Political Preferences
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No. 23 TRONDHEIM STUDIES on EAST EUROPEAN CULTURES
No. 23 TRONDHEIM STUDIES ON EAST EUROPEAN CULTURES & SOCIETIES Barbara Törnquist-Plewa & Agnes Malmgren HOMOPHOBIA AND NATIONALISM IN POLAND The reactions to the march against homophobia in Cracow 2004 December 2007 Barbara Törnquist-Plewa is Professor of Eastern and Central European Studies at Lund University, Sweden, where she is also the director of the Centre for European Studies. Her publications include a large number of articles and book chapters as well as The Wheel of Polish Fortune, Myths in Polish Collective Consciousness during the First Years of Solidarity (Lund 1992) and Vitryssland - Språk och nationalism i ett kulturellt gränsland (Lund 2001). She has edited a number of books, the latest being History, Language and Society in the Borderlands of Europe. Ukraine and Belarus in Focus (2006) and Skandinavien och Polen – möten, relationer och ömsesidig påverkan (2007). Agnes Malmgren is a freelance writer, with a BA in Eastern and Central European Studies from Lund University. In 2007 she received the award of the Polish Institute in Stockholm for the best reportage about Poland. She has been coordinator of the annual festival “Culture for Tolerance” in Krakow several times and has also been involved in other kinds of gay and lesbian activism in Poland and Sweden. © 2007 Barbara Törnquist-Plewa & Agnes Malmgren and the Program on East European Cultures and Societies, a program of the Faculties of Arts and Social Sciences, Norwegian University of Science and Technology. Translated by Margareta Faust. Edited by Sabrina P. Ramet. ISSN 1501-6684 Trondheim Studies on East European Cultures and Societies Editors: György Péteri and Sabrina P. -
Polski System Medialny 1989–2011
Polski system medialny 1989–2011 Polski system medialny 1989–2011 redakcja naukowa Katarzyna Pokorna-Ignatowicz Kraków 2013 Rada Wydawnicza Krakowskiej Akademii im. Andrzeja Frycza Modrzewskiego: Klemens Budzowski, Maria Kapiszewska, Zbigniew Maciąg, Jacek M. Majchrowski Recenzent: prof. dr hab. Ignacy S. Fiut Projekt okładki: Joanna Sroka Adiustacja: Kamila Zimnicka-Warchoł ISBN 978-83-7571-296-4 Copyright© by Krakowska Akademia im. Andrzeja Frycza Modrzewskiego Kraków 2013 Żadna część tej publikacji nie może być powielana ani magazynowana w sposób umożliwiający ponowne wykorzystanie, ani też rozpowszechniana w jakiejkolwiek formie za pomocą środków elektronicznych, mechanicznych, kopiujących, nagrywających i innych, bez uprzedniej pisemnej zgody właściciela praw autorskich Na zlecenie: Krakowskiej Akademii im. Andrzeja Frycza Modrzewskiego www.ka.edu.pl Wydawca: Krakowskie Towarzystwo Edukacyjne sp. z o.o. – Ofi cyna Wydawnicza AFM, Kraków 2013 Sprzedaż prowadzi: Księgarnia U Frycza Kampus Krakowskiej Akademii im. Andrzeja Frycza Modrzewskiego ul. Gustawa Herlinga-Grudzińskiego 1, 30-705 Kraków tel./faks: (12) 252 45 93 e-mail: [email protected] Skład i projekt typografi czny: Oleg Aleksejczuk Druk i oprawa: Wydawnictwo Platan Spis treści Wstęp ................................................................................................................................. 7 Część I U źródeł transformacji systemu medialnego Polski Katarzyna Pokorna-Ignatowicz Od leninowskiej koncepcji prasy do wolnych mediów. Koncepcja „nowego ładu informacyjnego” -
Weź Więcej, Płać Mniej! 55 TVE K45 Zadzwoń 22-722-39-78 Zapytaj 56 BBC Entertainment K46 O Aktualne Promocje 57 AXN K47
Programy dostępne w pakiecie testowym oznaczono kolorem czerwonym. Planowana data uruchomienia pełnej oferty maj - czerwiec 2011. Pakiet Pełny 43zł kanał Cyfrowy Podstawowy 10zł Pakiet HD 20zł 1 Tele 5 S01 1 4.fun TV 1 Animal Planet HD 2 Telewizja TRWAM S02 2 ALE KINO 2 Discovery HD 3 CNBC Europe S03 3 Animal Planet 3 National Geo. HD 4 TVP Kultura S04 4 Cartoon Network 4 MTVN HD 5 TVN 7 S05 5 DISCOVERY 5 TVP HD 6 TV POLONIA S06 6 Disney Channel 6 Polsat Sport HD 7 TV PULS S07 7 Eska TV 7 nSport HD 8 Mango S08 8 EUROSPORT 9 Pr. 3 TVP Info K06 9 France 24 angielski Pakiet Rodzinny 17zł 10 Pr. 2 TVP K07 10 France 24 francuski 1 BBC Entertainment 11 TV 4 