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Duo Montagnard
albums, and touring throughout the U.S.A. He works as an instructor at the Musician’s Institute in Hollywood where he teaches composition. He has also held part-time teaching positions at UC Irvine and UC Riverside. www.christiandubeau.com ABOUT DAVID CONTE David Conte is the composer of over one hundred and fifty works published by E. C. Schirmer Music Company, including 7 operas, works for chorus, solo voice, orchestra, band, and chamber music. He has received commissions from Chanticleer, the San Francisco Symphony Chorus, the Oakland, Stockton, and Dayton Symphonies, the Atlantic Classical Orchestra, and from the American Guild of Organists. In 2007 he received the Raymond Brock commission from the American Choral Directors Association, one of the nation’s highest honors in choral music. He co-wrote the film score for the acclaimed documentary Ballets Russes, shown at the Sundance and Toronto Film Festivals in 2005, and composed the music for the PBS documentary, Orozco: Man of Fire, shown on GUEST ARTIST RECITAL the American Masters Series in the fall of 2007. In 1982, Conte lived and worked with Aaron Copland while preparing a study of the composer’s sketches, having received a Fulbright Fellowship for study with Copland’s teacher Nadia Boulanger in Paris, where he was one of her last students. He earned his bachelor’s degree from Bowling Green State University and his master’s and doctoral degrees from Cornell University. He is Professor of Composition and Chair of the Composition Department at the San Francisco Conservatory of Music. In 2010 he was appointed to the composition faculty of the European American Musical Alliance in Paris. -
Groups Performing Music
Groups, Institutions, Places works performed Tanglewood Music Festival Warsaw Philharmonic Orchestra Aspen Music Festival Pittsburgh Symphony Orchestra ISCM (New York) Knoxville Symphony Orchestra Speculum Musica (New York) John F. Kennedy Center Hartford Symphony Orchestra Atlanta Symphony Orchestra Kronos String Quartet Musical America (Chicago) Manhattan String Quartet Rome Radio Orchestra (Italy) Lark String Quartet Library of Congress Franciscan String Quartet Bear Valley Music Festival (California) Collage (Boston) Lansing Symphony Orchestra Relache (Philadelphia) BBC (London) Marzena (Seattle) Continuum (New York) Pittsburgh New Music Ensemble Gaudeamus (Netherlands) Chamber Music West (San Francisco) Pro Musicus (Los Angeles) American Academy in Rome Chicago Contemporary Chamber Players University of Chicago Winterfest International Roscoe’s Surprise Orchestra University of Miami (Memphis) Charles Ives Center Classical Symphony Chamber (Connecticut) Ensemble (Chicago) World Saxophone Congress Saxophone Institute (Montreal) Transylvania University New York New Music Ensemble Boston Symphony Chamber Players Rostock Guitar Conference International Marimba Festival (Germany) (Belgium) University of Arizona U.S. Navy Saxophone Symposium Dinosaur Annex Dez Cordas (Boston) International Saxophone Congress International Music Festival (Chicago) (Lisbon, Portugal) East-West Artists Contemporary Arts Center Carnegie Weill Recital Hall (New Orleans) New Music Festival Composers Conference University of Texas at San Marcos (Wellesley) Composers -
Jan Berry, Saxophone ■ V with P« Roger Admiral, Piano and Anne Scott, Cello
h mm iiM I! Jan Berry, saxophone ■ V with p« Roger Admiral, piano and Anne Scott, cello Sunday, March 7,1999 at 8:00 pm Convocation Hall, Arts Building I University of Alberta to Department of Music University of Alberta Program Concerto for Alto Saxophone and Concert Band (1967) Karel Husa I Prologue (1921) II Ostinato III Epilogue Four Short Songs: a certain sadness(1991) Mark Engebretson For Alto Saxophone and Cello (b. 1964) *Canadian Premiere Distances Within Me(1979) John Anthony Lennon (b.l950) Intermission aetema(1996) John Anthony Lermon Sonata (1984) William Albright I Two-Part Invention (1944-1998) II La follia nuova: a lament for George Cacioppo III Scherzo "Will o' the wisp IV Recitative and Dance Program Notes of this piece, the original being the version for alto saxophone and cello. While the version for 3 saxophones and the version for saxophone and piano Karel Husa was bom in Prague, Czechoslovakia, where he studied at the were premiered earlier, the orginal version was premiered by Kristin Uglar Prague Conservatory. After moving to Paris to study with Boulanger and and an unknown cellist in March 1993." Honegger at the Conservatoire he emigrated to the United States where he has been on the faculty at Cornell University since 1954. He was awarded the John Anthony Lennon has received commissions from the Fromm Foundation, the 1969 Pulitzer Prize for his Third String Quartet. John F. Kennedy Theatre Chamber Players, Library of Congress, the Boston Symphony Chamber Players, the National Endowment for the Arts Orchestral Written in 1967, the Concertofor Alto Saxophone and Concert Band was Consortium and many others. -
