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Satanic Ritual Calendar Difficult Dates Please Note That Not All Cults Observe All Holidays
Satanic Ritual Calendar Difficult Dates Please note that not all cults observe all holidays. Dates with significance to individual groups, like leaders&rsquo birthdays, may also be celebrated. Those groups that utilize numerology mark dates whose numbers add up to ‘‘power numbers’’ or dates with repeating numbers, such as October 10, 2010. More information on some of the major holidays is found at http://www.survivorship.org/resources/articles/holidays.html S = satanic N = nazi P = polytheistic (belief in and worship of more than one god) T = thelemic Ritual Calendar: 2012 January 1/1 S New Year's Day 1/5 P Shivaratri (night of Shiva creator/destroyer) 1/5 or 1/6 S Twelfth Night 1/6 P Dionysian Revels 1/6 P Kore gives birth/manifestation of divinity 1/6 S Epiphany 1/7 S St Winebalt's Day 1/9 S Full Moon 1/12 N Birth of both Rosenburg and Goering, Nazi leaders in WWII 1/13 S Satanic New Year 1/17 S Feast of Fools (Old Twelfth Night) /satanic and demon revels 1/18 S Old Epiphany 1/17 N Martin Luther King Day 1/18 - 1/22 P Dream Festival (Pleiades) 1/19 N (starts evening of 1/20) N Tu B'Shevat (Jewish celebration of spring) 1/20 S St. Agnes' Eve 1/23 S New Moon 1/26 S? Australia Day 1/30 N Hitler named Chancellor of Germany February 2/1 - 3 P Mysteries of Persephone 2/2 S Candlemas (Imbolc) 2/7 S Full Moon 2/12 S Lincoln's Birthday 2/14 S N Valentine's Day 2/14 S Fertility Rituals 2/15 P Lupercalia (she-wolf mother of Romulus and Remus: honoring of Pan) 2/21S? President's Day 2/ 21 - 2/22 P Feralia/Terminalia (Roman All Souls'/boundary day) 2/21 S New moon 2/21 or 2/22 S? Washington's Birthday 2/25 N Walpurgis Day March 3/1 S St. -
Thomas Moore, Whose Patri- Manuscript Facsimiles and Musical Files, Otic-Imbued Writings Earned Him the with Commentary,” He Said
cc Page 24 Echo Lifestyle Ireland’s Minstrel Boy gets his encore By Michael P. Quinlin [email protected] William Blake. Phase one of the Moore project is slat- BOSTON — Ireland’s first mega star ed to go live this November, when the wrote poetry, history tomes and political Hypermedia Archive will be launched polemics that made him the talk of the at a conference in Galway, according to town in his native Dublin as well as in Ryder. London, Boston and New York. “By next year, we should have all the We’re not talking about Bono here, ‘Irish Melodies’ available online as texts, but rather Thomas Moore, whose patri- manuscript facsimiles and musical files, otic-imbued writings earned him the with commentary,” he said. The interest in Moore is enhanced by www.irishecho.com / Irish Echo May 21-27, 2008 titles Bard of Erin and Ireland’s National Poet. two new biographies, including one It was Moore’s lyrics to ancient Irish published last month by Ronan Kelly airs that brought him fame and notoriety entitled, “The Bard of Erin: the Life of during his lifetime and beyond. His Thomas Moore,” which Ryder says is famous collection, “Moore’s Melodies,” superb. was admired by the likes of Beethoven Like Ryder, Professor Flannery in and Lord Byron, and translated into six Atlanta never lost faith in Moore’s languages. importance in Irish history as a song- “Moore’s Melodies” was a ten-vol- writer, a literary influence and a nation- ume set of 124 songs published between alist figure. -
Millenniumforum @Millenniumforum Download Our App 2 Box Office +44 (0) 28 7126 4455 Through Arts Council Northern Ireland
www.millenniumforum.co.uk BOX OFFICE: 028 7126 4455 JANUARY - APRIL 2017 PROGRAMME /MillenniumForum @MillenniumForum Download Our App 2 Box Office +44 (0) 28 7126 4455 www.millenniumforum.co.uk through Arts Council Northern Ireland WELCOME TO ANOTHER GREAT SEASON OF SHOWS TO TAKE US THROUGH TO THE FIRST BUDS OF SPRING. This season we have superb headlining with its breathtaking sets and vibrant musicals beginning with the West End tour choreography. of DIRTY DANCING in February bringing the story of Johnny and Baby from screen We have drama with Shakespeare’s to stage in this dynamic production which HAMLET, brought to us by Icarus Theatre is garnering rave reviews on tour. in January. There is comedy drama by popular local playwright, Irene Melaugh, A brand new stage show makes its Irish with THE DERRY DUMPED DIVORCEES’ debut on our stage when WONDERLAND SUPPORT GROUP in March. The LMS arrives in February as part of its UK tour. joins us with SEVEN BRIDES FOR SEVEN This enchanting musical adaptation of the BROTHERS later in the season. Lewis Carroll classic stars Wendi Peters (Coronation Street) and acclaimed musical We have a fabulous show for children when theatre favourite, Dave Willets. Olivier nominated ROOM ON THE BROOM makes its debut in this magical, musical We have a wide range of Irish music artists adaptation of the classic picture book by this season with THE HIGH KINGS, DEREK Julia Donaldson and Axel Scheffler. RYAN and CHARLIE LANDSBOROUGH in January. HOMEGROWN returns in the I hope you can join us in our busy season! same month featuring a number of up- You can view our full programme at and-coming local musicians including millenniumforum.co.uk PAUL CASEY and THE HENRY GIRLS. -