K08 11 HBO 2 BBC Lifestyle 12 POLSAT K09 12 HBO 2 3 BBC Knowledge 13 TVN K10 13 iTV 4 CBeebies 14 Pr. 1 TVP K12 14 Kino Polska 5 DaVinci Learning 15 STANSAT Info S09 15 Kuchnia.tv 6 Discovery Historia 16 Cartoon Network /TCM S10 16 Mango 7 ID Discovery 17 National Geo. Ch. S11 17 Mini Mini 8 Polsat Play 18 Discovery ID S12 18 National Geo. Ch. 9 Polsat Cafe 19 Discovery Historia S13 19 nSport 10 AXN 20 Animal Planet S14 20 PLANETE 11 AXN Sci-Fi 21 DISCOVERY S15 21 POLONIA 1 12 AXN Crime 22 ALE KINO S16 22 POLSAT 13 Wojna i Pokój 23 Polsat News S17 23 Polsat Sport 14 TVP Seriale 24 Viva Polska S18 24 Polsat 2 25 Kuchnia.tv S19 25 Pr. -
Submitted To
POWER/KNOWLEDGE PRODUCTION A FOUCAULDIAN ANALYSIS OF DISCOURSES ON THE 2010 TU-154 CRASH IN SMOLENSK BY KAROLINA KUKLA SUBMITTED TO CENTRAL EUROPEAN UNIVERSITY DEPARTMENT OF SOCIOLOGY AND SOCIAL ANTHROPOLOGY IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS SUPERVISORS: PROFESSOR VIOLETTA ZENTAI PROFESSOR PREM KUMAR RAJARAM CEU eTD Collection BUDAPEST, HUNGARY 2013 ABSTRACT This study analyze the Polish discourses on the 2010 Tu-154 plane crash in Smolensk in which 96 state officials, including the Polish president, were killed. Contrary to previous investigation on the aftermaths of the Smolensk plane crash which focused on the phenomenon of national mourning, my study examines the political and social division which the crash highlighted. With the use of a Foucauldian conceptual framework, this study investigates two major discourses on the crash: the national and liberal discourses. Whereas the former constituted the catastrophe as a result of an intentional action and produced theories of conspiracy and the responsibility of Russia for the crash, the latter established the crash as a result of contingencies. It is argued that these explanations of the Smolensk plane crash depend on the relations specific to the rule-governed systems which incorporate various elements as institutions, events, theories or concepts. The major focus of this study is the process whereby one of these explanations, namely the accidental one, has been established as the official and true theory. A genealogical study of such events as appointments of experts committees, publications of the reports on the causes of the Smolensk plane crash, as well as struggles between the national and liberal discourses depicts the mechanism whereby the truth on Smolensk crash was constituted, and reveals the power relations which participated in this process. -
The Crime of Genocide Committed Against the Poles by the USSR Before and During World War II: an International Legal Study, 45 Case W
Case Western Reserve Journal of International Law Volume 45 | Issue 3 2012 The rC ime of Genocide Committed against the Poles by the USSR before and during World War II: An International Legal Study Karol Karski Follow this and additional works at: https://scholarlycommons.law.case.edu/jil Part of the International Law Commons Recommended Citation Karol Karski, The Crime of Genocide Committed against the Poles by the USSR before and during World War II: An International Legal Study, 45 Case W. Res. J. Int'l L. 703 (2013) Available at: https://scholarlycommons.law.case.edu/jil/vol45/iss3/4 This Article is brought to you for free and open access by the Student Journals at Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Case Western Reserve Journal of International Law by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. Case Western Reserve Journal of International Law Volume 45 Spring 2013 Issue 3 The Crime of Genocide Committed Against the Poles by the USSR Before and During WWII: An International Legal Study Karol Karski Case Western Reserve Journal of International Law·Vol. 45·2013 The Crime of Genocide Committed Against the Poles The Crime of Genocide Committed Against the Poles by the USSR Before and During World War II: An International Legal Study Karol Karski* The USSR’s genocidal activity against the Polish nation started before World War II. For instance, during the NKVD’s “Polish operation” of 1937 and 1938, the Communist regime exterminated about 85,000 Poles living at that time on the pre- war territory of the USSR. -
