DOCSLIB.ORG

Impresariat Simmenauer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Impresariat Simmenauer IMPRESARIAT SIMMENAUER SEASON 19/20 Season 2019/2020 Stickers for Programme Choice ARTISTS LIST STRING QUARTET Arditti Quartet Cuarteto Casals Quatuor Modigliani Artemis Quartett Jerusalem Quartet Quatuor Van Kuijk Belcea Quartet Novus String Quartet Schumann Quartett Brooklyn Rider Quatuor Ebène VIOLIN VIOLA VIOLONCELLO Marc Bouchkov Amihai Grosz Miklós Perényi Isabelle Faust Jean-Guihen Queyras Vadim Gluzman Alisa Weilerstein Gidon Kremer Nikolaj Znaider PIANO MANDOLIN CLARINET Piotr Anderszewski Avi Avital Sharon Kam Saleem Ashkar Elena Bashkirova Jonathan Biss Alexander Melnikov VOICE CONDUCTOR ENSEMBLE Georg Nigl (Bariton) Nikolaj Znaider Brandt Brauer Frick Ensemble Scharoun Ensemble PROJECTS Building Bridges Beethoven-Zyklus international 3 Impresariat Simmenauer Season 2019/2020 “When I first heard the Grosse Fuge STRING I thought to myself: ‘this is insane and impossible to understand from a first QUARTET hearing, I must listen to it again’. I still think that!” Corina Belcea / Belcea Quartet, Strad, Dec 17 ARTEMIS QUARTETT Schubert: String Quartet No. 12 in C minor, D 703 “Quartettsatz” Bartók: String Quartet No. 6 in D major, Sz 114 Schubert: String Quartet No. 15 in G major, Op. 161 D 887 Haydn: String Quartet in C major, Op. 20 No. 2 Hob. III: 32 Widmann: New Work for String Quartet, premiere 15 January 2020 in Cologne Beethoven: String Quartet in B-fat major, Op. 130 with “Große Fuge”, Op. 133 WITH VIOLONCELLO (N.N.) Beethoven: String Quartet No. 9 in C major, Op. 59 No. 3 “Rasumowsky” Auerbach: New Work for String Quartet (2020) Beethoven: String Quintet in A minor after the “Kreutzersonate”, Op. 47 Very rarely played, largely unknown but why? This anonymous 1832 arrange- ment of Beethoven’s Kreutzer Sonata features a striking reworking not just of the piano accompaniment: the virtuoso violin part, too, is shared around all fve instruments. BELCEA QUARTET In mysterious company Beethoven’s String Quartet in B-fat major, Op. 130 and the “Great Fugue”, Op. 133, interspersed with works by other composers The concert will be followed by a discussion about the performance between 4 ensemble and audience. 5 Impresariat Simmenauer Season 2019/2020 BELCEA QUARTET JERUSALEM QUARTET WITH MICHAEL COLLINS (CLARINET) Mozart: String Quartet No. 15 in D minor, K 421 (417b) Mozart: String Quartet No. 19 in C major, K 465 “Dissonance” Korngold: String Quartet No. 2 in E-fat major, Op. 26 Britten: String Quartet No. 3, Op. 94 Beethoven: String Quartet No. 15 in A minor, Op. 132 Mozart: Clarinet Quintet in A major, K 581 Haydn: String Quartet in D minor, Op. 76 No. 2 Hob. III: 76 “Fifths” Bartók: String Quartet No. 4, Sz 91 BROOKLYN RIDER Brahms: String Quartet No. 1 in C minor, Op. 51 No. 1 The healing powers of music have been well documented since the times of BARTÓK CYCLE IN TWO CONCERTS ancient Greece; in contemporary neuroscience, too, new and exciting con- nections are often discovered. At the heart of this programme is Beethoven’s String Quartet No. 1 in A minor, Op. 7 Sz 40 String Quartet in A minor, Op. 132, with its third movement “Heiliger Dankge- String Quartet No. 3, Sz 85 sang eines Genesenen an die Gottheit, in der lydischen Tonart” (“Holy song of String Quartet No. 5, Sz 102 thanks to God from a convalescent, in the Lydian mode”). Brooklyn Rider com- bine the piece with fve short works by American composers - Reena Esmail, String Quartet No. 2, Op. 17 Sz 67 Gabriela Lena Frank, Matana Roberts, Caroline Shaw and Du Yun – String Quartet No. 4, Sz 91 the latter two of whom are Pulitzer Prize winners. String Quartet No. 6 in D major, Sz 114 CUARTETO CASALS QUATUOR MODIGLIANI A CYCLE OF THREE CONCERTS WITH