Asclepius' Myths and Healing Narratives
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Mythic Metamorphosis: Re-Shaping Identity in the Works of H.D. Sarah Lewis Mitchem Thesis Submitted to the Faculty of the Virgin
Mythic Metamorphosis: Re-shaping Identity in the Works of H.D. Sarah Lewis Mitchem Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Thomas Gardner, Chair Frederick M. D’Aguiar Paul Sorrentino April 13, 2007 Blacksburg, Virginia Keywords: H.D., Imagism, Mythic Metamorphoses, Asklepios Copyright (Optional) Mythic Metamorphosis: Re-shaping Identity in the Works of H.D. Sarah Lewis Mitchem Abstract In section fifteen of the poem The Walls Do Not Fall author Hilda Doolittle (H.D.) address her audience and articulates the purpose of the poet in the following lines: “we are the keepers of the secret,/ the carriers, the spinners/ of the rare intangible thread/ that binds all humanity/ to ancient wisdom,/ to antiquity;/…every concrete object/ has abstract value, is timeless/ in the dream parallel” (Trilogy 24). H.D. mined her own life for charged relationships which she then, through writing, connected to the mythic characters of antiquity whose tales embodied the same struggles she faced. Reading concrete objects as universal symbols which transcend time, her mind meshed the 20th century with previous cultures to create a nexus where the questions embedded in the human spirit are alive on multiple planes. The purpose of this research project is not to define her works as “successful” or “unsuccessful,” nor to weigh the works against each other in terms of “advancement.” Rather it is to describe the way she manipulates this most reliable of tools, mythic metamorphosis, in works stretching from her early Imagist poetry, through her long poem Trilogy, and finally into her last memoir End To Torment, taking note of the way she uses this tool to form beauty from harsh circumstances and help heal her shattered psyche. -
2018 Consortium Funded Progress Reports
Northwest Potato Research Consortium Annual and Final Reports for FY 2017-18 and FY 2016-17, respectively Reports are presented here as submitted by the lead principle investigator on each project. Funded Scientists Project Title Page # Weed Science Targeted Herbicide Programs for Weed Control in Pam Hutchinson, Joel Felix, Potatoes: Educating Potato Growers and Ag Tim Miller, Steven Seefeldt, 1 Industry about Herbicide Resistance and Weed and Ian Burke Shifts Plant Pathology Kasia Duellman, Phill Characterizing Fusarium species associated with Wharton, James Woodhall, and refining management of potato dry rot in the 9 Ken Frost, Debra Inglis, Pacific Northwest Don McMoran Dennis Johnson, Ken Frost, Development of Verticillium Wilt-Suppressive Soils Mike Thornton, Phill and Evaluation of Fungicidal and Biorational 11 Wharton Products for Northwest Potato Production Assessing Efficacy of Disinfection of Fresh Pack Miller Research 42 Water on Bacterial Load and Tuber Decay Comparison of Metam Sodium Fumigation Methods Miller Research and Alternatives to Metam Sodium 53 Fumigation for Potato Pest Management Use of metconazole for improved yields and fungicide Miller Research 74 resistance management Evaluation of phosphorous acid fungicide programs for improved pink rot management Miller Research 87 and assessment of mefenoxam resistance in pink rot pathogen populations in the PNW Identifying a potential pathogenic cause of the Kylie Swisher disease symptoms and early plant 96 senescence in the Columbia Basin potatoes in 2016 Identification -
The Herodotos Project (OSU-Ugent): Studies in Ancient Ethnography
Faculty of Literature and Philosophy Julie Boeten The Herodotos Project (OSU-UGent): Studies in Ancient Ethnography Barbarians in Strabo’s ‘Geography’ (Abii-Ionians) With a case-study: the Cappadocians Master thesis submitted in fulfilment of the requirements for the degree of Master in Linguistics and Literature, Greek and Latin. 2015 Promotor: Prof. Dr. Mark Janse UGent Department of Greek Linguistics Co-Promotores: Prof. Brian Joseph Ohio State University Dr. Christopher Brown Ohio State University ACKNOWLEDGMENT In this acknowledgment I would like to thank everybody who has in some way been a part of this master thesis. First and foremost I want to thank my promotor Prof. Janse for giving me the opportunity to write my thesis in the context of the Herodotos Project, and for giving me suggestions and answering my questions. I am also grateful to Prof. Joseph and Dr. Brown, who have given Anke and me the chance to be a part of the Herodotos Project and who have consented into being our co- promotores. On a whole other level I wish to express my thanks to my parents, without whom I would not have been able to study at all. They have also supported me throughout the writing process and have read parts of the draft. Finally, I would also like to thank Kenneth, for being there for me and for correcting some passages of the thesis. Julie Boeten NEDERLANDSE SAMENVATTING Deze scriptie is geschreven in het kader van het Herodotos Project, een onderneming van de Ohio State University in samenwerking met UGent. De doelstelling van het project is het aanleggen van een databank met alle volkeren die gekend waren in de oudheid. -