51. Festiwal Im. Jana Kiepury W Liczbach
51. Festiwal im. Jana Kiepury w liczbach 9 dni festiwalu, 38 imprez, w tym 21 koncertów wieczornych i popołudniowych, w ramach których można było obejrzed 4 spektakle, 8 Krynickich Spotkań z Artystą i 9 plenerowych widowisk muzycznych zatytułowanych Uśmiechnij się z Kiepurąi około 40 tysięcy widzów – tak w liczbach wygląda 51. Festiwal im. Jana Kiepury w Krynicy-Zdroju. Tegoroczna edycja podobnie jak poprzednie zorganizowana została przez Gminę Krynica- Zdrój i krynickie Centrum Kultury. Współorganizatorami byli Krakowskie Stowarzyszenie Miłośników Opery „Aria”, Akademia Muzyczna w Krakowie, Nowa Scena. Za kształt artystyczny odpowiadała rada programowa w składzie: Elżbieta Gładysz, prof. Ryszard Karczykowski i prof. Stanisław Krawczyoski, zaś za produkcję Agencja Super Play Sylwia i Piotr Kałuzioscy. Partnerem głównym wydarzenia była Małopolska, a honorowy patronat nad festiwalem objęło Ministerstwo Kultury i Dziedzictwa Narodowego. Program festiwalu, który odbywał się w 50 lat po pierwszej edycji zaplanowany został z dużym rozmachem. Muzyka opanowała całą Krynicę, od rana do północy. Koncerty odbywały się w Pijalni Głównej, w muszli koncertowej, na estradzie plenerowej na Deptaku, na Górze Parkowej, w Starym Domu Zdrojowym, w kościołach krynickich i w cerkwi grekokatolickiej, w hotelach, a także w kościele w Tyliczu. Wieczorne koncerty w Pijalni Głównej zachwycały nowoczesną i bardzo atrakcyjną scenografią m.in.: ekranami diodowymi, na których były wyświetlane różnorodne wizualizacje. Pijalnia Główna została oblepiona wielkoformatowymi emblematami festiwalu i podobizną Kiepury. Festiwalowi towarzyszyły liczne druki, m.in.: plakaty, afisze, mapy będące ulotkami informacyjnymi imprezy, a także magazyn festiwalowy Kiepura ma głos, będący programem i kompendium wiedzy o tegorocznej edycji festiwalu, czy śpiewniki z piosenkami do widowiska Uśmiechnij się z Kiepurą. W sumie nakład druków osiągnął kilkadziesiąt tysięcy egzemplarzy. -
Transmisje Mszy Świętych
TRANSMISJE OGÓLNOPOLSKIE Z naszego kościoła będzie prowadzona transmisja na facebook.com/parafia.borki Aby rozpocząć transmisję nie trzeba mieć założonego konta na facebooku, wystarczy w przeglądarce wpisać powyższy link i odtworzyć pierwszy film, który wyskoczy z ikonką LIVE. NIEDZIELA Transmisje telewizyjne: – godz. 7:00 – TVP 1 (Sanktuarium Bożego Miłosierdzia w Krakowie – Łagiewnikach) – godz. 9:00 – Polsat News (Świątynia Opatrzności Bożej w Warszawie) – godz. 9:30 – TV Trwam (Kaplica Cudownego Obrazu na Jasnej Górze) – godz. 10:30 – Polsat Rodzina (Świątynia Opatrzności Bożej w Warszawie) – godz. 10:55 – TVP 1 (Jasna Góra) – godz. 13:00 – TVP Polonia (Zob. też: https://programtv.naziemna.info/program/audycja/Transmisja+Mszy+Świętej) Transmisje radiowe: godz. 9:00 – Jedynka (Polskie Radio) – transmisja z Bazyliki pw. św. Krzyża w Warszawie godz. 9:00 – Radio Maryja – transmisja z Bazyliki pw. św. Krzyża w Warszawie godz. 19:00 – Jedynka (Polskie Radio) – transmisja z Bazyliki pw. św. Krzyża w Warszawie (Zob. też: https://www.msze.info/informator/msze-w-radiu) Transmisje internetowe: Kaplica Cudownego Obrazu na Jasnej Górze – godz. 6:00, 7:00, 8.00, 9:30, 11:00, 12:30, 14:00, 15:30, 16:15, 17:00, 18:30, 20:00 https://www.youtube.com/channel/UCKAtPxfE2RAHSCwDABMMeAg Bazylika Bożego Miłosierdzia w Łagiewnikach – godz. 9:00, 10:30, 12:00, 13:30, 15:20, 18:00 http://www.milosierdzie.pl/index.php/pl/multimedia-foto/tv-milosierdzie-pl.html Kaplica Cudownego Obrazu Matki Bożej Kalwaryjskiej – godz. 8:00, 11:00, 16:00 https://www.youtube.com/channel/UCPaeCakVviK0hmDEl-3yGsg Sanktuarium Matki Bożej Licheńskiej – godz. 7:30, 10:00, 12:00, 16:00, 18:00 https://www.youtube.com/channel/UC0Q-gl8ZPmPW1k6xpIeU_4A (Zob. -
Situation of Bisexual and Homosexual Persons in Poland – 2005 and 2006 Report
