DOCSLIB.ORG

Garrett Stack's American Jukebox Only on WMNR Fine Arts Radio

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Garrett Stack's American Jukebox Only on WMNR Fine Arts Radio Playlist* Garrett Stack’s American Jukebox Only on WMNR Fine Arts Radio Show #: 160 Broadcast Date: June 15, 2013 Time: 16:00 - 18:00 # Selections: 36 Classic Pop from the ‘50s, ‘60s and Beyond Time Writer(s) Title Artist Disc Label Year Position Comment File Number Track Intro Holiday Release Date Date Played Date Played Copy 3:42 Jim Webb All I Know Art Garfunkel AM Gold 1973 Time-Life 1973 9 After Simon and Garfunkle split as a group, they each pursued their solo careers. Here are Series AM Gold 21 0:25 1992 10/22/116/15/13 each one’s first solo hit single. Art Garfunkle’s “All I Know” - a Jim Webb penned song - 2:52 Dallas Frazier Alley Oop Dante and the Evergreens Rock ‘n’ Roll Dance Party CDRT Canada 1960 15 45/CD R&R Party + R&R Dance Party - CDV-28, 31 RKV 31 11 7/18/09 6/15/13 2:03 A Domino/J Marascalco/T Boyce Be My Guest Fats Domino Rock ‘n’ Roll Era: The 50's Last Dance Time-Life 1959 8 CD 50's Last Dance CDV-50D Series RnR Era 3 6/2/12 6/15/13 2:48 Dave Clark/Mike Smith Come Home Dave Clark Five 2-CD set: The Dave Clark Five Hollywood 1965 14 45/LP Wkend In London RKG Clark 1/17 0:10 6/15/13 2:34 G Marsden Don't Let The Sun Catch You Crying Gerry and The Pacemakers AM Gold 1964 Time-Life 1964 4 GR HTS TRACK 12 22 1991 7/15/06 2/24/07 8/16/08 12/31/116/15/13 2:46 Brian Wilson & Roger Christian Don't Worry Baby Beach Boys AM Gold - Mid '60s Classics Time-Life 1964 24 Mick Jagger has called this the “best record ever made.” 6 1992 6/30/07 1/9/10 6/4/11 6/16/12 6/15/13 2:41 Mitch Murray/Peter Callander Even The Bad Times Are Good The Tremeloes Rock Artifacts, Volume 3 Columbia Legacy 1967 36 45 version with longer introduction - mono RKV118 Rock Art 8 1991 6/15/13 2:43 Fred Neil Everybody's Talkin' Harry Nilsson Nipper’s Greatest Hits: The 1960’s Vol 2 RCA/BMG 1969 6 CD'69 BeatGoes + RCA* tk 19 + EL /LP Mid Cowboy RKV 46 19 8/16/08 6/6/09 8/13/11 6/15/13 CDV-16A,46*,63 [Grammy best voc perf male '69] 4:22 Fred Hertz/Joel Herron Flying Saucer (Parts 1 and 2) Buchanan and Goodman Rock ‘n’ Roll Era: Weird, Wacky & WIld Time-life 1956 3 CD Weird, Wild and Wacky CDV-109 Series RnR Era 1 8/16/08 7/18/09 6/15/13 2:31 F Cavaliere/ E Brigati Groovin' Young Rascals AM Gold: The Late 60s Time-Life 1967 1 Series AM Gold 5 1992 7/2/11 6/15/13 2:26 Hugo&Luigi/George David Weiss Hello Heartache Goodbye Love Little Peggy March Nipper’s Greatest Hits: the 1960’s Vol 2 RCA/BMG 1963 26 45/CD Nipper's GrHts 60's Vol 2 RKV 10 7/5/08 8/1/09 8/13/11 3/10/12 6/15/13 2:53 James Holvay/Gary Beisbier Hey Baby (They're Playing Our Song) The Buckinghams Rock Artifacts, Volume 3 Columbia Legacy 1967 12 digitally remixed 45 version with later fade and studio talk - stereo RKV118 Rock Art 2 0:07 1991 6/15/13 2:59 George & Ira Gershwin I Got Rhythm Happenings AM Gold - Late '60s Classics Time-Life 1967 3 Series AM Gold 16 1968 5/29/10 6/15/13 2:23 Ricardo Weeks/Melvin Anderson I Wonder Why Dion & The Belmonts A Teenager In Love - The Best Of Dion & The Collectables 1958 