THE TEN GREAT MOZART QUARTETS Russian Mozart: String Quartet No. 14 in G major, K 387 Stravinsky: Three Pieces for String Quartet Mozart: String Quartet No. 15 in D minor, K 421 (417b) Shostakovich: String Quartet No. 3 in F major, Op. 73 Mozart: String Quartet No. 16 in E-fat major, K 428 (421b) Tchaikovsky: String Quartet No. 3 in E-fat minor, Op. 30 Mozart: String Quartet in B major, K 458 “The Hunt” French Mozart: String Quartet No. 18 in A major, K 464 Hersant: New Work for String Quartet (2019) Mozart: String Quartet in C major, K 465 “Dissonance” Debussy: String Quartet in G minor, Op. 10 or Ravel: String Quartet in F major, Op. 35 Mozart: String Quartet in D major, K 499 “Hoffmeister” Saint-Saëns: String Quartet No. 1 in E minor, Op. 112 Mozart: String Quartet in D major, K 575 “Prussian Quartet No. 1” Mozart: String Quartet in B major, K 589 “Prussian Quartet No. 2” Austro-Hungarian Mozart: String Quartet in F major, K 590 “Prussian Quartet No. 3” Bartók: String Quartet No. 3, Sz 85 Schubert: String Quartet No. 14 in D minor, D 810 “Death and the Maiden” WITH ALEXANDER MELNIKOV (PIANO) or Schubert: String Quartet No. 15 in G major, Op. 161 D 887 Mozart: Piano Quartet No. 1 in G minor, K 478 Folk tone Beethoven: String Quartet No. 11 in G minor, Op. 95 “Quartetto serioso” Mozart: Divertimento in F major, K 138 Schumann: Piano Quintet in E-fat major, Op. 44 Ravel: String Quartet in F major, Op. 35 Grieg: String Quartet No. 1 in G minor, Op. 27 6 7 Impresariat Simmenauer Season 2019/2020 Mozart: String Quartet No. 20 in D major, K 499 “Hoffmeister” QUATUOR MODIGLIANI Ravel: String Quartet in F major, Op. 35 WITH ANNELEEN LENAERTS (HARP) Mendelssohn: String Quartet No. 4 in E minor, Op. 44 No. 2 MWV R 26 Debussy: String Quartet in G minor, Op. 10 Beethoven: String Quartet No. 7 in F major, Op. 59 No. 1 “Rasumowsky” Debussy: Claire de Lune (arr. for Harp) Beethoven: String Quartet No. 14 in C-sharp minor, Op. 131 Debussy: Danses pour Harpe (for Harp and String Quartet) Wouter Lenaerts: Visions for Harp and Strings, Op. 18 Chiaroscuro Rota: Sarabanda e Toccata for Harp solo Bach/Mozart: Fugue No. 1 in E-fat major Rota: Suite on Film Themes (for Harp and String Quartet) Mendelssohn: Fugue in E-fat major, Op. 81 No. 4 Bach/Mozart: Fugue No. 2 in C minor Glass: String Quartet No. 2 “Company” NOVUS STRING QUARTET Bach/Mozart: Fugue No. 3 in D major Shostakovich: Two Pieces for String Quartet Respighi: Quartetto Dorico Bach/Mozart: Fugue No. 4 in D minor Brahms: String Quartet No. 3 in B-fat major, Op. 67 Webern: 6 Bagatelles, Op. 9 Debussy: String Quartet in G minor, Op. 10 Bach/Mozart: Fugue No. 5 in E major Janáček: String Quartet No. 2 ”Intimate Letters” Haydn: String Quartet in D major, Op. 17 No. 6 Hob. III: 30 Berg: Lyric Suite for String Quartet WITH PABLO BARRAGÁN (CLARINET) Schubert: String Quartet in G major No. 15, D 887 or Schubert: String Quartet No. 14 in D minor, D 810 “Death and the Maiden” Brahms: String Quartet No. 3 in B-fat major, Op. 67 Fuchs: Clarinet Quintet in E-fat major, Op. 102 QUATUOR VAN KUIJK “Fuchs is a splendid musician. Everything is so refned and skilful, so charming- ly invented that one is invariably delighted!” Johannes Brahms on his Austrian Mozart: Divertimento in F major, K 138 friend and colleague, Robert Fuchs (1847–1927). Ligeti: String Quartet No. 1 “Métamorphoses nocturnes” or Nishimura: String Quartet No. 2 “Pulses of Light” Shostakovich: String Quartet in C minor No. 8, Op. 110 Shostakovich: String Quartet in C minor No. 8, Op. 110 Glasunov: Novelette alla Spagnuola (from: 5 Novelettes, Op. 15) Tchaikovsky: String Quartet in D major, Op. 11 No. 1 Beethoven: String Quartet in D major, Op. 18 No. 3 “The difficulty isn’t Bartók: String Quartet No. 4, Sz 91 Schumann: String