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18-077 Dreamkeepers Society Brochure.Indd
“NEVER FORGET YOUR ® DREAMS”Korczak Ziolkowski, SC. CRAZY HORSE DREAMKEEPERS SOCIETY® Photos ©Crazy Horse Memorial Foundation What is the Dreamkeepers Society? THE CRAZY HORSE DREAMKEEPERS SOCIETY® is the planned giving society of Crazy Horse Memorial. Emanating from the vision of Korczak Ziolkowski, the Mountain’s artist and first Sculptor, the Dreamkeepers Society follows his adage to “Never Forget Your Dreams.” Korczak knew early on that the success of Crazy Horse would be driven by the people, for the people. He vowed never to take government money, yet he embarked on the world’s largest sculpture. How would this be accomplished? Very simply…THROUGH THE GENEROSITY OF MANY PEOPLE The Dreamkeepers Society accepts planned gifts of many kinds in support of the Mountain Carving, The Indian Museum of North America®, and The Indian University of North America® at the Memorial. Our Society’s symbol is the Feathers and Wedge set, a carver’s technique and three piece tool set used since Korczak first began his work on the Mountain. Used to split rock, the feathers are placed in the drilled hole; the wedge is driven through the hole with great (FeatherS + Wedge SET) force. This action splits the rock and furthers the carving. The feathers cannot be effective without the wedge and the wedge cannot be effective without the feathers. This relationship is similar to the partnership between Crazy Horse Memorial and our planned giving donors. WITH YOUR SUPPORT, WE CAN BUILD ON THE DREAM. I became a Dreamkeeper in support of Crazy Horse Memorial and now I can offer so much more than what I could in the past. -
Congressional Recoud-House. I June 20;
10790 CONGRESSIONAL RECOUD-HOUSE. I JUNE 20; statute, as above, on this point, Senate bill 5809, which I urgently Resolved, That the Committee on Privileges and Elections prepare the : bUls necessary to more strictly control corruption, fraud, and machine commend to the attention of the Senate, not only the Democrats politics in the nomination and election of the officers of the United but the Republicans as well, because it is equally important to States, and to enable the people to have authoritative knowledge with honest Republicans as to honest Democrats that a majority of regard to the claims of c~ndidates. the Republicans should be permitted to nominate candjdates Mr. SMOOT. I understand the Semitor has offered that reso acceptable to a majority of their party members, as it is to the lution and has asked that it be referred to the Committee on. Democrats to have the right to nominate candidates acceptable Privileges and Elections. to a majority of their members. Mr. OWEN. I ask its reference to the Committee on Priv I remind the Senate that the preferential ballot was adopted ileges arid "Elections. by both branches of Congress in the Federal reserve act, sec The PRESIDING OFFICER. If there is no objection the tion 4, for the selection of the directors of the 12 Federal reserve resolution will be referred to the Committee on Privileges and - banks, and . this system is perfectly well understood by the Elections. · country. .Mr. WILLIAl'tiS. I move that the Senate adjourn. CORRUPT PRACTICES. The motion was agreed to, and (at 5 o'clock and 25 minutes · Fourth. -
Federal Register/Vol. 85, No. 103/Thursday, May 28, 2020
32256 Federal Register / Vol. 85, No. 103 / Thursday, May 28, 2020 / Proposed Rules FEDERAL COMMUNICATIONS closes-headquarters-open-window-and- presentation of data or arguments COMMISSION changes-hand-delivery-policy. already reflected in the presenter’s 7. During the time the Commission’s written comments, memoranda, or other 47 CFR Part 1 building is closed to the general public filings in the proceeding, the presenter [MD Docket Nos. 19–105; MD Docket Nos. and until further notice, if more than may provide citations to such data or 20–105; FCC 20–64; FRS 16780] one docket or rulemaking number arguments in his or her prior comments, appears in the caption of a