Presenter Biographies Gretchen Alterowitz
2014 Joint Regional Conference Of The College Music Society Southern Chapter And Mid-Atlantic Chapter And The Association Of Technology In Music Instruction Hosted By The University Of Tennessee School Of Music, Knoxville, TN Presenter Biographies Gretchen Alterowitz (University of North Carolina, Charlotte) With Brian Arreola (University of North Carolina, Charlotte), Miranora Frisch (University of North Carolina, Charlotte) Songs of the Fisherman: An Opera-Ballet Hybrid Gretchen Alterowitz is an Assistant Professor of Dance at UNC Charlotte. Alterowitz's choreography has recently been presented by the 11th annual Women on the Way Festival in San Francisco, CA; an emerging choreographer's showcase in Monterrey, CA; and by North Carolina Dance Festival. In her research, Alterowitz focuses on female ballet choreographers and presents her scholarship at national and international dance conferences. Her book reviews have been published by CORD's Dance Research Journal. Brian Arreola (University of North Carolina, Charlotte) With Gretchen Alterowitz (University of North Carolina, Charlotte), Miranora Frisch (University of North Carolina, Charlotte) Songs of the Fisherman: An Opera-Ballet Hybrid Brian Arreola has been described as a “robust Italian tenor” by the Washington Post, and his 2008 debut with The Minnesota Opera in Roméo et Juliette had the Pioneer Press praising his “fiery Tybalt.” Arreola was a founding member and co-artistic director of Cantus, a full-time professional touring group described by Fanfare Magazine as “the premier men’s vocal ensemble in the United States.” In 2013, Arreola created the role of Luis Rodrigo Griffith in Opera Theater of St. Louis’s world-premiere production of Terrance Blanchard’s Champion, and received accolades for his performance from Opera Today, the Chicago Tribune, and Dallas News. -
Eighth Annual Festival Electronicelectronic Musicmusic Midwestmidwest
Eighth Annual Festival ElectronicElectronic MusicMusic MidwestMidwest October 12 - 14, 2006 Lewis University Providing access to new electroacoustic music written by living composers Sponsoring Institutions Lewis University Kansas City Kansas Community College Conservatory of Music - University of Missouri at Kansas City Table of Contents Welcome Letter 3 Letter of Welcome Br. James Gaffney, FSC 4 President, Lewis University Festival History 5 Acknowledgements 6 EMM Staff 7 Opening Concert 8 Installation 1 26 Concert 1 27 Concert 2 30 Presentation 32 Concert 3 33 Concert 4 36 Installation 2 43 Concert 5 44 Concert 6 46 Concert 7 49 Concert 8 52 Performer Biographies 55 Composer and Video Artist Biographies 60 Advertisments 77 Festival at a Glance 79 http://www.emmfestival.org October 12, 2006 Welcome to Electronic Music Midwest! We are truly excited about our opportunity to present this three-day festival of electroacoustic music. Over 200 works were submitted for consideration for this year’s festival. Congratulations on your selection! Since 2000, our mission has been to host a festival that brings new music and innovative technology to the Midwest for our students and our communities. We present this festival to offer our students and residents a chance to interact and create a dialog with professional composers. We are grateful that you have chosen to help us bring these goals to fruition. EMM 2006 is especially meaningful this year as we not only celebrate the 75th anniversary of Lewis University, but also join the Electroacoustic Community of Chile (CECh) in celebration of their 50th anniversary. We extend a special warm welcome to two wonderful composers and representatives of CECh, Cristian Morales-Ossio and Felix Lazo. -
Society of Composers, Inc. National Conference University Ofnorth Carolina at Greensboro October 131H -151H, 2005
NATIONAL CONFERENCE a OCTOBER 12-15, 2005 Society of Composers, Inc. ------------------. AT THE UNIVERSITY OF NORTH CAROLINA AT GREENSBORO SCHOOL OF MUSIC ~UNCG ~ Schoolo/Music Society of Composers, Inc. Society of Composers, Inc. National Conference University ofNorth Carolina at Greensboro October 131h -151h, 2005 Mark Engebretson, Conference Host Adam Josephson, Assistant Director Cameron Ward, Technical Director Seth Colaner, Conference Staff Tim Daoust, Conference Staff Daniel Pappas, Conference Staff Selections juried by the UNCG School of Music Faculty Libby Larsen, Keynote Speaker TABLE OF CONTENTS Welcome Messages. 2 Event and Concert Schedule Overview ..................... 6 Concert Programs, Abstracts and Details. 10 Composer Biographies and Notes . ....................... 28 Presenter Biographies. ................................. 