Everyday Ubicomp: Towards a Paperless Journey?
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CJR - Iraqgate, by Russ W
CJR - Iraqgate, by Russ W. Baker March/April 1993 | Contents IRAQGATE The Big One That (Almost) Got Away Who Chased it -- and Who Didn't by Russ W. Baker Baker, a member of the adjunct faculty at Columbia University's Graduate School of Journalism, is a free-lance writer who regularly contributes to The Village Voice. Research assistance was provided by Julie Asher in Washington and Daniel Eisenberg in New York. ABC News Nightline opened last June 9 with words to make the heart stop. "It is becoming increasingly clear," said a grave Ted Koppel, "that George Bush, operating largely behind the scenes throughout the 1980s, initiated and supported much of the financing, intelligence, and military help that built Saddam's Iraq into the aggressive power that the United States ultimately had to destroy." Is this accurate? Just about every reporter following the story thinks so. Most say that the so-called Iraqgate scandal is far more significant then either Watergate or Iran-contra, both in its scope and its consequences. And all believe that, with investigations continuing, it is bound to get bigger. Why, then, have some of our top papers provided so little coverage? Certainly, if you watched Nightline or read the London Financial Times or the Los Angeles Times, you saw this monster grow. But if you studied the news columns of The Washington Post or, especially, The New York Times, you practically missed the whole thing. Those two papers were very slow to come to the story and, when they finally did get to it, their pieces all too frequently were boring, complicated,and short of the analysis readers required to fathom just what was going on. -
The Importance of Fact Checking User-Generated Content for Journalists
An Automated Approach to Fact Checking User-Generated Content for Journalists Lindsay Holmwood [email protected] Södertörns högskola Abstract Journalists have exhibited widespread caution in regard to using content generated by citizen journalists because of the threat it poses to traditional news values and their role as gatekeepers. But text, photos and videos provided by citizens who witness breaking news events is one category of user-generated content that journalists are willing to use, which helps supplement their storytelling when fewer resources means journalists cannot personally be there. This willingness does not dampen several of their concerns; journalists require fact checking to be an integral part of any system that aggregates and accepts submissions by citizen journalists. This paper explores three different sets of tools that could be used to automate fact checking in a system that hosts user-generated content to ensure that content is accurate, neutral, timely and useful. These tools include vandalism detection software that identifies bias, inappropriate language, spam and copyright violations; crowdsourcing, which ensures that content is relevant, helpful and accurate; and photo and video authentication tools. Keywords Citizen journalism, user-generated content, design-oriented research, curation, fact checking Introduction "Instead of dying, newspapers will in effect be reborn." - Ken Paulson, president of the American Society of Newspaper Editors The traditional model of journalism, that of a one-way dissemination of information from large news organizations like newspapers, television broadcasters and radio stations to the general public, is changing rapidly. The last decade has seen an accelerating loss of newspaper readers, as well as revenue. -
PRESS 2007 Eimear Mckeith, 'The Island Leaving The