Naming the Extrasolar Planets
Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named. -
Post-Mortem Cesarean Section and Embryotomy: Myth, Medicine, and Gender in Greco-Roman Culture
Pregledni ~lanak Acta med-hist Adriat 2013; 11(1);75-88 Review article UDK: 292:61(091) POST-MORTEM CESAREAN SECTION AND EMBRYOTOMY: MYTH, MEDICINE, AND GENDER IN GRECO-ROMAN CULTURE POSTMORTALNI CARSKI REZ I EMBRIOTOMIJA – MIT, MEDICINSKA ZNANOST I ROD U ANTIČKOJ KULTURI Maria do Sameiro Barroso1 Summary This article focuses on cesarean section carried out after the mother’s death to rescue the living infant and on embryotomy, a medical procedure to save the mother described as early as the Hippocratic writings (5th to 4th century B.C.) and practiced until the times of Paul of Aegina (7th century A.D). The available sources do not mention cesarean section on a living mother to save the infant. On the other side, writings on embryotomy state clearly that Greek and Roman physicians strove hard to save women’s lives. Written in ancient, male-centered societies, these texts convey an unequivocal positive attitude towards women, despite cur- rent misogynist assessments by philosophers and physicians who considered women inferior, based on their organic and biological features. Key words: medicine history, postmortem cesarean section, embryotomy, obstetrics, gender studies Postmortem cesarean delivery is portrayed as a funeral rite in Greek and Roman myths and literature, but there is no such reference in the medical texts of the Hippocratic Corpus (470-360) B.C.) or other sources. However, 1 Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, Av. Berna, 26- CP 1069-061 Lisboa, Portugal. Museu Nacional de Arqueologia, Praça do Império, 1400 Lisboa, Portugal Correspondence: email: [email protected]; [email protected] 75 according to Mircea Eliade, myths should no longer be regarded as fable or invention: For the past fifty years, at least, Western scholars have approached the study of the myth from a viewpoint markedly different from, let us say, that of the nineteenth century. -
Continuity in Color: the Persistence of Symbolic Meaning in Myths, Tales, and Tropes
Georgia Southern University Digital Commons@Georgia Southern University Honors Program Theses 2016 Continuity in Color: The eP rsistence of Symbolic Meaning in Myths, Tales, and Tropes McKinley May Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/honors-theses Part of the Children's and Young Adult Literature Commons Recommended Citation May, McKinley, "Continuity in Color: The eP rsistence of Symbolic Meaning in Myths, Tales, and Tropes" (2016). University Honors Program Theses. 170. https://digitalcommons.georgiasouthern.edu/honors-theses/170 This thesis (open access) is brought to you for free and open access by Digital Commons@Georgia Southern. It has been accepted for inclusion in University Honors Program Theses by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Continuity in Color: The Persistence of Symbolic Meaning in Myths, Tales, and Tropes An Honors Thesis submitted in partial fulfillment of the requirements for Honors in the Department of Literature and Philosophy. By McKinley May Under the mentorship of Joe Pellegrino ABSTRACT This paper examines the symbolism of the colors black, white, and red from ancient times to modern. It explores ancient myths, the Grimm canon of fairy tales, and modern film and television tropes in order to establish the continuity of certain symbolisms through time. In regards to the fairy tales, the examination focuses solely on the lesser-known stories, due to the large amounts of scholarship surrounding the “popular” tales. The continuity of interpretation of these three major colors (black, white, and red) establishes the link between the past and the present and demonstrates the influence of older myths and beliefs on modern understandings of the colors. -
Names of Botanical Genera Inspired by Mythology