proceeding, memoranda, or other filings (specifying Assessment and Collection of paper filers need not submit two the relevant page and/or paragraph Regulatory Fees for Fiscal Year 2020. additional copies for each additional numbers where such data or arguments docket or rulemaking number; an can be found) in lieu of summarizing AGENCY: Federal Communications original and one copy are sufficient. them in the memorandum. Documents Commission. For detailed instructions for shown or given to Commission staff ACTION: Notice of proposed rulemaking. submitting comments and additional during ex parte meetings are deemed to be written ex parte presentations and SUMMARY: In this document, the Federal information on the rulemaking process, must be filed consistent with section Communications Commission see the SUPPLEMENTARY INFORMATION 1.1206(b) of the Commission’s rules. In (Commission) seeks comment on several section of this document. proceedings governed by section 1.49(f) proposals that will impact FY 2020 FOR FURTHER INFORMATION CONTACT: of the Commission’s rules or for which regulatory fees. -
Cultural Play at the Crazy Horse Colossus: Narrative
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication Summer 7-14-2010 Cultural Play at the Crazy Horse Colossus: Narrative Thomas M. Cornwell Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Part of the Communication Commons Recommended Citation Cornwell, Thomas M., "Cultural Play at the Crazy Horse Colossus: Narrative." Thesis, Georgia State University, 2010. https://scholarworks.gsu.edu/communication_theses/64 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CULTURAL PLAY AT THE CRAZY HORSE COLOSSUS: NARRATIVE RATIONALITY AND THE CRAZY HORSE MEMORIAL ORIENTATION FILM by THOMAS M. CORNWELL Under the Direction of Dr. Mary Stuckey ABSTRACT This thesis explores the Crazy Horse Memorial orientation film and its rhetorical claim to represent Lakota values in the rhetorically contested Black Hills of South Dakota. Walter Fisher‟s concept of narrative rationality is used to analyze the informal logic of the memorial film narrative. The Crazy Horse Memorial is seen as a response to Mt. Rushmore‟s colonialist legacy. Analysis shows that the Crazy Horse Memorial actually has much in common with Rushmore‟s legacy of Euro-American colonialism. This thesis discusses the effects of this redefinition of Lakota cultural values on the rhetorical sphere of the contested Black Hills. INDEX WORDS: Narrative rationality, American Indians, Crazy Horse Memorial, Black Hills, Lakota, Mount Rushmore, Colossal art, Orientation film CULTURAL PLAY AT THE CRAZY HORSE COLOSSUS: NARRATIVE RATIONALITY AND THE CRAZY HORSE MEMORIAL ORIENTATION FILM by THOMAS M. -
2009-10 Annual Report:Layout 1
Contents Offices ABOUT THE ABOUT THIS FREEDOM FORUM ANNUAL REPORT FREEDOM FORUM 2009-10 ANNUAL REPORT FREEDOM FORUM HEADQUARTERS NEWSEUM • FIRST AMENDMENT CENTER • DIVERSITY INSTITUTE 555 Pennsylvania Ave., N.W. The Freedom Forum, based in This report focuses on the Washington, DC 20001 Washington, D.C., is a nonpartisan Freedom Forum and the entities Tel: 202/292-6100 foundation that champions the it helps support: the First Fax: 202/292-6245 First Amendment as a corner- Amendment Center, the Diversity E-mail: [email protected] stone of democracy. Institute and the Newseum. Freedom Forum Experts.....................................................2 NEWSEUM The Newseum is publishing a 555 Pennsylvania Ave., N.W. The Freedom Forum is the main separate annual report with Letter from the Chairman and CEO.....................................3 Washington, DC 20001 funder of the operations of the detailed information about its Tel: 202/292-6100 Newseum, an interactive galleries, operations and finances. Fax: 202/292-6245 museum of news in Washington, Newseum ..........................................................................4 D.C.; the First Amendment For more Newseum information, Toll-free: 888/NEWSEUM see the Newseum’s 2009-10 E-mail: [email protected] Center; and the Diversity Insti- First Amendment Center ..................................................10 tute. The First Amendment annual report, available online at FIRST AMENDMENT CENTER Center and the Diversity Institute http://www.freedomforum.org/ at Vanderbilt University -