PRESS 2007 Eimear McKeith, 'The island leaving the art world green with envy', Sunday Tribune, Dublin, Ireland, 30 December 2007 Fiachra O'Cionnaith, 'Giant Sculpture for Docklands gets go-ahead', Evening Herald, Dublin, Ireland, 15 December 2007 Colm Kelpie, '46m sculpture planned for Liffey', Metro, Dublin, Ireland, 14 December 2007 Colm Kelpie, 'Plans for 46m statue on river', Irish Examiner, Dublin, Ireland, 14 December 2007 John K Grande, 'The Body as Architecture', ETC, Montreal, Canada, No. 80, December 2007 - February 2008 David Cohen, 'Smoke and Figures', The New York Sun, New York, USA, 21 November 2007 Leslie Camhi, 'Fog Alert', The Village Voice, New York, USA, 21 - 27 November 2007 Deborah Wilk, 'Antony Gormley: Blind Light', Time Out New York, New York, USA, 15 - 21 November 2007 Author Unknown, 'Blind Light: Sean Kelly Gallery', The Architect's Newspaper, New York, USA, 14 November 2007 Francesca Martin, 'Arts Diary', Guardian, London, England, 7 November 2007 Will Self, 'Psycho Geography: Hideous Towns', The Independent Magazine, The Independent, London, England, 3 November 2007 Brian Willems, 'Bundle Theory: Antony Gormley and Julian Barnes', artUS, Los Angeles, USA, Issue 20, Winter 2007 Author Unknown, 'Antony Gormley: Blind Light', Artcal.net, 1 November 2007 '4th Annual New Prints Review', Art on Paper, New York, USA, Vol. 12, No. 2, November-December 2007 Albery Jaritz, 'Figuren nach eigenem Gardemaß', Märkische Oderzeitung, Berlin, Germany, 23 October 2007 Author Unknown, 'Der Menschliche Körper', Berliner Morgenpost, Berlin, Germany, 18 October 2007 Albery Jaritz, 'Figuren nach eigenem Gardemaß', Lausitzer Rundschau, Berlin, Germany, 6 October 2007 Natalia Marianchyk, 'Top World Artists come to Kyiv', What's on, Kyiv, Ukraine, No. -
Lord, Nathan (513971)
University of New York in Prague School of Business Bachelor of Business Administration Program FINAL PROJECT The Relationship Between Newspaper Advertising Revenues and the Growth of Online Advertising and an Analysis of Possible Future Strategies for the Newspaper Industry Author: Nathan James Lord 1 Mentor: Tanweer Ali Acknowledgements I would like to express my thanks to my mentor Tanweer Ali for his support and patience throughout my studies. I would like to express my gratitude to everyone that has assisted me throughout my educational career. I would also like to thank my family for all the help they have given me over the years and my partner for the motivation she has given me during this process. 2 THE RELATIONSHIP BETWEEN NEWSPAPER DECLINE AND THE RISE OF THE INTERNET Abstract This senior project focuses on answering two research questions: Is there a correlational relationship between the decline in UK/USA based newspaper advertising revenue and the growth of global Google advertising revenue? Using a SWOT (strengths, weaknesses, opportunities, and threats) analysis, what are the challenges facing the newspaper industry particularly focusing on UK based newspapers and what strategies should they adopt to cope with such challenges? This area of research is worth investigating because it demonstrates how such an entrenched industry has been affected by a Black Swan event and what business within the industry can do to mitigate the impact. The first research question was answered by using correlational statistics and found that there is indeed a statistically significant negative correlation between UK/USA based newspaper advertising revenue and global Google advertising revenue. -
Newspaper Managers Today Need More Bandwidth
<< thepresident << memo boardofdirectors ideas January+February 2009 page 3 international newsmedia marketing association PRESIDENT. ED EFCHAK Belden Associates, Hackensack, USA VICE PRESIDENT. MICHAEL PHELPS Baltimore-Washington Examiner Group, USA PAST PRESIDENT. ROss MCPHERSON McPherson Media Group, Shepparton, Australia TREASURER. SCOtt STINES mass2one, Cedar Rapids, Iowa, USA ASIA DIVISION PRESIDENT. RAVI DHARIWAL Bennett, Coleman & Company, New Delhi, India EUROPE DIVISION PRESIDENT. OLIVIER BOnsart Ouest France, Rennes, France LATIN AMERICA DIVISION PRESIDENT. JOSE LUIS PARRA A year in review, a look ahead El Mercurio, Chile NORTH AMERICA DIVISION PRESIDENT. JAMES GOLD by ED EFCHAK 2008 has come to a close. It’s safe to say that it has been an New York Times Regional Media Group, USA INMA President interesting year. What with high travel costs, decreased travel DIRECTORS. DISSICA CALDERARO budgets, whining management, and the most challenging A Crítica, Manaus, Brazil business year that many can recall. MARK CHALLINOR g8wave Europe Ltd., London, United Kingdom Yet INMA continues to build on past success always with an ROGER DUNBAR eye on the future. World Congress in Beverly Hills was one of the The Globe and Mail, Canada SANDRA GOMEZ most successful conventions we have ever recorded. Our Latin El Diario de Hoy, El Salvador American and South Asian conferences exceeded expectations. HAROLD GROENKE Verlag Dierichs, Kassel, Germany Our European conference and numerous SHaun O’L. HIGGINS The Spokesman-Review, Spokane, USA targeted programmes were well attended. jerry HILL The North American strategy/innovation St. Petersburg Times, USA albertO jaramillO CEPEDA summit was successful in what has been a El Universal, Mexico terrifying business year. -
