Tools for Radical Democracy
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U2 Tour 2010/2011
U2 360° TOUR 2010/2011 EUROPE: 06-August Turin, Italy Stadio Olimpico Kasabian 10-August Frankfurt, Germany Commerzbank-Arena Kasabian 12-August Hannover, Germany AWD Arena Kasabian 15-August Horsens, Denmark Casa Arena Snow Patrol 16-August Horsens, Denmark Casa Arena Snow Patrol 20-August Helsinki, Finland Olympiastadion Razorlight 21-August Helsinki, Finland Olympiastadion Razorlight 25-August Moscow, Russia Luzhniki Stadium Snow Patrol 30-August Vienna, Austria Ernst Happel Stadion OneRepublic 03-September Athens, Greece O.A.K.A Olympic Stadium Snow Patrol 06-September Istanbul, Turkey Atatürk Olympic Stadium Snow Patrol 11-September Zurich, Switzerland Stadion Letzigrund OneRepublic 12-September Zurich, Switzerland Stadion Letzigrund OneRepublic 15-September Munich, Germany Olympiastadion OneRepublic 18-September Paris, France Stade de France Interpol 22-September Brussels, Belgium King Baudouin Stadium Interpol 23-September Brussels, Belgium King Baudouin Stadium Interpol 26-September San Sebastian, Spain Estadio de Anoeta Interpol *30-September Seville, Spain Estadio Olímpico de Sevilla Interpol *please note change of date – tickets for previously scheduled performance valid at the door 02-October Coimbra, Portugal Estadio Cidade Coimbra Interpol 03-October Coimbra Portugal Estadio Cidade Coimbra Interpol 08-October Rome, Italy Stadio Olimpico. Interpol AUSTRALIA / NEW ZEALAND: Nov. 25 Auckland, NZ Mt. Smart Stadium Jay-Z Nov. 26 Auckland, NZ Mt. Smart Stadium Jay-Z Dec. 01 Melbourne, AU Etihad Stadium Jay-Z Dec. 03 Melbourne, AU Etihad Stadium Jay-Z Dec. 08 Brisbane, AU Suncorp Stadium Jay-Z Dec. 09 Brisbane, AU Suncorp Stadium Jay-Z Dec. 13 Sydney, AU ANZ Stadium Jay-Z Dec. 14 Sydney, AU ANZ Stadium Jay-Z Dec. -
Pirated Music
radar: in each hand a cutlass “What’s there not to like about pirates?” asks more interesting trying to play off these strengths around,” Sassoon adds. Looks like it’s back to the LANA DEL REY Daniel Sassoon, as though the seafaring than finding tried-and-tested ground.” record collections for Sassoon and his merry men Born to Die scoundrels were universally loved. There’s little Sure enough, the sonic pirates find it more (and woman), to hunt down more hidden gems to Universal Music doubt the ex-Electrico guitarist is obsessed with comfortable relentlessly roaming, never anchoring capture and cobble into their aural kaleidoscopes. them, even naming his new band after the curved in one genre for longer than a few minutes. Each If you think that’s unscrupulous, don’t. After all, pirated blades they usually brandish. And if Johnny Depp of the album’s 11 songs careens from style to what’s there not to like about pirates? was right in calling pirates the rock stars of their style with gleeful abandon, and you can almost time, then In Each Hand A Cutlass is the Jack see the band playing with a little smirk, egging you Purchase a digital copy of the band’s album A Universe Made Sparrow of ours. “It’s a great image… being on to spot the myriad references they’ve snuck in. Of Strings, at ineachhandacutlass.bandcamp.com. armed with two cutlasses, charging into the fray,” That’s a tough job. The five-piece samples music Sassoon says of the band’s name. -
Assessing Liberal and Radical Democracy and Its Political Support : a Comparative Analysis at the Subnational Level of the Swiss Cantons
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2014 Assessing liberal and radical democracy and its political support : A comparative analysis at the subnational level of the swiss cantons Dlabac, Oliver Abstract: Whereas established democracies have been responding to public pressures for broader in- clusion, grassroots participation as well as public accountability, existing measures of democracy rely almost exclusively on a liberal conceptualization of representative democracy. Most notably, they ignore another fundamental tradition of democratic thought: that of radical democracy, which strives for direct participation of all citizens in the public debate and in political decision-making. Drawing from classical liberal and radical views on what democratic institutions can or should accomplish, we construct a mul- tidimensional measurement instrument which we devise specifically for the subnational level of the Swiss cantons. The resulting measures point to a dilemma of radical democracy, since participatory cantons are markedly less inclusive. Liberal democracies in turn are faced with a different dilemma: Citizens in liberal democracies are significantly less supportive of both their political institutions and their political community. Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-104929 Conference or Workshop Item Originally published at: Dlabac, Oliver (2014). Assessing liberal and radical democracy and its political support : A comparative analysis at the subnational level of the swiss cantons. In: Effective and democratic? Assessing the input and output legitimacy of democratization (University of Zurich, Centre for Comparative and International Studies (CIS) and Centre for Democracy Studies, Aarau), Zürich/Aarau, 6 March 2014 - 7 March 2014. -
Islam and Democracy: Is Modernization a Barrier? John O
Religion Compass 1/1 (2007): 170±178, 10.1111/j. 1749-8171.2006.00017.x Islam and Democracy: Is Modernization a Barrier? John O. Voll Georgetown University Abstract The relationship between Islam and democracy is a hotly debated topic. Usually the disagreements are expressed in a standard form. In this form, the debaters' definitions of ªIslamº and ªdemocracyº determine the conclusions arrived at. It is possible, depending upon the definitions used, to ªproveº both positions: Islam and democracy are compatible and that they are not. To escape from the predefined conclusions, it is necessary to recognize that ªIslamº and ªdemocracyº are concepts with many definitions. In the twenty-first century, important interpretations of Islam open the way for political visions in which Islam and democracy are mutually supportive. Does religion represent an obstacle to modernization and democratization? Does religion pose a threat to democracy if a democratically elected govern- ment becomes a ªtheocracyº? Does the majority rule of democracy threaten the liberty and freedom of other members of a society? If the majority imposes its will upon minorities, is that a departure from democracy in general or form of ªliberalº democracy? Does modernization strengthen or inhibit democratization and individual liberty? These broad questions are being debated in many different contexts around the world. They provide a framework for looking at the experience of Muslim societies and the relationships between Islam and democracy. Tensions between democracy and liberty -
For an Architecture of Radical Democracy Dural Tweaks in Purely Technical Terms)
Peggy Deamer & Manuel Shvartzberg as a natural reality stemming from individual’s Thus, in Laclau and Mouffe’s theory, work, natural preferences and requiring only proce- workers, and the working class are reconceived For an Architecture of Radical Democracy dural tweaks in purely technical terms). Argu- as follows: (1) In lieu of the idea that the eco- ing that there is simply no outside to the social nomic process is a categorical, ‘transparent’, itself—no privileged vantage point from which and objective phenomenon where capital and to formulate a total perspective on it—Laclau labour relate exclusively in economic terms, and Mouffe propose that culture replaces struc- Laclau and Mouffe argue that socio-cultural to this question. It is enlightening because it 2 Any viable political project in architecture to- ture as the chief mediating agent of the social. relations are fundamental to the economic pro- re-focuses Marxist critique for the current day must contend with the idea and practices of This cultural versus structural description of cess. The fact that workers are able to socially economic regime under explicitly postmodern radical democracy. At a time of global socio-po- society attempts to reckon with identifications organize themselves and affect the nature and conditions and it is applicable because it offers a litical and economic upheaval, the architectural that are not just economically illogical, but often terms of their working conditions de-mystifies scalable model for how architecture and archi- 3 profession, like other collectives, seeks models contradictory. Yet such identifications may pro- the idea that “the economy could be under- tectural work can be rethought in this context. -
