Films from Latvia 2017/2020
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Riga Municipality Annual Report 2018
Riga, 2019 CONTENT Report of Riga City Council Chairman .................................................................................................................... 4 Report of Riga City Council Finance Department Director ................................................................................... 5 Riga Municipality state ............................................................................................................................................. 6 Riga City population.............................................................................................................................................. 6 Riga Municipality economic state.......................................................................................................................... 7 Riga Municipality administration structure, functions, personnel........................................................................... 9 Riga Municipality property state .............................................................................................................................. 11 Value of Riga Municipal equity capital and its anticipated changes...................................................................... 11 Riga Municipality real estate property state........................................................................................................... 11 Execution of territory development plan ............................................................................................................... -
Latvia Since 1918
Latvia since 1918 The Wolfgang Watzke Collection Latvia‘s Freedom Monument in Riga 10 LATVIA SINCE 1918 6006 / € 150 6007 / € 80 ex 6008 / € 80 6005 / € 100 ex 6004 / € 100 Detail 6009 / € 120 Detail 6010 / € 120 Detail 6012 / € 150 Detail 6011 / € 150 Detail 6013 / € 150 LATVIA SINCE 1918 11 LatVIA Lot-No. Mi.-No. Western Army Start price 6001 0/1 1919, unused/ mint never hinged and used collection with some covers including Mi.-Nr. /6/4 1-11 (without 10k.) on two covers, later issue also with multiples, gutter pairs etc., in addition some forgeries, many signed Davydoff, Hoffmann, Rucins etc., (Photo = 1 www) 300 Latvia - Issued Stamps 6002 6003 6002 1918, Women with ears of corn on their arms in front of the rising sun 5 k., black ink drawing, partly touched up with opaque white, on thin carton (104x147mm), signed on reverse, a very attractive item, unique 200 6003 Acorn branch and Corn bundle in front of the rising sun 20 k., black ink drawing, partly touched up with opaque white, on thin carton (102x147mm), signed on reverse, a very attractive item, unique 200 6004 1P 2 Sun pattern 5 k. black on map and vertical pair carmine printed on map side, without gum, the pair light bend, otherwise fine (Photo = 1 10) 100 6005 1P 1 5 k. orange as colour proof on map paper, mint never hinged, fine (Photo = 1 10) 100 6006 1 4/2 5 k. carmine, block of four printed on both sides, without gum, fine (Photo = 1 10) 150 6007 1 2 5 k. -
Kruk Latvia Statues
Conference on the Historical Use of Images Vrije Universiteit Brussel, 10-11 March 2009 Wars of Statues: Ius imaginum and Damnatio memoriae in the 20th century Latvia. Sergei Kruk In Latvia outdoor sculpture functions as a medium of political communication. Transformations of political regime engendered the alteration of representation politics aimed at attesting the new power relations. Not always the authorities can topple down a monument and erect a new one to propagate an unambiguous political message. More subtle methods are exploited to depreciate the unwanted sculptures and to break in the public sphere with new political messages. This paper conceptualises the peculiarities of this kind of political communication in semiotic terms. Among the most popular practices are renaming of monuments, change or addition of inscriptions, circulation of new explanations, permitting of natural decay and banal vandalism, modification of environment around the sculpture, and its inclusion in rituals. Outdoor sculpture as a medium