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Adventures of Priscilla Queen of the Desert Music Credits

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Adventures of Priscilla Queen of the Desert Music Credits Music by Guy Gross Music recorded at Trackdown Studios Music Engineer Simon Leadley Performed by Sydney Philharmonic Choir Directed by Antony Walker Soprano Solo by Robyn Dunn Original music published by Mushroom Music Song Clearances Diana Williams Songs I’VE NEVER BEEN TO ME written by Ken Kirsch and Ronald Miller performed by Charlene published by Stone Diamond Music Corp./Jobete Music courtesy Motown Record Company LP GO WEST written by Jacques Morali, Henri Belolo and Victor Willis performed by Village People published by Scorpio Music courtesy BMG/RCA BILLY DON’T BE A HERO written by Mitch Murray and Peter Callander performed by Paper Lace published by Dick James Music Ltd courtesy Castle Communications (Australasia) Ltd. MY BABY LOVES LOVIN’ written by Roger Cook and Roger Greenaway performed by White Plains published by Dick James Music Ltd courtesy The Decca Record Company Ltd. I LOVE THE NIGHTLIFE written by Susan Hutcheson and Alicia Bridges performed by Alicia Bridges published by BMG Music Publishing courtesy Polydor International CAN”T HELP LOVIN’ THAT MAN written by Jerome Kern and Oscar Hammerstein II performed by Trudy Richards published by PolyGram International Publishing Inc. courtesy Capitol Records Inc. E STRANO! AH FORS E LUI written by Guiseppe Verdi performed by Joan Carden and the Sydney Symphony Orchestra courtesy ABC Classics FERNANDO written by Benny Andersson, Bjorn Ulvaeus and Stig Anderson Performed by Abba Published by Union Songs AB Courtesy Sweden Music AB I WILL SURVIVE written by Dino Fekaris and Freddie Perren performed by Gloria Gaynor published by PolyGram International Publishing Inc. and Perren-Vibes Music Inc. courtesy Polydor International SHAKE YOUR GROOVE THING written by Dino Fekaris and Freddie Perren performed by Peaches + Herb Published by PolyGram International Publishing Inc. and Perren-Vibes Music Inc. courtesy Polydor International A FINE ROMANCE written by Jerome Kern and Dorothy Fields performed by Lena Horne published by PolyGram International Publishing Inc. courtesy Castle Communications (Australasia) Ltd. I DON’T CARE IF THE SUN DON’T SHINE written by Mack David performed by Patti Page published by PolyGram International Publishing Inc. courtesy PolyGram Records Inc. USA FINALLY written by Rodney K Jackson, Ce Ce Peniston, Felipe Delgado and E. L. Linnear performed by Ce Ce Peniston published by Blue Zephyr Music, Ce Ce Pen Music Main Lot Music, Leathal Musik, Urban Tracks Music and Wax Museum Music courtesy A&M Records Inc. TAKE A LETTER MARIA written and performed by R. B. Greaves published by Songs of PolyGram International Inc. courtesy Warner Music UK Ltd/Warner Special Products MAMMA MIA written by Benny Andersson, Bjorn Ulvaeus and Stig Anderson performed by Abba published by Union Songs AB courtesy Sweden Music AB SAVE THE BEST FOR LAST written by Wendy Waldman, Jon Lind and Phil Goldston performed by Vanessa Williams published by Longitude Music Co/Moon and Stars Music/ Virgin Songs Inc./Big Mystique Music/Kazzoom Music Inc. courtesy PolyGram Records Inc. USA Lyrics: The head titles feature Tick/Mitzi (Hugo Weaving) miming to Charlene’s I’ve Never Been To Me … (with the help of a preacher man who on the lyrics’ cue comes out to hold hands, followed by a drunk Adam/Felicia (Guy Pearce) chewing gum and clutching a doll baby, who comes out when the lyrics refer to a lady walking away, and then horses around on stage). The song is cut short in the film. Lyrics as heard in the film: Hey lady, you, lady, cursin' at your life You're a discontented mother and a rich inventive wife I've no doubt you dream about the things you'll never do But I wish someone had a talked to me like I wanna talk to you Ooh I've been to Georgia and California, and anywhere I could run Took the hand of a preacher man and we made love in the sun But I ran out of places and friendly faces because I had to be free I've been to paradise, but I've never been to me … Please lady, please, lady, don't just walk away Cause I have this need to tell you why I'm all alone today I can see so much of me still living in your eyes Won't you share a part of a weary heart that has lived a million lies Oh I've been to Nice and the isle of Greece While I sipped champagne on a yacht I moved like Harlow in Monte Carlo and showed 'em what I've got I've been undressed by kings and I've seen some things That a woman ain't s'posed to see I've been to