U2 360 RETURNS 5.20.11 FINAL V2 for LN.Com and Email Blast Follwed
U2 360° TOUR RETURNS TO NORTH AMERICA TOMORROW NIGHT! Denver, CO (May 20, 2011) Following three sold-out shows at Mexico City’s Azteca Stadium, U2 360° wil l make its much anticipated return to North America this summer for 22 shows across 20 cities, kicking off tomorrow - May 21 at Invesco Field in Denver, Colorado. Ahead of tomorrow night’s show in Denver, the Edge discusses what U2 fans can expect from the band’s return in the attached video link which also includes highlights from the tour. Low resolution viewing and on-line use, as well as a high broadcast link, please go to: www.U2.com/rmpphoto Also available at: http://media.u2.com/rmpphoto/360/video/U2360TOURRETURNS.mov U2 360° opened on June 30, 2009 in Barcelona, Spain arriving in North America on September 12, 2009 at Soldier Field, Chicago for 20 dates across 16 cities. This summer U2 360° will play 18 new cities acro ss the U.S. and Canada before finishing up in Moncton, New Brunswick on July 30. The North American tour dates will feature a variety of popular supporting artists including The Fray, Lenny Kravitz, Florence and the Machine, Interpol, and Arcade Fire. U2 360° has already set the record for the most suc cessful tour of all time, having thus far played to over 5 million people across Europe, Russia, North America, South America, South Africa, Australia and New Zealand. By the tour end on July 30, more than 7 million people will have seen this revolutionary production with 110 shows in 30 countries across five continents. -
An Examination of Contemporary Christian Music Success Within Mainstream Rock and Country Billboard Charts Megan Marie Carlan
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 8-21-2019 An Examination of Contemporary Christian Music Success Within Mainstream Rock and Country Billboard Charts Megan Marie Carlan Follow this and additional works at: https://digitalcommons.pace.edu/honorscollege_theses Part of the Music Business Commons An Examination of Contemporary Christian Music Success Within Mainstream Rock and Country Billboard Charts By Megan Marie Carlan Arts and Entertainment Management Dr. Theresa Lant Lubin School of Business August 21, 2019 Abstract Ranging from inspirational songs void of theological language to worship music imbued with overt religious messages, Contemporary Christian Music (CCM) has a long history of being ill-defined. Due to the genre’s flexible nature, many Christian artists over the years have used vague imagery and secular lyrical content to find favor among mainstream outlets. This study examined the most recent ten-year period of CCM to determine its ability to cross over into the mainstream music scene, while also assessing the impact of its lyrical content and genre on the probability of reaching such mainstream success. For the years 2008-2018, Billboard data were collected for every Christian song on the Hot 100, Hot Rock Songs, or Hot Country Songs in order to detect any noticeable trend regarding the rise or fall of CCM; each song then was coded for theological language. No obvious trend emerged regarding the mainstream success of CCM as a whole, but the genre of Rock was found to possess the greatest degree of mainstream success. Rock also, however, was shown to have a very low tolerance for theological language, contrasted with the high tolerance of Country. -
Lyric Analysis and Songwriting with Adolescent's Processing Complex
Lesley University DigitalCommons@Lesley Graduate School of Arts and Social Sciences Expressive Therapies Capstone Theses (GSASS) Spring 5-16-2020 Lyric Analysis and Songwriting with Adolescent’s Processing Complex Trauma Peyton Mayzel Lesley University, [email protected] Follow this and additional works at: https://digitalcommons.lesley.edu/expressive_theses Part of the Clinical Psychology Commons, and the Music Therapy Commons Recommended Citation Mayzel, Peyton, "Lyric Analysis and Songwriting with Adolescent’s Processing Complex Trauma" (2020). Expressive Therapies Capstone Theses. 