2010 October Italian Heritage Month
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Joseph Stalin Revolutionary, Politician, Generalissimus and Dictator
Military Despatches Vol 34 April 2020 Flip-flop Generals that switch sides Surviving the Arctic convoys 93 year WWII veteran tells his story Joseph Stalin Revolutionary, politician, Generalissimus and dictator Aarthus Air Raid RAF Mosquitos destory Gestapo headquarters For the military enthusiast CONTENTS April 2020 Page 14 Click on any video below to view How much do you know about movie theme songs? Take our quiz and find out. Hipe’s Wouter de The old South African Goede interviews former Defence Force used 28’s gang boss David a mixture of English, Williams. Afrikaans, slang and techno-speak that few Russian Special Forces outside the military could hope to under- stand. Some of the terms Features 34 were humorous, some A matter of survival were clever, while others 6 This month we continue with were downright crude. Ten generals that switched sides our look at fish and fishing for Imagine you’re a soldier heading survival. into battle under the leadership of Part of Hipe’s “On the a general who, until very recently 30 couch” series, this is an been trying very hard to kill you. interview with one of How much faith and trust would Ranks you have in a leader like that? This month we look at the author Herman Charles Army of the Republic of Viet- Bosman’s most famous 20 nam (ARVN), the South Viet- characters, Oom Schalk Social media - Soldier’s menace namese army. A taxi driver was shot Lourens. Hipe spent time in These days nearly everyone has dead in an ongoing Hanover Park, an area a smart phone, laptop or PC plagued with gang with access to the Internet and Quiz war between rival taxi to social media. -
Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011)
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2011 Film Review Aggregators and Their ffecE t on Sustained Box Officee P rformance Nicholas Krishnamurthy Claremont McKenna College Recommended Citation Krishnamurthy, Nicholas, "Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011). CMC Senior Theses. Paper 291. http://scholarship.claremont.edu/cmc_theses/291 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT McKENNA COLLEGE FILM REVIEW AGGREGATORS AND THEIR EFFECT ON SUSTAINED BOX OFFICE PERFORMANCE SUBMITTED TO PROFESSOR DARREN FILSON AND DEAN GREGORY HESS BY NICHOLAS KRISHNAMURTHY FOR SENIOR THESIS FALL / 2011 November 28, 2011 Acknowledgements I would like to thank my parents for their constant support of my academic and career endeavors, my brother for his advice throughout college, and my friends for always helping to keep things in perspective. I would also like to thank Professor Filson for his help and support during the development and execution of this thesis. Abstract This thesis will discuss the emerging influence of film review aggregators and their effect on the changing landscape for reviews in the film industry. Specifically, this study will look at the top 150 domestic grossing films of 2010 to empirically study the effects of two specific review aggregators. A time-delayed approach to regression analysis is used to measure the influencing effects of these aggregators in the long run. Subsequently, other factors crucial to predicting film success are also analyzed in the context of sustained earnings. -
THE ULTIMATE SUMMER HORROR MOVIES LIST Summertime Slashers, Et Al
