Soul-Full Sounds

Total Page:16

File Type:pdf, Size:1020Kb

Soul-Full Sounds Soul-Full Sounds Tempo: Medium Fast Alternate Tracks: 1 It's Goin' On 3:13 Instruments Affiliation: Buncha Punks Pub. ASCAP 60 second Style: Soul, Retail, Modern Composer: Robert Casinghino 30 second organ, trumpet ProColorYellow Description: This song creates a perfect balance between old school and new style RnB with a modern Underscore drum beat under a classic soul song. Tempo: Slow Alternate Tracks: 2 Sweet Street 3:12 Instruments Affiliation: Buncha Punks Pub. ASCAP 60 second Style: Modern, R and B, Retail Composer: Robert Casinghino 30 second keyboards, synth ProColorYellow Description: A slow grooved modern day RnB ballad in the style of Aliyah and many of the current female Underscore Soul/RnB artists. Tempo: Medium Alternate Tracks: 3 Groove d'Amore 3:12 Instruments Affiliation: Buncha Punks Pub. ASCAP 60 second Style: Soul, Latin, Film Composer: Justin Casinghino 30 second piano, acoustic bass ProColorYellow Description: A Latin flavored RnB number with a seductive groove that is full of the passion that love can Underscore bring. An interesting middle section gives this multiple uses. Tempo: Medium Slow Alternate Tracks: 4 Groove Me Baby 3:05 Instruments Affiliation: Buncha Punks Pub. ASCAP 60 second Style: R and B, Jazz, Retail Composer: Dwayne Russell 30 second piano ProColorYellow Description: The new type of Smooth Jazz Soul/RnB heard on the airwaves around the world. Underscore Tempo: Medium Alternate Tracks: 5 The Legend of Chivalry 3:53 Instruments Affiliation: Buncha Punks Pub. ASCAP 60 second Style: Soul, Modern, Retail Composer: Nicholas Cicero 30 second piano, synth, organ ProColorYellow Description: A Neo-Soul song in the style of John Legend that tells the story about the art of Chivalry. Underscore Moving with emotion. Tempo: Fast Alternate Tracks: 6 Signed & Received 2:42 Instruments Affiliation: Buncha Punks Pub. ASCAP 60 second Style: R and B, Nostalgia, Retail Composer: Robert Casinghino 30 second organ, sax ProColorYellow Description: A classic RnB song that brings the era of Motown with Stevie Wonder, The Supremes and Underscore Smokey to your door step. Tempo: Medium Alternate Tracks: 7 My Heart 3:18 Instruments Affiliation: Buncha Punks Pub. ASCAP 60 second Style: Soul, Modern, Retail Composer: Nicholas Cicero 30 second synth, bass, clavinet ProColorYellow Description: You can't get much smoother than this track that just has an infectious groove like a heart Underscore beat in love. Tempo: Slow Alternate Tracks: 8 Smooth As The Keys 2:53 Instruments Affiliation: Buncha Punks Pub. ASCAP 60 second Style: R and B, Modern, Retail Composer: Robert Casinghino 30 second acoustic, wurlitzer electric piano ProColorYellow Description: Like the smooth soul sound from Alicia Keys to a modern Smokey Robinson song this burns Underscore with soul under a slow funk groove. Tempo: Medium Fast Alternate Tracks: 9 Cool Monday 3:11 Instruments Affiliation: Buncha Punks Pub. ASCAP 60 second Style: R and B, Jazz, Retail Composer: Dwayne Russell 30 second piano ProColorYellow Description: No matter what day of the week you can't get any cooler than this smooth groove that will Underscore make you want to relax or move your body. Tempo: Medium Alternate Tracks: 10 Backpacked 2:30 Instruments Affiliation: Buncha Punks Pub. ASCAP 60 second Style: R and B, Retail, Modern Composer: Nicholas Cicero 30 second keyboards, synth, horn samples ProColorYellow Description: A perfect example of how RnB is classified in the new millennium. Tempo: Medium Fast Alternate Tracks: 11 California Crusin' 4:26 Instruments Affiliation: Buncha Punks Pub. ASCAP 60 second Style: R and B, Retail, Modern Composer: Dwayne Russell /James Seville30 second keyboard, organ ProColorYellow Description: Picture yourself crusin' along with the top down along the California Coast or down Rodeo Underscore Drive - You can't cruise and smoother than this. All rights reserved Joodle Music / Buncha Punks Music - ASCAP and BeJoodle Music / Concottal Music BMI - www.freshmusic.com.