of political communication Latvia has experienced several waves of erection and destruction of monuments in the 20th century. The change of representation practice coincided with the political transformations in the state. As a part of the memory rewriting project, ostensibly the commemoration of persons and events asserted the regime change and legitimised the power relations. Sculpture’s peculiar role in political communication owes to the treatment of visual icon in Russian and Latvian cultural tradition. Roman legal terms ius imaginum and damnatio memoriae are used in the title to highlight that the controversy over outdoor sculpture has deep roots in the millennia long debate on visual iconicity. -
EIROPAS KULTŪRAS GALVASPILSĒTA EUROPEAN CAPITAL of CULTURE Juriskalniņš / Fotocentrs
ENG EIROPAS KULTŪRAS GALVASPILSĒTA EUROPEAN CAPITAL OF CULTURE Juris Kalniņš / Fotocentrs. Bird’s-eye view of Rīga Experience the Force Majeure of Culture! Rīga takes its visitors by surprise with its will introduce you to the most extensive and most Umeå 2014 external beauty as well as its rich world of interiors. significant activities of the European Capital of If you have never been to Rīga before, now is the Culture programme – and remember, whichever of time to experience the pleasure of discovering the them you choose to attend, be open-minded and diversity of Latvia’s capital city. Ancient and at the prepared to experience the unexpected! same time youthful, European and multicultural, today’s Rīga is the place to recharge your cultural Diāna Čivle, batteries. Head of the Rīga 2014 Foundation Rīga 2014 After you get to know the medieval streets of the Old Town, the Art Nouveau heritage and the shabby chic of the creative quarters, let us surprise you Kosice 2013 once more – this time with the saturated content Welcome to Maribor 2012 of Rīga’s cultural events calendar for the whole of Marseille 2013 2014. EsplanādE 2014! It is the surprising, the unexpected and even the Guimarães 2012 provocative that underpin the Force Majeure cultural The end of June will see a new building rise in programme of the European Capital of Culture. It the very heart of Rīga, between the Nativity of is the creative power that cannot be foreseen or Christ Orthodox Cathedral and the monument to planned beforehand. The miracle happens and the poet Rainis in the Esplanāde Park. -
A Reconstructed Indigenous Religious Tradition in Latvia
religions Article A Reconstructed Indigenous Religious Tradition in Latvia Anita Stasulane Faculty of Humanities, Daugavpils University, Daugavpils LV-5401, Latvia; [email protected] Received: 31 January 2019; Accepted: 11 March 2019; Published: 14 March 2019 Abstract: In the early 20th century, Dievtur¯ıba, a reconstructed form of paganism, laid claim to the status of an indigenous religious tradition in Latvia. Having experienced various changes over the course of the century, Dievtur¯ıba has not disappeared from the Latvian cultural space and gained new manifestations with an increase in attempts to strengthen indigenous identity as a result of the pressures of globalization. This article provides a historical analytical overview about the conditions that have determined the reconstruction of the indigenous Latvian religious tradition in the early 20th century, how its form changed in the late 20th century and the types of new features it has acquired nowadays. The beginnings of the Dievturi movement show how dynamic the relationship has been between indigeneity and nationalism: indigenous, cultural and ethnic roots were put forward as the criteria of authenticity for reconstructed paganism, and they fitted in perfectly with nativist discourse, which is based on the conviction that a nation’s ethnic composition must correspond with the state’s titular nation. With the weakening of the Soviet regime, attempts emerged amongst folklore groups to revive ancient Latvian traditions, including religious rituals as well. Distancing itself from the folk tradition preservation movement, Dievtur¯ıba nowadays nonetheless strives to identify itself as a Latvian lifestyle movement and emphasizes that it represents an ethnic religion which is the people’s spiritual foundation and a part of intangible cultural heritage. -