69 Performer Biographies. 71 1 rl:iuNCG 11111 UNCG ~ SchoolofMusic School of Music Welcome To Our Guests from SCI: On behalf of the students and faculty in the School of Music, welcome to the University of North Carolina at Greensboro! We are pleased that you have chosen UNCG as the location of your conference, and I am certain that Mark Engebretson and his colleagues have planned an outstanding event for you. The School of Music at UNCG has a long history, dating back to the founding of the institution in 1891 as the State Normal and Industrial School. During the period 1919- 1931 it was known as the North Carolina College for Women, and it became the Woman's College of the University of North Carolina from 1932 to 1963. The Department of Music became the School of Music in the early 1920s, and since that time, the School has grown to its present size of 600 music majors and more than 60 faculty. -
American Composers Orchestra Announces 2020-2021 Season Updates
FOR IMMEDIATE RELEASE Press Contact: Christina Jensen, Jensen Artists 646.536.7864 x1 | [email protected] American Composers Orchestra Announces 2020-2021 Season Updates Derek Bermel, Artistic Director & George Manahan, Music Director Connecting ACO Community Vol. 3 Continues with Virtual World Premieres of New Commissions Streaming Live on August 23, August 30, September 13, and October 4 at 5pm Professional Development Seminars for Emerging Composers and Composer-to-Composer Conversations Launch Online in September 2020 ACO and Jennifer Koh at Carnegie Hall | Tuesday, April 20, 2021 at 7:30pm World Premiere by 2019 ACO Underwood New Music Readings Winner Carlos Bandera Plus the New York Premieres of Two Violin Concertos for Jennifer Koh by Lisa Bielawa and Christopher Cerrone An Evening of Sound, Voice, Poetry and Healing | Late Spring 2021 Co-Presented by ACO and the Apollo Theater Featuring Music by Joel Thompson, Carlos Simon, and Tania León Evening Co-curated and Directed by Jonathan McCrory in Partnership with National Black Theatre 30th ACO EarShot New Music Readings in New York City | June 17 and 18, 2021 ACO’s Pathways Pilot Program supported by League of American Orchestra’s Futures Fund Launches in 2020-2021 with First Pilot Fellow Anjna Swaminathan ACO Commission Club Continues with Composer Lisa Bielawa www.americancomposers.org New York, NY – American Composers Orchestra (ACO) announces a slate of virtual and in-person programming for the 2020-2021 season in response to these challenging times for the performing arts. Under the leadership of Artistic Director Derek Bermel, Music Director George Manahan, and President Edward Yim, ACO confirms its commitment this season to the creation, performance, preservation, and promotion of music by American composers with programming that sparks curiosity and reflects geographic, stylistic, racial, and gender diversity. -
The Commissioned Works of the National Flute Association For
THE COMMISSIONED WORKS OF THE NATIONAL FLUTE ASSOCIATION FOR THE YOUNG ARTIST AND HIGH SCHOOL SOLOIST COMPETITIONS DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Kimberlee Goodman, M.M. ***** The Ohio State University 2007 Document Committee: Approved by Professor Katherine Borst Jones, Adviser Dr. Robert Ward _____________________________ Dr. Susan Powell Adviser Music Graduate Program ABSTRACT The National Flute Association, an organization of professionals, amateurs, teachers, performers, and students has been active in the commissioning of new music for some of its competitions since 1986. The organization is responsible for more than forty new works for the Young Artist and High School Soloist competitions alone. The commissioning process has changed vastly over the years that the organization has been in existence. The National Flute Association commissions composers from all over the world to write pieces for two of its competitions; the Young Artist Competition has been commissioning works since 1986, and the High School Soloist Competition began commissioning new works in 1989. Additionally, the importance of the National Flute Association has led to many world premiere performances and individuals commissioning works to be premiered at the annual conventions. The purpose of this document is to highlight the competition commissioned works of this organization and its continuing commitment to presenting and championing new music. The National Flute Association has established itself as a leading organization in creating new works, and these commissioned pieces now represent a major body of work and a substantial portion of the newly composed repertoire for flute. -
2012 Summit Program FINAL
