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'Booya!' Baseball's Back Priorities
8 March 2002 The Tulane Hullabaloo www.theHullabaloo.com 13 Brass wins two games, sets Sports attendance record • Former Everblades star leads New Orleans past Florida Spotl.ight: Nathan Holtzman a rude homecoming gift as he tallied two goals in the first assistant chief copy editor period. Degerman had two assists and Center Shawn Mather James Jurries added a goal and an assist, while Goaltender Ron Vogel made After dropping a match against the Mississippi Sea Wolves 35 saves to preserve the 3-1 Brass victory. March l. the >-Jew Orleans Brass (30-26-3) regrouped and The Brass fell short in Biloxi, Miss., against the Mississippi destroyed the Jackson Bandits last Saturday, 4-1, before a Sea Wolves March I, losing 4-2. Demarski netted a power Leading baseball. record crowd of 12,708 faithful at the New Orleans Arena. play goal in the losing effort. A third period surge by Mississippi, The Brass, led by former Florida Everblade left-winger Matt led by two of center Dave Paradise's hat trick goals, sealed Demarski's three goals in two games, went on to defeat Florida, the fate ofthe Brass. Schaefer, who made 33 saves on 36 shots 3-1. in Estero. Fla.. Tuesday night, setting in motion a two- took the loss for the Brass. ' back to Omaha game winning streak. New Orleans defenseman Steve Cheredaryk commemorated In front of a home crowd nearly three times the season a second period Sea Wolves goal by fighting Mississippi left- average of4188. the Brass heated up the ice against conference winger Yuri Moscevsky after Moscevsky assisted on Paradise's Jeremy Hall rival Jackson Saturday. -
Nicl\ Renbour:Rz, D~Vey Graham, Ralpl1 Mcte/1 and Donovan, to Be Followed by Fair Port Conventzon, John Martyn, Pentangle and the Incredible String Band
. Tlze En~lish fol~ scene has always seemed obscure and mysterious from tlzis J szd~ of the. Atlantzc Ocean. _Tize traditional music of the British Isles began a re I nmssance ~n tlze 1950s and 60s witlz Ewan MacCo/1 A .L. Lloyd, Imz Campbell and Ma.rtm Carthy. Tlzey paved the way for the singer/songwriter/guitarist, who, w>tll a nod towards Bob Dylan, updated the traditional folk style and syn thesized it with blues and jazz. The early '60s wave was led by Bert Jansch, John Nicl\_ Renbour:rz, D~vey Graham, Ralpl1 McTe/1 and Donovan, to be followed by Fair port Conventzon, John Martyn, Pentangle and the Incredible String Band. ~orne .of thes~ people r~ached llationwide, even worldwide, success. Many re r:zamed m relatzve obscunty, rarely if ever playing ill the States. They remained m the folk club and small concert scene in Englmzd. Tlzeir music was often intri Drake cate, introsp~ctive and unlike tlze )olk mu~ic" we were accustomed to. One of them .wa~ Nzck Drake, who remams to thzs. day all almost anonymous figure, even m hzs own country. already established himself through Witch season Productions, recording LPs by Fair port, John Martyn and the Incredible String Band (as well as being the latter's mentor/manager). He called Nick and asked for a tape, which Nick obliged. Joe described his initial impression of Drake's music as "melodically unusual and sophisti cated." There was no doubt that Nick had to be nurtured and recorded. Five Leaves Left was begun in mid-1968. -
The Community Magazine for the High School for the Performing And
The community magazine for The High School for the Performing and Visual Arts, published by HSPVA Friends 2016-2017 Your Gift at Work: TABLE OF CONTENTS The Impact of HSPVA Friends HSPVA DOWNTOWN 4-5 Epiphany 2016-2017 As a 501(c)(3) non-profit organization, HSPVA Friends harnesses community support to ensure the ON THE COVER Charlie Wannall (‘17) in continued excellence of The High School for the Performing and Visual Arts. Under the thoughtful ART AREA HIGHLIGHTS 6-8 bobrauschenbergamerica. Photo by Savanna Lim (‘17) leadership of the Board of Directors, we create opportunities for HSPVA students that prepare them Epiphany is published annually by HSPVA Friends and for higher education and the professional world. ENCORE LUNCHEON 9 distributed to alumni, parents, and supporters of HSPVA and HSPVA Friends. HSPVA relies on us to provide the essential building blocks of an arts education—supplies, COMMUNITY NEWS 10-11 The mission of HSPVA Friends, a 501(c)(3) non-profit organization, is to cultivate support and appreciation for equipment, teachers, and experiences—that allow graduates to emerge as leaders in their The High School for the Performing and Visual Arts locally, fields. The results of an HSPVA education speak for themselves: the 166 members of the Class of 2017 nationally, and internationally in order to enhance educational, DONOR 12-15 professional, and artistic opportunities for current and future were offered more than $36 million in college scholarships! students of HSPVA. RECOGNITION I am delighted to share highlights from HSPVA’s 45th school year. Thanks to your generosity, HSPVA HSPVA FRIENDS BOARD OF DIRECTORS Robert L. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Lifespan Is Here to Help You and Your Family Age Well. We Promise
