITIES ISLANDS OF ASIA MINOR PLACE: LONDON DA TE: 1877 ' Master Negative # COLUMBIA UNIVERSITY LIBRARIES PRESERVATION DEPARTMENT BIBLIOGRAPHIC MTCROFORM TAR^FT Original Material as Filmed - Existing Bibliographic Record m^m i» 884.7 !! V46 Vaux, V7aiion Sandys Wright, 1818-1885. ' Ancient history from the monuments. Greek cities I i and islands of Asia Minor, by W. S. W. Vaux... ' ,' London, Society for promoting Christian knowledce." ! 1877. 188. p. plate illus. 17 cm. ^iH2n KJ Restrictions on Use: TECHNICAL MICROFORM DATA i? FILM SIZE: 3 S'^y^/"^ REDUCTION IMAGE RATIO: J^/ PLACEMENT: lA UA) iB . -
ÇUKUROVA ARAŞTIRMALARI DERGİSİ ISSN: 2458-7559 DOI Number: CİLT 1, SAYI 1, KIŞ 2015 S
ÇUKUROVA ARAŞTIRMALARI DERGİSİ ISSN: 2458-7559 DOI Number: http://dx.doi.org/10.18560/cukurova.13 CİLT 1, SAYI 1, KIŞ 2015 s. 1-7 ANAZARBUS, AEGEAI VE TARSUS KENTLERİNİN TİCARET YOLLARIYLA BAĞLANTISI1 Murat DURUKAN2 Özet Doğu Akdeniz tarihinin yanıt bekleyen sorularından biri, Roma İmparatorluk Dönemi’nde ve Geç Antik Çağ’da ortaya çıkan ekonomik hareketliliğin nedenleridir. Anadolu, Suriye, Lübnan ve Filistin kıyılarında yaşanan dikkat çekici gelişmelerin gerekçeleri hakkında net yanıtlar verilememektedir. Bazı bilim insanları Roma lejyonlarının Doğu Akdeniz’deki üretim hacmini arttırdığı ve ekonomiye hatırı sayılır bir canlılık kazandırdığı üzerinde durmaktadır. Ancak askerî seferler her bölgede aynı ekonomik kalkınmaya neden olmamıştır. Kilikia bölgesinde özellikle MS 4 ile erken 7. yy.’lar arasında gözlenen gelişmeler de, ciddi bir ekonomik hareketliliğin yaşandığına işaret etmekte ve tüm Doğu Akdeniz’in merak uyandıran bu problemine ışık tutabilecek önemli ipuçları barındırmaktadır. Bölgenin sahillerinde ortaya çıkan yeni yerleşimler; tarımsal üretim yapan çiftliklerin ve kırsal yerleşimlerin anormal ölçüde çoğalması ile inşa edilen kiliselerin sayısındaki artış, bu ekonomik hareketliliğin en somut yansımaları arasında gösterilebilir. Bu gelişmelerin yanı sıra antik dünyanın hemen her noktasında bulunan ve aynı zaman dilimine ait olan Kilikia kökenli LR1 amphoralarının üretiminde de bir patlama yaşanmıştır. Bölgede, Roma ve Erken Bizans Dönemi’nde nasıl bir siyasi ve ticari tablo ile karşılaşılmaktadır? Ayrıca LR1 amphoralarının bu denli geniş bir coğrafyaya yayılması nasıl ve kimler vasıtasıyla olmuştur? Adana ve Mersin illerinin sınırları içindeki antik kentler, tüm Doğu Akdeniz’i ilgilendiren bu çözümlenememiş probleme yanıt olabilecek ipuçları barındırmaktadır. Özellikle Anazarbus kentinin kuruluşu, Aegeai ve Tarsus kentleriyle birlikte bölgede nasıl bir ticari misyon üstlendiği irdelenecek ve konuya ışık tutulmaya çalışılacaktır. -
Reisepraktisches Geschichte Zwischen Antalya Und Side
Reisepraktisches Geschichte Zwischen Antalya und Side Zwischen Side und Alanya Zwischen Alanya und Anamur Zwischen Anamur und Silifke Zwischen Silifke und der Qukurova Durch die Qukurova Durch das Hatay Kappadokien Bibliografische Informationen digitalisiert durch http://d-nb.info/991285166 INHALT Urlaub zwischen Meer und Tuff ...10 Anreise ...15 Unterwegs ...18 Übernachten ...24 Essen und Trinken ...26 Wissenswertes von A bis Z ...32 Ärztliche Versorgung 32 Klima ...43 Ausgrabungsstätten 33 Kriminalität ...44 Baden 34 Literaturtipps ...44 Diplomatische Vertretungen 34 Musik und Bauchtanz ...45 Ein- und Ausfuhrbestimmungen 34 Notruf nummern ...46 Einkaufen und Handeln 35 Öffnungszeiten ...46 Elektrizität 36 Polizei ...46 Feste und Feiertage 36 Post ...46 Flora und Fauna 36 Preise ...47 Frauen 37 Reisedokumente ...47 Geld und Geldwechsel 39 Schwule und Lesben ...48 Haustiere 39 Sport ...48 Information 40 Telefonieren ...49 Internet 40 Toiletten ...51 Islam 40 Verständigung ...51 Kinder 43 Zeit ...51 Kleidung 43 Zeitungen und Zeitschriften.. ...51 Geschichte im Abriss ...52 Antalya 62 Im Hinterland von Antalya 79 Termessos 81 Zwischen Antalya und Side 87 Lara und Kundu 87 Aspendos 93 Perge 88 Zeytinta§i-Höhle 94 Sillyon 91 Köprülü-Schlucht.. 