T: +44 (0)20 7896 3404 [email protected] 51-52 Frith Street
T: +44 (0)20 7896 3404 [email protected] 51-52 Frith Street London W1D 4SH www.z-pr.com Source: Edition: Daily Mirror {Main} Country: Date: UK Page: Saturday 23, January 2010 Area: 49 Circulation: Source: Sunday Express {Main} 67 sq. cm Edition: BRAD info: ABC 1260019 Daily Country: UK Phone: Date: Sunday 31, January 2010 page rate £29,000.00, scc rate £119.00 Page: 22,23 Area: 739 sq. cm Keyword: 020 7293 3000 Circulation: ABC 590596 Weekly BRAD info: page rate £37,670.00, scc rate £116.00 B&Q Phone: 0871 434 1010 Keyword: B&Q Picture: TIM CLARKE <gdl^c\ ndjgdlc ^h[ddY [dgi]Z hdja your He’s moved from the mirror.co.uk/money potting shed to writing and presenting so what’s : GARDENS money next for the perennial Alan Titchmarch? DAVID STEPHENSON meets TV’s self-styled B&Q dig Alan Edited by Renaissance Man B&Q i s for CLINTON give almostki 80ng ouof its largest IY is the next DIY. activity. Next time you visit a B&Q garden centres a makeover.t m MANNING I know this is garden store, a life-size image of illions true because Alan will present itself as you walk And Alan Titchmarsh has to Alan Titchmarsh, through the door. been hired to help shoppers. the country’s most What’s striking about the products trusted gardener is that many of them are aimed at B&Q boss Euan Sutherland <(that’s now offi cial) told me so. the fi rst-time GIY-er, with beginner’s said: “We asked customers GIY stands for “Grow It Yourself” planting kits for vegetables such as who they trusted for advice and is a trend whose seed was sown tomatoes (the most popular) through during the recession. -
Gambier Observer, June 21, 1837
Digital Kenyon: Research, Scholarship, and Creative Exchange 1837 6-21-1837 Gambier Observer, June 21, 1837 Follow this and additional works at: https://digital.kenyon.edu/observer1837 Recommended Citation "Gambier Observer, June 21, 1837" (1837). 1837. 24. https://digital.kenyon.edu/observer1837/24 This Book is brought to you for free and open access by Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in 1837 by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. ItliSEKl -“THAT THY WAY MAY BE KNOWN I POS EARTH, TIIY SAVING HEALTH AMONG ALL NATIONS.” WEDNESDAY. JENE 21 , 1837. NO. 3 2. VOL,. VII. covDvertn »v there is danger,great danger that their explo conteud with it within the la»t ten days. When sion of this version; I mean, by reprinting; bar- He closed by expressing his fervent aspira- sion way destroy both the work and the work 1 tbink of a hierarchy like that of England, a ing personally compared all the discrepancies ■ tion, that the bible house might ever be a cqn- AN ASSOCIATION OF CLERGYMEN. men. But the Bible Society is hke a safety- kingdom with its established church and all the in all the printed editions for the first filtyycars. secrated place, toward, which the eyes of good lamp. With this in hand, I cau work in exclusive privileges connected with an estab My iutimate acquaintance with the errors of I men and the best wishes of Christian hearts GEORGEW MYERS. PRINTER. my safety among these pernicious gases. -
The Siamese Twins, the Bunker Family, and Nineteenth-Century U.S
