HZL-F Series
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sewing Mode Sewing Mode in Sewing Mode View You Can Select Stitches, Adjust and Sew Them
Sewing mode Sewing mode In sewing mode view you can select stitches, adjust and sew them. You can also go to Stitch Creator and to sequencing to create your own stitches and sequences. Your selected stitch will be shown in full scale in the stitch fi eld. The recommendations and machine settings will be shown at the top. Sewing mode - overview 1 2 1. Sewing recommendations 3 2. Machine settings 3. Stitch selection area 5 4 4. Scroll bar (Scroll through stitch categories) 5. Selected stitch number 6. Stitch fi eld 7. Mirroring side to side 8. Mirroring end to end 9. Sequence start position 10. Zoom to all 11. Stitch width 12. Width/position toggle 13. Stitch length 10 16a 16b 16c 14. Stitch density 6 16 15. Needle thread tension 17a 17b 17c 16. Save options 17 a) Save personal default stitch b) Save to Personal menu 11 13 14 15 18 c) Save to Personal fi le Sewing mode 9 17. Tie-off options 19 a) Tie-off beginning 12 b) Tie-off end 78 20 c) Thread snips 18. Speed control 19. Sewing programs 20. Balance 21. Repeat buttonhole 22 23 22. Stitch positioning 23. Buttonhole slit length 24. Button stitch repetition Note: All symbols and options will not be 21 shown at the same time. 24 4:2 Select a stitch 3 To select a stitch, touch the actual stitch in the stitch selection area (3). You can scroll through 4 the list of stitches, using the scroll bar on the right hand side. The number of the actual subcategory is shown below the scroll bar (4). -
Glossary of Sewing Terms
Glossary of Sewing Terms Judith Christensen Professional Patternmaker ClothingPatterns101 Why Do You Need to Know Sewing Terms? There are quite a few sewing terms that you’ll need to know to be able to properly follow pattern instructions. If you’ve been sewing for a long time, you’ll probably know many of these terms – or at least, you know the technique, but might not know what it’s called. You’ll run across terms like “shirring”, “ease”, and “blousing”, and will need to be able to identify center front and the right side of the fabric. This brief glossary of sewing terms is designed to help you navigate your pattern, whether it’s one you purchased at a fabric store or downloaded from an online designer. You’ll find links within the glossary to “how-to” videos or more information at ClothingPatterns101.com Don’t worry – there’s no homework and no test! Just keep this glossary handy for reference when you need it! 2 A – Appliqué – A method of surface decoration made by cutting a decorative shape from fabric and stitching it to the surface of the piece being decorated. The stitching can be by hand (blanket stitch) or machine (zigzag or a decorative stitch). Armhole – The portion of the garment through which the arm extends, or a sleeve is sewn. Armholes come in many shapes and configurations, and can be an interesting part of a design. B - Backtack or backstitch – Stitches used at the beginning and end of a seam to secure the threads. To backstitch, stitch 2 or 3 stitches forward, then 2 or 3 stitches in reverse; then proceed to stitch the seam and repeat the backstitch at the end of the seam. -
Volume 2, Issue 3, Autumn 2018
The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit. -
LOOKING for a NEW SEWING PROJECT? You Can Find What You Want in “Inspiration”, Our Sewing Magazine
BERNINA 475 QE LOOKING FOR A NEW SEWING PROJECT? You can find what you want in “inspiration”, our sewing magazine. Thanks to great sewing patterns and detailed sewing instructions, every project succeeds right away. Inspiration magazine is available in German, English, French and Dutch * Not available in all countries. Welcome Dear BERNINA customer Congratulations! You have decided on BERNINA and therefore on a product which will delight you for years. For more than 100 years our family company has attached greatest importance to satisfied customers. As for me, it is a matter of personal concern to offer you Swiss development and precision at the height of perfection, future-orientated sewing technology and a comprehensive customer service. The BERNINA 4-series consists of several ultramodern machines, whose development not only focused the highest demands on technique and the ease of use but also considered the design of the product. After all we sell our products to creative people like you, who do not only appreciate high quality but also form and design. Enjoy the creative sewing on your new BERNINA 475 QE and keep