Integrated I/O Brochure
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Designing with Dante and AES67 / SMPTE ST 2110
Designing with Dante and AES67 / SMPTE ST 2110 AES-NY, AVoIP Pavillion October 16-19, 2019 Patrick Killianey Audinate, Senior Technical Training Manager [email protected] Audinate 1 Objectives: Design Principles (and Why We Recommend Them) Clarify Common Misunderstandings About Dante (and PTPv2). Highlights of the Dante update with SMPTE ST 2110 support. Audinate 2 Prerequisites: Dante Domain Manager is a key part to Audinate’s ST 2110 solution. If you are not familiar with this product, watch this video to learn its role and core functions. In Depth Tour of Dante Domain Manager https://youtu.be/xCY3JNpCu_k Audinate 3 History: Audio Networks SoLutions and Open Standards Audinate 4 History: 10Mbit 1996 (1) CD-ROM (44) 3¼” Floppy Disks https://en.wikipedia.org/wiki/Microsoft_Office_97 Audinate 5 History: Network Innovation 10Mbit 100Mbit 1996 1998 2001 Star, 32x32 Daisy Chain, 64x64 5⅓msec ⅙msec QoS PTP Quality of Service Precision Time Protocol (Prioritization of Time Sensitive Data) (Network Synchronization) ZeroConfig IGMP Snooping Automatic Peer-to-Peer Configuration Internet Group Management Protocol (No need for Static or DHCP config) (Reduces Impact of Multicast Distribution) Audinate 6 History: Network Innovation 10Mbit 100Mbit ≥1Gbit 1996 1998 2001 2006 2013 2015 Star, 32x32 Daisy Chain, 64x64 Star 5⅓msec ⅙msec 512x512 @ ¼msec Best Practices for Audio Networks AES AESTD1003V1 - June 6, 2009 http://www.aes.org/technical/documents/AESTD1003V1.pdf “Audio networking systems are characterized In practice, there are several issues for by the transport of uncompressed audio in compatibility between formats that should PCM format, which in principle could be be addressed and solved with specific reformatted as requested. -
TN294-SD-Series-Madi-Implementation.Pdf
TECHNICAL NOTE Date 27th Feb 2013 (rev 3) ref TN294 Raised by: DB/TC/DP Distributed to: as required Soundtracs - Digico(UK) Ltd. unit 10 Silverglade Business Park Chessington Surrey KT9 2QL England Tel: +44 1372 845600 Fax: +44 1372 845656 email: [email protected] SD Series MADI Implementation The MADI or AES-10 Standard, originated in the 1980’s to support serial digital transmission of up to 64 channels of digital audio over coaxial or fibre optic cable at sampling rates of up to 96K with a resolution of up to 24 bits per channel. The Original AES10 Standard defined MADI as a multichannel transport for linking central control areas, mixing consoles to digital multi-track recorders. It was updated in 2003 and again in 2008 adding 64 channel and 96KHz sample rates support. Soundtracs mixers have used MADI since the mid 90’s, including 96KHz operation since 1999, being the first large format mixers to do so. Digico Coaxial Cable Standard external cables supplied by Digico (5m, 50m or 100 m) are standard 75 ohm BNC and manufactured with European specification RG59U cable (Note this is NOT the same specification as USA standard RG59B.) This is basically a good quality video connection cable. In addition, factory cable connectors are individually pull tested to 5Kg. Many cheap ready-made cables would fail this test. The importance of good quality terminations cannot be overstated. It should be noted that MADI is approximately 0.5V RMS 125MHz serial data. Earth (ground) differentials of over 0.25V due to poor power wiring will effectively stop the system from functioning. -
Desktop Mixer Completely Familiar, Entirely Revolutionary
intellimix Intellimix Desktop Mixer Completely familiar, entirely revolutionary. We designed Intellimix to stimulate your creativity and to simplify your daily work. Enjoy a whole new perspective of intelligent audio mixing. intellimix Four G-Touch Faders© guide your fingers through a well shaped groove and offer various fader modes. Experience exceptional precision. The free Octopus software upgrade gives you control over up to eight channels with one single Intellimix interface. Your sources will be displayed in two layers. Intellimix is compatible with the whole package of AoIP solutions. Easily integrate it into your Livewire, AES67, Dante, MADI or Ravenna environment. An intuitive user interface secures quick and reliable news production