Irish Studies Around the World – 2020
Estudios Irlandeses, Issue 16, 2021, pp. 238-283 https://doi.org/10.24162/EI2021-10080 _________________________________________________________________________AEDEI IRISH STUDIES AROUND THE WORLD – 2020 Maureen O’Connor (ed.) Copyright (c) 2021 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Introduction Maureen O’Connor ............................................................................................................... 240 Cultural Memory in Seamus Heaney’s Late Work Joanne Piavanini Charles Armstrong ................................................................................................................ 243 Fine Meshwork: Philip Roth, Edna O’Brien, and Jewish-Irish Literature Dan O’Brien George Bornstein .................................................................................................................. 247 Irish Women Writers at the Turn of the 20th Century: Alternative Histories, New Narratives Edited by Kathryn Laing and Sinéad Mooney Deirdre F. Brady ..................................................................................................................... 250 English Language Poets in University College Cork, 1970-1980 Clíona Ní Ríordáin Lucy Collins ........................................................................................................................ 253 The Theater and Films of Conor McPherson: Conspicuous Communities Eamon -
Okeedokeestudyguide2016.Pdf
TABLE OF CONTENTS Who Are The Okee Dokee Brothers?.................................................................................................................................1 What Kind of Music Do They Play?.................................................................................................................................2 Down the Mississippi River...............................................................................................................................................3 On the Appalachian Trail..................................................................................................................................................4 Along the Great Divide.....................................................................................................................................................5 Instruments in the Show: Strings.......................................................................................................................................6 Instruments in the Show: Percussion..................................................................................................................................7 Before the Performance.....................................................................................................................................................8 After the Performance.......................................................................................................................................................9 Okee Dokee Vocab..........................................................................................................................................................10 -
Helping Hands, Inc* 415 Hoffmansville Rd* Bechtelsville, PA
Helping Hands, Inc* 415 Hoffmansville Rd* Bechtelsville, PA 19505 Phone-610-754-6491*Fax- 610-754-7157* Email- HHandsInc @Comcast.net ~ Website: www.HelpingHandsInc.com And Find us on Facebook at HelpingHandsPA -Tuesday, March 1, 2016 -As Mother Nature decided not to allow in February, we will be making the rescheduled trek to Valley Forge Casino for some gambling fun!!! Cost will be $30.00 per person which will include lunch in the area. Please bring along money for gambling and for additional snacks, or feel free to bring a snack. They have penny, nickel, dime, quarter, etc machines, and plenty of tables for cards, roulette, etc. We will be taking one van and meeting at the Helping Hands office at 10:00am and returning at 3:00pm. All participants MUST have a valid ID card for participation as they will verify upon admission. If you do not have this upon arrival to the office, you will not be permitted to participate. Space is limited and will be on a first call first reserved basis. -Friday, March 4, 2016 -Let’s get into the St. Patrick’s Day spirit with a concert to see Gaelic Storm at the Colonial Theater in Phoenixville, PA. “After nearly two decades and more than 3,000 live shows, Gaelic Storm — the chart-topping, multi-national Celtic band — is looking sharper than ever with their latest release, Matching Sweaters. The new album mixes traditional Irish music with modern influences, creating a sound that's as wide- ranging as the band's own audience. From bluegrass fans and country cowboys to Deadheads, rock & rollers and Celtic fanatics, Gaelic Storm has built one of the most diverse fan bases in modern music. -