THE ULTIMATE SUMMER HORROR MOVIES LIST Summertime Slashers, et al. Summer Camp Scares I Know What You Did Last Summer Friday the 13th I Still Know What You Did Last Summer Friday the 13th Part 2 All The Boys Love Mandy Lane Friday the 13th Part III The Texas Chain Saw Massacre (1974) Friday the 13th: The Final Chapter The Texas Chainsaw Massacre (2003) Sleepaway Camp The Texas Chainsaw Massacre: The Beginning Sleepaway Camp II: Unhappy Campers House of Wax Sleepaway Camp III: Teenage Wasteland Wolf Creek The Final Girls Wolf Creek 2 Stage Fright Psycho Beach Party The Burning Club Dread Campfire Tales Disturbia Addams Family Values It Follows The Devil’s Rejects Creepy Cabins in the Woods Blood Beach Cabin Fever The Lost Boys The Cabin in the Woods Straw Dogs The Evil Dead The Town That Dreaded Sundown Evil Dead 2 VACATION NIGHTMARES IT Evil Dead Hostel Ghost Ship Tucker and Dale vs Evil Hostel: Part II From Dusk till Dawn The Hills Have Eyes Death Proof Eden Lake Jeepers Creepers Funny Games Turistas Long Weekend AQUATIC HORROR, SHARKS, & ANIMAL ATTACKS Donkey Punch Jaws An American Werewolf in London Jaws 2 An American Werewolf in Paris Jaws 3 Prey Joyride Jaws: The Revenge Burning Bright The Hitcher The Reef Anaconda Borderland The Shallows Anacondas: The Hunt for the Blood Orchid Tourist Trap 47 Meters Down Lake Placid I Spit On Your Grave Piranha Black Water Wrong Turn Piranha 3D Rogue The Green Inferno Piranha 3DD Backcountry The Descent Shark Night 3D Creature from the Black Lagoon Deliverance Bait 3D Jurassic Park High Tension Open Water The Lost World: Jurassic Park II Kalifornia Open Water 2: Adrift Jurassic Park III Open Water 3: Cage Dive Jurassic World Deep Blue Sea Dark Tide mrandmrshalloween.com. -
FILM REVIEW by Noel Tanti and Krista Bonello Rutter Giappone
THINK FUN FILM REVIEW by Noel Tanti and Krista Bonello Rutter Giappone Film: Horns (2013) ««««« Director: Alexandre Aja Certification: R Horns Gore rating: SSSSS Krista: I will first get one gripe out of campy, and with something interesting he embarked on two remakes that are the way. There are two female support- to say, extremely tongue-in-cheek. more miss than hit, Mirrors (2008) and ing characters who fit too easily into the Piranha 3D (2010). Both of them share binary categories of ‘slut’ and ‘pure’. I’d K: The premise is inherently comical the run-of-the-mill, textbook scare-by- like to say that it’s a self-aware critique and the film embraces that for a while. numbers approach as Horns. of the way social perceptions entrap an- It then seems to swing between bit- yone, but the women are simply there to ter-sweet sentimental extended flash- K: Verdict? Like you, I enjoyed the either support or motivate the action, backs and the ridiculous. The tone feels over-the-top aspect interrupted by the leaving boyhood friendship dynamics unsettled. The film was at its best when over-earnestness in the overly extended as the central theme. Unfortunately, the it was indulging the ridiculous streak. I flashback sequences that were too dras- female characters felt expendable. wanted more of the shamelessly over- tic a change of tone. the-top parts and less of the cringe-in- Noel: The female characters are very ducing Richard Marx doing Hazard N: I see it as a missed opportunity. This much up in the air, shallow, and ab- vibe which firmly entrenched the wom- film could have been really good if only stracted concepts that are thinly fleshed an in a sentimentally teary haze. -
Piranha 3DD (Original Motion Picture Score) - Soundtrack Review
Piranha 3DD (Original Motion Picture Score) - Soundtrack review http://www.reviewgraveyard.com/00_revs/r2012/music/12-06-... Click here to return to the main site. SOUNDTRACK REVIEW Piranha 3DD (Original Motion Picture Score) Composer: Elia Cmiral Lakeshore Records RRP: £13.99 Available 19 June 2012 After the terror unleashed on Lake Victoria in Piranha 3D, the pre-historic school of bloodthirsty piranhas are back. This time, no one is safe from the flesh eating fish as they sink their razor sharp teeth into the visitors of summer’s best attraction, The Big Wet Water Park. Christopher Lloyd (Back to the Future) reprises his role as the eccentric piranha expert with survivor Paul Scheer and a partially devoured Ving Rhames back for more fish frenzy. David Hasselhoff trades in the sandy beaches of Baywatch to be a celebrity lifeguard at the racy water park... I openly admit that I wasn't expecting much from this score. I mean, come on, the last thing that a follow-up to a spoof monster flick is going to spend time on is its soundtrack. Was I ever wrong. Elia Cmiral has approached this project as a serious film (for the most part). His music stands up incredibly well and is wonderful as a stand alone project. While there's the odd bit of filler material, on the whole this album is full of great little moments and incredible themes. The album, which is made up of 18 tracks, lasts for 44 min, 12 sec. Personal favourite tracks include 'Return of the Piranhas'; 'Trident Aria' (which is a beautiful aria); 'Kiss of Life' (which starts off beautifully before transforming into a track that almost doesn't work. -