22 CDM 3 2003 3/8/08 10/22/1112/31/116/15/13 Belmonts 2:34 Greenfield/Miller It Hurts To Be In Love Gene Pitney AM Gold - Mid '60s Classics Time-Life 1964 7 Born in Hartford, CT 2/17/41, raised in Rockville. Not only had a successful recording 8 0:08 1992 4/15/06 6/15/13 career, but he also wrote classics like “He’s a Rebel,” [Crystals] “Hello, Mary Lou,” 2:08 Irving Taylor Kookie Kookie (Lend Me Your Comb) Ed Byrnes and Connie Stevens Rock ‘n Roll Era: Teen Idols 2 Time-Life 1959 4 Cas Best of Bandstand Video/CD Teen Idols 2 Series R&R 18 0:07 10/21/066/15/13 CDV-6E Tk 18 3:05 Addigton/Harmon Laurie (Strange Things Happen) Dickey Lee Hard To Find 45’s on CD Vol 6: More 60’s Classics ERIC 1965 14 Had such a hit with Patches in 1962 who killed herself at the end of the song he thought RKV 15 0:07 6/15/13 he’d try another stange one. 2:19 Kal Mann/Dave Appell Let's Twist Again Chubby Checker Cameo-Parkway 1957-1967 [Disc 1] ABKCO 1961 8 Backing vocals by The Dreamlovers RKV 28 2005 6/18/11 6/15/13 2:27 Bobby Goldsboro Little Things Bobby Goldsboro AM Gold 1965 Time-Life 1965 13 Series AM Gold 21 1990 6/15/13 2:27 Carole King/Gerry Goffin Loco Motion (Locomotion) Little Eva The Best of the Girl Groups - Vol 2 Rhino 1962 1 45's/LPSupGrls/CD 1962+Girl Groups2 CDV 98 3 0:07 1990 7/10/10 9/11/10 12/31/114/13/13 6/15/13 CDV-8, 98/LPV-15 2:10 Beverly Ross/Julius Dixon Lollipop The Chordettes Dick Bartley Presents All-Time Greatest Girl Varerse Serabande 1958 2 RKV Girl Groups 7 2000 6/15/13 Groups 2:31 Roger ATkins/Helen Miller Make Me Your Baby Barbara Lewis AM Gold 1965 Time-Life 1965 11 Series AM Gold 10 1990 5/7/11 6/15/13 2:38 Hank Cochman Make The World Go Away Timi Yuro The Best Of Timi Yuro: Hurt Liberty 1963 24 White soul singer. Born in Chicago, raised in LA. B. 8/4/1940 RKF Yuro 19 none 1992 1/27/07 1/26/08 5/1/10 6/15/13 3:48 David Nichtern Midnight At The Oasis Maria Muldaur AM Gold 1974 Time-Life 1974 6 Series AM Gold 5 1996 6/15/13 2:49 Paul Simon Mother And Child Reunion Paul Simon Negotiations And Love Songs 1971-1986 Warner Brothers 1972 4 Also on: LP/CD 1972 Take 2 [CDV-52A] Jersey Boy from Newark RKM Simon 1 1988 5/7/11 11/17/126/15/13 3:38 Jerry Jeff Walker Mr. Bojangles Nitty Gritty Dirt Band AM Gold 1971 Time-Life 1971 9 Series AM Gold 11 0:03 1990 6/15/13 2:28 Crewe/Fluri/Racheck Navy Blue Diane Renay AM Gold 1964 Time-Life 1964 6 Series AM Gold 10 1991 9/9/06 11/15/0811/20/1011/5/11 6/15/13 2:24 Berry/Wilson/Christian/Norman New Girl In School, The Jan & Dean Greatest Hits Collectables 1964 37 Jan Barry and Dean Torrence CDG Jan & Dean 6 2003 1/15/11 6/2/12 6/15/13 2:35 Paul Kaufman/Mike Anthony Poetry In Motion Johnny Tillotson The History Of Cadence Records Vol 2 Varese Sarabande 1960 2 Also on CDV Cadence 2 1996 4/29/06 1/10/09 12/5/09 11/20/105/21/11 3/10/12 6/15/13 LP GrHts, AmGr 3/CD Teen Id..