Quartet in A major, Op. 41 No. 3 in creating something, SCHUMANN QUARTETT but in letting it go.” Haydn: String Quartet in B-fat major, Op. 1 No. 1 Hob. III: 1 Shostakovich: String Quartet No. 9 in E-fat major, Op. 117 Erik Schumann / Schumann Quartett, Concerti, May 17 Smetana: String Quartet No. 1 in E minor ”From My Life” 8 9 Impresariat Simmenauer Season 2019/2020 MARC BOUCHKOV RECITAL SOLO Ysaÿe: Sonata for Violin solo No. 5 in G major, Op. 27 Bach: “Chaconne” from Partita for Violin solo No. 2 in D minor, BWV 1004 Ysaÿe: Sonata for Violin solo No. 4 in E minor, Op. 27 Bouchkov: Fantaisie Schubert/Ernst: The Erl-King (for Violin solo) DUO WITH GEORGIY DUBKO (PIANO) Brahms: Sonata No. 2 in A major, Op. 100 Ysaÿe: Étude en forme de valse Ysaÿe: Sonata for Violin solo No. 4 or Bach: “Chaconne” from Partita for Violin solo No. 2 in D minor, BWV 1004 Schubert: Fantasie for Violin and Piano in C major, Op. 159 D 934 ISABELLE FAUST SOLO Between Baroque and Modernity Rochberg: Selections from “Caprice Variations” for Violin solo Guillemain: Selections from “Amusement pour le violon seul”, Op. 18 Holliger: 3 small scenes for Violin solo (dedicated to Isabelle Faust) Pisendel: Sonata for Violin solo in A minor Benjamin: 3 miniatures for Violin Solo Biber: Passacaglia (Mystery Sonata) for Violin solo in G minor, C. 105 DUO WITH ALEXANDER MELNIKOV (PIANOFORTE) Mozart cycle in four concerts (period performance) The complete violin sonatas by Mozart VADIM GLUZMAN SOLO Prokofev: Sonata for Violin solo in D major, Op. 115 Salonen: “Laughing Unlearnt” for Violin solo Ysaÿe: Sonata for Violin solo No. 2 in A minor, Op. 27 Auerbach: Par.ti.ta for Violin solo Bach: Partita for Violin solo No. 2 in D minor, BWV 1004 10 11 Impresariat Simmenauer Season 2019/2020 “Every time I play the Brahms Violin Concerto, for example, I feel as though I possess a flawless palace with remarkable SHARON KAM exterior and interior design.
Load more

Recommended publications
  • SEASON 2020/2021 Stickers for Programme Choice ARTISTS LIST
    SEASON 2020/2021 Stickers for Programme Choice ARTISTS LIST STRING QUARTET Arditti Quartet Cuarteto Casals Quatuor Modigliani Artemis Quartett Jerusalem Quartet Quatuor Van Kuijk Belcea Quartet Novus String Quartet Schumann Quartett Brooklyn Rider Quatuor Ébène VIOLIN VIOLA CELLO Marc Bouchkov Amihai Grosz Miklós Perényi Isabelle Faust Jean-Guihen Queyras Vadim Gluzman Alisa Weilerstein Gidon Kremer Nikolaj Szeps-Znaider PIANO FORTEPIANO MANDOLIN Piotr Anderszewski Alexander Melnikov Avi Avital Saleem Ashkar Elena Bashkirova Jonathan Biss Alexander Melnikov CLARINET VOICE RECITATION Sharon Kam Georg Nigl (Baritone) Martina Gedeck CONDUCTOR ENSEMBLE PROJECTS Ariane Matiakh Brandt Brauer Frick Building Bridges Nikolaj Szeps-Znaider Ensemble Beethoven Cycle Scharoun Ensemble International ARDITTI QUARTET & JAKE ARDITTI STRING STRING QUARTET & COUNTER-TENOR Dillon: String Quartet No. 9 Paredes: “Canciones Lunáticas” QUARTET Henze: String Quartet No. 5 Sciarrino: “Cosa resta” On the occasion of the string quartet biennals in Paris and Amsterdam, as well as at the invitation of the Cologne Philharmonie, several world premieres are pending, by Ben Mason and Christian Mason, as well as Betsy Jolas and Toshio Hosokawa. ARTEMIS QUARTETT The Artemis Quartett, in their new top-class lineup, has created a first programme for the fall of 2020. Additional ones for the spring of 2021 to follow. Mendelssohn: String Quartet No. 2 in A minor, Op. 13 Vasks: New work for String Quartet (2020) Beethoven: String Quartet No. 15 in A minor, Op. 132 BELCEA QUARTET In the fall of 2020 with the Beethoven string quartet cycle, however, already fully booked. Spring 2021: Britten: String Quartet No. 1 in D major, Op. 25 Shostakovich: String Quartet No.