Representations of Mental Illness, Queer Identity, and Abjection in High Tension
“I WON’T LET ANYONE COME BETWEEN US” REPRESENTATIONS OF MENTAL ILLNESS, QUEER IDENTITY, AND ABJECTION IN HIGH TENSION Krista Michelle Wise A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of May 2014 Committee: Becca Cragin, Advisor Marilyn Motz © 2014 Krista Wise All Rights Reserved iii ABSTRACT Becca Cragin, Advisor In this thesis I analyze the presence of mental illness, queer identity and Kristeva’s theory of abjection in Alexandre Aja’s 2003 film High Tension. Specifically I look at the common trend within the horror genre of scapegoating those who are mentally ill or queer (or both) through High Tension. It is my belief that it is easier for directors, and society as a whole, to target marginalized groups (commonly referred to as the Other) as a means of expressing a “normalized” group’s anxiety in a safe and acceptable manner. High Tension allows audiences to reassure themselves of their sanity and, at the same time, experience hyper violence in a safe setting. Horror films have always targeted the fears of the dominant culture and I use this thesis to analyze the impact damaging perceptions may have on oppressed groups. iv “My mood swings have now turned my dreams into gruesome scenes” – Tech N9ne, “Am I a Psycho?” v ACKNOWLEDGMENTS I would like to thank Dr. Becca Cragin and Dr. Marilyn Motz for their critique, suggestions, and feedback throughout this process. I consider myself very fortunate to have had their guidance, especially as a first generation MA student. -
Lebanese Protesters Ask Govt to Quit Over Trash
SUBSCRIPTION MONDAY, AUGUST 24, 2015 THULQADA 9, 1436 AH www.kuwaittimes.net Shuaiba oil Thousands Obama sheds Kolarov, refinery of Syrian summer curse, Nasri send resumes migrants just in time for City top operation5 head for7 EU daunting9 fall 20 Lebanese protesters ask Min 30º Max 48º govt to quit over trash High Tide 05:20 & 19:00 Salam hints he may step down after violent clashes Low Tide 12:50 40 PAGES NO: 16619 150 FILS BEIRUT: Thousands of protesters poured into central UAE army frees Beirut yesterday demanding that the country’s top politicians resign, hours after Prime Minister Tammam British hostage Salam hinted he might step down following violent protests triggered by a month-long trash crisis. The demonstrations, the largest in years, railed held in Yemen against the corruption and dysfunction that has DUBAI: The United Arab Emirates said yesterday that its brought about Lebanon’s current political crisis. The military freed a British hostage who was kidnapped 18 country does not have a functioning Cabinet or parlia- months ago by Al-Qaeda in Yemen, which has expand- ment, and hasn’t had a president for more than a year. ed its reach amid fighting between Shiite rebels and Salam said in a news conference at the government’s their opponents. A statement carried by the UAE’s offi- headquarters that if this Thursday’s Cabinet meeting is cial WAM news agency identified the British hostage as not productive, “then there is no need for the council of Robert Douglas Semple, after initially referring to him as ministers.” Douglas Robert Semple. -
Matt Ford Selected Credits