+Mel 60s 2:46 Pipkin/Willis/Coefield Puddin' n' Tain Alley Cats Box Set - Phil Spector Back to Mono ABKCO 1963 43 45 in boxed set Phil Spector Hits BOX Phil Spector 1/13 6/15/13 2:28 Otis Redding Respect Aretha Franklin The Best Of Aretha Franklin Atlantic 1967 1 RKF Franklin 7 1984 6/15/13 2:57 Bob Crewe/Bob Gaudio Ronnie The Four Seasons In Season-Anthology (Disc 1) Rhino 1964 6 Jersey Boys from Newark RKG Four Seasons 1/14 2001 11/17/126/15/13 2:32 Gary Anderson/Gene Barge School Is Out Gary U.S. Bonds Rock ‘n’ Roll Era: 1961 Still Rockin’ Time-Life 1961 5 45/LP Grtst Hits/CD 1961 Still Rock.. CDV-7A Series RnR Era 2 0:03 6/15/13 2:46 Twyla Herbert/Lou Christie Two Faces Have I Lou Christie The Complete Co&Ce/Roulette Recordings Taragon Records 1963 6 45/LP Grt Hts/CD 1963 Still Rockin' RKM Christie 3 7/14/12 6/15/13 CDV-9A 3:20 W P Ham/T Evans Without You Nilsson - Harry Nilsson AM Gold 1972 Time-Life 1972 1 Born 6/15/1941. Died 1/15/1994. Age 52. Massive heart attack at home in CA Series AM Gold 20 1991 5/19/12 6/15/13 2:22 Domingo Samudio Wooly Bully Sam The Sham & Pharohs 45’s on CD: Vol II (‘60-’66) Mercury/Ploygram 1965 2 45/WCBS5/Fun Rock/CD'65+45's on CD CDV-12,106 / LPV-5,18 RKV 106 7 0:28 6/15/13 * Playlist is in order by song title not in order of play. Kookie, Lend Me Wooly Bully was Regular Features Your Comb Sam’s cat’s name! 16:30 - Top 3 On This Date: 1967 17:00 - Fun Test: It Hurts To Be In Love - Gene Pitney 17:30 - Behind the #1: The Loco-Motion - Little Eva Special Features Big weird wacky novelty hits indicate by a Alley Oop The Flying Saucer.
Load more

Recommended publications
  • 1969 in Review (Con't from Page 3) Disney and Buena Vista Recordings Leaves CBS and Sandy Roberton Chap- Left the Rolling Stones Group
    Great Britain -1969 In Review (Con't From Page 3) Disney and Buena Vista recordings leaves CBS and Sandy Roberton Chap- left The Rolling Stones group ... War- majors . Philips Phonographic of previously handled by EMI . Tom pell to open office for Blue Horizon .. ner Bros -Seven Arts records and pub- Holland sign five-year deal with indie Jones named "Show Business Per- The battle for ownership of the Beatles lishing division under Ian Ralfini oper- Record Supervision to issue product sonality of the Year" by Variety Northern Songs company continues .. ating in London . American group in Europe, Latin America and Japan Club of Great Britain ... Sonet Gram- The House of Commons rejected Bill Ohio Express hit by Musicians Union First ripple of economy rumbles mofon of Sweden celebrate first anni- to operate commercial radio in the ban re London appearances. through BBC . Terry Oates joins versary of U.K. operation. U. K. Hal Shaper opens office in Screen Gems -Columbia Music Tokyo for his Sparta Music company to JULY Songwriters Bill Martin and Phil APRIL be known as Sideways Music.. Rich- Coulter form Mews Publishing . ard Harris signs pact whereby Screen First Rolling Stones single for 14 Delyse acquire sole recording rights EMI set up their Music Centre mar- Gems will represent Harris' Limbridge months "Honky Tonk Women" (later to the Investiture on July 1st keting campaign . Fleetwood Mac Music on world wide basis . 1968 to become an international smash) .. Morgan Records to distribute Spark leave Blue Horizon and sign with Im- Ivor Novello awards to Bill Martin and Robin Gibb leaves Bee Gees for solo product MCA celebrated one year mediate (later to go to Warner Bros Phil Coulter for "Congratulations"; career ..