Recommended publications
  • Musikstile Quelle: Alphabetisch Geordnet Von Mukerbude
    MusikStile Quelle: www.recordsale.de Alphabetisch geordnet von MukerBude - 2-Step/BritishGarage - AcidHouse - AcidJazz - AcidRock - AcidTechno - Acappella - AcousticBlues - AcousticChicagoBlues - AdultAlternative - AdultAlternativePop/Rock - AdultContemporary -Africa - AfricanJazz - Afro - Afro-Pop -AlbumRock - Alternative - AlternativeCountry - AlternativeDance - AlternativeFolk - AlternativeMetal - AlternativePop/Rock - AlternativeRap - Ambient - AmbientBreakbeat - AmbientDub - AmbientHouse - AmbientPop - AmbientTechno - Americana - AmericanPopularSong - AmericanPunk - AmericanTradRock - AmericanUnderground - AMPop Orchestral - ArenaRock - Argentina - Asia -AussieRock - Australia - Avant -Avant-Garde - Avntg - Ballads - Baroque - BaroquePop - BassMusic - Beach - BeatPoetry - BigBand - BigBeat - BlackGospel - Blaxploitation - Blue-EyedSoul -Blues - Blues-Rock - BluesRevival - Blues - Spain - Boogie Woogie - Bop - Bolero -Boogaloo - BoogieRock - BossaNova - Brazil - BrazilianJazz - BrazilianPop - BrillBuildingPop - Britain - BritishBlues - BritishDanceBands - BritishFolk - BritishFolk Rock - BritishInvasion - BritishMetal - BritishPsychedelia - BritishPunk - BritishRap - BritishTradRock - Britpop - BrokenBeat - Bubblegum - C -86 - Cabaret -Cajun - Calypso - Canada - CanterburyScene - Caribbean - CaribbeanFolk - CastRecordings -CCM -CCM - Celebrity - Celtic - Celtic - CelticFolk - CelticFusion - CelticPop - CelticRock - ChamberJazz - ChamberMusic - ChamberPop - Chile - Choral - ChicagoBlues - ChicagoSoul - Child - Children'sFolk - Christmas
    [Show full text]
  • Sooloos Collections: Advanced Guide
    Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus ..............................................................................................................................................................
    [Show full text]
  • MUSIC WEEK MARCH 16 1985 Edited by BARRY LAZELL ®0S
    MUSIC WEEK MARCH 16 1985 Edited Reviewed by by BARRY LAZELL ®0S(§® JERRY SMITH SO® ms well thought out, melodic guitar over a slow, but punchy beat and Chart Certs is likely to do very well. RUN- D.M.C.; Kings Of Rock juanaatL Passion plays NIK KERSHAW: Wide Boy (MCA JENNY BURTON: Bad Habits NIK(T) 7, CBS). (Fourth & Broadway/Island Atlantic (12)BRW 21, EMI). Roaring heavy CHANGE: Let's Go Together ALISON MOYET: That Ole Devil rock orientated electro track with Cooltempo/Chrysalis Called Love (CBS (T)A 6044, quick fire rap and heavy metal T.C, CURTIS: You Should Have CBS). guitaring, over a solid rock beat. Known Better Hot Melt/Virgin STRAWBERRY SWITCHBLADE: EDDY & THE SOULBAND: Theme for Electricity Let Her Go (Korova KOW 39(T), Evolves into an impressive amal- From Shaft Club/Phonogram WEA). gam of styles that could give this JERMAINE JACKSON: Do What LEADING HI-NRG dance label rarities from the Musicor, Wand BILLY BRAGG: Between The duo a dance chart hit, You Do Arista Passion issues a new album this and Brunswick catalogues, to- Wars EP (Go! Discs AGOEP1, TEENA MARIE: Lovergirl (Epic LOOSE ENDS: Hangin' On A PolyGram). (T)A 4965, CBS). A smooth soul String (Contemplating) Virgin week which includes some of the wards the end of last year. track with an excellent strong PHYLLIS NELSON; Move Closer strongest output of last year from Another compilation, a double THE BOOTHILL FOOT-TAPPERS: vocal and a slick funk backing is Carrere another of the genre's most suc- album entitled Livin' The Night- Jealousy (Mercury/Phonogram beefed up by the sort of heavy NEW EDITION: Mr Telephone Man cessful suppliers, Stoke-on- life (S1NLP 2), with material taken PH 33 (1), PolyGram).