254. https://digitalcommons.lesley.edu/expressive_theses/254 This Thesis is brought to you for free and open access by the Graduate School of Arts and Social Sciences (GSASS) at DigitalCommons@Lesley. It has been accepted for inclusion in Expressive Therapies Capstone Theses by an authorized administrator of DigitalCommons@Lesley. For more information, please contact [email protected], [email protected]. 1 Running Head: ARC MODEL AND ROMT, LYRIC ANALYSIS AND SONGWRITING Lyric Analysis and Songwriting with Adolescent’s Processing Complex Trauma Capstone Thesis Option #1 Lesley University 04/20/2020 Peyton Mayzel Music Therapy Tim Reagan, PhD ARC MODEL AND ROMT, LYRIC ANALYSIS AND SONGWRITING 2 Abstract This study examines how lyric analysis and songwriting can aid adolescents processing complex developmental traumas. The use of music, lyric analysis, and songwriting can provide a space for adolescents to express themselves and process their struggles they have encountered in their lives. Music, lyric analysis, and songwriting can also be used as a way for adolescents to build their self-identity and help them to make important life decisions. These concepts are all related to the attachment, self-regulation, and competency (ARC) model created by Blaustein & Kinniburgh in 2005. -
Montage Song Suggestions
MONTAGE SONG LIST INTRODUCTION MONTAGE SONGS Song Artist Angels Lullaby Richard Marx A Kiss To Build A Dream On Louis Armstrong As Time Goes By Jimmy Durante Beautiful In My Eyes Joshua Kadison Beautiful Baby Bing Crosby Beautiful Boy Elton John Because You Loved Me Celine Dion Billionaire Travis McCoy Boys Keep Swinging David Bowie Brighter Than The Sun Colbie Caillat Brown Eyed Girl Van Morrison Bubbly Colbie Butterfly Fly Away Miley Cyrus Can You Feel The Love Tonight Elton John Circle Of Life Elton John Count on Me Bruno Mars Everything I Do, I Do It For You Brian Adams Fireflies Owl City First Time I Ever Saw Your Face Celine Dion First Time I Ever Saw Your Face Roberta Flack Flying Without Wings Ruben Studdard God Must Have Spent A Little More Time NSYNC Grenade Bruno Mars Hero Mariah Carey Hey, Soul Sister Train I Am Your Child Barry Manilow I Don’t Wanna Miss A Thing Aerosmith I Hope You Dance Lee Ann Womack I Learned From You Miley Cyrus In Your Eyes Peter Gabriel If I Could Ray Charles Just The Way You Are Bruno Mars Lean on Me Glee Let Them Be Little Lonestar Mad World Adam Lambert No Boundaries Kris Allen Ordinary Miracles Amy Sky She’s The One Rubbie Williams Smile Glee The Only Exception Paramore Through The Years Kenny Rogers Times Of Your Life Paul Anka Tiny Dancer Elton John Smile Uncle Kracker U Smile Justin Beiber What A Wonderful World Louis Armstrong What A Wonderful World Israel Kamakawiwo'ole Wind Beneath My Wings Bette Midler You Are So Beautiful Joe Cocker MIDDLE MONTAGE SONGS Song Artist Ain’t No Mountain High Enough Diana Ross Allstar Smashmouth Are You Gonna Be My Girl Jet American Girl Tom Petty Angel Lionel Richie Animal Neon Trees Beat Of My Heart Hilary Duf Beautiful Day U2 Beautiful Girl Sean Kingston Billionaire Travis McCoy Born To Be Wild Steppenwolf Bottle It Up Sara Bareilles Break Out Miley Cyrus California Gurls Katy Perry Cooler Than Me Mike Posner Daddys Girl Miley Cyrus Dominoe Jessie J. -
“9” Just Short of a Perfect 10
6 AQUINAS THURSDAY, SEPTEMBER 17, 2009 7 Arts & Life Editor Joe Wolfe Brand New’s darker “Daisy” VMAs still full Campus Comment COMMentarY BY Arts Life Nicholas Chinman Dervela O’BRIEN of surprises & Staff Writer In the aftermath of the West Fans of the alternative-rock COMMentarY BY incident, Swift stunned the audi- band, Brand New, are anxiously TIM SIMpsON ence with her live performance. Download awaiting the release of the band’s Staff Writer She sang her award winning “9” just short of a perfect 10 fourth album entitled “Daisy,” single “You Belong with Me” in a which is scheduled to be released On September 13, the 2009 crowded New York City subway of the September 22. After almost three MTV Video Music Awards took COMMentarY BY with fans providing the back- years of touring and writing new place at Radio City Music Hall ground vocals to her tune. She JEREMY Evans material since their well-received in New York City. For the sec- week glowed with enthusiasm while Staff Writer “The Devil and God Are Raging ond consecutive year, the event spinning around in circles, danc- Inside Me,” the Long Island native was hosted by comedian