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Boston Symphony Orchestra Concert Programs, Season 50,1930-1931

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Boston Symphony Orchestra Concert Programs, Season 50,1930-1931 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Commonwealth 1492 1> INC. Dr. SERGE KOUSSEVITZKY, Conductor FIFTIETH SEASON, 1930-1931 '©gramme WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1931, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. l6wELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL WILLIAM PHILLIPS M. A. DE WOLFE HOWE EDWARD M. PICKMAN JOHN ELLERTON LODGE HENRY B. SAWYER BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1557 INSTANT POSSESSION OF A STEINWAY* PAY AT YOUR LEISURE By depositing 10% of a Steinway's price, you can have the great piano delivered to your home at once. A generous purchase plan makes it possible for a family enjoying a modest income to obtain the Steinway . distribute payment for it over a period of three years. • In this way a Steinway, rich in tone, beautiful of line, can become part of all those homes where thousands of teach- ers, students and music lovers have longed to own the one supreme musical instrument . the piano that nearly every great musician since Wagner has fa- vored. • There are, in addition to the standard Steinway models, graceful period designs reflect- ing the notable eras of art and decoration. But there is only one quality of Steinway, and that is the highest. Make your visit to your nearest Steinway dealer today and listen to the instrument that would fit most appropriately into your home. STEINWAy THE INSTRUMENT OF THE IMMORTALS new A Steinway Upright piano can be bought for a total as low as jO"TC Baby Grand at *UT5 * 10% dOWIl balance in three years the Ae Steinway is made in New York City, this price, naturally, must be "plus transportation" beyond New York and its suburbs. Used pianos accepted in partial exchange. If there is no Steinway dealer near you, write for information to Steinway & Sons, Steinway Hall, 109 West 57th Street, New York City. m m J 1 ************** - *"" "n*i n nn njyru-i_rLrLn_ruLAifvn n nn i .n.ri .n_ri.nj'Li'>_r> . iV*wW%iV » Represented in Boston and other New England cities by M. Steinert & Sons 1558 >©§: str. Fiftieth Season, 1930-1931 Dr. SERGE KOUSSEVITZKY, Conductor PERSONNEL Violins. Burgin, R. Elcus, G. Gundersen, R. Sauvlet, H. Cherkassky, P. Concert-master Kreinin, B. Kassman, N. Hamilton, V. Eisler, D. Theodorowicz, J. Hansen, E. Lauga, N. Fedorovsky, P. Leibovici, J. Pinfield, C. Mariotti, V. Leveen, P. Tapley, R. Thillois, F. Zung, M. Knudson, C. Gorodetzky, L. Mayer, P. Diamond, S. Zide, L. Fiedler, B. Bryant, M. Beale, M. Stonestreet, L. Messina, S. Murray, J. Del Sordo, R. Erkelens, H. Seiniger, S. Violas. Lefranc, J. Fourel, G. Bernard, A. Grover, H. Artieres, L. Cauhape, J. Van Wynbergen, C. Werner, H. Fiedler, A. Avierino, N. Deane, C. Gerhardt, S. Jacob, R. Violoncellos. Bedetti, J. Langendoen, J. Chardon, Y. Stockbridge, C. Fabrizio, E. Zighera, A. Barth, C. Droeghmans, H. Warnke, J. Marjollet, L. Basses. Kunze, M. Lemaire, J. Ludwig, O. Girard, H. Moleux, G. Vondrak, A. Oliver, F. Frankel, I. Dufresne, G. Kelley, A. Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Gillet, F. Polatschek, V. Laus, A. Bladet, G. Dcvergie, J. Mimart, P. Allard, R. Amerena, P. Stanislaus, H. Arcieri, E. Panenka, E. Allegra, E. Bettoney, F. (E-flat Clarinet) Piccolo. English Horn. Bass Clarinet. Contra-Bassoon. Battles, A. Speyer, L. Pigassou, G. Piller, B. Horns. Horns. Trumpets. Trombones. Boettcher, G. Valkenier, W Mager, G. Raichman, J. Pogrebniak, S. Schindler, G. Lafosse, M. Hansotte, L. Van Den Berg, C. Lannoye, M. Grundey, T. Kenfield, L. Lorbeer, H. Blot, G. Terret, G. Adam, E. Voisin, R. Mann, J. Tubas. Harps. Timpani. Percussion. Sidow, P. Zighera, B. Ritter, A. Sternburg, S. Adam, E. Caughey, E. Polster, M. White, L. Organ. Celesta. Librarian. OIlUVVjN ft CWXT /\,A Fiedler, A. Rogers, L. J. 1559 fancier & (Ho. BOSTON COMMON TREMONT AT WEST STREET Drawnfrom Hat shown by Chandler &* Co. $18.50 BEAUTIFUL NEW HATS Soft, pliable rough straws, bakus of finest quality, charmeuse which is an outstanding favorite. Sailor hats to wear with Spring suits, flower and feather trimmings on dressy hats . shallow crowns, lilting brims, brilliant contrasts of patent leather ... all with that hand-finished look that has made Chandler & Co. hats so popular. $15.00 to $25.00 to $45.00 FRENCH MILLINERY SALON—SECOND FLOOR 1560 FIFTIETH SEASON, NINETEEN HUNDRED THIRTY AND THIRTY-ONE T FRIDAY AFTERNOON, APRIL 24, at 2.30 o'clock SATURDAY EVENING, APRIL 25, at 8.15 o'clock Schubert . Symphony in C major, No. 7 I. Andante; Allegro non troppo. II. Andante con moto. III. Scherzo; Allegro vivace; Trio. IV. Finale: Allegro vivace. GrirTes "The Pleasure Dome of Kubla Khan" (After the Poem of S. T. Coleridge) Lambert . "The Rio Grande," for Chorus, Orchestra and Solo Pianoforte (Poem by Sacheverell Sitwell) Piano Solo: JESUS MARfA SANROMA (First time in Boston) Stravinsky . Suite from "L'Oiseau de Feu" ("The Fire-Bird") A Danced Legend I. Introduction: Katschei's Enchanted Garden and Dance of the Fire-Bird. II. Supplication of the Fire-Bird. III. The Princesses Play with the Golden Apples. IV. Dance of the Princess. V. Infernal Dance of all the Subjects of Katschei. Chorus of the Cecilia Society, Arthur Fiedler, Conductor STEINWAY PIANO There will be an intermission after the symphony. Announcement of the new book "THE BOSTON SYMPHONY ORCHESTRA: 1881-1931," on page 1611. 1561 Your own individual trip to TLurope as laid out for you by Raymond-Whitcomb, in accordance with your instructions, will be written out for you in a detailed program. This program will be a complete, day-by-day itinerary. It will describe your trip from beginning to end with full particulars. It will tell you at exactly what hour you can arrive at each place you are to visit; at what hotel you may stop; at what hour and by what train, or other means, you can leave. It will outline the drives and other sight-seeing that can be arranged for you. By having a detailed plan like this prepared and submitted to you before you start, you will be able to study it at your leisure. Raymond-Whitcomb is ready to make v^* any changes S? e && m \> you wish, & &> **• to draw up S$ new programs ,^r:^X- for your consid- ?&* eration, until you ^ <$& KB** have one that is satisfactory in every .•oJft respect. S^-'fc&l K* Of course a trip that *^>^?t^' KB*' is planned in this way *£$$&^s-7. iot can be on any scale of s» ?^^ k expense you designate. K*$&%&-^** &s s< Bring your travel questions and ee.t? requirements to Raymond-Whitcomb. *** to ' a ,<=. vAxe* 0**? &es RAYMOND & s&"^ ,*eti «£0' WHITCOMB *°,*** CO. **» V* BOSTON, MASSACHUSETTS 165 Tremont Stre'et, Tel. Hancock 7820 T&g second step 122 Newbury Street, Tel. Kenmore 2870 1562 Symphony in C major, No. 7 Franz Schubert (Born at Lichtenthal, Vienna, January 31, 1797; died at Vienna November 19, 1828) The manuscript of this symphony, numbered 7 in the Breitkopf & Hartel list and sometimes known as No. 10, bears the date March, 1828. In 1828 Schubert composed besides this symphony the songs "Die Sterne" and <*Der Winterabend" ; the oratorio, "Miriams Sieges- gesang" ; the song "Auf dem Strom"; the "Schwanengesang" cycle; the string quintet Op. 163 and the Mass in E-flat. On November 14 he took to his bed. It is said that Schubert gave the work to the Musikverein of Vienna for performance; that the parts were dis- tributed; that it was even tried in rehearsal; that its length and difficulty were against it, and it was withdrawn on Schubert's own advice in favor of his earlier Symphony in C, No. 6 (written in 1817). All this has been doubted; but the symphony is entered in the catalogue of the society under the year 1828, and the statements just quoted have been fully substantiated. Schubert said, when he gave the work to the Musikverein, that he was through with songs, and should henceforth confine himself to opera and symphony. From Recent Programs of Prominent Artists SONGS KATHERINE FOLLETT MANN MME. SCHUMANN-HEINK Mabel W. Daniels, Cherry Flowers G. W. Chadwick, The Danza WALTER KIDDER JOHN McCORMACK Mrs. M. H. Gulesian, Spring Arthur Foote, Memnon Interlude MARIA JERITZA ROSE ZULALIAN Mrs. H. H. A. Beach, Ah, Love, but Mrs. M. H. Gulesian, Spring Inter- a Day lude, Hollyhocks, Pan and the GIOVANNI MARTINELLI Little Green Reed Mrs. H. H. A. Beach, Ah, Love, but MAUDE ERICSON Mrs. M. H. Gulesian, Spring DOROTHY GEORGE Interlude Marion Bauer, The Linnet is Tuning AVERINO her Flute OLGA Mrs. M. H. Gulesian, Spring Inter- Mrs. H. H. A. Beach, Ah, Love, but lude, Hollvhocks a Day EMMA ROBERTS JAMES R. HOUGHTON Spring Mrs. H. H. A. Beach, Ah, Love, but Mrs. M. H. Gulesian, a Day Interlude G. W. Chadwick, The Danza ESTA CANTOR ANNA HAMLIN Arthur Foote, A Song of Four Seasons Mrs. H. H. A. Beach, On a Hill G. W. Chadwick, The Lament (Negro Melody) INSTRUMENTAL FELIX FOX (Pianist) MAIER and PATTISON (Two Pianos) Felix Fox, Fantaisie lyrique ' from F. Chopin, Op. 73. Rondo Edward MacDowell, Finale (Abbreviated and revised by Lee Keltic Sonata. Played at Boston, Pattison) Providence, Andover, Greenfield, Edward MacDowell, Forest Elves Farmington, etc. (Transcribed by Felix Fox) ADOLPHE HALLIS (Pianist) WALTER EDELSTEIN (Violinist) Theophil Wendt, Valse Glissando on A. Walter Kramer, Eklog Black Keys PHILADELPHIA SINFONIETTA, Fabien Sevitzky, Conductor Arthur Foote, Suite in E for Strings The ARTHUR P.
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