    [Show full text]
  • Official Festival Program 2019
    The Garifuna Collective perform Sunday, September 22, in Humboldt Park as part of the Global Peace Picnic. JEREMYLEWIS The Reader’s guide to World Music Festival Chicago Its 18 free concerts, spread out over 17 venues, provide us with dozens of opportunities to get to know our neighbors better—both across the street and around the globe. ll SEPTEMBER - CHICAOREADER35 Ethiopian singer Mahmoud Ahmed (in white) performs at Pritzker Pavilion during the 2015 World Music Festival. PATRICKLPYSZKA he World Music Festival is Chica- shrinking since founder Michael Orlove and (they appear as part of a Millennium Park Of course, the World Music Festival can’t go’s best music festival. You can his sta were laid o in 2011. It declined from Latinx showcase called ¡Súbelo!, which can stop the federal government’s campaign of enjoy it without dealing with tens 52 shows to 41 in 2012, then dropped to 36 mean “enjoy!” or “turn it up!”). Other acts cruelty against immigrants, refugees, asy- of thousands of people at once, in 2014. This year it consists of just 18, down carry forward antique traditions more or less lum seekers, and Black and Brown people in or being immobilized by a sweaty from 21 last year. But as the WMF has gotten undiluted: they include many performers at general. But because the WMF encourages Tshoulder- to-shoulder crowd. The WMF lasts smaller, it’s also weaned itself of a disappoint- Ragamala, the marathon of Indian classical curiosity, empathy, and connection, it stands 17 days, so you won’t miss it all if you get ing dependence on local acts that Chicagoans music that opens the festival, and the Yandong in symbolic opposition to a regime that po- sick on the wrong weekend.
    [Show full text]
  • Million Dollar Madness Stage Dodge Americana Stage
    The annual Chrysler Arts, Beats & Eats, Oakland County's Taste, Music & Arts Festival, is held over Labor Day weekend, August 29-September 1, 2008, in downtown Pontiac. The four-day Festival will be open from 4 p.m. – 11 p.m. on Friday, 10 a.m. – 11 p.m. on Saturday and Sunday, and 10 a.m. – 8 p.m. on Labor Day Monday. For additional public information, visit www.artsbeatseats.com , or call (248) 975-8850. The full schedule for local artists is as follows: Million Dollar Madness Stage Friday, August 29: 5 pm Harmonic Joe 6 pm Monkey Jacket 7 pm The Hard Lessons 8:30 pm Blues Traveler 10 pm Rusted Root Saturday, August 30 : 4 pm Hunter Brucks 5 pm Marcel 6 pm Steve Cochran 7 pm Billy Currington 9 pm Tim Bowman 10 pm Boney James Sunday, August 31: 4 pm Leighton wsg Steve Kostan 5 pm Beatlemania Live 7 pm Loverboy 8:30 pm Back in the Day Band 10 pm Chaka Khan Monday, September 1: 2 pm Arts, Beats and Eats Best of the Beats 3 pm Avienne, winner of The Detroit News Battle of the Bands 3:30 pm Critical Bill 4:30 pm Rev Theory 6 pm Puddle of Mudd Dodge Americana Stage Friday, August 29 4 pm The Urban Nomads (rock) 5:30 pm The Random Family (pop) 7 pm The Tim Diaz Band (Americana) 8:30 pm Barbara Payton (rock) 10 pm The Twistin’ Tarantulas (rockabilly) Saturday, August 30 10 am Longneck Strangler (country) 11 am Longneck Strangler (country) 12:30 pm Phil Treais (pop) 2 pm Domingo (Latin) 3:30 pm Billy King and the Idylls (country) 5 pm Redhill (country) 6:30 pm The Basiks (reggae) 8 pm Whitey Morgan & 78’s (country) 9:30 pm Sunkwa (afro pop)
    [Show full text]
  • Playbill 2021-2022
    WELCOME TO THE KINGS POINT THEATRE AND OUR FABULOUS 2021-2022 SEASON NOVEMBER THE ANTHEMS THE MUSIC OF WHITNEY HOUSTON Friday, November 5th at 8:00 pm $14.00 Residents • $20.00 Non-Residents With their powerful voices and extraordinary arrangements, Jade Milian and Samuel E take you on an exclusive tour through the music of that incomparable diva, Whitney Houston. Jade is a dynamic singer with an energetic stage presence who has performed to packed audiences around the world. Samuel E is a multi-instrumentalist and award-winning arranger who has toured and recorded with such famous artists as Natalie Cole and Liza Minnelli. Together they will entertain you with such Houston favorites as The Greatest Love Of All, I Will Always Love You and One Moment In Time to name just a few. CHRIS RUGGIERO Friday, November 12th at 8:00 pm $15.00 Residents • $21.00 Non-Residents Join Chris and his band for a nostalgic ride through the golden age of rock and roll as they breathe new life into the timeless music of the ‘50s, ‘60s and ‘70s. Chris has been travelling around the country delivering his unique brand of vintage rock and roll and sharing the stage with such luminaries as Bobby Rydell, The Duprees and The Drifters. He was recently honored by being nominated for induction into the East Coast Hall Of Fall for Best New Male Singer. NOVEMBER O-TOWN MOTOWN Friday, November 19th at 8:00 pm $18.00 Residents • $24.00 Non-Residents The sound of soul comes home to its southern roots when O-Town Motown performs the pulsating harmonies and elaborate dance moves along with the colorful outfits that made Motown so fabulous.
