Tupaccoin ($TUPAC) Whitepaper June 2021 Our Goal
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8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Napoleon's Men
NAPOLEON S MEN This page intentionally left blank Napoleon's Men The Soldiers of the Revolution and Empire Alan Forrest hambledon continuum Hambledon Continuum The Tower Building 11 York Road London, SE1 7NX 80 Maiden Lane Suite 704 New York, NY 10038 First Published 2002 in hardback This edition published 2006 ISBN 1 85285 269 0 (hardback) ISBN 1 85285 530 4 (paperback) Copyright © Alan Forrest 2002 The moral right of the author has been asserted. All rights reserved. Without limiting the rights under copyrights reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book. A description of this book is available from the British Library and the Library of Congress. Typeset by Carnegie Publishing, Lancaster, and printed in Great Britain by MPG Books, Cornwall. Contents Illustrations vii Introduction ix Acknowledgements xvii 1 The Armies of the Revolution and Empire 1 2 The Soldiers and their Writings 21 3 Official Representation of War 53 4 The Voice of Patriotism 79 5 From Valmy to Moscow 105 6 Everyday Life in the Armies 133 7 The Lure of Family and Farm 161 8 From One War to Another 185 Notes 205 Bibliography 227 Index 241 This page intentionally left blank Illustrations Between pages 108 and 109 1 Napoleon Bonaparte, crossing the Alps in 1800 2 Volunteers enrolling 3 Protesting -
The Affordable Care Act Health Exchange Is Open Rathbun Insurance Is Available to Help with Information and Enrollment Assistance
FREE a newspaper for the rest of us www.lansingc November 12-18, 2014 a newspaper for the rest of us www.lansingcitypulse.com BRIGHT AND SHINY LOVE,LOVE, ITALIANITALIAN STYLESTYLE Will the luster of the Red Longtime Roma Bakery owner Cedar Renaissance help finally dishes out recipes with Lansing's east side?...p. 5 new cookbook...p. 18 The Affordable Care Act Health Exchange is Open Rathbun Insurance is available to help with information and enrollment assistance. (517) 482-1316 www.rathbunagency.com 2 www.lansingcitypulse.com City Pulse • November 12, 2014 10 Every Saturday THIS WEEK: Red Cedar Renaissance THIS WEEK: State Legislature Hosted by Newsmakers Berl Schwartz Craft Beer, Spirits & Grub! $3 OFF Large Plates *Lunch only Lunches $5-$7 after discount. Good for Burger & Fries, Fish & Chips and much more. Mon-Fri., 11 a.m.-3p.m. Good Thru Nov. 30, 2014 Drink & food specials during Wings, Spartans and Joel Ferguson Robert Trezise Jr. Pat Lindemann Pistons games! Developer President/CEO Lansing Economic Area Partnership (LEAP) Ingham County Drain Commissioner Hours: Sun-Wed. 11:30 a.m.-Midnight Thurs.-Sat. 11:30 a.m.-2 a.m. 3415 E. Saginaw North of Frandor at the split, in the North Point Mall (517) 333-8215 Watch past episodes at vimeo.com/channels/citypulse www.front43pub.com City Pulse • November 12, 2014 www.lansingcitypulse.com 3 4 www.lansingcitypulse.com City Pulse • November 12, 2014 Feedback VOL. 14 Lawrence Cosentino did an back all the wonderful memories asso- ISSUE 13 AMAZING story on the Knapp's build- ciated with that unique store. -
Tupac Shakur 29 Dr
EXPONENTES DEL VERSO computación PDF generado usando el kit de herramientas de fuente abierta mwlib. Ver http://code.pediapress.com/ para mayor información. PDF generated at: Sat, 08 Mar 2014 05:48:13 UTC Contenidos Artículos Capitulo l: El mundo de el HIP HOP 1 Hip hop 1 Capitulo ll: Exponentes del HIP HOP 22 The Notorious B.I.G. 22 Tupac Shakur 29 Dr. Dre 45 Snoop Dogg 53 Ice Cube 64 Eminem 72 Nate Dogg 86 Cartel de Santa 90 Referencias Fuentes y contribuyentes del artículo 93 Fuentes de imagen, Licencias y contribuyentes 95 Licencias de artículos Licencia 96 1 Capitulo l: El mundo de el HIP HOP Hip hop Hip Hop Orígenes musicales Funk, Disco, Dub, R&B, Soul, Toasting, Doo Wop, scat, Blues, Jazz Orígenes culturales Años 1970 en el Bronx, Nueva York Instrumentos comunes Tocadiscos, Sintetizador, DAW, Caja de ritmos, Sampler, Beatboxing, Guitarra, bajo, Piano, Batería, Violin, Popularidad 1970 : Costa Este -1973 : Costa, Este