Web-Red-AR-Simpsons
Tightening the Opportunity Gap TM for Youth in our Community Annual Report 2018 A Letter From Our Chief Executive Officer For more than 53 years, Youth & Family Services (YFS) has been a leader, advocate, and innovator in child and family ser- vices. The breadth and depth of our programs have proven to be exceptionally successful in increasing the well-being of children, birth through age 18. It’s an honor and a privilege to present this report highlighting some of our accomplishments from this past year. Many of these achievements were made possible because of the amazing involvement and support of concerned individuals, organizations, businesses, and foundations. In addition to expanding its outreach services, YFS has also been able to keep administrative and fundraising costs below 13%. YFS board members and staff continue to work with parents, educators, law enforcement, other non-profit organizations, and community leaders to ensure the services we provide are effectively meeting the needs of children. Our nine programs deliver comprehensive outreach to underserved youth and families by providing high quality early childhood education, preschool, child care, afterschool and summer youth development programming with academic support and enrichment, intensive case manage- ment for at-risk youth, father involvement and parent engagement, parenting education, mental health counseling and trauma treatment, nutrition and health advocacy services, and violence and substance abuse prevention. Although our services have been a critical component in helping many families become capable, caring, and contributing members of the com- munity, we know more needs to be done. Our programs are filled to capacity, we have waiting lists, and our facilities are overcrowded. -
All Full-Power Television Stations by Dma, Indicating Those Terminating Analog Service Before Or on February 17, 2009
ALL FULL-POWER TELEVISION STATIONS BY DMA, INDICATING THOSE TERMINATING ANALOG SERVICE BEFORE OR ON FEBRUARY 17, 2009. (As of 2/20/09) NITE HARD NITE LITE SHIP PRE ON DMA CITY ST NETWORK CALLSIGN LITE PLUS WVR 2/17 2/17 LICENSEE ABILENE-SWEETWATER ABILENE TX NBC KRBC-TV MISSION BROADCASTING, INC. ABILENE-SWEETWATER ABILENE TX CBS KTAB-TV NEXSTAR BROADCASTING, INC. ABILENE-SWEETWATER ABILENE TX FOX KXVA X SAGE BROADCASTING CORPORATION ABILENE-SWEETWATER SNYDER TX N/A KPCB X PRIME TIME CHRISTIAN BROADCASTING, INC ABILENE-SWEETWATER SWEETWATER TX ABC/CW (DIGITALKTXS-TV ONLY) BLUESTONE LICENSE HOLDINGS INC. ALBANY ALBANY GA NBC WALB WALB LICENSE SUBSIDIARY, LLC ALBANY ALBANY GA FOX WFXL BARRINGTON ALBANY LICENSE LLC ALBANY CORDELE GA IND WSST-TV SUNBELT-SOUTH TELECOMMUNICATIONS LTD ALBANY DAWSON GA PBS WACS-TV X GEORGIA PUBLIC TELECOMMUNICATIONS COMMISSION ALBANY PELHAM GA PBS WABW-TV X GEORGIA PUBLIC TELECOMMUNICATIONS COMMISSION ALBANY VALDOSTA GA CBS WSWG X GRAY TELEVISION LICENSEE, LLC ALBANY-SCHENECTADY-TROY ADAMS MA ABC WCDC-TV YOUNG BROADCASTING OF ALBANY, INC. ALBANY-SCHENECTADY-TROY ALBANY NY NBC WNYT WNYT-TV, LLC ALBANY-SCHENECTADY-TROY ALBANY NY ABC WTEN YOUNG BROADCASTING OF ALBANY, INC. ALBANY-SCHENECTADY-TROY ALBANY NY FOX WXXA-TV NEWPORT TELEVISION LICENSE LLC ALBANY-SCHENECTADY-TROY AMSTERDAM NY N/A WYPX PAXSON ALBANY LICENSE, INC. ALBANY-SCHENECTADY-TROY PITTSFIELD MA MYTV WNYA VENTURE TECHNOLOGIES GROUP, LLC ALBANY-SCHENECTADY-TROY SCHENECTADY NY CW WCWN FREEDOM BROADCASTING OF NEW YORK LICENSEE, L.L.C. ALBANY-SCHENECTADY-TROY SCHENECTADY NY PBS WMHT WMHT EDUCATIONAL TELECOMMUNICATIONS ALBANY-SCHENECTADY-TROY SCHENECTADY NY CBS WRGB FREEDOM BROADCASTING OF NEW YORK LICENSEE, L.L.C. -
Federal Register/Vol. 86, No. 91/Thursday, May 13, 2021/Proposed Rules