    [Show full text]
  • Xiami Music Genre 文档
    xiami music genre douban 2021 年 02 月 14 日 Contents: 1 目录 3 2 23 3 流行 Pop 25 3.1 1. 国语流行 Mandarin Pop ........................................ 26 3.2 2. 粤语流行 Cantopop .......................................... 26 3.3 3. 欧美流行 Western Pop ........................................ 26 3.4 4. 电音流行 Electropop ......................................... 27 3.5 5. 日本流行 J-Pop ............................................ 27 3.6 6. 韩国流行 K-Pop ............................................ 27 3.7 7. 梦幻流行 Dream Pop ......................................... 28 3.8 8. 流行舞曲 Dance-Pop ......................................... 29 3.9 9. 成人时代 Adult Contemporary .................................... 29 3.10 10. 网络流行 Cyber Hit ......................................... 30 3.11 11. 独立流行 Indie Pop ......................................... 30 3.12 12. 女子团体 Girl Group ......................................... 31 3.13 13. 男孩团体 Boy Band ......................................... 32 3.14 14. 青少年流行 Teen Pop ........................................ 32 3.15 15. 迷幻流行 Psychedelic Pop ...................................... 33 3.16 16. 氛围流行 Ambient Pop ....................................... 33 3.17 17. 阳光流行 Sunshine Pop ....................................... 34 3.18 18. 韩国抒情歌曲 Korean Ballad .................................... 34 3.19 19. 台湾民歌运动 Taiwan Folk Scene .................................. 34 3.20 20. 无伴奏合唱 A cappella ....................................... 36 3.21 21. 噪音流行 Noise Pop ......................................... 37 3.22 22. 都市流行 City Pop .........................................
    [Show full text]
  • Shape the Future Before It Shapes You: New Album Reviews
    Shape The Future Before It Shapes You: New Album Reviews Music | Bittles’ Magazine: The music column from the end of the world After last week’s look back at the albums of 2017 this week sees us celebrate the now with some new albums which make January 2018 a mighty fine place to be. We have the fresh house sounds of Skream, the soulful hip hop of Nightmares On Wax, the garage rock cool of The Limiñanas, the ambient beatscapes of 1954 and tons more. By JOHN BITTLES So, before 2018 whizzes past in a half remembered blur, we had better begin… Long-time Warp affiliate Nightmares On Wax makes a welcome return to the label this January with the smooth soul and stoned hip hop of his killer new LP. Shape The Future is out now and contains twelve funk filled gems. Recalling his 90s classics Smokers Delight and Carboot Soul, George Evelyn’s first long-player since 2013’s Feelin‘ Good finds him blending soul, trip hop, dub and more to create a wondrously eclectic musical stew. Opener Back To Nature is a gloriously downbeat ode to spiritualism and utilizes the vocal talents of Kuauhtli Vasquez and Wixarika Tribe over a loose piano line and smooth atmospherics. Beautifully chilled, it sets the scene nicely for the joys to come. From here we have the slow funk strut of the title track, the lush jazz instrumental On It Maestro, the spooky dub jam of Tenor Fly and the joyous groove of lead single Citizen Kane. Picking favourites is a futile endeavour though as everything to be found here is shockingly good.