Lifespan is here to help you and your family age well. We promise. 2014-2015 ANNUAL REPORT It’s time to fulfill the promise that Rochester will be a great place to age well. Dear Friends, United States Population 80 This is a transformational moment in time. Our community, in millions 65 years + like the state, country and world, has more people 60, 65, 70 75 and 85 and older than ever before. 85 years + 60 2015 is the tipping point year. In 2015, 20 percent of 50 New York State residents and 21 percent of Monroe County residents are 60 or older for the first time in 40 history. Within a few years that number will grow to 25% 30 or one in four. Demographers call this the age wave. 20 It’s often said that Rochester is a great place to raise a family. Now, with more people living longer, we are faced 10 with a challenge to also make Rochester a great place to 0 age well. 1900 1940 1970 1990 2010 2020 2030 2050 Lifespan serves as the regional aging services “utility” by providing the essential services residents need to age well. Lifespan’s sole focus is providing information, guidance and services geared toward helping older adults and their caregivers take on the challenges and the opportunities of longer life. It’s a promise we made over 40 years ago, and we intend to keep it. In 2014 we launched the Fulfilling the Promise fundraising campaign because we need to change the ways we think about aging and the ways we guide and inform older adults and caregivers. -
Joe Boyd There Was an Interesting Moment When I Was Nick Drake Loves the Music
ISSUE #29 MMUSICMAG.COM ISSUE #29 MMUSICMAG.COM PRODUCER How’d the Drake tribute come about? my head. With the Nick record, because I’d worked on a recent spate of live tribute the arrangements are quite formal and the concerts—the first happened about five audiences were respectful, people seemed years ago. I did a tribute concert after [Pink to let the last note die away and then erupt Floyd founding member] Syd Barrett died, in cheers and such, so we felt that we could and I thought it turned out wonderfully. That do it. Also, somebody told us that BBC tilted my psychology about the idea of live Radio 2—the most important outlet in Britain tribute concerts, so when I was asked to for this kind of music—has a rule where they put together a celebration of Nick’s music don’t play tracks with applause. Sometimes at Birmingham Town Hall four years ago, I they dial it out themselves, but we chose to said, “Let’s try it.” And the audience thought take it out instead. it was fantastic, the musicians had a great Maria Muldaur time, and the singers loved getting their teeth If you were back working again with Pink into these songs—and they sounded so good yeah, I love him!” When I asked if she would Floyd in 1967, what would you change? singing them. sing that song, she said that she loved that The main thing I’d do differently would be one as well. She does it quite differently from to somehow make sure that I could get a How did that become an album? how Nick did it, but it’s exactly what I heard, bigger advance from Polydor Records to We’ve done about 15 of these concerts, imagined and wanted. -
Francis R. Boyd
Francis R. Boyd Jr. 1926–2004 A Biographical Memoir by W. G. Ernst and Russell J. Hemeley ©2014 National Academy of Sciences. Any opinions expressed in this memoir are those of the authors and do not necessarily reflect the views of the National Academy of Sciences. FRANCIS RAYMOND BOYD JR. January 30, 1926–January 12, 2004 Elected to the NAS, 1974 Francis Raymond Boyd Jr., known to his friends and colleagues worldwide as Joe, was born in Boston, Massa- chusetts, on January 30, 1926. He received an AB degree in 1949, an MS in 1951, and a PhD in 1958, all in geology from Harvard. He also was awarded an MS in geology from Stanford in 1950. His doctoral study, working under the supervision of George C. Kennedy, was entitled: “Geology of the Yellowstone Rhyolite Plateau.” This field-based geologic research (Boyd 1961) was featured in the 1998 IMAX film “Yellowstone.” Carnegie Institution Archives. In 1953, Joe Boyd accepted an appointment at the Geophysical Laboratory of the Carnegie Institution of Washington, and from that supporting foundation, he By W. G. Ernst carried out mineralogic phase equilibrium and petro- and Russell J. Hemeley chemical research throughout his long and remarkably fruitful career. After retirement in 1996, Joe continued his scientific research and remained a widely recognized contributor to the understanding of mantle geochemistry and geophysics, as well as the geologic structure and evolution of the Earth’s lithosphere, until his death on January 12, 2004. An insightful scholar and innovator, Joe Boyd was a world-class Earth scientist, a warm, fun-loving human being, and an especially generous, gentle soul. -
The Baseball Film in Postwar America ALSO by RON BRILEY and from MCFARLAND
The Baseball Film in Postwar America ALSO BY RON BRILEY AND FROM MCFARLAND The Politics of Baseball: Essays on the Pastime and Power at Home and Abroad (2010) Class at Bat, Gender on Deck and Race in the Hole: A Line-up of Essays on Twentieth Century Culture and America’s Game (2003) The Baseball Film in Postwar America A Critical Study, 1948–1962 RON BRILEY McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London All photographs provided by Photofest. LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Briley, Ron, 1949– The baseball film in postwar America : a critical study, 1948– 1962 / Ron Briley. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-6123-3 softcover : 50# alkaline paper 1. Baseball films—United States—History and criticism. I. Title. PN1995.9.B28B75 2011 791.43'6579—dc22 2011004853 BRITISH LIBRARY CATALOGUING DATA ARE AVAILABLE © 2011 Ron Briley. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. On the cover: center Jackie Robinson in The Jackie Robinson Story, 1950 (Photofest) Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com Table of Contents Preface 1 Introduction: The Post-World War II Consensus and the Baseball Film Genre 9 1. The Babe Ruth Story (1948) and the Myth of American Innocence 17 2. Taming Rosie the Riveter: Take Me Out to the Ball Game (1949) 33 3. -
2001-03 Damn Yankees.Pdf
WEST VALLEY LIGHT OPERA PRESENTS Our 36th Season:2000-2001 Performing at the SARATOGA CIVIC THEATER 13777 FRUITVALE AVE. in SARATOGA ~ ~~' March-May 2001 ~~ Welcome to West Valley Light Opera Association's 36th Season! If you enjoy the community theater productions you have seen in this theater, please tell your friends and pick up the flyers/brochures/cards in the lobby. There are holders on the walls by the side entrance for both West Valley Light Opera and Saratoga Drama Group which contain information on upcoming productions, cards to place your name on their mailing lists and order forms for tickets to their future productions. Please feel free to take them and use them for future reference. It is only through your support that we are able to bring you such "professional" productions at such a reasonable price. Thank you for your continued support! ••••••••••••••••••••••••••••••••••••••••• • • West Valley Light Opera Announces • NEXT SEASON: 2001-2002 we invite you to become a subscriber to WVLOs New Season. Please use the insert in this program! Subscribe NOW to assure good seats and substantial savings! Current subscribers may also • use this form to review for next season • ••••••••••••••••••••••••••••••••••••••••• • MYSTER Suspense BVOE Intrigue Humorous Interactive See Your Favorite Actors at Rue De Paris Restaurant, 19 S. Market St., San Jose. Fri. & Sat. Dinner Shows Call (408) 298·0704 for reservations. Mystery by Design Available for Private Events. Call Katie Hassett (408) 266·7194 _ West '1laffey Light Opera ~Ss&IatICt\~. Presents Words & Music by Richard Adler Based on the novel by and Douglass Wallop, Jerry Ross "The Year Book by the Yankees George Abbott Lost the Pennan r" and Douglass Wallop Starring WILL PEREZ AND KRISSY REISS-PETERSEN Featuring Steven Carlitz, Hank Lawson, Lauren Minkel, T.]. -
Program Notes