26262 Federal Register / Vol. 86, No. 91 / Thursday, May 13, 2021 / Proposed Rules FEDERAL COMMUNICATIONS BCPI, Inc., 45 L Street NE, Washington, shown or given to Commission staff COMMISSION DC 20554. Customers may contact BCPI, during ex parte meetings are deemed to Inc. via their website, http:// be written ex parte presentations and 47 CFR Part 1 www.bcpi.com, or call 1–800–378–3160. must be filed consistent with section [MD Docket Nos. 20–105; MD Docket Nos. This document is available in 1.1206(b) of the Commission’s rules. In 21–190; FCC 21–49; FRS 26021] alternative formats (computer diskette, proceedings governed by section 1.49(f) large print, audio record, and braille). of the Commission’s rules or for which Assessment and Collection of Persons with disabilities who need the Commission has made available a Regulatory Fees for Fiscal Year 2021 documents in these formats may contact method of electronic filing, written ex the FCC by email: [email protected] or parte presentations and memoranda AGENCY: Federal Communications phone: 202–418–0530 or TTY: 202–418– summarizing oral ex parte Commission. 0432. Effective March 19, 2020, and presentations, and all attachments ACTION: Notice of proposed rulemaking. until further notice, the Commission no thereto, must be filed through the longer accepts any hand or messenger electronic comment filing system SUMMARY: In this document, the Federal delivered filings. This is a temporary available for that proceeding, and must Communications Commission measure taken to help protect the health be filed in their native format (e.g., .doc, (Commission) seeks comment on and safety of individuals, and to .xml, .ppt, searchable .pdf). -
List of Directv Channels (United States)
List of DirecTV channels (United States) Below is a numerical representation of the current DirecTV national channel lineup in the United States. Some channels have both east and west feeds, airing the same programming with a three-hour delay on the latter feed, creating a backup for those who missed their shows. The three-hour delay also represents the time zone difference between Eastern (UTC -5/-4) and Pacific (UTC -8/-7). All channels are the East Coast feed if not specified. High definition Most high-definition (HDTV) and foreign-language channels may require a certain satellite dish or set-top box. Additionally, the same channel number is listed for both the standard-definition (SD) channel and the high-definition (HD) channel, such as 202 for both CNN and CNN HD. DirecTV HD receivers can tune to each channel separately. This is required since programming may be different on the SD and HD versions of the channels; while at times the programming may be simulcast with the same programming on both SD and HD channels. Part time regional sports networks and out of market sports packages will be listed as ###-1. Older MPEG-2 HD receivers will no longer receive the HD programming. Special channels In addition to the channels listed below, DirecTV occasionally uses temporary channels for various purposes, such as emergency updates (e.g. Hurricane Gustav and Hurricane Ike information in September 2008, and Hurricane Irene in August 2011), and news of legislation that could affect subscribers. The News Mix channels (102 and 352) have special versions during special events such as the 2008 United States Presidential Election night coverage and during the Inauguration of Barack Obama. -
Carving the World's Largest Statue Is a BIG Job. You Only Start It If You
CARVING THE WORLD’S LARGEST STATUE IS A BIG JOB. YOU ONLY START IT IF YOU THINK SOMEONE ELSE CAN FINISH IT. AND KORCZAK ZIOLKOWSKI THOUGHT JUST THAT. BY CHRIS WRIGHT BIGSEEKERS orczak Ziolkowski had a tough childhood. A Boston-born Polish American, he was orphaned at the age of oneI and grewDEA up in foster homes. He made his first marble portrait – of a juvenile judge – with a coal chisel when he was 23 years old. Although he never formally studied sculpture, he went on to win first prize at the New York World’s Fair in 1939. This success led to him being asked to as- sist sculptor Gutzon Borglum with the massive iconic sculptures of American presidents on Mount hotography Rushmore. From nothing, he had become one of the most recognised sculptors in the United States. p From a formless bulk of granite, K the Ziolkowski family drew out om Bear t the face of a man who has been immortalised in history books photo: photo: throughout the United States. 