informed about the various accessories at www.bernina.com. On our homepage you will also find a lot of inspiring sewing instructions, to be downloaded for free. Our highly trained BERNINA dealers will provide you with more information on service and maintenance offers. I wish you lots of pleasure and many creative hours with your new BERNINA. H.P. Ueltschi Owner BERNINA International AG CH-8266 Steckborn 3 Edition notice Edition notice Graphics www.sculpt.ch Text, Setting and Layout BERNINA International AG Photos Patrice Heilmann, Winterthur Part number 2018/02 en 1031755.0.04 1st Edition Copyright 2018 BERNINA International AG All rights reserved: For technical reasons and for the purpose of product improvements, changes concerning the features of the machine can be made at any time and without advance notice. -
Placket Construction Options
Placket Construction Options 1 Type1: Two Separate Bound Edges on a rectangular stitching box The key to this structure is that the bindings are initially stitched only to the seam allowances on each side, and NOT stitched across the end, of the clipped box, which means that they, and the clipped triangle at the bottom, remain loose and can be arranged before the nal nishing to go on either side of the fabric, as well as either over or under the other, after joining them at the sides. The widths and lengths of the bindings and the space between the sides of the clipped box determine all the other options available in this most exible of all the placket types I know of. Variation 1: Both bindings t inside the stitching box If you cut the bindings so the nished, folded widths of both are equal to or smaller than the space between the initial stitching lines, as shown above, you can arrange both ends at the clipped corners to all go on one side of the fabric (right or wrong side), along with the clipped triangle on the garment. You’ll get the best results if the underlapping binding is slightly smaller than the overlapping one. This can be man- aged by taking slightly deeper seam allowances when you join this piece, so they can initially be cut from the same strip. Or, you can place one end on each side with the Both ends on RS One end on RS, Both ends on WS triangle sandwiched in between. -
F7eb73228f1ff535d9120c7e0ffd0
PRODUCT FEATURES GENERAL TOOL BELT MATERIAL and FEATURES 5609 BALLISTIC POLYESTER Premium quality ballistic poly fabric is woven with elevated tenacity polyester thread in a 2x2 or 2x3 basket weave with yarn made of unusually high denier strength, typically from 840 denier to 1680 denier. Denier refers to the weight and thickness of the yarn, not TOOLS & SPECIALTY ITEMS TOOLS & SPECIALTY necessarily to the strength of the fabric. The 2x2 "ballistic weave" is extraordinarily strong and lightweight, and resists abrasion and tearing. Ballistic poly fabric is great for high-use and extreme work applications. Patented pouch handles Allow for simple belt adjustments and easy one-hand carrying, and convenient on-hook storage. Heavy-duty stitching and rivets Bar-tack stitching and rivets used to reduce additional wear and to reinforce stress points for added durability. MULTI-USE, EASY ACCESS POCKETS Large main pockets and small side and interior pockets, allow for the carrying of a wide variety of tools. GENERAL SOFT SIDE MATERIAL and FEATURES ECPL38 POLYESTER Quality polyester fabric is woven with thread that has been coated with a synthetic polymer in order to increase durability and fabric strength. Polyester is a versatile yarn and can easily be blended with other fibers to enhance specific properties that create materials with wear, and environmental resistance. Polyester fibers have high tenacity as well as low environmental absorption which makes it able to handle stressful usage and work environments. Reinforced WEB HANDLES Padded web carrying handles for comfort and convenience. Heavy-duty stitching Heavy-duty, bar-tack stitching used to reduce additional wear and to reinforce stress points for added durability. -
Stitch Setting Chart