94 Belek 92 Selge 96 Side/Selimiye 98 Titreyengöl-Sorgun, Kizilagag, Kumköy und Colakli ..108 Im Hinterland von Side .109 Manavgat 109 Oymapinar-Stausee... .110 Lyrbe/Seleukia 109 Zwischen Side und Alanya .112 Kizilot 112 Zwischen Karaburun und Alanya .113 Alarahan und Alarakale 113 Alanya ...115 Zwischen Alanya und Anamur .125 Dimgay-Tal und -Höhle 125 lotape .127 Syedra 126 Gazipa§a .128 Sapadere-Schlucht 126 Antiocheia ad Cragum.. .129 Anamur ...130 Zwischen Anamur und Silifke .137 Bozyazi und Softa Kalesi.. -
The Spectacular Art of Jean-Léon Gérôme
OBJECT LIST The Spectacular Art of Jean-Léon Gérôme AT THE J. PAUL GETTY MUSEUM, THE GETTY CENTER June 15 – September 12, 2010 1. Jean-Baptiste Carpeaux (French, 1827 - 1875) 6. Jean-Léon Gérôme (French, 1824 - 1904) Portrait of Jean-Léon Gérôme, 1872 - 1873 Anacreon, Bacchus, and Cupid, 1848 Marble Oil on canvas Object [including socle]: H: 61 cm (H: 24 in.) Unframed: 134 x 203 cm (52 3/4 x 79 15/16 The J. Paul Getty Museum, Los Angeles, in.) 88.SA.8 Musée des Augustins. Toulouse, France, 2004.1.102, EX.2010.2.20 2. Jean-Léon Gérôme (French, 1824 - 1904) Head of an Italian Woman, 1844 - 1860 7. Jean-Léon Gérôme (French, 1824 - 1904) Oil on canvas Anacreon, Bacchus, and Cupid, 1878 - 1881 Unframed: 44.5 x 36 cm (17 1/2 x 14 3/16 in.) Bronze Bequest of Noah L. Butkin. The Cleveland Object: H: 76 x W: 22.9 x D: 17.8 cm (29 Museum of Art. Cleveland, Ohio, 1980.264, 15/16 x 9 x 7 in.) EX.2010.2.38 Musée Georges Garret. Vesoul, France, 890-2-1, EX.2010.2.76 3. Jean-Léon Gérôme (French, 1824 - 1904) Child's Head with Mask and Sword, 1844 8. Jean-Léon Gérôme (French, 1824 - 1904) Oil on canvas A Greek Interior, 1850 Unframed (tondo): Diam.: 52 cm (20 1/2 in.) Oil on canvas Terence and Katrina Garnett, EX.2010.2.56 Unframed: 64 x 88 cm (25 3/16 x 34 5/8 in.) Lady Micheline Connery, EX.2010.2.95 4. -
Rivalry Through Games
Rivalry through Games In modern society, there is no better way for a city to express its superiority over another than through games. This can be seen from all stretches of the globe, whether it is a city competing with another for the honor to hold the olympic games or the next superbowl. However, this is not something unique to our society alone, it has been prevalent for thousands of years. Two cities in particular that expressed their civic rivalry through games and festivals were the ancient cities of Anazarbus and Tarsus. These cities competed fiercely with one another over the koinon of Cilicia, this is evident by examining the numismatic evidence of both cities, and their usage of games and festivals on their coinage. However before examining the numismatic evidence, it is necessary to explain just what the games were, why they were important to Greece and Rome. It is also necessary to give a background on the cities of Anazarbus and Tarsus in order to show why they were competing with one another. Then after viewing all these factors it will be possible through the numismatic evidence, to explain how the cities used the iconography on coinage to express who was the koinon of Cilicia, I will then look at whether the imperial cult played any role in identifying who was the koinon, and lastly by evaluating all the historical evidence and the coinage under the SNG, I will come up with my summary of when each city reigned supreme, and under which emperor. First, as to what the games/ festivals were they could have been anywhere from sporting contests (i.e. -
