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Využití Klávesových Elektrofonů V Rockových Kapelách Na Trutnovsku

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Využití Klávesových Elektrofonů V Rockových Kapelách Na Trutnovsku Univerzita Hradec Králové Pedagogická fakulta Hudební katedra Využití klávesových elektrofonů v rockových kapelách na Trutnovsku Diplomová práce Autor: Bc. Roman Jehlička Studijní program: N7504 Učitelství pro střední školy Studijní obor: Učitelství pro střední školy – hudební výchova Učitelství pro střední školy – dějepis Vedoucí práce: Mgr. Kateřina Andršová Oponent práce: Mgr. Karel Koldinský Hradec Králové 2019 Prohlášení Prohlašuji, že jsem tuto diplomovou práci vypracoval (pod vedením vedoucí diplomové práce) samostatně a uvedl jsem všechny použité prameny a literaturu. V Hradci Králové dne: ……………………… Bc. Roman Jehlička Poděkování Na tomto místě bych rád poděkoval paní Mgr. Kateřině Andršové za vedení mé diplomové práce, odborné rady a vstřícný přístup. Děkuji rovněž všem respondentům za poskytnutí rozhovorů a své rodině i všem blízkým za podporu při mých studiích. Anotace JEHLIČKA, Roman. Využití klávesových elektrofonů v rockových kapelách na Trutnovsku. Hradec Králové: Pedagogická fakulta Univerzity Hradec Králové, 2019. 225 s. Diplomová práce. Diplomová práce se zabývá využitím elektrických klávesových nástrojů v trutnovském regionu. Je rozdělena na část teoretickou a část praktickou. Cílem teoretické části je přiblížit vývoj a využití klávesových elektrofonů v rockové hudbě, přičemž hlavní zřetel je brán na jejich využívání rockovými interprety v Československu a České republice. Na část teoretickou následně navazuje praktická část s cílem ukázat, jak se vývoj klávesových elektrofonů a rockové hudby promítly v hudebních skupinách v trutnovském okresu. Praktická část obsahuje medailonky „klávesových“ rockových skupin, chronologicky seřazené podle jejich vzniku. Medailonky obsahují informace o historii dané skupiny a elektrických klávesách, které byly v její hudbě používány. Součástí práce je i přílohová část se zásadními údaji z výzkumu a CD s vybranými nahrávkami jednotlivých hudebních skupin na Trutnovsku. Klíčová slova: elektrické klávesové nástroje, nonartificiální hudba, rock, hudební skupiny, Trutnov Annotation JEHLIČKA, Roman. The Use of Keyboard Electrophones by Music Groups within Region of Trutnov. Hradec Králové: Pedagogical Faculty, University of Hradec Králové, 2019. 225 pp. Diploma Dissertation Degree Thesis. The Diploma Dissertation Degree Thesis is dealing with the use of electric keyboard instruments in the region of Trutnov. It is divided into a theoretical part and a practical part. The aim of the theoretical part is to describe the development and the use of keyboard electrophones in rock music even though the main attention is paid to their use by rock artists in Czechoslovakia and Czech Republic. There is a practical part following the theoretical part that is aiming to show how did the development of keyboard electrophones reflected into music groups in the region of Trutnov. The practical part contains descriptions of the “keyboard” rock bands which are in a chronological order by the time they were created. The descriptions contain information about history of the described group and the electronic keyboards they used in their music. Another part of the Diploma Dissertation Degree is an attachment part with essential research data and a CD with chosen recordings of individual music groups in the region of Trutnov. Keywords: electrical keyboard instruments, non-artificial music, rock, music groups, Trutnov Obsah ÚVOD ............................................................................................................................................................9 TEORETICKÁ ČÁST ......................................................................................................................................12 1. VYMEZENÍ A VÝVOJ ELEKTROAKUSTICKÉ HUDBY .........................................................................................12 1.1 Definice elektroakustické hudby a její typologické členění ...................................................12 1.1.1 Definice ................................................................................................................................................... 12 1.1.2 Typologie................................................................................................................................................. 13 1.2 Historie EAH ..........................................................................................................................16 1.2.1 Počátky .................................................................................................................................................... 16 1.2.2 Vývoj EAH po 2. světové válce............................................................................................................... 18 1.3 Rozdělení a vývoj elektroakustických nástrojů (elektrofonů) ................................................22 1.3.1 Mechanicko-elektrické nástroje ............................................................................................................ 22 1.3.2 Elektromechanické nástroje .................................................................................................................. 23 1.3.3 Elektronické nástroje ............................................................................................................................. 24 2. VYUŽITÍ KLÁVESOVÝCH ELEKTROFONŮ V ROCKOVÉ HISTORII A ŽÁNRECH A PODŽÁNRECH ROCKOVÉ HUDBY .............28 2.1 50. léta ..................................................................................................................................28 2.2 60. léta ..................................................................................................................................29 2.3 70. léta ..................................................................................................................................32 2.4 80. léta ..................................................................................................................................35 2.5 90. léta ..................................................................................................................................40 2.6 Po roce 2000 .........................................................................................................................43 3. VÝVOJ A VYUŽITÍ ELEKTRICKÝCH KLÁVESOVÝCH NÁSTROJŮ V ČESKOSLOVENSKÉ A ČESKÉ ROCKOVÉ HUDBĚ ..............46 3.1 Postavení rockové hudby a významní interpreti „klávesového“ rocku v předlistopadovém období ..............................................................................................................................................46 3.1.1 60. léta .................................................................................................................................................... 50 3.1.2 70. a 80. léta ........................................................................................................................................... 53 3.2 Postavení rockové hudby a významní interpreti „klávesového“ rocku po listopadu 1989 ....59 3.2.1 90. léta .................................................................................................................................................... 59 3.2.2 Po roce 2000 ........................................................................................................................................... 61 PRAKTICKÁ ČÁST ........................................................................................................................................63 4. VÝCHODISKA A CÍLE .............................................................................................................................63 5. METODA PRÁCE A VÝBĚR RESPONDENTŮ .................................................................................................64 6. REALIZACE VÝZKUMU ...........................................................................................................................65 7. FORMA ZPRACOVÁNÍ ÚDAJŮ..................................................................................................................67 8. MEDAILONKY KAPEL ............................................................................................................................68 8.1 Lucifer (Dvůr Králové nad Labem, 1963–1964) .....................................................................68 8.2 Telstar (Trutnov, 1964–1966) a Kasteláni (Trutnov, 1966–1973, 2008–současnost) ...........70 8.3 Studio T (Dvůr Králové nad Labem, 1966–1990) ...................................................................75 8.4 The Monsters (Hostinné, 1968–1972) ...................................................................................81 8.5 Rosa (Trutnov, 1970–1981) ...................................................................................................83 8.6 System (Trutnov, 1972–1981, 1982–1989) ...........................................................................88 8.7 Consul PGS (Trutnov, 1975–1986).........................................................................................92 8.8 Cui Bono (Trutnov, 1977–1988, 2004–2007) ........................................................................95 8.9 EKG (Hostinné, 1978–1983) ................................................................................................100 8.10 Máma Bubo (Praha/Trutnov, 1982–1990, 2010–současnost) ............................................103 8.11 Test (Vrchlabí/Mostek, 1983–1990, 2011) ..........................................................................107
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