Latitude 38 August 2010
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Napoleon's Men
NAPOLEON S MEN This page intentionally left blank Napoleon's Men The Soldiers of the Revolution and Empire Alan Forrest hambledon continuum Hambledon Continuum The Tower Building 11 York Road London, SE1 7NX 80 Maiden Lane Suite 704 New York, NY 10038 First Published 2002 in hardback This edition published 2006 ISBN 1 85285 269 0 (hardback) ISBN 1 85285 530 4 (paperback) Copyright © Alan Forrest 2002 The moral right of the author has been asserted. All rights reserved. Without limiting the rights under copyrights reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book. A description of this book is available from the British Library and the Library of Congress. Typeset by Carnegie Publishing, Lancaster, and printed in Great Britain by MPG Books, Cornwall. Contents Illustrations vii Introduction ix Acknowledgements xvii 1 The Armies of the Revolution and Empire 1 2 The Soldiers and their Writings 21 3 Official Representation of War 53 4 The Voice of Patriotism 79 5 From Valmy to Moscow 105 6 Everyday Life in the Armies 133 7 The Lure of Family and Farm 161 8 From One War to Another 185 Notes 205 Bibliography 227 Index 241 This page intentionally left blank Illustrations Between pages 108 and 109 1 Napoleon Bonaparte, crossing the Alps in 1800 2 Volunteers enrolling 3 Protesting -
The Affordable Care Act Health Exchange Is Open Rathbun Insurance Is Available to Help with Information and Enrollment Assistance
FREE a newspaper for the rest of us www.lansingc November 12-18, 2014 a newspaper for the rest of us www.lansingcitypulse.com BRIGHT AND SHINY LOVE,LOVE, ITALIANITALIAN STYLESTYLE Will the luster of the Red Longtime Roma Bakery owner Cedar Renaissance help finally dishes out recipes with Lansing's east side?...p. 5 new cookbook...p. 18 The Affordable Care Act Health Exchange is Open Rathbun Insurance is available to help with information and enrollment assistance. (517) 482-1316 www.rathbunagency.com 2 www.lansingcitypulse.com City Pulse • November 12, 2014 10 Every Saturday THIS WEEK: Red Cedar Renaissance THIS WEEK: State Legislature Hosted by Newsmakers Berl Schwartz Craft Beer, Spirits & Grub! $3 OFF Large Plates *Lunch only Lunches $5-$7 after discount. Good for Burger & Fries, Fish & Chips and much more. Mon-Fri., 11 a.m.-3p.m. Good Thru Nov. 30, 2014 Drink & food specials during Wings, Spartans and Joel Ferguson Robert Trezise Jr. Pat Lindemann Pistons games! Developer President/CEO Lansing Economic Area Partnership (LEAP) Ingham County Drain Commissioner Hours: Sun-Wed. 11:30 a.m.-Midnight Thurs.-Sat. 11:30 a.m.-2 a.m. 3415 E. Saginaw North of Frandor at the split, in the North Point Mall (517) 333-8215 Watch past episodes at vimeo.com/channels/citypulse www.front43pub.com City Pulse • November 12, 2014 www.lansingcitypulse.com 3 4 www.lansingcitypulse.com City Pulse • November 12, 2014 Feedback VOL. 14 Lawrence Cosentino did an back all the wonderful memories asso- ISSUE 13 AMAZING story on the Knapp's build- ciated with that unique store. -
Letter in Support of Commutation Petition of Chauncey Hawkins Page 2
The Weldon Project 3218 Glendale Blvd Los Angeles, CA 90039 www.theweldonproject.org June 13, 2019 President Donald J. Trump The White House 1600 Pennsylvania Ave NW. Washington, D.C. 20500 RE: Commutation Petition of Chauncey Hawkins Dear Mr. President: On behalf of Amir Muhadith (previously known as Chauncey Hawkins and Loon) and his family, we strongly urge you to grant him a presidential commutation of sentence without delay. The undersigned—musicians, actors, filmmakers, and community leaders strongly believe that justice necessitates the exercise of executive clemency in this case. In 2013, Mr. Hawkins was sentenced to 14 years’ imprisonment for a minor role in a non-violent drug case.1 His sentence was subsequently lowered to 136 months (11 years, 4 months) as a result of the All Drugs Minus 2 Amendment by the U.S. Sentencing Commission in 2014. He has served over 7 years of his sentence. We believe this should be enough. Chauncey Hawkins was born in Harlem, New York, and as a young adult he started his career in the music industry as a member of Mase’s rap group Harlem World and then became part of P. Diddy’s Bad Boy Records under the name Loon. He released his self- titled debut album Loon and made many guest appearances on songs of the R&B and hip hop genres.2 But he is most known for his appearance on P. Diddy’s hit songs “I Need A 1 Former Bad Boy Rapper Loon Gets 14-Year Sentence, BET (July 19, 2013); http://www.bet.com/news/music/2013/07/19/former-bad-boy-rapper-loon-gets-14-year- sentence.html 2 See https://en.wikipedia.org/wiki/Loon_(rapper) 3218 Glendale Blvd Los Angeles, CA 90039 | www.theweldonproject.org Letter in Support of Commutation Petition of Chauncey Hawkins Page 2 Girl” featuring Usher and “I Need A Girl Part 2” featuring Ginuwine.3 In 2004, Loon left Bad Boy Records to start his own label, Boss Up Entertainment. -