Reform and Human Rights the Gorbachev Record
100TH-CONGRESS HOUSE OF REPRESENTATIVES [ 1023 REFORM AND HUMAN RIGHTS THE GORBACHEV RECORD REPORT SUBMITTED TO THE CONGRESS OF THE UNITED STATES BY THE COMMISSION ON SECURITY AND COOPERATION IN EUROPE MAY 1988 Printed for the use of the Commission on Security and Cooperation in Europe U.S. GOVERNMENT PRINTING OFFICE WASHINGTON: 1988 84-979 = For sale by the Superintendent of Documents, Congressional Sales Office U.S. Government Printing Office, Washington, DC 20402 COMMISSION ON SECURITY AND COOPERATION IN EUROPE STENY H. HOYER, Maryland, Chairman DENNIS DeCONCINI, Arizona, Cochairman DANTE B. FASCELL, Florida FRANK LAUTENBERG, New Jersey EDWARD J. MARKEY, Massachusetts TIMOTHY WIRTH, Colorado BILL RICHARDSON, New Mexico WYCHE FOWLER, Georgia EDWARD FEIGHAN, Ohio HARRY REED, Nevada DON RITTER, Pennslyvania ALFONSE M. D'AMATO, New York CHRISTOPHER H. SMITH, New Jersey JOHN HEINZ, Pennsylvania JACK F. KEMP, New York JAMES McCLURE, Idaho JOHN EDWARD PORTER, Illinois MALCOLM WALLOP, Wyoming EXECUTIvR BRANCH HON. RICHARD SCHIFIER, Department of State Vacancy, Department of Defense Vacancy, Department of Commerce Samuel G. Wise, Staff Director Mary Sue Hafner, Deputy Staff Director and General Counsel Jane S. Fisher, Senior Staff Consultant Michael Amitay, Staff Assistant Catherine Cosman, Staff Assistant Orest Deychakiwsky, Staff Assistant Josh Dorosin, Staff Assistant John Finerty, Staff Assistant Robert Hand, Staff Assistant Gina M. Harner, Administrative Assistant Judy Ingram, Staff Assistant Jesse L. Jacobs, Staff Assistant Judi Kerns, Ofrice Manager Ronald McNamara, Staff Assistant Michael Ochs, Staff Assistant Spencer Oliver, Consultant Erika B. Schlager, Staff Assistant Thomas Warner, Pinting Clerk (11) CONTENTS Page Summary Letter of Transmittal .................... V........................................V Reform and Human Rights: The Gorbachev Record ................................................ -
Riga's Style in the Banking Busine
AIZKRAUKLES BANKA OFFERS YOU A NEW MEANS OF COMMUNICATION 003717 775555 AB.LV 7-77-55-55 ANNUAL REPORT 2005 25 FACTS AND NUMBERS A TRUE BANKER TO BE THE BEST MY RIGA RIGA GUIDE THE ISSUE OF THE HOME The Central Theme RIGA’S STYLE IN THE BANKING BUSINESS contents MY RIGA 02 Marija Naumova, Agnese Zeltiña, Mårtiña Rîtiñß, and Alvis Hermanis on Riga, its singularity, and their feelings on it. LETTER FROM THE EDITOR 03 The question of choice and new searches in the bank’s activi- ties. NEW IN 2005 04 Behind these events – Aizkraukles Banka and people, a brief review of our accomplishments. RIGA’S STYLE IN THE BANKING BUSINESS 06 AB.LV’s chairman of the board Ernests Bernis’ reflections on the bank’s current and future values. TO BE THE BEST 10 They have achieved the title, The Best. Coincidence of circum- stances, a great honour or a feeling of great responsibility? P.S. 13 AB.LV co-owner O¬egs Fi¬s knows the formula of success for a modern company. GUIDE 14 Our necklace – from the “pearls” of Riga tourism. Try it on for yourself! THE ISSUE OF THE HOME We will help you build a house and make it modern, striking 16 and homely. AB.LV’s portfolio of credit products and the advice of experts and designers are at your disposal. SUPPORT 20 Social responsibility – an integral part of any serious business’s reputation. About significant projects supported by the bank in 2005. FACTS AND FIGURES * 22 And once again about our accomplishments – laconically and graphically! For lovers of statistics, and not only WHAT DOES IT MEAN TO BE A TRUE BANKER? 24 AB.LV’s best employees paint a written portrait of the modern * Stability. -
Specifically Latvian Vol. 2