    [Show full text]
  • Nikolaj Znaider Remarquables Et Restitués Grâce Aux Techniques Les Plus Modernes De L’Enregistrement Haute-Définition
    LSO Live captures exceptional performances from the finest musicians using the latest high-density recording technology. The result? Sensational sound quality and definitive interpretations combined with the energy and emotion that you can only experience live in the concert hall. LSO Live lets everyone, everywhere, feel the excitement in the world’s greatest music. For more information visit lso.co.uk LSO Live témoigne de concerts d’exception, donnés par les musiciens les plus Nikolaj Znaider remarquables et restitués grâce aux techniques les plus modernes de l’enregistrement haute-définition. La qualité sonore impressionnante entourant ces interprétations d’anthologie se double de l’énergie et de l’émotion que seuls les concerts en direct peuvent offrit. LSO Live permet à chacun, en toute circonstance, de vivre cette passion intense au travers des plus grandes oeuvresdu répertoire. Pour plus d’informations, rendez vous sur le site lso.co.uk LSO Live fängt unter Einsatz der neuesten High-Density Aufnahmetechnik außerordentliche Darbietungen der besten Musiker ein. Das Ergebnis? Sensationelle Klangqualität und maßgebliche Interpretationen, gepaart mit der Energie und Violin Concertos Nos 4 & 5 Gefühlstiefe, die man nur live im Konzertsaal erleben kann. LSO Live lässt jedermann an der aufregendsten, herrlichsten Musik dieser Welt teilhaben. Wenn Sie mehr erfahren möchten, schauen Sie bei uns herein: lso.co.uk LSO0807 Wolfgang Amadeus Mozart (1756–1791) Track list Violin Concerto No 4 in D major, K218 (1775) Mozart Violin Concerto No 4 in D major, K218 Violin Concerto No 5 in A major, K219 (1775) 1 I. Allegro 8’37’’ 2 II. Andante cantabile 6’20’’ Nikolaj Znaider conductor / violin 3 III.
    [Show full text]
  • FESTIVAL TICINO DOC Dal 19 Al 26 Settembre 2010
    FESTIVAL TICINO DOC dal 19 al 26 settembre 2010 Musica nel Mendrisiotto DOC è l’acronimo che sottintende la “denominazione di origine controllata” di un prodotto e che ne certifica la zona di origine, il rispetto della Mendrisio tradizione realizzativa e – in buona sostanza – l’oggettiva qualità. Ma Lugano Rancate un simile marchio di valore è da concedersi soltanto a vini, formaggi e salamelle? Questa è la domanda che si sono posti Musica nel Mendrisiotto, la RSI Rete Due e l’Orchestra della Svizzera italiana. La risposta, manco a dirlo, è stata negativa. E a testimoniarlo saranno sette giorni di musica, dal 19 Ligornetto al 26 settembre prossimi, che porteranno nei vari quartieri della nuova Superstrada Mendrisio il meglio dei giovani interpreti cantonali dell’ambito classico. Autostrada Concerti cameristici, sinfonici e di musica barocca che dimostreranno Genestrerio l’intrinseca (e spesso conclamata) qualità di interpreti che in gran parte si Via Vallera a Campagnadorna sono trasferiti oltre Gottardo o all’estero durante e dopo gli studi. Vi Vi a Laveggio P Chiasso Lo scopo dei promotori è quello di creare uno scambio di esperienze tra gli Chiesa Stabio Sant’Antonio Abate Gaggiolo Via Mulino artisti formando formazioni da camera inedite e dando ampio spazio alle ia Canova Varese P V doti solistiche dei singoli musicisti. Vi Fiume Laveggio a al Péro Il pubblico avrà l’occasione unica di (ri)scoprire quanto il Ticino ha saputo Via Campagnola formare ed esportare in campo musicale negli ultimi quarant’anni. La RSI Rete due trasmetterà quotidianamente approfondimenti, interviste, concerti ed incisioni riguardanti il festival.