Names of botanical genera inspired by mythology Iliana Ilieva * University of Forestry, Sofia, Bulgaria. GSC Biological and Pharmaceutical Sciences, 2021, 14(03), 008–018 Publication history: Received on 16 January 2021; revised on 15 February 2021; accepted on 17 February 2021 Article DOI: https://doi.org/10.30574/gscbps.2021.14.3.0050 Abstract The present article is a part of the project "Linguistic structure of binomial botanical denominations". It explores the denominations of botanical genera that originate from the names of different mythological characters – deities, heroes as well as some gods’ attributes. The examined names are picked based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012. The names of the plants are arranged in alphabetical order. Beside each Latin name is indicated its English common name and the family that the particular genus belongs to. The article examines the etymology of each name, adding a short account of the myth based on which the name itself is created. An index of ancient authors at the end of the article includes the writers whose works have been used to clarify the etymology of botanical genera names. Keywords: Botanical genera names; Etymology; Mythology 1. Introduction The present research is a part of the larger project "Linguistic structure of binomial botanical denominations", based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012 [1]. The article deals with the botanical genera appellations that originate from the names of different mythological figures – deities, heroes as well as some gods’ attributes. According to ICBN (International Code of Botanical Nomenclature), "The name of a genus is a noun in the nominative singular, or a word treated as such, and is written with an initial capital letter (see Art. -
Greek and Roman Mythology and Heroic Legend
G RE E K AN D ROMAN M YTH O LOGY AN D H E R O I C LE GEN D By E D I N P ROFES SOR H . ST U G Translated from th e German and edited b y A M D i . A D TT . L tt LI ONEL B RN E , , TRANSLATOR’S PREFACE S Y a l TUD of Greek religion needs no po ogy , and should This mus v n need no bush . all t feel who ha e looked upo the ns ns and n creatio of the art it i pired . But to purify stre gthen admiration by the higher light of knowledge is no work o f ea se . No truth is more vital than the seemi ng paradox whi c h - declares that Greek myths are not nature myths . The ape - is not further removed from the man than is the nature myth from the religious fancy of the Greeks as we meet them in s Greek is and hi tory . The myth the child of the devout lovely imagi nation o f the noble rac e that dwelt around the e e s n s s u s A ga an. Coar e fa ta ie of br ti h forefathers in their Northern homes softened beneath the southern sun into a pure and u and s godly bea ty, thus gave birth to the divine form of n Hellenic religio . M c an c u s m c an s Comparative ythology tea h uch . It hew how god s are born in the mind o f the savage and moulded c nn into his image . -
1 | Page the LIGHTNING THIEF Percy Jackson and the Olympians
THE LIGHTNING THIEF Percy Jackson and the Olympians - Book 1 Rick Riordan 1 | Page 1 I ACCIDENTALLY VAPORIZE MY PRE-ALGEBRA TEACHER Look, I didn't want to be a half-blood. If you're reading this because you think you might be one, my advice is: close this book right now. Believe what-ever lie your mom or dad told you about your birth, and try to lead a normal life. Being a half-blood is dangerous. It's scary. Most of the time, it gets you killed in painful, nasty ways. If you're a normal kid, reading this because you think it's fiction, great. Read on. I envy you for being able to believe that none of this ever happened. But if you recognize yourself in these pages-if you feel something stirring inside-stop reading immediately. You might be one of us. And once you know that, it's only a mat-ter of time before they sense it too, and they'll come for you. Don't say I didn't warn you. My name is Percy Jackson. I'm twelve years old. Until a few months ago, I was a boarding student at Yancy Academy, a private school for troubled kids in upstate New York. 2 | Page Am I a troubled kid? Yeah. You could say that. I could start at any point in my short miserable life to prove it, but things really started going bad last May, when our sixth-grade class took a field trip to Manhattan- twenty-eight mental-case kids and two teachers on a yellow school bus, heading to the Metropolitan Museum of Art to look at ancient Greek and Roman stuff. -
Wonder, Space, and Place in Pausanias' Periegesis