even when time is of the essence. Inidvidual profiles and setups ease and fasten your work. ADAT and SDI connectivity perfectly support the handling of audio for video. With the intuitive G-Touch© faders there‘s no need to turn away from your monitor. Intellimix fits any desktop. Lightweight, with low power consumption and without thermal load, Intellimix fully complies all the challenges of broadcast vehicles. intellimix Intellimix Control Unit Display Light hi-res color TFT transreflective widescreen with 250Cd/m2 Displaysensor Gesture ready 5-finger touch sensor Faders 4 x G-Touch© 120mm faders with multifunctional position indicators Keys 12 x illuminated sealed hard keys Chassis Solid aluminum desktop cabinet with SD Card reader Intellimix Desktop Mixer Intellimix Multi I/O Loom Intellimix Multi I/O Loom YT2200 analog digital YT2330 YT2331 content of delivery: 1x Intellimix Base Unit analog out 5+6 (XLR-M), AES in 2+3 (XLR-F), 1x Intellimix Control Unit GPO 1-4 (D-Sub), AES out 2+3 (XLR-M), 1x permanently installed cable to headphone out (Jack Socket) GPI 1+2 (D-Sub) connect both units 1x PSU 1x microfiber cloth 4x self adhesive rubber feet intellimix Intellimix Base Unit 19“ Inputs* Mic/Line Inputs 2 - balanced, with selectable sensitivity -77 dBu .. -
Telos VX® Prime+ Big Performance for Small Facilities
Telos VX® Prime+ Big Performance for Small Facilities OVERVIEW Telos VX® talk-show systems are the world’s first true VoIP-based broadcast phone systems and have been proven to deliver the power of VoIP to the broadcast studio like no other. The Telos VX Prime+, with built-in support for AES67, is the next evolution of Telos VX VoIP phone systems in a powerful new 1RU hardware unit. Additionally, support for the G.722 voice codec ensures the highest quality calls from supported mobile devices. With capacity of 8 fixed hybrids/faders, VX Prime+ is ideal for facilities with 2 to 4 studios. (For larger facilities, check out VX Enterprise with up to 120-hybrid capacity.) AES67 support brings a new level of compatibility and flexibility to VX phone systems. Support for AES67 gives broadcasters the flexibility of integrating VX Prime+ into any AES67 environment, in addition to our own Axia® Livewire® network. With plug-and-play connectivity, you can network multiple channels of audio with any manufacturer’s AES67-compliant hardware. Beyond AES67, Livewire users have the added convenience and power of networking control (GPIO), advertising/discovery, and program associated data throughout the network. TelosAlliance.com/Telos/VX-Prime-Plus Telos VX Prime+ | Big Performance for Small Facilities Using VoIP, VX Prime+ gives you remarkable-sounding on-air phone calls with no ‘gotchas’. It uses standard SIP protocol that works with many VoIP PBX systems and SIP Telco to take advantage of low-cost and high-reliability service offerings. VX Prime+ can also connect to traditional telco lines via Asterisk PBX systems, which can be customized for specific facility requirements. -
Calrec Network Primer V2
CALREC NETWORK PRIMER V2 Introduction to professional audio networks - 2017 edition Putting Sound in the Picture calrec.com NETWORK PRIMER V2 CONTENTS Forward 5 Introduction 7 Chapter One: The benefits of networking 11 Chapter Two: Some technical background 19 Chapter Three: Routes to interoperability 23 Chapter Four: Control, sync and metadata over IP 27 The established policy of Calrec Audio Ltd. is to seek improvements to the design, specifications and manufacture of all products. It is not always possible to provide notice outside the company of the alterations that take place continually. No part of this manual may be reproduced or transmitted in any form or by any means, Despite considerable effort to produce up to electronic or mechanical, including photocopying date information, no literature published by and scanning, for any purpose, without the prior the company nor any other material that may written consent of Calrec Audio Ltd. be provided should be regarded as an infallible Calrec Audio Ltd guide to the specifications available nor does Nutclough Mill Whilst the Company ensures that all details in this it constitute an offer for sale of any particular Hebden Bridge document are correct at the time of publication, product. West Yorkshire we reserve the right to alter specifications and England UK equipment without notice. Any changes we make Apollo, Artemis, Summa, Brio, Hydra Audio HX7 8EZ will be reflected in subsequent issues of this Networking, RP1 and Bluefin High Density Signal document. The latest version will be available Processing are registered trade marks of Calrec Tel: +44 (0)1422 842159 upon request. -