    [Show full text]
  • Bach2000.Pdf
    Teldec | Bach 2000 | home http://www.warnerclassics.com/teldec/bach2000/home.html 1 of 1 2000.01.02. 10:59 Teldec | Bach 2000 | An Introduction http://www.warnerclassics.com/teldec/bach2000/introd.html A Note on the Edition TELDEC will be the first record company to release the complete works of Johann Sebastian Bach in a uniformly packaged edition 153 CDs. BACH 2000 will be launched at the Salzburg Festival on 28 July 1999 and be available from the very beginning of celebrations to mark the 250th anniversary of the composer's death in 1750. The title BACH 2000 is a protected trademark. The artists taking part in BACH 2000 include: Nikolaus Harnoncourt, Gustav Leonhardt, Concentus musicus Wien, Ton Koopman, Il Giardino Armonico, Andreas Staier, Michele Barchi, Luca Pianca, Werner Ehrhardt, Bob van Asperen, Arnold Schoenberg Chor, Rundfunkchor Berlin, Tragicomedia, Thomas Zehetmair, Glen Wilson, Christoph Prégardien, Klaus Mertens, Barbara Bonney, Thomas Hampson, Herbert Tachezi, Frans Brüggen and many others ... BACH 2000 - A Summary Teldec's BACH 2000 Edition, 153 CDs in 12 volumes comprising Bach's complete works performed by world renowned Bach interpreters on period instruments, constitutes one of the most ambitious projects in recording history. BACH 2000 represents the culmination of a process that began four decades ago in 1958 with the creation of the DAS ALTE WERK label. After initially triggering an impassioned controversy, Nikolaus Harnoncourt's belief that "Early music is a foreign language which must be learned by musicians and listeners alike" has found widespread acceptance. He and his colleagues searched for original instruments to throw new light on composers and their works and significantly influenced the history of music interpretation in the second half of this century.
    [Show full text]
  • MONTEVERDI BACH Ensemble Barocco Concertazione a Cura Di Lorenzo Ghirlanda E Luca Pianca
    MONTEVERDI BACH Ensemble barocco concertazione a cura di Lorenzo Ghirlanda e Luca Pianca C. Monteverdi, dai madrigali J.S. Bach, “Ich habe genug”, cantata Lunedì 10 settembre 2012, 20.30 Conservatorio della Svizzera italiana, Lugano Entrata gratuita conservatorio della svizzera italiana SUPSI con il sostegno della Fondazione Fabio Schaub Scuola universitaria Professionale scuola universitaria di musica | musikhochschule | haute école de musique della Svizzera Italiana C. Monteverdi (1567 – 1643) dal VII e VIII libro dei Madrigali e da “L’incoronazione di Poppea” Chiome d’oro per due soprani, flauto, due violini, clavicembalo e violoncello S’el vostro cor Madonna per soprano, basso e liuto M. Uccellini (1603 – 1680) Sonata terza op. 5 per violino e liuto C. Monteverdi dal VII e VIII libro dei Madrigali e da “L’incoronazione di Poppea” Io che nell’ozio nacqui per basso, liuto, clavicembalo e violoncello Non è di gentil core per due soprani Ohimè dov’è il mio ben Romanesca per due soprani, clavicembalo e violoncello F. Rognoni da Taeggio (1550 – 1626) Vestiva i colli per violino e liuto C. Monteverdi dal VII e VIII libro dei Madrigali e da “L’incoronazione di Poppea” Quel sguardo sdegnosetto per soprano, clavicembalo e violoncello Pur ti miro per due soprani, liuto, violoncello e clavicembalo A. Vivaldi (1678 – 1741) Trio in Sol minore per flauto, oboe, fagotto I. Allegro ma cantabile II. Adagio III. Allegro non molto pausa J. S. Bach (1685 – 1750) dalla Cantata „Höchster Güte“ BWV 51 per soprano, clavicembalo e violoncello G. P. Telemann (1681 – 1767) Ouverture in Sol minore per cinque violini, viola, tre violoncelli, fagotto, tre oboi e clavicembalo Ouverture Rondeau Les Capricieuses J.