Beyond the Orientalist Canon: Art and Commerce
© COPYRIGHT by Fanna S. Gebreyesus 2015 ALL RIGHTS RESERVED 1 BEYOND THE ORIENTALIST CANON: ART AND COMMERCE IN JEAN-LÉON GÉRÔME'S THE SNAKE CHARMER BY Fanna S. Gebreyesus ABSTRACT This thesis re-examines Jean-Léon Gérôme's iconic painting The Snake Charmer (1879) in an attempt to move beyond the post-colonial interpretations that have held sway in the literature on the artist since the publication of Linda Nochlin’s influential essay “The Imaginary Orient” in 1989. The painting traditionally is understood as both a product and reflection of nineteenth-century European colonial politics, a view that positions the depicted figures as racially, ethnically and nationally “other” to the “Western” viewers who encountered the work when it was exhibited in France and the United States during the final decades of the nineteenth century. My analysis does not dispute but rather extends and complicates this approach. First, I place the work in the context of the artist's oeuvre, specifically in relation to the initiation of Gérôme’s sculptural practice in 1878. I interpret the figure of the nude snake charmer as a reference to the artist’s virtuoso abilities in both painting and sculpture. Second, I discuss the commercial success that Gérôme achieved through his popular Orientalist works. Rather than simply catering to the market for Orientalist scenes, I argue that this painting makes sophisticated commentary on its relation to that market; the performance depicted in the work functions as an allegory of the painting’s reception. Finally, I discuss the display of this painting at the 1893 Chicago World's Fair, in an environment of spectacle that included the famous “Oriental” exhibits in the Midway Plaisance meant to dazzle and shock visitors. -
3 a Day at the Games
84 A DAY AT THE GAMES 3 A Day at the Games The munus legitimum or standardized show established by Augustus had three main parts. Venationes, the wild animal fights, took place in the morning. At mid-day were the executions. In the afternoon, viewers enjoyed the high- light of the spectacle, the gladiatorial combats. Much effort was expended to add variety to these events, to surprise, delight, or shock the audience, with much success by all accounts. Spectators would come for the entire day or just a portion, depending on their tastes and other responsibilities. But watching the performers (or victims) was just one part of the lure of the spectacle; the games offered a wide range of opportunities for those in the stands to meet new and attractive people, to engage in conversation, to enjoy free handouts of food or prizes, and to protest or approve recent actions of the emperor or the state. For some, the games themselves were a sideshow for the main attraction, which was the formal gathering of the Roman people. For others, the Roman crowd was something to be avoided at all costs. Preparation and Pompa How was a spectacle set up? The preparation began some time in advance. The editor, if he did not own his own ludus or gladiatorial school (and most did not), contacted a lanista, one of the professionals in charge of ludi; in Rome and a number of regions of the empire, he could tap into the extensive resources of an imperial ludus, under the control of the emperor. -