The Socio-Political Influence of Rap Music As Poetry in the Urban Community Albert D
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2002 The socio-political influence of rap music as poetry in the urban community Albert D. Farr Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the African American Studies Commons, American Popular Culture Commons, and the Poetry Commons Recommended Citation Farr, Albert D., "The ocs io-political influence of rap music as poetry in the urban community" (2002). Retrospective Theses and Dissertations. 182. https://lib.dr.iastate.edu/rtd/182 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The socio-political influence of rap music as poetry in the urban community by Albert Devon Farr A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee Jane Davis, Major Professor Shirley Basfield Dunlap Jose Amaya Iowa State University Ames, Iowa 2002 Copyright © Albert Devon Farr, 2002. All rights reserved. 11 Graduate College Iowa State University This is to certify that the master's thesis of Albert Devon Farr has met the thesis requirements of Iowa State University Signature redacted for privacy Signature redacted for privacy Signature redacted for privacy Signature redacted for privacy Ill My Dedication This Master's thesis is dedicated to my wonderful family members who have supported and influenced me in various ways: To Martha "Mama Shug" Farr, from whom I learned to pray and place my faith in God, I dedicate this to you. -
ABSTRACT Title of Thesis: the REALEST NIGGA
ABSTRACT Title of Thesis: THE REALEST NIGGA: CONSTRUCTIONS OF BLACK MASCULINITY WITHIN RAP MUSIC Jason Nichols, Master of Arts, 2006 Thesis directed by: Professor Nancy Struna American Studies This thesis attempts to complicate and raise questions about Black masculinity and hip hop. It contains information gathered for ethnographic interviews conducted with rap artists. In these interviews, one can see that issues of performance of gender and gender authenticity are central. This thesis addresses how interview subjects negotiate the internal differences between their rap persona and their everyday identity. As both a teacher, student and a rap artist, these are questions I am attempting to reconcile for myself; thus, I am not absent from the research. This thesis concludes that artists are reluctant to call their own rap persona a performance, for fear that it would be acknowledging that it was somehow an ‘act’ or not ‘real’. My informants describe their rap identity with words like “aggressive” and their everyday persona as “patient”. When asked about what characterizes a ‘real’ man, they nearly always use the same words they used in describing their everyday persona. The methodology for this thesis includes primary and secondary sources as well as interviews. THE REALEST NIGGA: CONSTRUCTIONS OF BLACK MASCULINITY WITHIN RAP MUSIC Jason Nichols Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2006 Advisory Committee -
The Beautiful Struggle: an Analysis of Hip-Hop Icons, Archetypes and Aesthetics
THE BEAUTIFUL STRUGGLE: AN ANALYSIS OF HIP-HOP ICONS, ARCHETYPES AND AESTHETICS ________________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ________________________________________________________________________ in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ________________________________________________________________________ by William Edward Boone August, 2008 ii © William Edward Boone 2008 All Rights Reserved iii ABSTRACT The Beautiful Struggle: an Analysis of Hip-Hop Icons, Archetypes and Aesthetics William Edward Boone Doctor of Philosophy Temple University, 2008 Doctoral Advisory Committee Chair: Nathaniel Norment, Ph.D. Hip hop reached its thirty-fifth year of existence in 2008. Hip hop has indeed evolved into a global phenomenon. This dissertation is grounded in Afro-modern, Afrocentric and African-centered theory and utilizes textual and content analysis. This dissertation offers a panoramic view of pre-hip hop era and hip hop era icons, iconology, archetypes and aesthetics and teases out their influence on hip hop aesthetics. I identify specific figures, movements and events within the context of African American and American folk and popular culture traditions and link them to developments within hip hop culture, iconography, and aesthetics. Chapter 1 provides an introduction, which includes a definition of terms, statement of the problem and literature review. It also offers a perfunctory discussion of hip hop -