PROGRAM NOTES By Joshua S. Ritter Goodspeed Education & Library Director You don’t have to be a baseball fan to know that the New York Yankees‐Boston Red Sox rivalry bitterly divides colleagues, neighbors, families, and Goodspeed patrons. In fact, according to The Harvard Sports Analysis Collective, East Haddam is located on the frontlines of this legendary baseball feud with slightly more than half the population favoring the Red Sox. What better way for Goodspeed to bring some levity to this divisive situation than with a hilarious musical comedy? Fortunately, Joe DiPietro’s side‐splitting adaptation of Damn Yankees contemporizes the book by replacing the defunct Washington Senators with the Boston Red Sox. We are pleased to have the opportunity to provide a neutral zone where members of the Yankees Universe and Red Sox Nation can forget their bitter differences for a few hours and share some laughs when the curtain goes up. Flashing back to the middle of the 20th century, Douglass Wallop’s 1954 novel The Year The Yankees Lost the Pennant was a best‐selling major league baseball twist on the Faust fable. Damn Yankees’ genesis was set in motion when William Morris agent Albert B. Taylor brought this property to the attention of legendary producer, director, writer, and actor George Abbott. Abbott and his team had just struck gold with the smash hit musical The Pajama Game, a show based on Richard Bissel’s novel 7½ Cents. Perhaps this monumental success gave Abbott the chutzpah to take the idea of a baseball musical seriously, despite the fact that all previous attempts at creating one were unsuccessful. -
Damn Yankees Program.Pdf
GOODSPEED MUSICALS 2014 SEASON Damn Yankees The Musical | 13 Cast of Characters | 14 Musical Numbers | 15 Who’s Who | 16 Program Notes | 24 About Goodspeed Musicals | 26 History of Goodspeed Opera House | 27 The Goodspeed Opera House Foundation | 28 Corporate Support | 29 Foundation & Government Support | 30 February; President’s Day weekend: Enough is Looking to the Future— Leaving a Legacy | 31 enough! Jon and Ida Kadish are defecting. Life in Goodspeed Musicals Staff | 40 the United States is different. No nuclear explosions For Your Information | 49 or widespread epidemics have occurred, but the America we grew up in, the land that we loved Audio and video recording and is gone. Personal freedoms have been trampled. photography are prohibited in the theatre. Israeli/US relations are severed after they bomb Iran: Please turn off your cell phone, beeper, watch alarm or anything else that might • Retirement age is seventy-five. make a distracting noise during the performance. Unwrap any candies, cough • Healthcare is rationed. drops, or mints before the performance begins to avoid disturbing your fellow • The NSA, FBI and the IRS monitor everyone. audience members or the actors on stage. • More than marijuana is legal. We appreciate your cooperation. • Exit Permits are needed to leave the country. Editor Lori A. Cartwright • There is no escape. Jon and Ida embark on a tension filled drive to the Canadian border, but it’s not as easy as they had ADVERTISING hoped. Shapiro once more writes of a journey… OnStage Publications of mysterious people they meet, of bureaucratic 937-424-0529 | 866-503-1966 e-mail: obstacles, new opportunities, & intrigue that envelop [email protected] them from startling places, in just the next few days… www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Theatre Goers: 20% Discount! Go to: Avenue, Kettering, OH 45409. -
THE SECRET SAUCE 7 Ingredients to Successsful Relationships
INGREDIENTS OF HEALTHY RELATIONSHIPS JOE BOYD | 1 This book is dedicated to my two families: I am so thankful for my wife, Michelle, and our boys; Dre, Koehn and Robin. I am also thankful for a church family that embodies both grace and fellowship. Th e Secret Sauce 7 INGREDIENTS TO SUCCESSFUL RELATIONSHIPS JOE BOYD THE SECRET SAUCE 7 Ingredients To Successsful Relationships COPYRIGHT © 2021 JOE BOYD All rights reserved. Unless otherwise indicated, all Scripture quotations are taken from the Holy Bible, New International Version ® (NIV) and New Living Translation ® (NLT). Grace Fellowship, Brooklyn Park, MN findgrace.com Table of Contents Introduction Page What Am I missing? 11 Key Ingredients Page #1 Perspective & Experience 17 #2 Money 27 #3 Relational Security 41 #4 Spiritual Growth 57 #5 Communication 67 #6 Romance & Intimacy 79 #7 Family 91 Time is the missing ingredient in our recipes – and in our lives. MICHAEL POLLAN 10 | THE SECRET SAUCE Introduction WHAT AM I MISSING? There is only one thing worth being concerned about. Luke 10:42 One of my favorite things to do is check out new restaurants that I hear about from friends or family in my community. I hear things like, "Oh, you’ve got to try these tacos. They are so amazing." or "They have this mind-blowing secret sauce." I love that. I love going to the restaurant, trying the food for myself, and discovering how delicious it really is. I like to try and recreate the sauce to have this remarkable taste experience at home. I stress the word attempt because I have not been very successful at this.