American Family, Oriental Curiosity: The Siamese Twins, the Bunker Family, and Nineteenth-Century U.S. Society Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Joseph Andrew Orser Graduate Program in History The Ohio State University 2010 Dissertation Committee: Judy Tzu-Chun Wu, Adviser John Brooke Alan Gallay Copyright by Joseph Andrew Orser 2010 Abstract This dissertation examines the cultural and social spaces that conjoined brothers Chang and Eng Bunker occupied, interrogating the insights their lives offer into nineteenth-century ideas of race, class, gender, and respectability. Chang and Eng were conjoined twins of Chinese descent whose stage name, the Siamese Twins, derived from the country of their birth. The brothers toured the United States as “Oriental” curiosities from 1829 to 1839, and then settled in North Carolina as farmers, becoming slaveholders, marrying white sisters, and eventually fathering twenty-one children between them. In 1849, the twins returned to touring, this time taking two daughters along with them; until their deaths in 1874, Chang and Eng exhibited themselves and their offspring, touring as the Siamese Twins and Children. Through promotional literature, personal correspondence, visual images and newspaper reports, this work traces the evolution of public discourse about the twins and their families, contributing to other considerations of the twins and the course of American Orientalism. This dissertation goes further, however, by introducing early Asian Americans to considerations of the turbulent terrain of class and respectability in the 1830s and 1840s; the increasingly divisive debates over slavery, nativism, and sectionalism; and the tensions of national reunion in the years following the Civil War. -
To Download This Magazine for Free
1 corporate watch. corporate-critical research since 1996 Contents: Corporate Watch is an independent, non-profit research and publishing group based in London. It aims to expose Editorial 2 how large corporations function, and the detrimental effects they have on society and the environment as an Free papers: Some history 4 inevitable result of their current legal structure. Corporate by Hannah Schling Watch strives for a society that is ecologically sustainable, Business as usual: 5 democratic, equitable and non-exploitative. Progress The Economics of free papers towards such a society may, in part, be achieved through by Shiar Youssef dismantling the vast economic and political power of corporations, and developing ecologically and socially just What’s wrong with free: 9 alternatives to the present economic system. If you would The cost of free papers like to help with research, fund-raising or distribution, Newspapers or free papers? 11 please contact us. By Michael Barker Disclaimer: The objectivity of the media is, at best, an More than a spoof 13 illusion and, at worst, a veil to disguise inherent biases. Corporate media and the 15 Corporate Watch freely acknowledges that it comes from intellectual cleansing of journalists an anti-corporate perspective. We do attempt, however, to by Jonathan Cook be factual, accurate, honest and truthful in all our output. Any comments or corrections are always welcome. Company Profile: News Corporation 19 Campaign Spotlight: MediaLens 21 @nti-copyright to non-profit organisations and individuals fighting corporate dominance. Are independent media projects 23 ISSN 14705842 still possible? www.corporatewatch.org DIY research contest 24 news(at)corporatewatch.org Tel: 020 7426 0005 Babylonian Times 25 Book Review 27 Corporate Watch is a member the Independent News Collective (INK), the trade association of the UK alternative Credits: press. -
Constructing Crime in an Era of Globalization
Constructing Crime in an Era of Globalization THIRD Annual International Crime, Media & Popular Culture Studies Conference: A Cross Disciplinary Exploration Gary W. Potter, PhD Professor, School of Justice Studies Eastern Kentucky University For three decades scholars in mass communication and criminology have called our attention to the role of the media in the social construction of crime. Study after study has documented how media representations in both the entertainment and news arenas has created a social reality of a dangerous world, full of danger and risk, populated by stereotyped “others” (Jewkes, 2010; Marsh and Melville, 2009). A flood of mediated images emanating from our televisions, computers, books, newspapers and magazines, movies and even popular music instruct us on the seemingly natural order of the social world. It is through this incessant institutionalized attack on our senses that we come to experience what Jock Young (2007) calls the vertigo of modern society. But, the irony of all this is that our fears, prejudices, stereotypes, and