2012 SINGLE REED SUMMIT Penn State SINGLE REED SUMMIT ACKNOWLEDGEMENTS The hosts of the 2012 Penn State Single Reed Summit would like to gratefully acknowledge the contributions of those whose labor and financial support made this event possible. The David Pyle Stone The Penn State School of Music, Music Recital Endowment Dr. Sue Haug, director The Margot Music Fund The Yamaha Corporation The Rosemary Duncan Fund Rico Music & Arts The Buffet Group Dennis Glocke and the members of the Symphonic Wind Ensemble Competition Judges Smith Toulson, Naomi Seidman, Linda Thornton, Daryl Durran, and Janice L. Minor Russell Bloom, Penn State School of Music facilities manager Greg Herrold, Penn State School of Music piano technician Pasqerilla Spiritual Center, Robert Smith, Director The Penn State Saxophone Studio The Penn State Clarinet Studio Paul Barsom Bob Klotz Jana Bontrager Irene Kohute Jesse Brown Hope Licciardello Matt Chang Andre North Cecilia Dunoyer Svetlana Rodionava Kathy Gattuso-Cinatl Camille Selden Erin Glocke Jim Sundra Hannah Gruber Chris Wahlmark Tim Hurtz Kathy Walker Kent Klauser Agatha Wang 2 Penn State SINGLE REED SUMMIT SCHEDULE OF EVENTS Friday, November 9, 2012 Registration 2:00 p.m. and on - Esber Recital Hall Lobby Exhibits are open to the public throughout the entire event 2:30 – 3:30 p.m. Common Hour: Potpourri Concert #1 Esber Recital Hall Pennsylvania Quintet; Banks; Costa; Cusano; Lagan/Miller 4:00 – 5:15 p.m. Carrie Koffman "Know Flow, Optimize Performance: Yoga for the Musician" Room 128, Music Building II (PLEASE ARRIVE PROMPTLY FOR THIS PRESENTATION) 5:00 – 6:30 p.m. Exhibits and Dinner Esber Recital Hall Lobby and Room 100, Music Building I 6:30 – 8:00 p.m. -
Society of Composers, Incorporated
SOCIETY OF COMPOSERS, INCORPORATED TWENTY-SIXTH ANNUAL CONFERENCE MARCH 11-14, 1992 THE UNIVERSITY OF ALABAMA SCHOOL OF MUSIC TUSCALOOSA, ALABAMA ' I ___ _ _______,j In Memory Of The University of Alabama School of Music respectfully dedicates their sponsorship of The Twenty-sixth Annual Conference of The Society of Composers, Inc. to the memory of David Cohen (1927-1991). David Cohen was born in Pulaski, Tennessee on October 14, 1927. He showed an early interest in music and pursued that interest, first at George Peabody College, then with Vincent Persichetti at the Philadelphia Conservatory and the Juilliard School. He spent 1953 and 1954 at the Paris Conservatory on a Fulbright grant, where he studied with Milhaud and Mme. Ple-Caussade. He completed his formal edllcation at the University of Southern California where he studied DAVID COHEN with Ingolf Dahl and earned his llJ27-llJlJI D.M.A. degree. Dr. Cohen taught theory and composition at the University of Alabama from 1955-1967. In addition to teaching and composing, he contributed to the organization of orchestral and chamber music conferences for the Southeastern composer's League and, to the delight of faculty and students, helped organize and produce satirical Christmas convocations and Faculty Frolics. He hosted "Capstone concerts," an early multi-media public television show on the arts and started an electronic studio. In 1967, Cohen joined the faculty of Arizona State University, where he taught for twenty years. He developed an electronic studio there and did extensive work with computers in music. His compositions include music for orchestra, band, chamber groups, voice and chorus, and computer and synthesizer. -
Resume 9/26/97
Groups, Institutions, Places works performed Tanglewood Music Festival Warsaw Philharmonic Orchestra Aspen Music Festival Pittsburgh Symphony Orchestra ISCM (New York) Knoxville Symphony Orchestra Speculum Musica (New York) John F. Kennedy Center Hartford Symphony Orchestra Atlanta Symphony Orchestra Kronos String Quartet Musical America (Chicago) Manhattan String Quartet Rome Radio Orchestra (Italy) Lark String Quartet Library of Congress Franciscan String Quartet Bear Valley Music Festival (California) Collage (Boston) Lansing Symphony Orchestra Relache (Philadelphia) BBC (London) Marzena (Seattle) Continuum (New York) Pittsburgh New Music Ensemble Gaudeamus (Netherlands) Chamber Music West (San Francisco) Pro Musicus (Los Angeles) American Academy in Rome Chicago Contemporary Chamber Players University of Chicago Winterfest International Roscoe’s Surprise Orchestra University of Miami (Memphis) Charles Ives Center Classical Symphony Chamber (Connecticut) Ensemble (Chicago) World Saxophone Congress Saxophone Institute (Montreal) Transylvania University New York New Music Ensemble Boston Symphony Chamber Players Rostock Guitar Conference International Marimba Festival (Germany) (Belgium) University of Arizona U.S. Navy Saxophone Symposium Dinosaur Annex Dez Cordas (Boston) International Saxophone Congress International Music Festival (Chicago) (Lisbon, Portugal) East-West Artists Contemporary Arts Center Carnegie Weill Recital Hall (New Orleans) New Music Festival Composers Conference University of Texas at San Marcos (Wellesley) Composers