42 DISCOVERY CHANNEL MAGAZINE.COM OCTOBER 2010 43 his led to Korczak being She never left. They married in 1950 seemed more like mining than sculpt- approached by local North and raised 10 children in this wilder- ing. Korczak started out by bringing a American Indian Lakota ness, living a self-sufficient lifestyle by drill up the 741 steps to the top of the leader Henry Standing Bear selling timber and milk, and earning mountain, then pounding out holes for – a cousin of the famous the occasional sculptural commission. -
Updated December 2015 TELEVISION STATIONS SOUTH DAKOTA and Border Areas
TELEVISION STATIONS SOUTH DAKOTA and border areas HD Channels underlined, with bold faced italic print Highlighted with LIGHT BLUE background. Full Power Stations Highlighted In Yellow Others are Low Power or Translators SD 16:9 Widescreen Channels with Regular print LT GRAY Updated December 2015 SPANISH Language channels in RED NOTES: CP = Construction Permit App = Application + = proposed new facility Mileage given from TV transmitter for protected coverage service under average conditions at least 50% of the time. d Notation after "Miles" indicates that the coverage pattern is directional, and overall numbers are approximate. Actual coverage will depend upon terrain between the transmitter and receive location, as well as any local obstructions. Distant reception can be enhanced with elevated antenna locations, as well as specialized antennas and preamplifiers. Compiled by MIKE KOHL at GLOBAL COMMUNICATIONS in Plain, Wisconsin Please E-Mail any corrections to: [email protected] We appreciate any information found by local observation of live signals. DIG Range CH Call Network Community (Transmitter) Lat-N Long-W Miles Digital Subchannels RAPID CITY - SOUTH DAKOTA area 2 KOTA ABC Rapid City (Skyline Drive ) 44 04 08 103 15 03 68 3.1 KOTA-ABC 3.2 Me TV 3.3 This TV 5 KIVV FOX Lead (Terry Peak) 44 19 30 103 50 14 75 5.1 KIVV-FOX 7 KEVN FOX Rapid City (Skyline Drive ) 44 04 00 103 15 01 58 7.1 KEVN-FOX 10 KHSD ABC Lead (Terry Peak) 44 19 36 103 50 12 74 11.1 KHSD-ABC 11.2 Me TV 11.3 This TV 16 KCLO CBS Rapid City (Skyline Drive ) 44 04 -
Black Hills National Forest, Phase 1 Amendment
USD United States A Department of Agriculture Black Hills Forest Service Rocky Mountain Region National Forest Black Hills National Forest Custer, South Dakota Phase I Amendment 2001 Management Plan Land and Resource 1997 Environmental Assessment BLACK HILLS NATIONAL FOREST LAND AND RESOURCE MANAGEMENT PLAN PHASE I AMENDMENT 2001 ENVIRONMENTAL ASSESSMENT MAY 2001 The U.S. Department of Agriculture (USDA) prohibits discrimination in all its programs and activities on the basis of race, color, national origin, gender, religion, age, disability, political beliefs, sexual orientation, and marital or family status. (Not all prohibited bases apply to all programs.) Persons with disabilities who require alternative means for communication of program information (Braille, large print, audiotape, etc.) should contact USDA's TARGET Center at 202-720-2600 (voice and TDD). To file a complaint of discrimination, write USDA, Director, Office of Civil Rights, Room 326-W, Whitten Building, 14th and Independence Avenue, SW, Washington, DC 20250-9410 or call (202) 720-5964 (voice or TDD). USDA is an equal opportunity provider and employer. CONTENTS Definition of Acronyms and Terms Used in this Document........................................i Species Discussed in this Document .......................................................................iii 1-1. BACKGROUND................................................................................................1 1-2. LOCATION.......................................................................................................3