    [Show full text]
  • The St. Louis Symphony Orchestra and Music Director Stéphane Denève Announce Fall Programming for the 2021/2022 Season
    FOR IMMEDIATE RELEASE [June , ] Contacts: St. Louis Symphony Orchestra: Eric Dundon [email protected], C'D-*FG-D'CD National/International: NiKKi Scandalios [email protected], L(D-CD(-D(MD THE ST. LOUIS SYMPHONY ORCHESTRA AND MUSIC DIRECTOR STÉPHANE DENÈVE ANNOUNCE FALL PROGRAMMING FOR THE 2021/2022 SEASON Highlights of offerings from September 17-December 5, 2021, include: • The return of full orchestral performances led by Music Director Stéphane Denève at Powell Hall featuring repertoire spanning genre and time that celebrates the resilience of the human spirit. • Denève opens the classical season with two programs at Powell Hall. The season opener includes the first SLSO performances of Jessie Montgomery’s Banner and Anna Clyne’s Dance alongside Pyotr Ilyich Tchaikovsky’s Symphony No. 4. In his second weeK, Denève leads the SLSO in the string orchestra version of Caroline Shaw’s Entr’acte, Charles Ives’ The Unanswered Question, Christopher Rouse’s Rapture, and Sergei Rachmaninoff’s Piano Concerto No. 3 with pianist Yefim Bronfman. • The SLSO and Denève continue their deep commitment to music and composers of today, performing works by Thomas Adès, Karim Al-Zand, William Bolcom, Jake Heggie, James Lee III, Jessie Montgomery, Caroline Shaw, Carlos Simon, Outi Tarkiainen, Joan Tower, and the U.S. premiere of Anna Clyne’s PIVOT. • Other highlights of Denève’s fall programs include performances of Ludwig van Beethoven’s Symphony No. 5, Dmitri ShostaKovich’s Symphony No. 5, and collaborations with pianist VíKingur Ólafsson in his first SLSO appearance and violinist Nikolaj Szeps-Znaider. • The highly anticipated return of the free Forest Park concert, which welcomes thousands of St.
    [Show full text]
  • MOZARTEUM BAROQUE MASTERCLASSES Concerto Degli
    International Festival & Summer Academy 2021 60 CONCERTI, FOCUS SU STEVE REICH con Salvatore Accardo · Antonio Pappano · Lilya Zilberstein · Ilya Gringolts Patrick Gallois · Alessandro Carbonare · David Krakauer · Antonio Meneses DavidSABATO Geringas · Bruno 4 SETTEMBRE Giuranna · Ivo Nilsson - ORE· Mathilde 21,15 Barthélémy AntonioCHIESA Caggiano ·DI Christian S. AGOSTINO, Schmitt · Clive Greensmith SIENA · Quartetto Prometeo Marcello Gatti · Florian Birsak · Alfredo Bernardini · Vittorio Ghielmi Roberto Prosseda · Eliot Fisk · Andreas Scholl e tanti altri e con Orchestra dell’Accademia di Santa Cecilia · Orchestra della Toscana Coro Della Cattedrale Di SienaCHIGIANA “Guido Chigi Saracini - MOZARTEUM” . BAROQUE MASTERCLASSES 28 CORSI E SEMINARI NUOVA COLLABORAZIONEConcerto CON degli Allievi CHIGIANA-MOZARTEUM BAROQUE MASTERCLASSES docenti ANDREAS SCHOLL canto barocco MARCELLO GATTI flauto traversiere ALFREDO BERNARDINI oboe barocco VITTORIO GHIELMI viola da gamba FLORIAN BIRSAK clavicembalo e basso continuo maestri collaboratori al clavicembalo Alexandra Filatova Andreas Gilger Gabriele Levi François Couperin Parigi 1668 - Parigi 1733 da Les Nations (1726) Quatrième Ordre “La Piemontoise” Martino Arosio flauto traversiere (Italia) Micaela Baldwin flauto traversiere (Italia / Perù) Laura Alvarado Diaz oboe (Colombia) Amadeo Castille oboe (Francia) Alice Trocellier viola da gamba (Francia) Raimondo Mazzon clavicembalo (Italia) Georg Friedrich Händel Halle 1685 - Londra 1759 da Orlando (1733) Amore è qual vento Rui Hoshina soprano (Giappone)