STITCH SETTING CHART STITCH SETTING CHART The following chart shows information for each utility stitch concerning applications, stitch lengths, stitch widths, and whether or not the twin needle mode can be used. Stitch width Stitch length Presser foot [mm (inch.)] [mm (inch.)] Twin Stitch Stitch name Applications needle Auto. Manual Auto. Manual Straight stitch General sewing, gather, pintuck, (Left) etc. Reverse stitch is sewn while 0.0 0.0 - 7.0 2.5 0.2 - 5.0 OK pressing “Reverse/ (0) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Straight stitch General sewing, gather, pintuck, (Left) etc. Reinforcement stitch is sewn 0.0 0.0 - 7.0 2.5 0.2 - 5.0 OK while pressing “Reverse/ (0) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Straight stitch General sewing, gather, pintuck, (Middle) etc. Reverse stitch is sewn while 3.5 0.0 - 7.0 2.5 0.2 - 5.0 OK pressing “Reverse/ (1/8) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Straight stitch General sewing, gather, pintuck, (Middle) etc. Reinforcement stitch is sewn 3.5 0.0 - 7.0 2.5 0.2 - 5.0 OK while pressing “Reverse/ (1/8) (0 - 1/4) (3/32) (1/64 - 3/16) ( J ) Reinforcement Stitch” button. Triple stretch General sewing for 0.0 0.0 - 7.0 2.5 1.5 - 4.0 OK stitch reinforcement and decorative (0) (0 - 1/4) (3/32) (1/16 - 3/16) ( J ) topstitching Stem stitch Reinforced stitching, sewing and 1.0 1.0 - 3.0 2.5 1.0 - 4.0 OK decorative applications (1/16) (1/16 - 1/8) (3/32) (1/16 - 3/16) ( J ) Decorative Decorative stitching, top 0.0 0.0 - 7.0 2.5 1.0 - 4.0 OK stitch stitching (0) (0 - 1/4) (3/32) (1/16 - 3/16) ( J ) Basting stitch Basting 0.0 0.0 - 7.0 20.0 5.0 - 30.0 NO (0) (0 - 1/4) (3/4) (3/16 - 1-3/16) Zigzag stitch For overcasting, mending. -
Instruction Book
INSTRUCTION BOOK PFAFF 130-6 Instruction book for the PFAFF Sewing Machine (Model 130) For best results, study these instructions carefully—par licularly those ports on the core of the machine. Before leoving the factory your PFAFF was adjusted, carefully tested, and found to be perfect in every respect. If you follow the simple suggestions outlined here, you will enjoy your PFAFF... find it endlessly useful ... and, through-out the years be glad that your choice is the finest sewing machine in the world. I. Useful hinis to help you get the best results with your PFAFF Use fine thread and a fine needle adjusted for loose tension when sewing thin, light fabrics. For ordinary lock stitch or zigzag seams, regulate the tension so that the interlacing of upper and under threads takes place in the center of the stitching. For making buttonholes, stitching on buttons, eyeletting, rolling seams, and hemstitching, the tension of the under thread should be somewhat tight, since it is desirable to hove the threads interlock more toward the underside of the fabric. Use unglazed thread for ordinary sewing, and soft yarn for embroidering, darning, etc. Since these yarns are smoother and more flexible than the hard and brittle glazed cotton, they assure well-drawn-in stitches, thus protecting the seams when the fabric is washed. Skipping of stitches may be caused by: 1. Needle not having been inserted properly. 2. Using other than the recommended PFAFF Needles. 3. Needle being bent by wrong handling, or too fine for the thread used. Thread breaking may be caused by: 1. -
Stitches, Seams, and Sewing Processes BY
College Bulletin 193. Issued Monthly. Extension Series III, No. 6 r. OREGON AGRICULTURAL COLLEGE EXTENSION SERVICE RALPH D. HETZEL, Director Stitches, Seams, and Sewing Processes BY HELEN COWGILL Ruth Dennett, of Rickreall, Oregon, Winner of the Polk County Industrial Club Prize in the Sewing Project, 1914 BOYS AND GIRLS INDUSTRIAL CLUBS Oregon Agricultural College, U. S. Department of Agriculture, and State Department of Education, Cooperating (Reprint, March, 1916) The bulletins of the Oregon Agricultural College are sent free to all residents of Oregon who request them. OREGON AGRICULTURAL COLLEGE W. J. KERR, President EXTENSION SERVICE R. D. HETZEL, Director The Extension Service of the Oregon Agricultural College embraces all instructional work done by the College staff outside the institution. This includes institute. lecture, and fair work in all its varied phases. Supervision of the county demonstration and farm work provided for by State legislation; correspondence courses; preparation of educative exhibits; publication a bulletins and distribution of news matter; cooperative work with granges. farmers unions, schools, churches, commercial clubs, and other progressive organizations in the promotion of industrial and social enterprises. The Extension Service, in short, consists of carrying out to the people of Oregon practical and usable information on all subjects taught at the College. Applications for assistance along any of the lines indicated, together with all particulars relating thereto, should be sent to the Director of Extension as far in advance as possible. It is the desire of the College to help all who apply, but its staff, facilities, and funds are limited; consequently, short-notice requests may not find the department in position to render the best service. -