paradise, but I've never been to me … The song begins to fade out at this point, as Mitzi stops miming and bows to the clapping and wolf whistling crowd, as voices demand more … Oooh oooh o ooo meee ... I’ve been to paradise … never been to me … The applause turns to jeers and Mitzi sneers at the crowd and then a can beer catches her in the back of the neck, knocking her down … Felicia races out and asks her if she’s okay, gets a “yeah, yeah”, so races over to pick up the mike. Felicia: “Well that was fuckin’ charming, you gutless pack of dickheads.” Audience member: “Oh fuck off you talentless dog.” Felicia: “What was that?” Audience member: “Show us your pink bits!” Felicia: “No! I don’t think I will. Now do you know why this microphone has such a long cord?” Audience member: “Why?” Felicia: “So it’s easily retrieved after I’ve shoved it up YOUR arse.” The crowd cheers and jeers as the director’s credit vanishes, we cut to a forlorn Mitzi in the dressing room, and the post-credits movie begins … Tail song lyrics: Mitzi shouts into the mike that it’s good to be home, the image freezes and a song begins over black as the tail credits roll. Co-costume designer Tim Chappel fades up in stage-lit silhouette, screen right, to mime to Vanessa Williams singing Save the Best for Last. Unlike the head credits song, this one runs the distance: Sometimes the snow comes down in June Sometimes the sun goes round the moon I see the passion in your eyes Sometimes it's all a big surprise 'Cause there was a time when all I did was wish You'd tell me this was love It's not the way I hoped or how I planned But somehow it's enough And now we're standing face-to-face Isn't this world a crazy place? Just when I thought our chance had passed You go and save the best for last All of the nights you came to me When some silly girl had set you free You wondered how you'd make it through I wondered what was wrong with you 'Cause how could you give your love to someone else And share your dreams with me Sometimes the very thing you're looking for Is the one thing you can't see But now we're standing face-to-face Isn't this world a crazy place? Just when I thought our chance had passed You go and save the best for last … (There’s a little synth piano interlude and a small excision from the original version) Sometimes the snow comes down in June Sometimes the sun goes round the moon Just when I thought our chance had passed You go and save the best for last ... You went and saved the best for last Yeaaaheaah… (After this, there’s a little oriental music as a monk collects a pink doll kite with exposed breasts that flaps down into what is clearly the Sydney Chinese Garden of Friendship in Darling Harbour) Music in the film: There are a few attempts to pretend that there’s live music in the film, but it’s obviously a film that’s heavily post-produced. Amongst the tokens are an uncredited band in a Broken Hill pub, and the presence of Alan Dargin, a noted didgeridoo player as well as musician and songwriter. Dargin has a wiki here. Much of the time the music consists of getting out the boom box and/or other amplified system, and getting on with the imported songs: CD Release: A CD of the soundtrack was released, and mirroring the film’s success, there were a number of editions: CD Polydor 516 937 2 (CA 516 937 4) 1994 (CD Polygram (USA) 16937) "THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT - SONGS FROM THE MOTION PICTURE" 1. I’ve Never Been To Me (3’53”) (Ken Kirsch/Ronald Miller) Vocals: Charlene, published by Stone Diamond Music Corp, produced by Ron Miller, 1980 Motown Record Company 2. Go West (3’33”) (Jacques Morali/Henri Belolo/Victor Willis) Vocals: Village People, published by Scorpio Music, produced by Jacques Morali for Can’t Stop Productions, executive producer: Henri Belolo, 1989 Scorpio Music International 3. Billy Don’t Be A Hero (3’43”) (Mitch Murray/Peter Callander) Vocals: Paper Lace, published by Dick James Music Ltd., produced under license from Castle Communications (Australasia) Ltd. 4. My Baby Loves Lovin’ (2’44”) (Roger Cook/Roger Greenaway) Vocals: White Plains, published by Dick James Music Ltd., 1969 The Decca Record Company 5. I Love The Nightlife (Disco ’Round) (Original Version) (3’25”) (Susan Hutcheson/Alicia Bridges) Vocals: Alicia Bridges, published by Lowery Music Co. Inc., produced by Steve Buckingham for The Lowery Group,1978 PolyGram Records Inc. 6. Can’t Help Lovin’ That Man (2’ 39”) (Jerome Kern/ Oscar Hammerstein II) Vocals: Trudy Richards, published by PolyGram International Publishing Inc., 1992 Capitol Records Inc.
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