The Ritual Performance and Liminal Bleed of the Beltane Fire Festival, Edinburgh
Please note: this is a final draft version of the manuscript, published in the book Rituals and Traditional Events in the Modern World (2014). Edited by Jennifer Laing and Warwick Frost. Part of the Routledge Advances in Event Research Series: http://www.routledge.com/books/details/9780415707367/ Layers of passage: The ritual performance and liminal bleed of the Beltane Fire Festival, Edinburgh Ross Tinsley (a) Catherine M Matheson (b) a – HTMi, Hotel and Tourism Management Institute Switzerland, 6174 Soerenberg, Kanton Luzern, Switzerland T: +41 (0) 41 488 11 E: [email protected] b – Division of Business, Enterprise and Management, School of Arts, Social Sciences and Management, Queen Margaret University, Edinburgh, Queen Margaret University Drive, Musselburgh, East Lothian EH21 6UU T: +44 (0) 131 474 0000 E: [email protected] Introduction This chapter examines the ritual performance of the Beltane Fire Festival (BFF) which occurs annually on the 30th April on Calton Hill, Edinburgh. The BFF is a contemporary reinterpretation of an ancient Celtic festival celebrating the passage of the seasons. It is a spring festival marking the end of winter and the beginning of summer. As such, the underlying symbolism of the BFF is renewal and rebirth, given the relationship to the passage of the seasons and, furthermore, fertility of people, land and livestock (BFS 2007; Frazer 1922). The contemporary BFF is an interesting context as while it is based on a traditional agrarian and calendrical rite of passage celebrating the passage of a season, it also embodies life-crises style rites of passage for many of the performers in its modern re-interpretation as a liminoid experience (Turner 1975). -
Chapter Four Celtic Spirituality
CHAPTER FOUR CELTIC SPIRITUALITY 4.1 Introduction The rediscovery of Celtic spirituality, particularly Celtic prayers and liturgical forms, has led to a popular movement, inter alia, among Anglicans around the world, including those in South Africa. Celtic spirituality has an attraction for both Christian and non-Christian, and often the less formal services are easier for secularized people, who have not been raised in a Christian environment, to accept. A number of alternative Christian communities wit h an accent on recovering Celtic spirituality have been established in recent years in the United Kingdom and in other parts of the world. The Northumbria Community, formed in 1976 (Raine & Skinner 1994: 440) is described as follows: The Community is clearly Christian, but with members from all kinds of Christian tradition, and some with no recognisable church background at all. We are married and single: some are unemployed, most are in secular jobs, some in full-time service which is specifically Christian, others are at home looking after families….Some of the most loyal friends of the Community are not yet committed Christians, but they are encouraged to participate as fully as they feel they can in our life. The Northumbria Community is one of several newly established communities with clear links to Celtic Spirituality. The near-universal appeal and flexibility reflected in the quotation above, is a feature of Celtic spirituality. For many in secularized Europe, the institutional church has lost its meaning, and traditional Christian symbols have no significance. Some of these people are now re-discovering Christianity through the vehicle of Celtic spirituality. -
Mohawk Valley Irish Cultural
MOHAWK VALLEY IRISH CULTURAL Volume 13, Issue 11 EVENTS NEWSLETTER Nov 2016 Enter the Haggis Comes Back Home November 5th is no doubt going to be a long day for Toronto Celtic Rockers Enter the Haggis. Beginning at 10 AM at the F.X. Matt Brewery’s 1888 Tavern, they’ll be hosting a listening party for their latest release, “Broken Arms,” and then at 7 PM they’ll be giving a concert in MVCC’s Schafer Theater. Since 1995, Enter the Haggis has led the charge among Celtic Folk Rock bands, with their most recent album debuting at No. 9 on the U.S. national Billboard Heatseekers charts. And while their ambitious touring schedule has earned them fans around the globe, they seem to have a special affinity for the folks in this area. Their first trip here was in April 2005 to perform at Utica’s legendary club, the Devereux, and they’ve returned at least once a year ever since then. Besides their several appearances as headliners at the Great American Irish Festival and playing at every “festival eve” Saranac Thursday since 2009, they have also included Utica as one of only two cities to hold listening parties for their last two CD releases (the other being a small Irish town called Boston). The band’s new album, “Broken Arms” is their third EP (fourth if you include the one the released as Jubilee Riots) to go along with their eight studio, five live and one compilation CDs (and if that wasn’t enough, guitarist/vocalist Trevor Lewington just released a new solo album, “Lion of Grace,” while House of Hamill -- the duo made up of bandmate Brian Buchanan and his fiancée, Burning Bridget Cleary’s Rose Baldino -- has just released an album called “Wide Awake”). -