MATT FORD LIGHTING DESIGNER LIGHTING DESIGN/DIRECTION (TELEVISION) ! Hollywood Game Night - NBC – 2019 ! Martha and Snoop’s Pot Luck Dinner Party - VH1 – 2017, 2019 ! Penn and Teller Fool Us - CW – 2015, 2016, 2017, 2018, 2019 ! American Spring Live - PBS – 2019 ! American Rescue Dog Show - Hallmark – 2018, 2019 ! The Wonderful World of Disney: Magical Holiday Celebrations - ABC – 2016, 2017, 2018 ! Making It - NBC – 2018 ! MTV Wild ’N Out with Nick Cannon - MTV – 2016, 2018 ! Global Spin Awards - Revolt – 2018 ! Loveline - MTV – 2017 ! Problematic with Moshe Kasher - Comedy Central – 2017 ! Adam Corolla & Friends Build Stuff Live - Spike – 2017 ! Oscars Post Show - ABC – 2017 ! The Best Time Ever With Neil Patrick Harris - NBC – 2015 ! MTV World Star - MTV – 2016 ! Countdown to the Emmy Awards: Red Carpet Live - ABC – 2016 ! Ink Wars Live Season Finale - Spike – 2016 ! Heaven Sent - Fox – 2016 ! Superhuman - Fox – 2015, 2016 ! The Sing Off Christmas Special - NBC – 2014 ! Food Fighters - NBC – 2015 ! NBC New Years Eve with Carson Daly - NBC – 2014 ! The Real - Telepictures – 2014, 2015, 2016 ! The Music Center 50th Anniversary Spectacular at The Dorothy Chandler Pavillion - Live Event – 2014 ! Show Stopping Sunday - NBC – 2014 ! Fake Off - TruTV – 2014, 2015 ! MTV Are You The One The Aftermatch Live After Show- MTV – 2014, 2017 ! REVOLT Los Angeles Television Studio Design - REVOLT – 2013 ! Last Comic Standing - NBC - 2004, 2007, 2008, 2014 ! Wolf Watch - MTV – 2013, 2014 ! The Chase - GSN – 2013, 2014 ! Breakthrough - ABC – 2013 ! Stars -
Matt Ford Selected Credits
MATT FORD LIGHTING DESIGNER LIGHTING DESIGN/DIRECTION (TELEVISION) ! Jeff Dunham Completely Unrehearsed - Comedy Central – 2020 ! Nate Garbatze Comedy Special - Ne;lix – 2020 ! London Hughes Comedy Special - Ne;lix – 2020 ! Brian Regan Comedy Special - Ne;lix – 2020 ! Parent Jam - Disney Plus – 2020 ! Hollywood Game Night - NBC – 2019 ! 31 Nights of Halloween - Disney Freeform – 2019 ! Chasing The Cure - TBS/TNT – 2019 ! ParadIse Hotel - Fox – 2019 ! MTV WIld ’N Out wIth NIck Cannon - MTV – 2016, 2018, 2019 ! Martha and Snoop’s Pot Luck DInner Party - VH1 – 2017, 2019 ! Penn and Teller Fool Us - CW – 2015, 2016, 2017, 2018, 2019, 2020, 2021 ! AmerIcan Rescue Dog Show - Hallmark – 2018, 2019 ! The Wonderful World of DIsney: MagIcal HolIday CelebraUons - ABC – 2016, 2017, 2018, 2019, 2020 ! Making It - NBC – 2018 ! Global SpIn Awards - Revolt – 2018 ! LoVeline - MTV – 2017 ! ProblemaUc wIth Moshe Kasher - Comedy Central – 2017 ! Adam Corolla & FrIends BuIld Stuff LiVe - Spike – 2017 ! Oscars Post Show - ABC – 2017 ! The Best TIme EVer WIth NeIl PatrIck HarrIs - NBC – 2015 ! MTV World Star - MTV – 2016 ! Countdown to the Emmy Awards: Red Carpet LIVe - ABC – 2016 ! Ink Wars LIVe Season Finale - Spike – 2016 ! HeaVen Sent - Fox – 2016 ! Superhuman - Fox – 2015, 2016 ! The Sing Off Christmas Special - NBC – 2014 ! Food Fighters - NBC – 2015 ! NBC New Years EVe with Carson Daly - NBC – 2014 ! The Real - Telepictures – 2014, 2015, 2016 ! The MusIc Center 50th AnnIVersary Spectacular at The Dorothy Chandler PaVIllIon - Live Event – 2014 ! Show Stopping -
The Roots of Post-Racial Neoliberalism in Blacklist Era Hollywood
The Roots of Post-Racial Neoliberalism in Blacklist Era Hollywood A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Andrew Paul IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Lary May, Tracey Deutsch March 2014 © Andrew Paul 2014 Acknowledgements Writing this dissertation would not have been possible without the support of countless others. First, I acknowledge the generosity of my dissertation committee. My advisors, Lary May and Tracey Deutsch offered enthusiastic guidance, criticism, and support. Lary’s own contributions to the historiography of the blacklist were second in value only to his personal attention to my work, and his questions yielded important research leads. Tracey helped me to think across sub-fields and pushed me to improve my writing. Both of them encouraged me to take intellectual risks and to make bold claims and interventions. Elaine Tyler May, Riv-Ellen Prell, and Malinda Lindquist all shaped my development as a scholar as well. With thoughtful and critical attention to my writing, they challenged me to clarify my ideas and helped me to see how my work was entering different conversations, and how it