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SOCIETY OF COMPOSERS, INCORPORATED TWENTY-SIXTH ANNUAL CONFERENCE MARCH 11-14, 1992 THE UNIVERSITY OF ALABAMA SCHOOL OF MUSIC TUSCALOOSA, ALABAMA ' I ___ _ _______,j In Memory Of The University of Alabama School of Music respectfully dedicates their sponsorship of The Twenty-sixth Annual Conference of The Society of Composers, Inc. to the memory of David Cohen (1927-1991). David Cohen was born in Pulaski, Tennessee on October 14, 1927. He showed an early interest in music and pursued that interest, first at George Peabody College, then with Vincent Persichetti at the Philadelphia Conservatory and the Juilliard School. He spent 1953 and 1954 at the Paris Conservatory on a Fulbright grant, where he studied with Milhaud and Mme. Ple-Caussade. He completed his formal edllcation at the University of Southern California where he studied DAVID COHEN with Ingolf Dahl and earned his llJ27-llJlJI D.M.A. degree. Dr. Cohen taught theory and composition at the University of Alabama from 1955-1967. In addition to teaching and composing, he contributed to the organization of orchestral and chamber music conferences for the Southeastern composer's League and, to the delight of faculty and students, helped organize and produce satirical Christmas convocations and Faculty Frolics. He hosted "Capstone concerts," an early multi-media public television show on the arts and started an electronic studio. In 1967, Cohen joined the faculty of Arizona State University, where he taught for twenty years. He developed an electronic studio there and did extensive work with computers in music. His compositions include music for orchestra, band, chamber groups, voice and chorus, and computer and synthesizer. He wrote several scores for theatre; a children's opera, "Beauty is Fled;" and "Aucassin and Nicolette," a "chant-fable." Other notable compositional efforts produced music for Ionescu's "Rhinoceros" and a theatre piece for "reciter, percussion, clarinet, and illuminated glass object [a dodecahedron]," commissioned for Phil Rehfeldt and Barney Childs. His flute quartet, which will be performed at this conference, won the Los Angeles Flute Club Publication Award in 1964. David Cohen was a founding member of The American Society of University Composers (now Society for Composers, Inc.) and attended every annual conference except the 1988 conference, when he was in Paris. He served as regional chairman and as a member of the national council. THE SOCIETY OF COMPOSERS, INC. P.O. BOX 296 OLD CHELSEA ST A TION NEW YORK, NY 10113-0296 718/899-2605 EXECUTIVE COMMITTEE Reynold Weidenaar, Chairman New York University Ting Ho, Editor of Newsletter Dennis Kam Montclair State College Co-Chair, Student Chapters University of Miami Bruce J. Taub, Co-Editor of Journal C. F. Peten Corporation Deborah Kavasch Co-Chair, Student Chapten Scott Eyerly California State University - Stanislaws Co-Editor of the Journal, New York David Vayo, Membership Chair Richard Brooks, Producer of CD Series Illinois Wesleyan Univenity Nassau Community College Fred Glesser, Editor Monograph Series Joelle Wallach Miami, Horida Submissions Coordinator Gerald Warfield, General Manager Philip Rohfeldt, Assoc. Representative University of Redlands Martin Gonzalez Executive Secretary NATIONAL COUNCIL Greg Steinke, Chairman Ball State University Elliot Schwarts, Past Chairman Bowdoin College Robert T. Adams (1) William Matthews (1) S. E. Massachusetts University Bates College Max Lifchitz (2) Samuel Pellman (2) SUNY/Albany Hamilton College Margaret Brouwer (3) Bruce Mahin (3) Washington and Lee University Radford University, Dennis Kam (4) Charles Mason (4) University of Miami Birmingham Southern College Frank Stemper (5) Michael Schelle (5) S. Illinois University, Carbondale Butler University Charles Hoag (6) Reed K. Holms (6) University of Kansas, Lawrence University of Texas, San Antonio Deborah Kavasch (7) Michael Iatauro (7) California State University, Stanislaus New Mexico Institute of Mining and Technology Charles Argersinger (8) Frank LaRocca (8) Washington State University California State University, Hayward Kate Waring (9) Europe THE SOCIETY OF COMPOSERS, INC. TWENTY-SIXTH ANNUAL CONFERENCE The University of Alabama Tuscaloosa, Alabama CONFERENCE CHAIRPERSON Marvin Johnson COORDINATION Frederic Goossen• Gerald Welker• Bruce Murray Scott Bridges • John Martin • Charles Brewer MUSIC SELECTION Frederic Goossen • Charles Brewer• Charles Mason • Marvin Johnson • Paul Polivnik PAPER SELECTION Charles Brewer • Marvin Johnson ELECTRONIC TECHNICAL STAFF David Durant, coordinator Shawn Donahoo, MIDI consultant Donald Given, technical advisor TRANSPORTATION STAFF Craig Ralston, coordinator Les Hutson •Richard Byrd • Brad Edmonds Greg Wilbur• John Luker• Shawn Donahoo REGISTRATION DESK