y Oeste - 1980 : Norte America - 1987 : Países Occidentales - 1992 : Actualidad - Mundial Derivados Electro, Breakbeat, Jungle/Drum and Bass, Trip Hop, Grime Subgéneros Rap Alternativo, Gospel Hip Hop, Conscious Hip Hop, Freestyle Rap, Gangsta Rap, Hardcore Hip Hop, Horrorcore, nerdcore hip hop, Chicano rap, jerkin', Hip Hop Latinoamericano, Hip Hop Europeo, Hip Hop Asiatico, Hip Hop Africano Fusiones Country rap, Hip Hop Soul, Hip House, Crunk, Jazz Rap, MerenRap, Neo Soul, Nu metal, Ragga Hip Hop, Rap Rock, Rap metal, Hip Life, Low Bap, Glitch Hop, New Jack Swing, Electro Hop Escenas regionales East Coast, West Coast, -
3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money -
Letter in Support of Commutation Petition of Chauncey Hawkins Page 2
The Weldon Project 3218 Glendale Blvd Los Angeles, CA 90039 www.theweldonproject.org June 13, 2019 President Donald J. Trump The White House 1600 Pennsylvania Ave NW. Washington, D.C. 20500 RE: Commutation Petition of Chauncey Hawkins Dear Mr. President: On behalf of Amir Muhadith (previously known as Chauncey Hawkins and Loon) and his family, we strongly urge you to grant him a presidential commutation of sentence without delay. The undersigned—musicians, actors, filmmakers, and community leaders strongly believe that justice necessitates the exercise of executive clemency in this case. In 2013, Mr. Hawkins was sentenced to 14 years’ imprisonment for a minor role in a non-violent drug case.1 His sentence was subsequently lowered to 136 months (11 years, 4 months) as a result of the All Drugs Minus 2 Amendment by the U.S. Sentencing Commission in 2014. He has served over 7 years of his sentence. We believe this should be enough. Chauncey Hawkins was born in Harlem, New York, and as a young adult he started his career in the music industry as a member of Mase’s rap group Harlem World and then became part of P. Diddy’s Bad Boy Records under the name Loon. He released his self- titled debut album Loon and made many guest appearances on songs of the R&B and hip hop genres.2 But he is most known for his appearance on P. Diddy’s hit songs “I Need A 1 Former Bad Boy Rapper Loon Gets 14-Year Sentence, BET (July 19, 2013); http://www.bet.com/news/music/2013/07/19/former-bad-boy-rapper-loon-gets-14-year- sentence.html 2 See https://en.wikipedia.org/wiki/Loon_(rapper) 3218 Glendale Blvd Los Angeles, CA 90039 | www.theweldonproject.org Letter in Support of Commutation Petition of Chauncey Hawkins Page 2 Girl” featuring Usher and “I Need A Girl Part 2” featuring Ginuwine.3 In 2004, Loon left Bad Boy Records to start his own label, Boss Up Entertainment. -
The Socio-Political Influence of Rap Music As Poetry in the Urban Community Albert D
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2002 The socio-political influence of rap music as poetry in the urban community Albert D. Farr Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the African American Studies Commons, American Popular Culture Commons, and the Poetry Commons Recommended Citation Farr, Albert D., "The ocs io-political influence of rap music as poetry in the urban community" (2002). Retrospective Theses and Dissertations. 182. https://lib.dr.iastate.edu/rtd/182 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The socio-political influence of rap music as poetry in the urban community by Albert Devon Farr A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee Jane Davis, Major Professor Shirley Basfield Dunlap Jose Amaya Iowa State University Ames, Iowa 2002 Copyright © Albert Devon Farr, 2002. All rights reserved. 11 Graduate College Iowa State University This is to certify that the master's thesis of Albert Devon Farr has met the thesis requirements of Iowa State University Signature redacted for privacy Signature redacted for privacy Signature redacted for privacy Signature redacted for privacy Ill My Dedication This Master's thesis is dedicated to my wonderful family members who have supported and influenced me in various ways: To Martha "Mama Shug" Farr, from whom I learned to pray and place my faith in God, I dedicate this to you. -