BRT Past Schedule 2016
Join Our Mailing List! 2016 Schedule current schedule 2015 past schedule 2014 past schedule 2013 past schedule 2012 past schedule 2011 past schedule 2010 past schedule 2009 past schedule JANUARY 2016 NOTE: If a show at BRT has an advance price & a day-of-show price it means: If you pre-pay OR call in your reservation any time before the show date, you get the advance price. If you show up at the door with no reservations OR call in your reservations on the day of the show, you will pay the day of show price. TO MAKE RESERVATIONS, CALL BRT AT: 401-725-9272 Leave your name, number of tickets desired, for which show, your phone number and please let us know if you would like a confirmation phone call. Mondays in January starting Jan. 4, $5.00 per class, 6:30-7:30 PM ZUMBA CLASSES WITH APRIL HILLIKER Thursday, January 7 5:00-6:00 PM: 8-week class Tir Na Nog 'NOG' TROUPE with Erika Damiani begins 6:00-7:00 PM: 8-week class SOFT SHOE TECHNIQUE with Erika Damiani begins 7:00-8:00 PM: 8-week class Tir Na Nog GREEN TROUPE (performance troupe) with Erika Damiani begins Friday, January 8 4:30-5:30 PM: 8-week class Tir Na Nog RINCE TROUPE with Erika Damiani begins 5:30-6:30 PM: 8-week class BEGINNER/ADVANCED BEGINNER HARD SHOE with Erika Damiani begins 6:30-7:30 PM: 8-week class SOFT SHOE TECHNIQUE with Erika Damiani begins 7:30-8:30 PM: 8-week class Tir Na Nog CEOL TROUPE with Erika Damiani begins Saturday, January 9 9:00 AM: 8-week class in BEGINNER IRISH STEP DANCE for children 5-10 with Erika Damiani begins 10:00 AM: 8-week class in CONTINUING -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Irish Folklore and Mythology in Irish Young Adult Fantasy Literature: Kate Thompson’s The New Policeman, and O.R. Melling’s The Hunter’s Moon.“ Verfasserin Monika Kraigher angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, im Januar 2013 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuer: Ao. Univ.-Prof. Mag. Dr. Franz Wöhrer To my grandmother, for her love, guidance and support... I would like to express my gratitude to Prof. Wöhrer for his exceptional guidance and patience. Thank you to my mother who has supported and motivated me unconditionally during my studies and in my everyday life. Finally, I would like to thank my friends and colleagues, notably the “gang“ from the Australian literature room, who were a great mental support during the work on this diploma thesis. DECLARATION OF AUTHENTICITY I confirm to have conceived and written this Diploma Thesis in English all by myself: Quotations from other authors are all clearly marked and acknowledged in the bibliographical references, either in the footnotes or within the text. Any ideas borrowed and/or passages paraphrased from the works of other authors are truthfully acknowledged and identified in the footnotes. Table of contents 1. Introduction ................................................................................................................ 1 2. Irish Children’s and Young Adult Literature ........................................................ -
Enter the Haggis - BIO
Enter The Haggis - BIO TER ACE BE OK IKE ND BAND BIO Trevor Lewington – vocals, guitar Brian Buchanan – vocals, fiddle, keyboards, guitar Craig Downie – bagpipes, harmonica, whistle, vocals Mark Abraham – bass, vocals Bruce McCarthy – drums CLICK HERE FOR THE PRESS KIT Over the past three albums and five years, Toronto’s Celtic rock band Enter The Haggis has found itself at the center of a grassroots success story ever teetering on the brink of mainstream success. From playing Celtic festivals to headlining them, and from the festival circuit to selling out multiple nights in rock venues, ETH has blazed a path with heavy and almost constant touring up and down the East Coast, to Canada, the West Coast and back again, winning over success one fan, one town, one region at a time. The band has made waves in the genre, landing high Billboard and iTunes World Music chart positions as well as major television appearances on shows like Live With Regis And Kelly, A&E Breakfast With the Arts and PBS’ popular program Out of Ireland, with its multi-influence style of Celtic rock. It’s the kind of overall sound and devotion package that has created not only die-hard fans, but “Haggis Heads” that follow the band from gig to gig. The band has been together in its current incarnation since members met in the early 2000s in Toronto, where more than half the band was studying its craft in the city’s colleges and universities. With that kind of classically trained background Enter The Haggis is constantly honing and evolving its sound – blending elements of rock and pop with traditional Celtic fare, an art school eclecticism and a keen sense of arrangement.