Axion Theas: Wonder, Space, and Place in Pausanias’ Periegesis Hellados by Jody Ellyn Cundy A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Classics University of Toronto © Copyright by Jody Ellyn Cundy 2016 Axion Theas: Wonder, Space, and Place in Pausanias’ Periegesis Hellados Jody Ellyn Cundy Doctor of Philosophy Department of Classics University of Toronto 2016 Abstract The Periegesis Hellados presents a description of the sites and sights of Roman Greece in ten carefully constructed books. These books present the fruits of author’s extensive travels and careful textual research over the course of several decades (between the 130’s and ca. AD 175-80) and compiled into a unified composite itinerary. There is no doubt that Pausanias travels through an “already written landscape,” and his travel experience is necessarily informed by and sometimes clearly motivated by his literary encounters. This project investigates Pausanias’ engagement with literary antecedents, with a particular focus on the antiquarian impulse to excerpt and compile anecdotes in thematic catalogues, which broadly resemble wonder-texts (paradoxographies). The organizing principle of these thematic catalogues contrasts with the topographical (spatial) structure of the frame narrative of the Periegesis. In part, this study aims to resolve the perceived tension between the travel account and the antiquarian mode in Pausanias’ project in order to show that they serve complementary rather than competing ends. Resolution of these competing paradigms allows in turn for a more coherent understanding of the Periegesis as unified subject. This study argues that wonder (thauma) is a unifying theme ii of Periegesis Hellados. -
HYADES Star and Rain Nymphs | Greek Mythology
Google Search HYADES Web Theoi Greek Name Transliteration Latin Name Translation Ὑας Hyas Sucula Rainy Ones Ὑαδες Hyades Suculae (hyô, hyetos) THE HYADES were the nymphs of the five stars of the constellation Hyades. They were daughters of the Titan Atlas who bore the starry dome of heaven upon his shoulders. After their brother Hyas was killed by a lion, the tear-soaked sisters were placed amongst the stars as the constellation Hyades. Hyas himself was transformed into the constellation Aquarius. The heliacal setting of their constellation in November marked the start of the rainy season in Greece, hence the star nymphs were known as "the Rainy Ones." According to Nonnus the Hyades were the same as the Lamides nurses of the god Dionysos. The Hyades were also closely identified with the Nysiades and Nymphai Naxiai, the other reputed nurses of the god. The Hyades were also connected with the Naiades Mysiai, in which their brother Hyas is apparently substituted for a lover, Hylas. PARENTS [1.1] ATLAS & PLEIONE (Hyginus Fabulae 192) [1.2] ATLAS & AITHRA (Musaeus Frag, Hyginus Astronomica 2.21, Ovid Fasti 5.164) [2.1] HYAS & BOIOTIA (Hyginus Astronomica 2.21) NAMES [1.1] PHAISYLE, KORONIS, KLEEIA, PHAIO, EUDORE (Hesiod Astronomy 2) [1.2] PHAESYLA, KORONIS, AMBROSIA, POLYXO, EUDORA (Hyginus Fabulae 192) [1.3] AMBROSIA, EUDORA, AESYLE (Eustathius on Homer's Iliad 1156) ENCYCLOPEDIA HY′ADES (Huades), that is, the rainy, the name of a class of nymphs, whose number, names, and descent, are described in various ways by the ancients. Their parents were Atlas and Aethra ( Ov. -
Asclepius and Epidaurus: the Sapiential Medicine As Divinatory Art Between Therapeutic Landscapes and Healing Dreams
Cosmos and History: The Journal of Natural and Social Philosophy, vol. 15, no. 1, 2019 ASCLEPIUS AND EPIDAURUS: THE SAPIENTIAL MEDICINE AS DIVINATORY ART BETWEEN THERAPEUTIC LANDSCAPES AND HEALING DREAMS Nicola Luigi Bragazzi, Mariano Martini, Riccardo Zerbetto, Tania Simona Re ABSTRACT: Epidaurus was in the antiquity a therapeutic complex which included several buildings to which people came from every part of Greece to be cured by the god Asclepius, a deity venerated from 500 before Christ to the fourth-fifth century anno Domini, when many other pagan cults had already ceased to exist. Epidaurus was a very complex structure, a sort of city-state or sovereign state, able to host thousands of adepts. Here, patients were subject to ablution, purification and sporadic fasting. Asclepius appeared in a dream, in a sort a practice of magic-ritual and sapiential medicine. KEYWORDS: Asclepius; Epidaurus; Sapiential medicine; Templar medicine; Incubation sanctuary Originally, medicine was a divinatory art. Hoverer, the term "divination" has lost its original meaning throughout the centuries, with respect to the ancient times and, in particular, to the Greek archaic world, in which it held an enormous value. Divination, in fact, was the most genuine form of knowledge, a sort of half-closed door or bridge that connected the human world with the divine one. Apollo, a plague-dealer with a silver bow, is considered the father of medicine. We see him at the beginning of the Iliad with his poisoned arrows and darts disseminating illness and destruction to the Achaeans. The death www.cosmosandhistory.org 193 COSMOS AND HISTORY 194 inflicted by the divinity is terribly long and painful.