Situation of bisexual and homosexual persons in Poland 2005 and 2006 report Edited by Marta Abramowicz Campaign Against Homophobia Lambda Warsaw Association Warsaw 2007 Situation of bisexual and homosexual persons in Poland 2005 and 2006 report Edited by Marta Abramowicz Publication was financed by ILGA-Europe within the framework of ILGA-Europe Human Rights Violations Documentation Funds and the Network of East West-Women as part of the project “Book and Journal”. ISBN 978-83-924950-2-4 All rights reserved. The use of texts in this publication, both in their entirety and in excerpts, constitutes a breach of copyright and is punishable by law. This also concerns translation, photocopying, microfiche storage and reproducing via digital means. © by Campaign Against Homophobia, 2007 Publisher Campaign Against Homophobia and Lambda Warsaw Campaign Against Homophobia ul. Żelazna 68 00-866, Warsaw tel. 0-22 423 64 38 www.kampania.org.pl [email protected] Lambda Warsaw ul. Hoża 40/50 00-682, Warsaw 0-22 628 52 22 www.warszawa.lambda.org.pl [email protected] Cover design, layout and typeset Michał Sławiński I edition Warsaw, March 2007 Table of contents Introduction 7 Glossary 9 Part One Situation of bisexual and homosexual persons in Poland Research 11 Marta Abramowicz The Aim 11 Methodology 11 Analysis of the Results 13 Part Two Sociological analysis of societal attitudes towards bisexual and homosexual persons 35 Politics How has discrimination against gays and lesbians become a political issue? 37 Robert Biedroń Law Changes in the -
©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED
©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED SILENCING POLO: CONTROVERSIAL MUSIC IN POST-SOCIALIST POLAND By RENATA JANINA PASTERNAK-MAZUR A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Music Written under the direction of Andrew Kirkman And approved by _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey January 2017 ABSTRACT OF THE DISSERTATION Silencing Polo: Controversial Music in Post-Socialist Poland by RENATA JANINA PASTERNAK-MAZUR Dissertation Director: Andrew Kirkman Although, with the turn in the discipline since the 1980s, musicologists no longer assume their role to be that of arbiters of “good music”, the instruction of Boethius – “Look to the highest of the heights of heaven” – has continued to motivate musicological inquiry. By contrast, music which is popular but perceived as “bad” has generated surprisingly little interest. This dissertation looks at Polish post-socialist music through the lenses of musical phenomena that came to prominence after socialism collapsed but which are perceived as controversial, undesired, shameful, and even dangerous. They run the gamut from the perceived nadir of popular music to some works of the most renowned contemporary classical composers that are associated with the suffix -polo, an expression -
Looking at Pictures of Gay Men: Political Uses of Homophobia in Contemporary Poland
Looking at Pictures of Gay Men: Political Uses of Homophobia in Contemporary Poland Agnieszka Graff During the recent period of right- wing rule, sometimes referred to as the Fourth Republic (2005 – 7), Poland developed a reputation for homophobia, prejudice against sexual minorities becoming its mark of differ- ence in Europe. In January and June 2006, and again in April 2007, the Euro- pean Parliament (EP) passed resolutions against homophobia, either alluding to Poland or mentioning it directly as a culprit in this area. The charge was not unearned: several lesbian, gay, bisexual, and transgender (LGBT) demonstrations had been banned; participants of gay pride parades (known in Poland as “equality marches”) were regularly victimized by members of neo- Nazi groups; police had used violence against gay activists; and openly homophobic statements had been made by politicians.1 These developments add up to an exciting and chilling story, but my purpose is neither to revisit the events themselves nor to assess the level of hostility toward sexual minorities in Poland as compared to other European societies. Instead, I aim to examine the dynamic of what I call the politiciza- tion of homophobia, that is, to look at the interplay between revived nationalist sentiment in Poland’s public sphere following the country’s May 2004 European Union (EU) accession and the trend of gay bashing, which was indulged in or at least condoned by state authorities. I argue that the exchanges concerning limits of sexual freedom fulfilled an important political function in the early stage of 1. For a chronological account of these developments, see Agnieszka Graff, “We Are (Not All) Homophobes: A Report from Poland,” Feminist Studies 32 (2006): 434 – 49. -