    [Show full text]
  • Nikolaj Znaider in 2016/17
    London Symphony Orchestra Living Music Sunday 29 May 2016 7pm Barbican Hall BEETHOVEN VIOLIN CONCERTO Beethoven Violin Concerto London’s Symphony Orchestra INTERVAL Elgar Symphony No 2 Sir Antonio Pappano conductor Nikolaj Znaider violin Concert finishes approx 9.20pm 2 Welcome 29 May 2016 Welcome Living Music Kathryn McDowell In Brief A very warm welcome to this evening’s LSO ELGAR UP CLOSE ON BBC iPLAYER concert at the Barbican. Tonight’s performance is the last in a number of programmes this season, During April and May, a series of four BBC Radio 3 both at the Barbican and LSO St Luke’s, which have Lunchtime Concerts at LSO St Luke’s was dedicated explored the music of Elgar, not only one of to Elgar’s moving chamber music for strings, with Britain’s greatest composers, but also a former performances by violinist Jennifer Pike, the LSO Principal Conductor of the Orchestra. String Ensemble directed by Roman Simovic, and the Elias String Quartet. All four concerts are now We are delighted to be joined once more by available to listen back to on BBC iPlayer Radio. Sir Antonio Pappano and Nikolaj Znaider, who toured with the LSO earlier this week to Eastern Europe. bbc.co.uk/radio3 Following his appearance as conductor back in lso.co.uk/lunchtimeconcerts November, it is a great pleasure to be joined by Nikolaj Znaider as soloist, playing the Beethoven Violin Concerto. We also greatly look forward to 2016/17 SEASON ON SALE NOW Sir Antonio Pappano’s reading of Elgar’s Second Symphony, following his memorable performance Next season Gianandrea Noseda gives his first concerts of Symphony No 1 with the LSO in 2012.
    [Show full text]
  • Sinkovsky Vivaldi
    SEasONS saISONS PLAYS SINKOVSKY & SINGS VIVALDI VIOLIN & COUNTERTENOR 2 antonio vivaldi 1678-1741 le quattro stagioni cessate omai cessate gelido in ogni vena dmitry sinkovsky VIOLIN, COUNTERTENOR & CONDUCTOR la voce strumentale 3 antonio vivaldi 1678-1741 le quattro stagioni | les quatre saisons | the four seasons concerto ‘la primavera | le printemps | spring’ RV 269 in mi maggiore | en mi majeur | in e major 1 Allegro 3’21 2 Largo 2’23 3 Allegro 3’53 le quattro stagioni | les quatre saisons | the four seasons concerto ‘l’estate | l’été | summer’ RV 315 in sol minore | en sol mineur | in g minor 4 Allegro non molto. Allegro 5’32 5 Adagio – Presto – Adagio 2’24 6 Presto 2’33 cessate omai cessate cantate per contralto, archi e continuo RV 684 in mi bemolle maggiore | en mi bémol majeur | in e flat major 7 Recitativo: “Cessate, Omai Cessate” 1’50 8 Aria: “Ah, Ch’infelice Sempre” 5’17 9 Recitativo: “A Voi Dunque Ricorro” 1’17 10 Aria: “Nell’orrido Albergo” 3’36 4 le quattro stagioni | les quatre saisons | the four seasons concerto ‘l’autunno | l’automne | autumn’ RV 293 in fa maggiore | en fa majeur | in f major 11 Allegro 4’58 12 Adagio molto 3’05 13 Allegro 3’18 14 gelido in ogni vena 8’22 Farnace, Farnace, atto II, scena 5 le quattro stagioni | les quatre saisons | the four seasons concerto ‘l’inverno | l’hiver | winter’ RV 297 in fa minore | en fa mineur | in f minor 15 Allegro non molto 3’48 16 Largo 1’57 17 Allegro 3’18 5 la voce strumentale | dmitry sinkovsky VIOLIN & VIOLA | VIOLON & ALTO maria krestinskaya Giovanni Paolo Maggini, Brescia 1627 elena davidova Alessandro Gagliano, Napoli 1725 evgeny sviridov Anonym Italy, first half of the 18th century tatiana fedyakova Ferdinando Gagliano, Napoli 1770, viola- anonym, Venetian school ca.