    [Show full text]
  • Joseph Boudreaux Jr., the Lead Vocalist for the Mardi Gras Indian Funk Band Cha Wa, Can Not Even Pinpoint His First Experience with the Indian Tradition
    Joseph Boudreaux Jr., the lead vocalist for the Mardi Gras Indian funk band Cha Wa, can not even pinpoint his first experience with the Indian tradition. As the son of Big Chief Monk Boudreaux, he has been part of the deep-rooted New Orleans cultural phenomenon since ​ ​ before he could walk. “On the street, I started at one year old, with my dad,” he said. “By the time I was nine or ten, I had started doing festivals.” Cha Wa was founded in 2014 and releases its third album My People, the follow-up to 2018’s Grammy-nominated Spyboy and its first for Single Lock Records, on April 2nd – but its true history goes back, in a strong sense, far further. The first documented record of Mardi Gras th Indians in New Orleans dates back to the late 19 ​ century. These were African-American men ​ and women who roamed the city streets on Fat Tuesday morning and St. Joseph’s Night in celebratory groups, playing handheld percussion like glass bottles, tambourines and cowbells, and shouting and chanting in a unique dialect that scholars have tried to explain the roots of, but never quite agreed on. “Cha Wa”, the band’s name, is a traditional Mardi Gras Indian shout; so is “jock-a-mo-fee-nah-nay”, familiar to music fans, of course, from the enduring tune “Iko Iko.” Some suggest that Indian phrases can be traced to Native American languages, which would make sense – the most accepted origin story for the culture is that it was meant to pay tribute, in song and spirit, to the Native groups that gave shelter to black New Orleanians fleeing enslavement.
    [Show full text]
  • 1 from the Cambridge Companion to Pop and Rock Simon Frith and William Straw, Editors Soul Into Hip-Hop Russell A. Potter Rhode
    From The Cambridge Companion to Pop and Rock Simon Frith and William Straw, editors Soul into Hip-Hop Russell A. Potter Rhode Island College Call it soul, call it funk, call it hip-hop; the deep-down core of African-American popular music has been both a center to which performers and audiences have continually returned, and a centrifuge which has sent its styles and attitudes outwards into the full spectrum of popular music around the world. The pressure -- both inward and outward -- has often been kept high by an American music industry slow to move beyond the apartheid-like structures of its marketing systems, which, though ostensibly abandoned in the days since the "race records" era (the 1920's through the 1950's), continue to shadow the industry's practices. However much cross-over there has been between black and white audiences, the continual reiteration of racial and generic boundaries in radio formats, retailing, and chart-making has again and again forced black artists and producers to navigate between a vernacular aesthetic (often invoked as "the street") and what the rapper Guru calls "mass appeal" -- the watering-down of style targeted at an supposedly "broader" (read: white) audience. So it has been that, within black communities, there has been an ongoing need to name and claim a music whose strategic inward turns refused what was often seen as a "sell-out" appeal to white listeners, a music that set up shop right in the neighborhood, via black (later "urban contemporary") radio, charts, and retailers, and in the untallied vernacular traffic in dubbed tapes, DJ mixes, and bootlegs.
    [Show full text]
  • 80S Soul Music Love Songs
    80s soul music love songs click here to download We wanted to celebrate the music of the 80s, so over the course of several weeks, thousands of SoulTrackers The results were a great selection of essential songs for Soul Music lovers. Saturday Love - Featuring Alexander O'neal. A ballad that seemed to set the template for '80s love songs: gently throbbing Proving that soul music didn't have the monopoly on the genre. 70s/80s CLASSIC R&B/ SOUL LOVE SONGS MIX . May I know who sang the first song on this youtube. R&B, Soul 80's Love Songs Night and Day | Music Video. by MissNeNe Play next; Play now. Patti LaBelle - All This Love. The Greatest Soul Love Songs Of All Time - Best Soul Love Songs 80's Gold - 80's Greatest Hits. List of songs on the nonstop 80's r&b love songs = Kool and the gang - Cherish Takes be back. This Cd will make you get your woman pregnant​ music soothing to my mind,body & soul love & baby. Top 20 Greatest Soul Songs of the 70s - Best Soul Music Of All Time Greatest soul song's there is thank. Whitney Houston - Saving All My Love For You. by whitneyhoustonVEVO How Do You Keep The Music Playing - James Ingram & Patti Austin W/LYRICS. by momentsOfLove2 .. Boyz 2 Men - A Song For Mama NEW! Madacy's Soul Love '80s offers a decent but random assortment of popular R&B hits. For some strange reason, most '80s compilations tend to favor the early. www.doorway.ru - Play Free Music - 80's R & B And Soul: Playlist Details.
    [Show full text]
  • Downbeat's July
    JULY 2016 VOLUME 83 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian,
    [Show full text]