A Political Analysis of Folktales of Iran Yass Alizadeh University of Connecticut - Storrs, [email protected]
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 12-9-2014 Tales that Tell All: A Political Analysis of Folktales of Iran Yass Alizadeh University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Alizadeh, Yass, "Tales that Tell All: A Political Analysis of Folktales of Iran" (2014). Doctoral Dissertations. 610. https://opencommons.uconn.edu/dissertations/610 Tales that Tell All: A Political Analysis of Folktales of Iran Yass Alizadeh, PhD University of Connecticut 2014 Abstract This research presents an analytical study of the rewritten folktales of Iran in 20th century, and investigates the ideological omissions and revisions of oral tales as textual productions in modern Iran. Focusing on the problematic role of folktales as tales about the unreal and the fantastic serving a political purpose, this study traces the creative exercises of Iranian storytellers who apply ideological codes and meanings to popular folk language. The works of Mirzadeh Eshqi (1893-1924), Sadegh Hedayat (1903-1951), Samad Behrangi (1939-1968) and Bijan Mofid (1935-1984) are examples of a larger collection of creative writing in Iran that through the agency of folklore shape the political imagination of Iranian readers. While Eshqi’s revolutionary ideas are artistically imbedded in oral culture of the Constitution era, Hedayat’s fiction follows with an intricate fusion of folklore and tradition. Later in the 20th Century, Behrangi introduces politically charged children’s tales to an invested audience, and Mofid dramatizes the joys and sorrow of Iranian culture through a familiar fable. -
Latitude 38 August 2010
Latitude 38 VOLUME 398 August 2010 WE GO WHERE THE WIND BLOWS AUGUST 2010 VOLUME 398 Just two of the 28 fi ne businesses you’ll fi nd at Grand Marina. A full service marina and more! Grand Marina… Come on over and have a peek. • Prime deep water concrete slips in DIRECTORY of a variety of sizes GRAND MARINA • Great Estuary location at the heart TENANTS of the beautiful Alameda Island Bay Island Yachts ......................... 12 • Complete bathroom and shower Blue Pelican Marine ................... 162 facility, heated and tiled The Boat Yard at Grand Marina ... 21 • FREE pump out station open 24/7 Lee Sails ..................................... 156 • Full Service Marine Center and Marine Lube ............................... 156 haul out facility Pacifi c Crest Canvas ..................... 49 • Free parking Pacifi c Yacht Imports ..................... 6 510-865-1200 • Free WiFi on site! Rooster Sails ................................ 65 Leasing Offi ce Open Daily 2099 Grand Street, Alameda, CA 94501 And much more… UK-Halsey Sailmakers ................. 70 www.grandmarina.com Page 2 • Latitude 38 • August, 2010 In with the Old, In with the New Tim Murison has every right to brag! His beautiful Island Clipper, Bolero, built in 1946, won this year’s Ensenada Race. His 64-year-old boat sailed the 63rd anniver- PHOTO: BILL RUPERT sary of that race with a crew whose age aver- aged 62. Only Bolero’s suit of Pineapple Sails was brand new. Tim opted to leave Bolero in Southern Cali- fornia on his return from Mexico and raced San Diego’s Yesteryear Regatta, winning 1st in class and 1st overall among a large fleet of equally classic old boats. -
ABSTRACT Title of Thesis: the REALEST NIGGA
ABSTRACT Title of Thesis: THE REALEST NIGGA: CONSTRUCTIONS OF BLACK MASCULINITY WITHIN RAP MUSIC Jason Nichols, Master of Arts, 2006 Thesis directed by: Professor Nancy Struna American Studies This thesis attempts to complicate and raise questions about Black masculinity and hip hop. It contains information gathered for ethnographic interviews conducted with rap artists. In these interviews, one can see that issues of performance of gender and gender authenticity are central. This thesis addresses how interview subjects negotiate the internal differences between their rap persona and their everyday identity. As both a teacher, student and a rap artist, these are questions I am attempting to reconcile for