    [Show full text]
  • Summach, the Structure, Function, and Genesis of the Prechorus
    Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory The Structure, Function, and Genesis of the Prechorus (1) Jay Summach NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.summach.php KEYWORDS: popular music, rock music, form, prechorus, sentence, srdc ABSTRACT: Prechoruses emerged in the mid-1960s as verse-chorus and strophic forms converged upon a four-part formal disposition that Everett (1999) calls “statement, restatement, departure, and conclusion,” or srdc. This study traces the expansion of the srdc scheme from its compact deployment in strophes to expanded iterations that approximate verse- chorus form. Received February 2011 [1] This article examines an episode in the evolution of verse-chorus form in pop/rock music. Until the mid-1960s, most verse-chorus songs alternated between the two formal sections from which verse-chorus form takes its name: verses and choruses. Example 1, Mark Dinning’s “Teen Angel,” illustrates the form.(2) As is typical for verse-chorus songs, the focal point of “Teen Angel” is the chorus: it contains the most engaging musical material; its unchanging lyric makes it easy to remember; and it is marked for special attention by additional vocal and instrumental parts. The verses, on the other hand, provide context: each verse advances the song narrative by presenting fresh lyrics; and the music is more modest in instrumentation and intensity so as not to steal attention from the chorus. In “Teen Angel,” the tempo is treated flexibly during the verses, which further distinguishes them from the choruses.
    [Show full text]
  • The Twist”—Chubby Checker (1960) Added to the National Registry: 2012 Essay by Jim Dawson (Guest Post)*
    “The Twist”—Chubby Checker (1960) Added to the National Registry: 2012 Essay by Jim Dawson (guest post)* Chubby Checker Chubby Checker’s “The Twist” has the distinction of being the only non-seasonal American recording that reached the top of “Billboard’s” pop charts twice, separately. (Bing Crosby’s “White Christmas” topped the holiday tree in 1942, 1945, and 1947). “The Twist” shot to No. 1 in 1960, fell completely off the charts, then returned over a year later like a brand new single and did it all over again. Even more remarkable was that Checker’s version was a nearly note-for- note, commissioned mimicry of the original “The Twist,” written and recorded in 1958 by R&B artist Hank Ballard and released as the B-side of a love ballad. Most remarkable of all, however, is that Chubby Checker set the whole world Twisting, from Harlem clubs to the White House to Buckingham Palace, and beyond. The Twist’s movements were so rudimentary that almost everyone, regardless of their level of coordination, could maneuver through it, usually without injuring or embarrassing themselves. Like so many rhythm and blues songs, “The Twist” had a busy pedigree going back decades. In 1912, black songwriter Perry Bradford wrote “Messin’ Around,” in which he gave instructions to a new dance called the Mess Around: “Put your hands on your hips and bend your back; stand in one spot nice and tight; and twist around with all your might.” The following year, black tunesmiths Chris Smith and Jim Burris wrote “Ballin’ the Jack” for “The Darktown Follies of 1913” at Harlem’s Lafayette Theatre, in which they elaborated on the Mess Around by telling dancers, “Twist around and twist around with all your might.” The song started a Ballin’ the Jack craze that, like nearly every new Harlem dance, moved downtown to the white ballrooms and then shimmied and shook across the country.