Developments in Audio Networking Protocols By: Mel Lambert
TECHNICAL FOCUS: SOUND Copyright Lighting&Sound America November 2014 http://www.lightingandsoundamerica.com/LSA.html Developments in Audio Networking Protocols By: Mel Lambert It’s an enviable dream: the ability to prominent of these current offerings, ular protocol and the basis for connect any piece of audio equip- with an emphasis on their applicability Internet-based systems: IP, the ment to other system components within live sound environments. Internet protocol, handles the and seamlessly transfer digital materi- exchange of data between routers al in real time from one device to OSI layer-based model for using unique IP addresses that can another using the long-predicted con- AV networks hence select paths for network traffic; vergence between AV and IT. And To understand how AV networks while TCP ensures that the data is with recent developments in open work, it is worth briefly reviewing the transmitted reliably and without industry standards and plug-and-play OSI layer-based model, which divides errors. Popular Ethernet-based proto- operability available from several well- protocols into a number of smaller cols are covered by a series of IEEE advanced proprietary systems, that elements that accomplish a specific 802.3 standards running at a variety dream is fast becoming a reality. sub-task, and interact with one of data-transfer speeds and media, Beyond relaying digital-format signals another in specific, carefully defined including familiar CAT-5/6 copper and via conventional AES/EBU two-chan- ways. Layering allows the parts of a fiber-optic cables. nel and MADI-format multichannel protocol to be designed and tested All AV networking involves two pri- connections—which requires dedicat- more easily, simplifying each design mary roles: control, including configur- ed, wired links—system operators are stage. -
AES67 Standard and What It Means for the AV Industry
TECH TALK 78 Systems Integration Asia August - September 2015 About AES67 Standard And What It Means For The AV Industry AES67 is not intended to replace existing solutions, but to offer means for interoperability among them Many of you would have heard about the AES67 standard that was developed by the Audio Engineering Society and published in September 2013. To promote the adoption of AES67, The Media Networking Alliance (MNA) was formed in October 2014. SI Asia speaks to Andreas Hildebrand,Senior Product Manager at ALC NetworX GmbH, the company that is responsible for RAVENNA networking technologies and also a member of MNA, to know more about AES67. What is AES67 all about? guidelines. A prerequisite was not In the overall audio eco- What loophole or space is to invent yet another, completely system, how does AES67 this meant to fill which was new solution, but to try to identify and the solutions fit into the not previously available? commonalities among the existing picture? AES67 is a standard published by solutions and use available technology The advantage of having an the Audio Engineering Society on standards and protocols already interoperability standard for various September 11th, 2013, addressing employed. The idea was to allow solutions is obvious: while there may be “High-performance Streaming Audio- current solution providers to adopt a sound ecosystem of products already over-IP Interoperability”. It defines a AES67 with as little effort as possible available for individual solutions, none set of guidelines which provide a basis and provide AES67 interoperability of these solutions can fit all applications for achieving interoperability between either via a special mode of operation areas. -
Overview on IP Audio Networking Andreas Hildebrand, RAVENNA Evangelist ALC Networx Gmbh, Munich Topics