The Bill of Rights in Action, 1996-1999. INSTITUTION Constitutional Rights Foundation, Los Angeles, CA
DOCUMENT RESUME ED 444 880 SO 030 982 AUTHOR Hayes, Bill, Ed. TITLE The Bill of Rights in Action, 1996-1999. INSTITUTION Constitutional Rights Foundation, Los Angeles, CA. SPONS AGENCY W. M. Keck Foundation, Los Angeles, CA. PUB DATE 1999-00-00 NOTE 174p. AVAILABLE FROM. Constitutional Rights Foundation, 601 South Kingsley Drive, Los Angeles, CA 90005; Tel: 213-487-5590; Fax: 213-386-0459; Web site: (www.crf-usa.org). PUB TYPE Collected Works - Serials (022) -- Guides- Classroom - Learner (051)-- Guides - Classroom - Teacher (052) JOURNAL CIT Bill of Rights in Action; v13-15 1996-1999 EDRS PRICE MF01/PC07 Plus Postage. DESCRIPTORS Curriculum Enrichment; Government Role; *Political Issues; *Political Science; Secondary Education; Social Studies; *United States Government (Course); *United States History; *World History IDENTIFIERS Bill of Rights; United States Constitution ABSTRACT These newsletter volumes deal with topics in U.S. history, world history, and U.S. government relating to the Bill of Rights. The newsletters present background information for classroom reading, insome instances provide a list of topical issues, and offer activities for discussion and writing. Some of the topics considered in the newslettersare: political scandals, the National Endowment for the Arts, the Romanovs, the separation of church and state, welfare, the Aztec Empire, origins of Islamic law, the Napoleonic Code, bombing civilians in World War 2, and censoring the Internet. (BT) Reproductions supplied by EDRS are the best thatcan be made from the original document. The Bill of Rights in Action; v13-15 1996-1999 Hayes, Bill, Ed. 00 C31 U.S. DEPARTMENT OF EDUCATION Office of Educational Research and Improvement O PERMISSION TO REPRODUCE AND EDy CATIONAL RESOURCES INFORMATION DISSEMINATE THIS MATERIAL HAS CENTER (ERIC) Cr) BEEN GRANTED BY This document has been reproduced as received from the person or organization O originating it. -
Palmetto Navy: Ironclad Construction and the Naval Defense of Charleston During the Civil War
Palmetto Navy: Ironclad Construction and the Naval Defense of Charleston During the Civil War by Charles Wexler A dissertation submitted to the Graduate Faculty of Auburn University in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Auburn, Alabama May 09, 2015 Keywords: history, civil war, Charleston, navy, industry, ironclads Copyright 2015 by Charles Wexler Approved by Kenneth Noe, Chair, Professor of History Angela Lakwete, Associate Professor of History Mark Sheftall, Associate Professor of History Randall Holmes, Professor of Mathematics and Statistics Abstract This dissertation traces the creation and operation of the Charleston Naval Squadron in the Civil War through a look at the different ships and construction strategies implemented within Charleston Harbor. Under the direction of Stephen Mallory, the Confederate Navy pursued armored warships to defend local ports. Charleston shipyards completed four ironclads and started two others. The Confederate Navy did not enjoy a monopoly on maritime procurement, however. Navy shipwrights, army engineers, South Carolina government officials, the Charleston Daily Courier, independent contractors, and private citizens all participated in the shipbuilding process. These different entities promoted differing designs and concepts that included shot-proof steamers, lightly armored torpedo boats, and the submersible Hunley. Confederate naval construction in Charleston ultimately suffered from two critical problems: a congested procurement pipeline and an increasing resource scarcity, particularly of iron plate. The return of Gen. Pierre G. T. Beauregard in September 1862 contributed towards both problems when he championed an army-designed torpedo boat at the expense of additional ironclads. Regardless of what local shipwrights produced the sailors of the Charleston Squadron provided the best hope for success against the South Atlantic Blockading Squadron. -
The Rose That Grew from Concrete PDF Book