    [Show full text]
  • The Beatles on Film
    Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964
    [Show full text]
  • Preowned 1970S Sheet Music
    Pre­owned 1970s Sheet Music. PLEASE NOTE THE FOLLOWING FOR CONDITION AND PRICES PER TITLE Offers Not priced – Offers please. ex No marks or deteriation Priced £15. good As appropriate for age of the manuscript. Slight marks on front cover (shop stamp or owner's name). Possible slight marking (pencil) inside. Priced £12. fair Some damage such as edging tears. Reasonable for age of manuscript. Priced £5 Album Contains several songs and photographs of the artist(s). Priced £15+ condition considered.. Year Year of print. Usually the same year as copyright (c) but not always. Photo Artist(s) photograph on front cover. n/a No artist photo on front cover STAMP OUT FORGERIES. Warning: It has come to our attention that there are sheet music forgeries in circulation. In particular, items showing Elvis Presley, Cliff Richard, The Beatles and Gene Vincent have recently been discovered to be bootleg reprints. Although we take every reasonable precaution to ensure that the items we have for sale are genuine and from the period described, we urge buyers to verify purchases from us and bring to our attention any item discovered to be fake or falsely described. The public can thus be warned and the buyer recompensed. Your co­operation is appreciated. 1970s Title Writer and composer condition Photo year Albertross Peter Green fair Fleetwood Mac 1970 Albertross (piano solo) Peter Green ex n/a © 1970 All around my hat Hart/Prior/Knight/Johnson/Kemp ex Steeleye Span 1975 All creatures great and small Johnny Pearson good sheep grazing 1977 All I ever need is you J.Holiday/E.Reeves ex Sonny & Cher 1972 All I think about is you Harry Nilsson ex Harry Nilsson 1977 Amanda Brian Hall ex Stuart Gillies 1973 Amarillo (is this the way to) N.Sedaka/H.Greenfield ex Tony Christie 1971 Amazing grace Trad.
    [Show full text]
  • Rock Music's Crusade of Authenticity
    ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive.
    [Show full text]
  • "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
    Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
    [Show full text]
  • Beatles History – Part One: 1956–1964
    BEATLES HISTORY – PART ONE: 1956–1964 January 1956–June 1957: The ‘Skiffle Craze’ In January 1956, Lonnie Donegan’s recording of “Rock Island Line” stormed into the British hit parade and started what would become known as the ‘skiffle craze’ in Great Britain (vgl. McDevitt 1997: 3). Skiffle was originally an amateur jazz style comprising elements of blues, gospel, and work songs. The instrumentation resembled New Or- leans street bands called ‘spasms,’ which relied on home-made instru- ments. Before skiffle was first professionally recorded by American jazz musicians in the 1920s and 1930s, it had been performed at ‘rent parties’ in North American cities like Chicago and Kansas City. Many African- American migrant workers organized rent parties in order to raise money for their monthly payments (vgl. Garry 1997: 87). Skiffle provided the musical entertainment at these parties, as everybody was able to partici- pate in the band, which usually consisted of home-made acoustic guitars or a piano backed by a rhythm section of household instruments, such as a washboard, a washtub bass, and a jug (vgl. McDevitt 1997:16). Jazz trumpeter and guitarist Ken Colyer pioneered the skiffle scene in Great Britain. In 1949, he formed the Crane River Jazz Band in Cran- ford, Middlesex, together with Ben Marshall (guitar), Pat Hawes (wash- board), and Julian Davies (bass). Their repertoire included skiffle songs “to illustrate aspects of the roots of jazz and to add variety to a pro- gramme” (Dewe 1998: 4). After leaving the group in 1951, Colyer mi- grated to the United States to work with jazz musicians in New Orleans.
    [Show full text]
  • Character Driven Productions LLC
    Character Driven Productions LLC. The Wages of Spin chronicles the Philadelphia music scene from 1952-1963. The documentary is the first honest, comprehensive look at the Philadelphia music industry, centering on the creation, growth and popularity of Bandstand. It looks behind the curtain at the inner workings of the music industry in Philadelphia during this time period. The narrative is propelled principally through interviews and histories from the people who lived it, performers, dancers and those waiting in the wings. Created in Philadelphia by Triangle Productions, Bandstand was a radio program that was adapted for television. Originally hosted by Bob Horn the show captured the attention of the youth in the Delaware Valley. Horn’s career was short-lived, however. He soon ran into legal problems, including an arrest under the influence of alcohol as well as accusations of improper conduct with a teenager on the show. A young booth announcer, Dick Clark, was given command of the show that would influence teens, and the music industry for decades to come. The music industry was by no means a paragon of American business ethics. Underhanded practices, rife with conflicts of interest, were the standard for the day. Payola! As the dirty business of making hits and selling records went on everyone had their hands out. Clark emerged at a unique time in American cultural and economic history, saw an unprecedented opportunity and exploited it. Talent was a secondary consideration in the system of graft and legalized corruption that prevailed at the time. The Payola Hearings on Capitol Hill attempted to shed light on the shady dealings of the music industry.