Russell ing on the seats and involving In 2005, Shane Acker created band has worked hard to put to- Brand. several members of the crowd an animated short as a student “Pale Blue gether their latest album, which is The night began with a heart- in her upbeat performance. Af- project. He crafted a fascinating sure to surprise its listeners. felt speech delivered by Madon- ter leaving the subway, she and world, one which caught the at- “Daisy” follows many of the na in honor of her late friend Mi- PHOTO BY BRAND NEW MYSPACE PAGE her fans ran to the front of Radio tention of many in the film-mak- Eyes” same dark philosophical themes chael Jackson. -
Africa Toto All for You Sister Hazel All Mixed up Three Eleven All My
Africa Toto All For You Sister Hazel All Mixed Up Three Eleven All My Friends Revivalists All These Things The Killers Alligator Monsters and Men American Girl Tom Petty Animal Neon Trees Animals Maroon 5 Back Home Andy Grammer Believer Imagine Dragons Blame It On Me George Ezra Blinding Lights The Weekend Blow Ed Sheeran Blurred Lines Robin Thicke Breathing Under Water Metric Broken Lovely The Band Cake By The Ocean DNCE Can't Knock The Hustle Weezer Can't Stop The Feeling Justin Timberlake Circles Post Molone Counting Stars One Republic Cruise Florida Georgia Line Dani California Red Hot Chili Peppers Dark Necessities Red Hot Chili Peppers Delicate Taylor Swift Don't Start Now Dua Lipa Don't Stop Believin' Journey D'yer Maker Led Zepplin Ex's and Oh's Elle King Feel It Still Portugal The Man Friends In Low Places Garth Brooks Gunpowder and Lead Miranda Lambert Happier Marshmellow Hard Times Paramore Hard To Handle Black Crows Harder To Breathe Maroon 5 Hey Brother Avici Hey Ya! Outkast High Hopes Panic At The Disco Hit Me With Your Best Shot Pat Benatar Hold On Wilson Phillips Holiday Greenday Honey I'm Good Andy Grammer Hot Blooded Foreigner Hot In Herre Nellie I Don't Wanna Be Gavin Degraw I Feel Fine The Beatles Island In The Sun Weezer It's Time Imagine Dragons Jessie's Girl Rick Springfield Just A Girl No Doubt Just Like Heaven The Cure Little Talks Monsters and Men Little White Church Little Big Town Lonely Boy The Black Keys Love Don't Die The Fray Madness Muse Mary Jane's Last Dance Tom Petty Me! Taylor Swift ft Brandon Urie Meant To Be Bebe Rexha Mama's Broken Heart Miranda Lambert Mr. -
PRESS RELEASE June 20, 2014 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 Or [email protected]
PRESS RELEASE June 20, 2014 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 or [email protected] High-resolution images of the artists listed are available on Wolf Trap’s website: wolftrap.org/Media_and_Newsroom/Photos_for_Publication.aspx. Wolf Trap Presents Sara Bareilles with Special Guests Lucius and Emily King; The Fray with Barcelona and Oh Honey; Straight No Chaser; Tchaikovsky, Ravel & Rossini; 2001: A Space Odyssey; and Huey Lewis & the News with Special Guest Marc Broussard All Shows at the Filene Center at Wolf Trap National Park for the Performing Arts, 1551 Trap Road, Vienna, Virginia 22182 Sara Bareilles Special Guests: Lucius Emily King Little Black Dress Tour Monday, July 14, 2014 at 7:30 pm Sara Bareilles is bringing her Little Black Dress Tour to Vienna for her Wolf Trap debut! The pop-rock songstress shot to stardom with her 2007 album Little Voice, which topped the iTunes Most Downloaded list. The California singer/songwriter has scored three Billboard Top 40 singles, “Love Song,” “King of Anything,” and “Brave,” the first of which was certified four times platinum and firmly established Bareilles as a strong contemporary voice. She has been nominated for a Grammy Award a stunning five times, the latest for her 2014 record, The Blessed Unrest, for Album of the Year. Video: Sara Bareilles – “Love Song” Brooklyn-based indie-pop band Lucius gives a modern spin to a retro pop sound. The ensemble includes Jess Wolfe and Holly Laessig on lead vocals, Peter Lalish and Andrew Burri playing guitar, and Dan Molad on the drums. Rolling Stone praised their first album, 2013’s Wildewoman, by declaring Lucius “the best band you may not have heard yet.” In the same year as their debut release, the video for the group’s single “Go Home” won the Best Animation award at Brooklyn’s Silver Sound Showdown: Music + Video Festival.