Specifically Latvian Vol. 2 Mārupīte, director Valters Sīlis A publication of Latvian Theatre Since the first Latvian Theatre Showcase held in 2003, things The nature of theatre as a whole also transforms as it finds Showcase 2013 here have notably changed. Most visibly, a new generation ways of breaking out of its frames of politeness, traditional of artists – directors, set designers, dramaturgs, and aesthetics and conservative taste. Younger directors no choreographers – have entered the scene, which, in terms longer evade harsh and potentially provocative themes, of the artistic energy introduced, matches their counterparts historically complicated situations or political issues, but, of the faraway 1990s (Viesturs Kairišs, Gatis Šmits, as opposed their predecessors who entered the stage in Dž. Dž. Džilindžers, and Regnārs Vaivars). In between, the 1990s, they are less audacious and scandalous. This the development in theatre was decent, but without tendency can be observed not only in Riga, but has also groundbreaking events, drastic changes in course or artistic reached theatres in other cities. In this year’s Showcase endeavors, which would resonate with the farthest reaches programme we present theatres from Valmiera and Liepāja of society (with the exception of Alvis Hermanis and his with their powerful productions and the remarkable work ensemble at the New Riga Theatre). The present generation of young actors. of young artists, each a strong personality of their own, It is wonderful to witness these changes and partake have not formed a particular artistic group, yet through in them, and yet all the indicated tendencies are still very collective spirit and mutual support they come across as fragile and uncertain. -
Centenary Magazine
Proem In collaboration with Satori Internet Magazine Editorial Staff Office Latvia 100 Ilmārs Šlāpins, Elizabete Lukšo-Ražinska, Anna Andersone Translator Kārlis Streips How to read English Editor Suzanne McQuade ourselves Typefaces Freight, Lapture LV100 information Centre If we compare a nation’s history to the length of a human life, then The National Library of Latvia Paper it is hard to know where its careless childhood ends, when maturity Mūkusalas Street 3, 1st floor, Rīga Maestro Print 190 g/m2, Amber graphic 90 g/m2 begins, and when the country starts to age or grow sick. No coun- try's beginning has been so careless, but its maturity and years of +371 67330350, +371 22013889 Design strength can appear at any moment. A country's centenary can be a [email protected] Kārlis Dovnorovičs: SIA You Made My Day long life that appears suddenly, without notice. lv100.lv The value of jubilees is that a round number is more likely to Publisher make you stop and think about what has happened, what you have Ascendum Association achieved and what you want to achieve in the future. Latvia's cente- January 2018 nary seems to be its adulthood, and we’re afforded a chance to look back at our origins, to get a sense of how we came to be what we are. UDK 08(474.3) We can identify our strengths, ambitions and the limitations of our Ce565 capabilities, formulating ideas about ourselves as well. ISBN 978-9934-8560-7-5 Just like a young person receiving his first passport, excited to choose the prettiest signature by repeating his name on a piece of paper over and over again, we await the arrival of the country's adulthood, repeating the word Latvia in various declinations, the shapes of the letters, beautiful phrases and words of congratula- tions. -
FREEDOM MONUMENT the Unveiling of the Freedom Monument
FREEDOM MONUMENT The unveiling of the Freedom Monument. November 18, 1935. The Freedom Monument is one the most outstanding historical, architectural and artistical monuments in Latvia. It was erected using donations from the people as a symbol of Latvia’s independence, which shows the respect and affection the Latvian people have towards their fatherland and freedom. The idea to build a monument dedicated to Latvia’s freedom was first announced in 1920, during the final days of the battles for independence. The project design competition was held in several rounds and lasted eight years. The monument’s Kārlis Zāle’s 100th birthday celebration. October 28, 1988 foundation stone was put into place on November 18, 1931. The Freedom Monument was unveiled and dedicated on November 18, 1935. It was constructed using sculptor Kārlis the monument leading upwards to the statue of Freedom, Zāle’s (1888-1942) design called Mirdzi kā Zvaigzne (Shine Like which holds three stars above her head, symbolizing the a Star). Ernests