    [Show full text]
  • Chicago Presents Symphony Muti Symphony Center
    CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI zell music director SYMPHONY CENTER PRESENTS 17 cso.org1 312-294-30008 1 STIRRING welcome I have always believed that the arts embody our civilization’s highest ideals and have the power to change society. The Chicago Symphony Orchestra is a leading example of this, for while it is made of the world’s most talented and experienced musicians— PERFORMANCES. each individually skilled in his or her instrument—we achieve the greatest impact working together as one: as an orchestra or, in other words, as a community. Our purpose is to create the utmost form of artistic expression and in so doing, to serve as an example of what we can achieve as a collective when guided by our principles. Your presence is vital to supporting that process as well as building a vibrant future for this great cultural institution. With that in mind, I invite you to deepen your relationship with THE music and with the CSO during the 2017/18 season. SOUL-RENEWING Riccardo Muti POWER table of contents 4 season highlight 36 Symphony Center Presents Series Riccardo Muti & the Chicago Symphony Orchestra OF MUSIC. 36 Chamber Music 8 season highlight 37 Visiting Orchestras Dazzling Stars 38 Piano 44 Jazz 10 season highlight Symphonic Masterworks 40 MusicNOW 20th anniversary season 12 Chicago Symphony Orchestra Series 41 season highlight 34 CSO at Wheaton College John Williams Returns 41 CSO at the Movies Holiday Concerts 42 CSO Family Matinees/Once Upon a Symphony® 43 Special Concerts 13 season highlight 44 Muti Conducts Rossini Stabat mater 47 CSO Media and Sponsors 17 season highlight Bernstein at 100 24 How to Renew Guide center insert 19 season highlight 24 Season Grid & Calendar center fold-out A Tchaikovsky Celebration 23 season highlight Mahler 5 & 9 24 season highlight Symphony Ball NIGHT 27 season highlight Riccardo Muti & Yo-Yo Ma 29 season highlight AFTER The CSO’s Own 35 season highlight NIGHT.
    [Show full text]
  • A B C a B C D a B C D A
    24 go symphonyorchestra chica symphony centerpresent BALL SYMPHONY anne-sophie mutter muti riccardo orchestra symphony chicago 22 september friday, highlight season tchaikovsky mozart 7:00 6:00 Mozart’s fiery undisputed queen ofviolin-playing” ( and Tchaikovsky’s in beloved masterpieces, including Rossini’s followed by Riccardo Muti leading the Chicago SymphonyOrchestra season. Enjoy afestive opento the preconcert 2017/18 reception, proudly presents aprestigious gala evening ofmusic and celebration The Board Women’s ofthe Chicago Symphony Orchestra Association Gala package guests will enjoy postconcert dinner and dancing. rossini Suite from Suite 5 No. Concerto Violin to Overture C P s oncert reconcert Reception Turkish The Sleeping Beauty Concerto. The SleepingBeauty William Tell conducto The Times . Anne-Sophie Mutter, “the (Turkish) William Tell , London), performs London), , media sponsor: r violin Overture 10 Concerts 10 Concerts A B C A B 5 Concerts 5 Concerts D E F G H I 8 Concerts 5 Concerts E F G H 5 Concerts 6 Conc. 5 Concerts THU FRI FRI SAT SAT SUN TUE 8:00 1:30 8:00 2017/18 8:00 8:00 3:00 7:30 ABCABCD ABCDAAB Riccardo Muti conductor penderecki The Awakening of Jacob 9/23 9/26 Anne-Sophie Mutter violin tchaikovsky Violin Concerto schumann Symphony No. 2 C A 9/28 9/29 Riccardo Muti conductor rossini Overture to William Tell 10/1 ogonek New Work world premiere, cso commission A • F A bruckner Symphony No. 4 (Romantic) A Alain Altinoglu conductor prokoFIEV Suite from The Love for Three Oranges Sandrine Piau soprano poulenc Gloria Michael Schade tenor gounod Saint Cecilia Mass 10/5 10/6 Andrew Foster-Williams 10/7 C • E B bass-baritone B • G Chicago Symphony Chorus Duain Wolfe chorus director 10/26 10/27 James Gaffigan conductor bernstein Symphonic Suite from On the Waterfront James Ehnes violin barber Violin Concerto B • I A rachmaninov Symphonic Dances Sir András Schiff conductor mozart Serenade for Winds in C Minor 11/2 11/3 and piano bartók Divertimento for String Orchestra 11/4 11/5 A • G C bach Keyboard Concerto No.
    [Show full text]
  • View PDF Online
    MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951.
    [Show full text]