Matt Whitfield • Mary Phillips • Kay Barren • Hazel Bruchey PROGRAM EDITOR Charles Brewer PROGRAM DEVELOPMENT Jeffrey Evers • Hazel Bruchey CONCERT MANAGEMENT Billy Crabtree •Jeffrey Evers • Karen Friedman • Bren Geiger• Soon Ping Tang • Ann Zamboni THE UNIVERSITY OF ALABAMA SCHOOL OF MUSIC Dennis Monk, Director Bruce Murray, Assistant Director Kay Barren, Assistant to the Director John Martin, Coordinator of Music Services Donald Given, Technical Coordinator Roger Duval, broadcast recording Concert musicians are University of Alabama f acuity and students. Exceptions are noted in the program. The University of Alabama School ofMusic and the Society of Composers, Inc., gratefully acknowledge the support of the following: Central Bank of the South College of Arts and Sciences, the University of Alabama Society for the Fine Arts, the University of Alabama The Alabama State Arts Council Office of Sponsored Programs, the University of Alabama The Department of Philosophy, Talladega College WUAL/WQPR Public Radio Dear Colleagues and Friends: I am most pleased to welcome you to our 26th National Conference in Tuscaloosa at the University of Alabama. Our hosts have planned most carefully and specially for us in the past two years to bring us together for several days of outstanding musical events. Certainly Marvin Johnson along with his colleagues and staff deserve our wann praise and appreciation for the many hours we all know go into creating a conference like this. I would also thank the Director of the School of Music, Dennis Monk, along with all the faculty, students, and staff of the University of Alabama and many others who have contributed to what I know will be another outstanding conference for the society. It is also a pleasure to welcome special guest composer Andrew Imbrie to this gathering. To have our conference in the marvelous atmosphere of the "deep south" is indeed special and should make our next several days together an extraordinary occasion. It has continued to be a very busy year for the National Chair but a very gratifying one with the National Council and the Executive Committee continuing to work with new strategies and ideas to help give us an ever stronger base from which 'to move. So, I believe we have been able to join together to make a difference, and I think we can continue to look forward to a good, strong future as a society. So please have an enjoyable conference! I'll look forward to greeting as many of you personally as I can in the next several days to get a sense of how things are going for you and how you are feeling about the activities of the society. With all best wishes for the conference and inspired composing!! Greg Steinke President and National Chair, SCI Guest Composer Keynote Speaker ANDREW IMBRIE Andrew Imbrie holds the endowed chair for composition at The University of Alabama and is Professor of Music at the University of California at Berkeley. He studied at Princeton University and the University of California at Berkeley, where he has served as professor since 1949. His major teachers have included Leo Ornstein, Nadia Boulanger, Robert Casadesus and Roger Sessions. Among his many awards, Imbrie has received the New York Music Cntics' Award, the National Institute of Arts and Letters Grant, and a Guggenheim Fellowship twice for studies in Rome and Tokyo. Imbrie holds memberships in the National Institute of Arts and Letters and the American Academy of Arts and Sciences. He is a member of the Board of Directors of the Koussevitsky Foundation and this past summer served as composer-in-residence at Tanglewood. SOCIETY OF COMPOSERS, INc. TwENTY-SIXTH ANNUAL CONFERENCE THE UNIVERSITY OF ALABAMA SCHOOL OF Music TuSCALOOSA, ALABAMA MARCH 11-14, 1992 CONFERENCE PROGRAM SCHEDULE Wednesday, March 11, 1992 REGISTRATION Concert Hall Lobby, 8:00 a.m. CONCERT 1 Huey Recital Hall, 9:00 a.m. Five Short Pieces (1989) Charles W. Smith Song Dialogue Burlesque Lament Caccia Marshall Scott, trumpet• Gha1'~-S-tnirb_;=piano Piano Sonata (1986) Christopher Meister Lake of Dreams (Fantasy) Handmaiden of the Moon (Variations) Wind Weaver (Dance) Noel Engebretson, piano Two Greek Songs (1988) William B. Goldberg The Cricket (from the Anacreonta) Evening (Sappho) Pamela Burns, soprano• Emily Barksdale Moore, soprano &iwQ z;d w.hi.te:;=hass •Jonathan Smith, piano Klockwrk (1977) U Claire Polin Charles Snead, horn • Malcolm Crawford, bassoon Willie Morris, saxophone Romance Robert Rollin Robert Rollin, piano Five Dialogues Richard Willis Solenne Rubato, quasi improvisando Frenetico Lento, rubato Robusto Niamh Tuohy, violin• Angela Favazza, piano PAPERS AND PRESENTATION SESSION 1 Huey Recital Hall, 11:00 a.m Extended Vocal Techniques Robert Rollin The Timbral Topography of the Noble Snare Daniel
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