Overview on IP Audio Networking Andreas Hildebrand, RAVENNA Evangelist ALC NetworX GmbH, Munich Topics: • Audio networking vs. OSI Layers • Overview on IP audio solutions • AES67 & RAVENNA • Real-world application examples • Brief introduction to SMPTE ST2110 • NMOS • Control protocols Overview on IP Audio Networking - A. Hildebrand # 1 Layer 2 Layer 1 AVB EtherSound Layer 3 Audio over IP Audio over Ethernet ACIP TCP unicast RAVENNA AES67 multicast RTP UDP X192 Media streaming Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 3 Layer 2 Layer 1 AVB Terminology oftenEtherSound Layer 3 Audio over IP • ambiguousAudio over Ethernet ACIP TCP unicast • usedRAVENNA in wrongAES67 context multicast RTP • marketingUDP -driven X192 Media streaming • creates confusion Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 4 Layer 2 Layer 1 AVB Terminology oftenEtherSound Layer 3 Audio over IP • ambiguousAudio over Ethernet ACIP TCP Audio over IP unicast • usedRAVENNA in wrongAES67 context multicast RTP • marketingUDP -driven X192 Media streaming • creates confusion Dante CobraNet Livewire Overview on IP Audio Networking - A. Hildebrand # 5 Layer 7 Application Application Application and Layer 6 Presentation protocol-based layers Presentation HTTP, FTP, SMNP, Layer 5 Session Session POP3, Telnet, TCP, Layer 4 Transport UDP, RTP Transport Layer 3 Network Internet Protocol (IP) Network Layer 2 Data Link Ethernet, PPP… Data Link Layer 1 Physical 10011101 Physical Overview on IP Audio Networking - A. Hildebrand # 10 Physical transmission Classification by OSI network layer: Layer 1 Systems Transmit Receive Layer 1 Physical 10011101 Physical Overview on IP Audio Networking - A. Hildebrand # 12 Physical transmission Layer 1 systems: • Examples: SuperMac (AES50), A-Net Pro16/64 (Aviom), Rocknet 300 (Riedel), Optocore (Optocore), MediorNet (Riedel) • Fully proprietary systems • Make use of layer 1 physical transport (e.g. -
D.O.Tec Ma2chbox
DirectOut Technologies® D.O.TEC® MA2CHBOX Manual Version 1.5 DirectOut Technologies® Copyright Note Copyright All rights reserved. Permission to reprint or electroni- cally reproduce any document or graphic in whole or in part for any reason is expressly prohibited, unless prior writ- ten consent is obtained from the DirectOut GmbH. All trademarks and registered trademarks belong to their respective owners. It cannot be guaranteed that all product names, products, trademarks, requisitions, regulations, guidelines, specifications and norms are free from trade mark rights of third parties. All entries in this document have been thoroughly checked; however no guarantee for correctness can be given. DirectOut GmbH cannot be held responsible for any mislead- ing or incorrect information provided throughout this manual. DirectOut GmbH reserves the right to change specifications at any time without notice. DirectOut Technologies® and D.O.TEC® are a reg- istered trademarks of the DirectOut GmbH. © DirectOut GmbH, 2011 © 2011 DirectOut GmbH D.O.TEC® MA2CHBOX Manual Version 1.5 page 3 of 51 DirectOut Technologies® Table of Contents Table of contents ABOUT THIS MANUAL 7 How to Use This Manual 7 Conventions 7 CHAPTER 1: OVERVIEW 8 Introduction 8 Applications 9 How it works 9 Feature Summary 10 CHAPTER 2: INSTALLATION 11 Before Installing This Device 11 Defective Parts/Modules 12 First Aid (in case of electric shock) 13 Contents 14 Updates 14 Intended Operation 15 Conditions of Warranty 16 Conformity & Certificates 17 Contact 18 Installing the Device -
VENUE S6L Live Recording Guide V7.0
VENUE Live Recording Guide For VENUE | S6L Systems Examples and step-by-step instructions for live recording, Virtual Soundcheck, integrated playback, 2-track USB, and more. Introduction Connections and Settings Virtual Soundcheck Additional Recording Features Playback Overview and Virtual Soundcheck Setups Assignable IO Toggling Input Source Terminology Example What is Video Tutorials VENUE Metering Options Record the Show Using Assignable Inputs Virtual Soundcheck? (Setup and Configuration) in Pro Tools What is Play Back Controlling Pro Tools Pro Tools AVB Using Input Mode VENUE Link? the Show from S6L Switch Back to What is Pro Tools AVB? VENUE Link Pro Tools Markers Stage Mode Media MADI Setups for Snapshot PRE Settings 2-Trafck USB System Requirements Record/Playback and Virtual Soundcheck Playback and Recording Importing VENUE Channel Names I/O Sharing Info About Track