Štālbergs was the lead architect on the project, three historical regions of Latvia – Kurzeme, Vidzeme and with the iconic Freedom statue made by the Swedish metal Latgale. The universal ideas depicted on the Freedom craftsman Ragnar Myrsmeden (1889-1989). Monument are expressed in a spiritual and artistic form. The sculptural characters are genuinely, morally and aesthetically The idea of Freedom is depicted on the moment in a clear enlightening. architectural and sculptural language, enriched by symbolism and the depiction of historical events within the sculptural The Freedom Monument is 42.7 meters tall. groups: an obelisk as a bright and rousing carrier of the The monument is made up of 56 sculptures divided into idea of freedom, inspired by the characters and symbols on 13 sculptural groups on several levels. -
Baltic Exchange
VYTAUTAS MIS MAIJA EINFELDE Vakars _ Angelis suis Deus Lugšana Pater noster Debess v KINIS v S , Missa Rigensis Laudibus in sanctis Benedictio IS PRAULIN , BALTICUG URMAS SISASK EXCHANGE CHOIR OF TRINITY COLLEGE, CAMBRIDGE · STEPHEN LAYTON BALTIC EXCHANGE Choral works by Praulin, š, Einfelde, Sisask and Miškinis INGING LIES AT THE HEART of not just the musical, Baltic countries as ‘masterpieces of the oral and intangible but the social and ritual life of the Baltic states. heritage of humanity’. SImportant occasions, both private and public, are With choral music at the heart of the musical life of inevitably marked by the singing of songs. One might be the Baltics it is not surprising that the medium has been forgiven for thinking that every second person in Estonia, a central preoccupation for many of their composers. A Latvia and Lithuania is a member of a choir: amateur degree of isolation from international trends in new music choral singing is taken very seriously and is of a very high (frequently turning into outright proscription) meant that standard, and several of the professional groups in the the centre of gravity for composers in the west of the Soviet region must be counted among the great choirs of the Union was very different from that of their colleagues world. beyond the Iron Curtain; such (thoroughly digested) For most of their history the Baltic nations were under influences as may be detected tend to come from Poland occupation; when ordinary people had little access to and Russia, from folk song and early music, rather than education or professional music-making, singing (which from Darmstadt or IRCAM. -
Third Report Submitted by Latvia Pursuant to Article 25, Paragraph 2 of the Framework Convention for the Protection of National Minorities
Strasbourg, 6 December 2016 ACFC/SR/III(2016)001 Third Report submitted by Latvia pursuant to Article 25, paragraph 2 of the Framework Convention for the Protection of National Minorities (Received on 6 December 2016) Third Report on the Implementation of the Framework Convention for the Protection of National Minorities by the Republic of Latvia Rīga, 2016 2 List of Abbreviations ANCAL Association of National Cultural Associations of Latvia ACNM Advisory Council on National Minorities CL Criminal Law EEA European Economic Area EMM electronic mass media LJTC Latvian Judicial Training Centre LLA Latvian Language Agency MC Ministry of Culture MES Ministry of Education and Science MoI Ministry of the Interior NEMMC National Electronic Mass Media Council NGO non-governmental organisation OCMA Office for Citizenship and Migration Affairs PHARE financial instrument of the European Union for financial and technical co- operation with Central and Eastern European countries SIF Society Integration Fund SLC State Language Centre USSR Union of Soviet Socialist Republics 3 Introduction Procedure for drafting and adoption of the Report 1. On 26 May 2005, the Parliament of Latvia (the Saeima) ratified the Council of Europe Framework Convention for the Protection of National Minorities (hereinafter – the Convention), and it entered into force on 1 October 2005. The Second State Report on the implementation of the Convention (hereinafter – the Second Report) was submitted on 3 September 2012. The second cycle of monitoring the implementation of the Convention