THE ROSE THAT GREW FROM CONCRETE PDF, EPUB, EBOOK Tupac Shakur | 176 pages | 20 Oct 2003 | Simon & Schuster Ltd | 9780671028442 | English | London, United Kingdom The Rose That Grew from Concrete PDF Book No I dont look up too him because of the violence but I look up too him because he was able to turn his life around and turn himself into an intellect. While some of the poetry is trite, there are a number of poems that border on profound, expressing Tupac's deep appreciation for life and those who inspired him both in his personal life and historical figures. While he may have been perceived as a rougher man, the love he had for people is very apparent in these poems. Its poetry that tupac had done. The experiments he developed to prove his theories will also be examined, as well as the criticisms that more contemporary literature have put forth about these. Or think about how you would say to your offspring about life in the metaphor of some broken stairs. A great book for late middle school or to spark deeper conversations in high school. It will show you the kind of person that Tupac really was. Check it out! But aside from that, you guys should definitely read this book because although Tupac may be a "thug" this gu I bought this book at Barnes and Nobles and it what a bit pricey for a book of poetry but let me tell you Report incorrect product information. I got a kick out of all the poems that were dedicated to a different chic I'm glad I finally took the time out to read this. -
Tupaccoin ($TUPAC) Whitepaper June 2021 Our Goal
TupacCoin ($TUPAC) Whitepaper June 2021 Our Goal TupacCoin ($TUPAC) is a BEP20 token issued on the Binance Smart Chain with a mission to further Tupac Shakur’s vision for the “I'm not saying I'm world and for his music. gonna change the Our ultimate goal is to raise money to purchase the remaining Tupac music catalog and to release it and the original versions of world, but I guarantee posthumous albums to the fans in the way Tupac intended them to be heard when he recorded them. that I will spark the At the same time, we continue Tupac’s philanthropic efforts by brain that will change supporting inner-city youth programs and charities through automatic charity donations attached to every transaction, as well the world.” as rewards for TupacCoin holders. TupacCoin is a fan community driven token that keeps Tupac’s legacy, vision, and fans at the core of its objectives. Our Story TupacCoin has been created by the founders of the largest and most popular Tupac Shakur website ever, HitEmUp.com. “I want to grow. I want During its run from 1995 to 2004, HitEmUp.com was the primary to be better. You grow. source of Tupac information in the world. Our message forum, 2PacBoard.com, had 40,000 members. The team was involved in We all grow. We're projects such as Frank Alexander’s Tupac: Assassination, the Before I Wake and Thug Angel DVDs, the Outlawz’ Worldwide DVD, helped made to grow. You fund Hussein Fatal’s Thugtertainment record label and release his either evolve, or you mixtape series, built websites for Napoleon and QD3, distributed Big Syke’s mixtape series, and conducted ground-breaking interviews disappear.” with those closest to Tupac, and much more. -
“Dear Mama” Performed by 2Pac
Intellectual Property of Michael A. Namikas ✰ “Dear Mama” Performed by 2Pac. Pac’s Life Remix performed by 2Pac and Anthony Hamilton. Produced by Tony Pizarro. Co-produced by DF Master Tee and Moses. Pac’s Life Remix produced by Frank “Nitty” Pimental. Recorded at Encore Studios in Burbank, California. Album / Compilation appearances: • Track 9 of Me Against the World ; • Track 10, Disc 2, of Greatest Hits ; • Track 14 (Remix) of Pac’s Life (United Kingdom and Japan editions); • Track 14 (Alternate Mix), Disc 2 (“The Soul”), of The 10th Anniversary Collection: The Sex, The Soul & The Street ; • Track 10 ( Pac’s Life Remix) of The Best of 2pac, Part 1: Thug ; and • Track 16 (Alternate Mix), Disc 1, of Death Row Greatest Hits . Released as a single on February 21, 1995. Single certified platinum (1,000,000 copies sold) by the Recording Industry Association of America. Released as an album track on March 14, 1995. Featured during Act One and Act Two of the Holler If Ya Hear Me Broadway Musical. Running times: 4 minutes and 40 seconds; 5 minutes and 41 seconds ( Pac’s Life Remix); 4 minutes and 55 seconds ( Death Row Greatest Hits Alternate Mix). “Dear Mama” is arguably the most important song that Tupac Shakur ever recorded and is unquestionably one of the most beautiful in Hip Hop’s forty-plus year history. 1 It captures the essence of Tupac’s greatness – it is honest and emotional, commercial but not compromised, personal and yet universal. Over the course of three verses, Tupac brilliantly weaves the story of his relationship with his mother, Afeni: their struggles in poverty, the wounds they inflicted on each other over the years, her addiction to crack cocaine, and, most of all, the overwhelming feelings of love, gratitude, and admiration that Tupac had for his mother, who raised him and his sister, Sekyiwa, despite incredible odds.