myself; thus, I am not absent from the research. This thesis concludes that artists are reluctant to call their own rap persona a performance, for fear that it would be acknowledging that it was somehow an ‘act’ or not ‘real’. My informants describe their rap identity with words like “aggressive” and their everyday persona as “patient”. When asked about what characterizes a ‘real’ man, they nearly always use the same words they used in describing their everyday persona. The methodology for this thesis includes primary and secondary sources as well as interviews. THE REALEST NIGGA: CONSTRUCTIONS OF BLACK MASCULINITY WITHIN RAP MUSIC Jason Nichols Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2006 Advisory Committee -
English 7898 Songs, 22.4 Days, 40.81 GB -.:: GEOCITIES.Ws
English 7898 songs, 22.4 days, 40.81 GB Name Time Album Artist Can I Come Over 3:55 Aaliyah Aaliyah Busok Vs Sakongsa [Chinese Version] 0:36 Ah Beng God Bless Us Everyone 3:36 LOVE HITS Alan Menken A Place Called Home feta. Lori Beecham 3:30 LOVE HITS Alan Menken All Cried Out 4:36 Allure & 112 Alvin And The Chipmunks - Play That F... 3:54 Chipmunks 35th Birthday Party Alvin & The Chipmunks Chipmunk Gangsta Rap 2:41 Chipmunks 35th Birthday Party Alvin & The Chipmunks Rehab (Remix) 3:54 Back To Black Amy Winehouse Feat. Jay Z Out Of The Rain 1:51 LOVIN' IT 2 (2CD) Aora Fuck Eminem 2:09 Armenian Rap Minor Funny shit (Standup Comedy Live) 5:59 Bernie Mack Sunday Train 4:32 Come on Home Bethany Joy Lenz Songs in my Pocket 3:21 Songs in my Pocket Bethany Joy Lenz ABC Medley, Alphabet Song, Baa Baa ... 3:27 100 Songs for Kids Big Bird & Friends Bonsoir madame 3:21 Div Artister Big Fat Snake Lord of the Rings 2:45 Demos Blind Guardian Lost in the Twilight Hall 5:47 Demos Blind Guardian Theatre of Pain 4:09 Demos Blind Guardian Theatre of Pain (Extended Version) 4:20 Demos Blind Guardian Time What Is Time 5:09 Demos Blind Guardian Time What Is Time (Extended Version) 5:49 Demos Blind Guardian Tommyknockers 5:05 Demos Blind Guardian Weird Dreams 1:18 Demos Blind Guardian Welcome to Dying 4:38 Demos Blind Guardian Close To You 3:45 Bob All About Lovin' You 3:48 Bon Jovi Bon Jovi It 's My Life 3:45 Crush Bon Jovi Thank You (For Loving Me) 5:09 Crush Bon Jovi One Wild Night 4:42 Crush Bon Jovi Words 2:13 Best of Boy Bands Boyzone Baby Can I Hold You 2:19 Boyzone Request + Line 4:25 GreenLight Brian McKnight You Should Be Mine 4:48 Brian McKnight Everybody Dance Now 4:06 90's Pop Hits [CD 2] C+C Music Factory Made In Thailand 4:12 The Best of Carabou Carabou Me & You (Remix) feat. -
The Beautiful Struggle: an Analysis of Hip-Hop Icons, Archetypes and Aesthetics
THE BEAUTIFUL STRUGGLE: AN ANALYSIS OF HIP-HOP ICONS, ARCHETYPES AND AESTHETICS ________________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ________________________________________________________________________ in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ________________________________________________________________________ by William Edward Boone August, 2008 ii © William Edward Boone 2008 All Rights Reserved iii ABSTRACT The Beautiful Struggle: an Analysis of Hip-Hop Icons, Archetypes and Aesthetics William Edward Boone Doctor of Philosophy Temple University, 2008 Doctoral Advisory Committee Chair: Nathaniel Norment, Ph.D. Hip hop reached its thirty-fifth year of existence in 2008. Hip hop has indeed evolved into a global phenomenon. This dissertation is grounded in Afro-modern, Afrocentric and African-centered theory and utilizes textual and content analysis. This dissertation offers a panoramic view of pre-hip hop era and hip hop era icons, iconology, archetypes and aesthetics and teases out their influence on hip hop aesthetics. I identify specific figures, movements and events within the context of African American and American folk and popular culture traditions and link them to developments within hip hop culture, iconography, and aesthetics. Chapter 1 provides an introduction, which includes a definition of terms, statement of the problem and literature review. It also offers a perfunctory discussion of hip hop