might stand to enter others. It was a privilege to be able to discuss my ideas with this committee. I was awarded generous financial sums from the University of Minnesota’s Harold Leonard Memorial Film Studies Fellowship and the University of Minnesota Foundation, which allowed me travel to archives in California, Wisconsin, and New York. In these locales, at the Charles Young Research Library at the University of California Los Angeles, the Margaret Herrick Library and the Paley Center for Media, both located in Beverly Hills, the Wisconsin State Historical Society in Madison, and at the Center for Jewish History in New York City, numerous archivists assisted me in my work., and for this I owe them my gratitude. -
The Contemporary American Horror Film Remake, 2003-2013
RE-ANIMATED: THE CONTEMPORARY AMERICAN HORROR FILM REMAKE, 2003-2013 Thesis submitted by Laura Mee In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2014 Abstract This doctoral thesis is a study of American horror remakes produced in the years 2003-2013, and it represents a significant academic intervention into an understanding of the horror remaking trend. It addresses the remaking process as one of adaptation, examines the remakes as texts in their own right, and situates them within key cultural, industry and reception contexts. It also shows how remakes have contributed to the horror genre’s evolution over the last decade, despite their frequent denigration by critics and scholars. Chapter One introduces the topic, and sets out the context, scope and approach of the work. Chapter Two reviews the key literature which informs this study, considering studies in adaptation, remaking, horror remakes specifically, and the genre more broadly. Chapter Three explores broad theoretical questions surrounding the remake’s position in a wider culture of cinematic recycling and repetition, and issues of fidelity and taxonomy. Chapter Four examines the ‘reboots’ of one key production company, exploring how changes are made across versions even as promotion relies on nostalgic connections with the originals. Chapter Five discusses a diverse range of slasher film remakes to show how they represent variety and contribute to genre development. Chapter Six considers socio-political themes in 1970s horror films and their contemporary post-9/11 remakes, and Chapter Seven focuses on gender representation and recent genre trends in the rape-revenge remake. -
Cineplexmagazine October2014.Pdf
CONTENTS OCTOBER 2014 | VOL 15 | Nº10 COVER STORY 36 HOLIDAY MOVIE PREVIEW Hollywood’s gift bag for moviegoers this holiday season is overflowing with spectacular films. We count down the 10 absolute must-see movies and look at the best bets for kids BY INGRID RANDOJA REGULARS 4 EDITOR’S NOTE 6 SNAPS 8 IN BRIEF 12 SPOTLIGHT: CANADA 14 ALL DRESSED UP 22 IN THEATRES 44 CASTING CALL 46 RETURN ENGAGEMENT 48 AT HOME 50 FINALLY… FEATURES 12 GADON X 2 18 FALL FASHION 28 HORNS SECTION 32 REBEL, REBEL Toronto native Sarah Gadon We’ve got a front-row seat Horns stars Daniel Radcliffe Liam Hemsworth talks catches her breath long for the fall runways and and Juno Temple tell us about finally getting in on enough to talk about shooting discover ’tis the season about their offbeat horror/ the action for the penultimate Maps to the Stars and to sparkle and shine. Plus, love story that arrives just in Hunger Games movie, Dracula Untold at the same time makeup trends! time for Halloween Mockingjay - Part 1 BY INGRID RANDOJA BY MARNI WEISZ BY MARNI WEISZ BY MARNI WEISZ OCTOBER 2014 | CINEPLEX MAGAZINE | 3 EDITOR’S NOTE PUBLISHER SALAH BACHIR EDITOR MARNI WEISZ DEPUTY EDITOR INGRID RANDOJA ART DIRECTOR TREVOR THOMAS STEWART ASSISTANT ART DIRECTOR STEVIE SHIPMAN VICE PRESIDENT, PRODUCTION SHEILA GREGORY CONTRIBUTORS LEO ALEFOUNDER ADVERTISING SALES FOR CINEPLEX MAGAZINE AND LE MAGAZINE CINEPLEX IS HANDLED BY CINEPLEX MEDIA. HEAD OFFICE 416.539.8800 SENIOR VICE PRESIDENT, SALES LORI LEGAULT (EXT. 5242) VICE PRESIDENT ROBERT BROWN (EXT. 5232) VICE PRESIDENT, SALES JOHN TSIRLIS (EXT.