BERNINA Virtuosa 150 / 160 Manual
BERNIN¡[ lnstruction Manual & Sewing Manual -:f=f olo c"" f- al q: ta vtrl!,osa r50 CLC te! BEBNII{II o\c e1c 1 tr!Lt6 .l 9(.{È #,t ,' o':: o't' a": : ¡'i, ¿'il O''_ a'i c,"I ryi'l c"ü€" 1 ,r=-l . .,8 "0., " "o t T ''1,:: t{Ë -{=f o\c !* a* vtrtuoså 160 o Lo Gttu'ltt ACßNINA ¡c o o sõ'a- rr' rt a i.o :â¡ o o\ a', a i o:i o'l o a'il s"[ c"i s'{ 6"1 6rf 'll ',I $ ',t \¡ tø'ø..3"ø*, ry'øm a, %'{* ,øør%mryruøz 'øryrfu QUILTER'S BERNIN¡f EDITION BERNIN'f Made in Switzerland Made ¡n Sw¡tzerland Safegr instructíons 'ì I IVH PORTANT SAFETY I I\¡ STRI,J CTilON I 5 When using an electrical machine, basic safety 8. Do not pull or push fabric while stitching. lt may ì precautions should always be followed, including the deflect the needle causing it to break. f ollowing. 9. Turn power switch to <0> when making any adjust- Read all instructions before using this sewing machine. ments in the needle area, such as threading or chang- ing the needle, threading the bobbin or changing When the machine is not in use, it should be disconnected the presser foot. from the electricity supply by removing the plug from the outlet. 10. Always unplug the sewing machine from the electri- cal outlet when removing covers, lubricating or when making any other user servicing adjustments men- ÐANGEM tioned in this instruction manual. -
1895 Reissue 41 Style 11
Style 9: 1893 40 New Johnston ruffler (Figure 41b, page 21), Style 8 tuck- marker. Style 10: 1895 reissue 41 New ruffler Figures 44a to 44c page 22), and Style 8 tuck- marker. Style 11: 1899 reissue 42 New ruffler (as in Figure 40c, page 20, but with the spacer) and Style 8 tuck-marker. Three different Style 11 sets are documented, but they are all dated after the Style 12 set! All three style 11 manuals describe a foot hemmer, but none of the box illustrations or the lists of attachments include it. As I think it is likely that Singer produced sets chronologically this reissue suggests that there is at least one other, earlier style 11 set. 40 Singer, 1893b. 41 Singer, 1895a. 42 Singer, 1899. 29 Style 11: 1901 reissue 43 New tuck-marker on page 14 of the instruction manual. (The illustration on page 15 of the manual and the box view opposite show the 1899 tuck-marker, probably because the drawing was copied from the previous manual. Both are given the same number of 26513.) This Style manual includes a price list. A “box with racks” is the folding box with the holding clips but without any attachments or accessories. Style 11: 1906 reissue 44 A different arrangement of the accessories (screwdrivers, and so on). Otherwise the same as the above, including the two different tuck-markers that are given the same number of 26513. It is one of the most common folding boxes. This Style manual has a price list. 45 Style 12: 1895 reissue This Style manual includes a list of contents. -
2021 Class Catalog
Shop. Learn. Experience. A Virtual Sewing Experience Featuring Mister Domestic Mathew sewexpo.com Boudreaux Join us online! Ticket sales start Jan.12! Feb.24-282021 Mathew Boudreaux Sewist, Crafter, Teacher, Speaker, Designer, Advocate Mathew Boudreaux of Mister Domestic learned to sew as a kid, but never really got into it until he had his daughter Helena, who is now seven. He thought it would be a great way to connect with her if he could make her cool clothes. With a new motivation to up his attention-to-detail, the quality and coolness far exceeded even his own expectations. Once he started posting his projects on social media, the quilting world quickly took notice of his fearless use of color and print, incomprehensibly fast output, carefree enthusiasm and humor, and ability to seek out, acquire and share new skills. Making projects from fabric weaving to English Paper Piecing to apparel to the 3-Dimensional, you can find his fabric party on Instagram, Facebook and YouTube. As a fabric designer, get ready to bring this party into overdrive as he translates his chic, edgy, and whimsical style into an experience for everyone to enjoy. Join Mathew at these Virtual Expo classes and special events! 4101 Flowermania English Paper Piecing WEDNESDAY, 1:00 - 5:00 PM (PST) Come learn English Paper Piecing with Mister Domestic! He’ll walk you through tips and tricks of this portable and super fun sewing technique as you stitch up your own flowers from his Flowermania Quilt Pattern. 4102 Tumbling Blocks Weave SUNDAY, 8:00 AM - 12:00 PM (PST) Fabric weaving is basically the coolest thing that you can do with fabric.