pervasive impulses toward meanness and retribution are something less than real. They are created, mediated images offered to us as news and entertainments by a handful of immense and very motivated global corporations inextricably bound to state power. As we entered the 21st Century the power of the media has reemerged as a compelling and urgent concern. As early as 1983 scholars were commenting on the problems of increasing media corporatization and the concentration of ownership in fewer and fewer hands (Bagdikian, 2004; Bennett, 2004; McChesney, 2008; Thussu, 2006; Hesmondhalgh, 2007). But, as newer technologies created new and more diverse platforms for mass communication some argued that the danger of media consolidation was being offset by access to the internet, proliferating channels on cable television and community access to some cable systems. -
Translating, Adapting, and Performing Opera in Eighteenth-Century Cosmopolitan Europe: Lorenzo Da Ponte at the King's Theatre" (2017)
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Translating, Adapting, And Performing Opera In Eighteenth- Century Cosmopolitan Europe: Lorenzo Da Ponte At The King's Theatre Lily Tamara Kass University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Comparative Literature Commons, Music Commons, and the Other Languages, Societies, and Cultures Commons Recommended Citation Kass, Lily Tamara, "Translating, Adapting, And Performing Opera In Eighteenth-Century Cosmopolitan Europe: Lorenzo Da Ponte At The King's Theatre" (2017). Publicly Accessible Penn Dissertations. 2379. https://repository.upenn.edu/edissertations/2379 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2379 For more information, please contact [email protected]. Translating, Adapting, And Performing Opera In Eighteenth-Century Cosmopolitan Europe: Lorenzo Da Ponte At The King's Theatre Abstract This dissertation examines music and text circulation in cosmopolitan Europe during the last decades of the eighteenth century through the lens of translation. London in the late eighteenth and early nineteenth centuries was the largest center of Italian operatic performance outside of Italy. All performances sung at the King’s Theatre, London, were sung in Italian, the presumed language of opera, even when the works had been originated in other languages. This created the need for a culture of translation and adaptation of works from abroad, making them suitable for a London audience partially through the retention of foreignness and partially through domesticating practices. In the 1790s, a period of political tension between Britain and post-Revolution France, four French operas were presented at the King's Theatre in Italian translations attributed to the poet Lorenzo Da Ponte (1749-1838): Gluck's Iphig�nie en Tauride, Gr�try's Z�mire et Azor, Monsigny's La belle Ars�ne, and Sacchini's Arvire et �v�lina. -
Tfie Prodcüïion and PATRONAGE of ALEXANDER MORTON & COMPANY's *DONEGALCARPETS
-G A NATIONAL INDUSTR.. TfIE PRODCüïiON AND PATRONAGE OF ALEXANDER MORTON & COMPANY'S *DONEGALCARPETS AMin The Dcparcment of Art History Presentcd in Partial Fulfiiment of the Rcquirements for the Dcgree of Master of Arts concordia University Montreal, Quebec, Canada National Library Bibliothèque nationale 1*1 ofCanada du Canada Acquisitions and Acquisitions et Bibliographk Services services bibliographiques 395 Wellington Street 395. rwWeiiingtocr OttawaON KtAONQ OctawaON KlAûN4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive Licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conseme la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la îhèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Handcaftiag a National IadusÉry: The Production and Patronage of Nexaxxkr Morton & Comparry's Dom@ Carpu This thesis offers a social history of Alexander Morton & Company's Done@ carpeu - their production and patronage. These ninetœnthccntury caqxts wne pmmoted as uiiaic pmducts and apjKaicd to upper- and middle-cla co~lsumersin Britain, ireland, North America, Australia, New Zealand, and South Afna The new carpet ïndustry, based in ireland, catercd to the popular taste for dl things Oriental and to the socialisl idais of the Arts and Crafb Mmmcnt (1850-1920).