Mo Ntebell O
The Montebello Voice an independent gazette shall we dance? July 14, 2021 voices on the 37 Jam session I’m looking to get together with musi- cians who live in Montebello. I general- ly play blues and classic rock, but inter- ested in just about any type of acoustic or electric music. I would be interested in putting some set lists out and maybe writing and recording some music. I play guitar and harmonica and sing. Get in touch with me at coreywalters@ yahoo.com.– Corey Walters M Cover photo of Stormy the Great and Frank Sprague by Dian McDonald The ntebel Voice Mo lo an independent gazette Alexandria, Virginia This publication accepts no funding or oversight from advertisers, residents, or the Montebello Condominium Unit Owners Association. All opinions are encouraged and reflect the diversi- ty of views in the community. All articles and photographs come from Montebello residents. To receive or contribute to this email-only gazette, contact [email protected] or visit Bambis in on the web at www.montebellovoice.com. the wood- lands by Editor & Designer Linda Mikhailina Karina Brownlee Contributors Joe de Angelis, Linda Brown- lee, Raymond Houck, Dian McDonald, Bob Shea, Frank Sprague, Corey Walters The Montebello Voice 2 July 14, 2021 gentle giant Frank and Stormy I have lived with a Norwegian Elkhound, black Lab, and multiple Great Danes. I had been looking for a dog for a few years and tried to rescue a greyhound, but didn’t get through the waitlist before the tracks closed. I also tried multiple local rescues – to no avail. -
The Function of the Roman Spectacle in Ephesos
The Function of the Roman Spectacle in Ephesos Christos Potamianos University of California, Santa Barbara (2011) CHRISTOS POTAMIANOS ACKNOWLEDGMENTS The greatest thanks must go to professor Beth DePalma Digeser who has encouraged me throughout my academic career at the University of California, Santa Barbara, and greatly assisted me in the completion of this work. I would also like to thank Sears McGee who has edited my work many times with what I can only describe as superhuman powers. Without their patience and help I would have never completed this project. I would also like to extend my thanks to the URCA committee for providing me with a greatly appreciated grant, and the faculty in the Department of History for the education they have provided me over the last two years. Finally, I would like to thank my family and friends (especially my roommates who had suffered from my annexation of our living room) who have motivated me to always try my best, however painful it might be. eHumanista ii CHRISTOS POTAMIANOS Table of Contents List of Illustrations 4 Chapter One: Introduction 1 1.2: Views 2 1.3: Sources 2 1.4: Background 3 Chapter Two: Origins of the Spectacles 6 2.2: Munera 6 2.3: Venationes 10 2.4: Greek Venationes 16 2.5: Ad Flammas, Ad Bestias 18 Chapter Three: Functions 21 3.2: Illusions of Civic Rights and Liberties 23 3.3: Food Distribution 30 3.4: Spectacles and Stability 31 3.5: Structures of Spectacles in Ephesos 33 Chapter Four: Conclusion 47 4.2: Appendix I 49 4.3: Appendix II 50 Bibliography 53 eHumanista iii CHRISTOS POTAMIANOS LIST OF ILLUSTRATIONS Fig.