Between Tabloidization of Religion and Religious Affiliation on Facebook
„Anglojęzyczny Suplement Przeglądu Religioznawczego”, 2012, no. 1 EWA STACHOWSKA University of Warsaw Institute for Social Prevention and Resocialisation Between tabloidization of religion and religious affiliation on Facebook. Religion in the modern world Part I – Press and television Introduction Modern and postmodern trends infuse contemporary times with new values such as spontaneity, ephemerality and leisure. All narrative styles are rejected for the sake of neo-narration or post-narration affirmating the market, the freedom of choice, the ideology of hedonism and entertainment. Not only do they transpire to all spheres of life, experiences and desires, but also form our semantic structures, impact axiological and epistemological models that are a part of the contemporary social order. Postmodern attributes determine the character of societies1, culture and its components, while the past and the present lead a battle for the citizens’, recipients’ and consumers’ attention. However, they seem to be overwhelmed by the magic of 'nowness'2, dynamically changing trends and fashions celebrating pleasure, individualism, quasi-uniqueness and vanity, rather than ideals, values or traditional standards. It seems that contemporary times are as a result contesting and depreciating historical socio-cultural contexts and formulae. These form a reservoir of symbols and meanings, a collection of available means of expression facilitating the dissemination of happiness and consumerism, with ephem- erality and simulation supplanting conventional reflectivity and the former structures of sense. Tradition and its potential are in a way trapped in the theatre of consumerism, affirmating emblematic superficiality and fleeting uniqueness, which effectively decon- 1 See E. Fromm, Zdrowe społeczeństwo, Warsaw 1996. 2 See S. -
The Fantasmatic Stranger in Polish Nationalism: Critical Discourse Analysis of LPR’S Homophobic Discourse
polish 2()’ 166 09 sociological review ISSN 1231 – 1413 YASUKO SHIBATA Graduate School for Social Research The Fantasmatic Stranger in Polish Nationalism: Critical Discourse Analysis of LPR’s Homophobic Discourse Abstract: The article presents how the discursive discrimination of homosexuals serves nationalism in the contemporary Polish society. Following a brief conceptual location of homophobia within the ideological movement of nationalism, the exemplar homophobic discourse of the Polish nationalists, i.e. that of the League of Polish Families (LPR), is examined through the interdisciplinary method of critical discourse analysis (CDA). In the theoretical part, the sexual minority is applied the status of the “stranger” discussed in cultural sociology; the nationalist is in turn conceptualized as a social-phenomenological actor, who perceives and categorizes the sexual “stranger” by using the knowledge circulating at the Schützean lifeworld. The CDA of the discriminatory discourse of LPR politicians, who represent such homophobic nationalists, attests that homosexuals are mobilized as the “fantasmatic” stranger in today’s Poland. Keywords: homophobia; stranger; nationalism; LPR; critical discourse analysis (CDA); the critique of fantasy. Introduction Recent observations on hate-speech in Poland notably point out the “Jewish” status of sexual minorities 1 in the society. The public discussions on homosexuality, especially those which followed the billboard campaign of “Let Them See Us” in spring 2003 and the Kraków incident on May 7, 2004, 2 draws a consensus of gender studies/queer studies scholars (e.g. Warkocki 2004; Umińska-Keff 2006; Graff 2006, 2008) that in contrast with anti-Semitism, which is presently regarded as politically incorrect by Polish citizens, discrimination toward homosexuals is limited to a loose censure, and gays and lesbians are taking over the “Jewish” status in today’s Polish society.