Assignments Events Example Guide Part Number: 9329-66207-00 (Record Enable Tracks) 12/20 Overview Welcome to the Live Recording Guide for Avid VENUE | S6L systems. This guide shows you how to integrate Pro Tools recording and playback with your S6L system and includes the following topics: • What is Virtual Soundcheck, VENUE Link, and Pro Tools AVB. • How to set up Pro Tools AVB, VENUE Link, and Pro Tools Sessions to record and play back up to 128 channels of audio with VENUE. • How to perform a complete Virtual Soundcheck. • How to route and record Mains, audience mics, and submix outputs. • How to integrate Pro Tools tracks into your performances. • How to toggle individual channels between Stage and Pro Tools input, and how to use Input mode • How to control the Pro Tools Transport from S6L, how to link Pro Tools Markers to S6L snapshots, and more • How to record/playback via MADI using MADI-192 MADI Option Cards. -
PIX 270I PIX 270I Network-Connected Video Deck with MADI and Dante™ Audio
PIX 270i PIX 270i Network-Connected Video Deck with MADI and Dante™ Audio Scalable, multi-cam, multi-track video recorder. KEY FEATURES The PIX 270i is a cost-effective, file-based video deck with an audio-only mode, Built-In Redundancy designed for fast-paced studio, live event, and mobile productions. Its feature-rich • Simultaneous multi-drive recording for expandability makes it an ideal AV solution for large-scale, multi-cam workflows or redundancy and backup; up to four double-system sound applications. Whether used for capturing multiple camera ISO solid state drives feeds at a sports stadium or recording numerous audio tracks at a live concert, its • PowerSafe™ provides 10-second half-rack, 2U size makes it the perfect alternative to bulkier, complex video servers. power reserve for safe shutdown in the event of complete power loss Compact, Scalable System • FileSafe™ automatically detects and With its network connectivity and built-in multi-unit synchronization, PIX 270i recovers files that have not been finalized recorders can be interconnected over Ethernet for simultaneous, frame-accurate • Redundant 4-pin XLR power connections recording and playback. Any number of units can be grouped and controlled as a single system from either the hardware or from the built-in web based control panel. Recording Capabilities • Edit-ready Apple® ProRes or Avid® NxHD; up to Apple ProRes 4444 at 330 Mb/s and Avid DNxHD codecs up to 220 Mb/s. Proxy rates of 36 Mb/s also available • 12-bit 4:4:4, 3G-SDI I/O • Access and transfer files over Ethernet • Networkable, for group control of multiple decks; external control via RS-422 or via embedded web control panel Trusted Reliability • Frame synchronized recording & playback With live events, there is no second chance to capture the moment. -
Ravenna & Aes67 & St2110
The IP-based Real-Time Media Network RAVENNA & AES67 & ST2110 - Andreas Hildebrand – RAVENNA Technology Evangelist ALC NetworX, Munich # 1 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? # 2 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? # 3 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? # 4 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network What is RAVENNA? Real-time Audio & Video Enhanced Next-Generation Network Architecture # 5 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Why RAVENNA? # 7 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Vision: a platform-independent content exchange technology Requirements: • scalable • fast • shareable • flexible • reliable 2008 • routable • non-proprietary • based on standards # 8 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Layer 2 Layer 1 AVB Audio over IP EtherSound Confusion Layer 3 ACIP TCP Livewire Market EvaluationAudio over Ethernet A-Net Technology Assessmentunicast RTP AES50 UDP MADI multicast CobraNet Media streaming Dante IP! # 10 © ALC NetworX GmbH 2018 The IP-based Real-Time Media Network Why IP-based Networking? • General advantages of networking: Reliability, flexibility, versatility, accessibility, scalability, cost advantage, maintenance efficiency, … • Availability: IP-capable network equipment and infrastructure readily available and widely deployed • Based on standards: IP standard protocols (the “internet protocols”) are widely supported