    [Show full text]
  • The NME Singles Charts
    The Chart Book – The Specials The New Musical Express Charts 1960- 1969 Compiled by Lonnie Readioff Chart History For The NME Singles Charts Between 1 January 1960 and 27 December 1969 Entry Peak Weeks on chart, Title (Number 1 Number) (Awards symbols, if any for this record in this period) (Composer) Full artist credit (if different) B-Side (Or EP/Album track listing if any charted on this chart) Label (Catalogue Number) Duration. Notes are presented below the title for some entries. Entries are sorted by artist, then by entry date and finally, in the event of ties, by peak position and finally weeks on chart. All re-entries are shown as separate entries, but track listings of any albums or EP's which re-entered the chart are not shown for their re-entries. Kenny Ball (Continued) 16.02.1962 1 11 March Of The Siamese Children (N1 #131) (Oscar Hammerstein II / Richard Rodgers) Kenny Ball and His Jazzmen If I Could Be With You Pye Jazz 7": 7NJ 2051 02:44 18.05.1962 8 11 The Green Leaves Of Summer (Dimitri Tiomkin / Paul Francis Webster) Kenny Ball and His Jazzmen I'm Crazy 'bout My Baby Pye Jazz 7": 7NJ 2054 02:48 24.08.1962 11 5 So Do I (Ian Grant / Theo Mackeben) Kenny Ball and His Jazzmen Cornet Chop Suey Pye Jazz 7": 7NJ 2056 02:38 19.10.1962 23 3 The Pay-Off (A Moi De Payer) (Sidney Bechet) Kenny Ball and His Jazzmen I Got Plenty O' Nuttin' Pye Jazz 7": 7NJ 2061 03:00 25.01.1963 10 8 Sukiyaki (Ei Rohusuke / Nakamura Hachidai) Kenny Ball and His Jazzmen Swanee River Pye Jazz 7": 7NJ 2062 03:00 19.04.1963 17 6 Casablanca (Nicolas Sakelario
    [Show full text]
  • Sing! 1975 – 2014 Song Index
    Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo ..
    [Show full text]
  • Tony Christie Amarillo Mp3, Flac, Wma
    Tony Christie Amarillo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Amarillo Country: Spain Released: 1972 Style: Vocal, Easy Listening MP3 version RAR size: 1506 mb FLAC version RAR size: 1240 mb WMA version RAR size: 1884 mb Rating: 4.9 Votes: 324 Other Formats: VQF FLAC MPC MP3 VOC WMA AHX Tracklist Hide Credits A1 Is This The Way To Amarillo Frankie A2 Written-By – Mitch Murray & Peter Callander* Smile A Little Smile For Me A3 Written-By – Geoff Stephens, Tony Macaulay Give Me Your Love Again A4 Written-By – Mitch Murray & Peter Callander* Home Lovin' Man A5 Written-By – Roger Cook, Roger Greenaway, Tony Macaulay Las Vegas A6 Written-By – Mitch Murray & Peter Callander* I Did What I Did For Maria B1 Written-By – Mitch Murray & Peter Callander* What Do You Do B2 Written-By – Anthony Fitzgerald God Is On My Side B3 Written-By – Mitch Murray & Peter Callander* Walk Like A Panther B4 Written-By – Mitch Murray & Peter Callander* Didn't We B5 Written-By – Jim Webb* My Sweet Lord B6 Written-By – George Harrison Companies, etc. Manufactured By – Iberofon, S.A. Credits Arranged By – Lew Warburton Engineer – John Isles, John Timperley Producer – Mitch Murray & Peter Callander* Barcode and Other Identifiers Rights Society: BIEM Other versions Category Artist Title (Format) Label Category Country Year Amarillo • Lo Hice Por Maria S-26.133 Tony Christie MCA Records S-26.133 Spain 1972 (LP, Gat) Amarillo • Lo Hice Por Maria S-26133 Tony Christie MCA Records S-26133 Portugal 1972 (LP, Album) Related Music albums to Amarillo by Tony Christie Tony Christie - Don't Go Down To Reno Peter Noone - We Don't Need The Money Various - 25 Rolling Oldies Vol.
    [Show full text]