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Transmedia HOLLYWOOD, HEALTH & SOCIETY • USC ANNENBERG NORMAN LEAR CENTER
Transmedia HOLLYWOOD, HEALTH & SOCIETY • USC ANNENBERG NORMAN LEAR CENTER Our Work in the Digital Realm Hollywood, Health & Society is a free, non-profit resource based at the USC Annenberg Norman Lear Center that connects TV creative teams with top health and climate change experts. These ser- vices are also available to those producing new media content on television show websites and social media platforms. In fact, we have already built up a substantial portfolio of work in the digi- tal realm. Among other projects, HH&S has: ➻ Parenthood / The Experts Speak Provided experts and coordinated responses for “The Experts Speak” feature on Asperger’s/ASD Coordinated with experts on bioterrorism for on the Parenthood (NBC) website. features on the website and third season DVD of 24 Provided an expert for MTV International’s (FOX). World AIDS Day online “Ask The Doctor” feature. Worked with ABC to develop a Q&A on the General Partnered with Army Wives and Lifetime Televi- Hospital website, answering viewer’s questions about sion on multi-episode storylines dealing with an on-air storyline dealing with HIV. Type 2 diabetes and traumatic brain injuries. New Partnered with Telemundo and the Centers for Dis- media components included informational pages ease Control and Prevention to create health-related, on mylifetime.com and Army Wives-themed show-specific websites for telenovelas (Pecados pages on cdc.gov. Social media included tweets Ajenos, Amarte Así) in both Spanish and English. on @CDCgov, @OfficialArmyWives, and @Real- Coordinated a pro-social, transmedia (television, WendyDavis (star of Army Wives) and a special radio, workshops, Internet) campaign with Sin Senos Facebook page (monitored by the CDC) for fans No Hay Paraíso. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
MTV International
Brand/Rebrand: MTV International 07.16.2015 In 1987, Sting sang the iconic words "I want my MTV" on the Dire Straits single "Money for Nothing." Now, nearly 30 years later, he can finally have it, thanks to an MTV International rebrand that hands a healthy portion of its channels' on-air real estate over to the viewers. Unofficially dubbed "I am my TV," the flashy centerpiece of the new MTVI is #MTVBump, an online platform that lets viewers upload their own videos to be considered as idents, or by submitting them through Instagram and Vine using the aforementioned hashtag. At the same time, the Viacom network has provided each of the regions across the 160+ countries in which it resides with a digital toolkit packed with hundreds of lo-fi-yet-chic animated backgrounds and 3D animated objects, then given them free reign to combine them at will. The goal, said Sean Saylor, VP of creative at MTV International, was "for it to feel fun" for each region to implement the new assets, "to mix and match them as much as they want and to make them feel unique and relevant to their audience… It's coming from the same direction aesthetically but it always looks a little different." MTVI has always packed its airwaves with imaginative design elements (a fresh new slate of its legendary Art Breaks also populate the rebrand), creating what is at least the illusion of an anything-goes aesthetic well-suited to its audience. But this new amalgamation of user-generated content and local in-house creative independence makes the illusion a reality - the brand is ceding control of its airwaves to a degree unprecedented in linear television, giving literally anyone in the world the chance to help dictate its look and feel. -
The Speakers and Chairs 2016
WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy -
Docuwatch Digitales Fernsehen
DocuWatch Digitales Fernsehen Im Auftrag der Landesmedienanstalten 2/99 1. AUSTRALIEN: ÜBERGANG ZU DIGITALER VERBREITUNG UND FELDVERSUCHE 2 2. JAPAN: WEIßBUCH “COMMUNICATIONS IN JAPAN” U.A. 4 3. FRANKREICH: STUDIE UND WEIßBUCH ZUM TERRESTRISCHEN DIGITALEN FERNSEHEN 6 4. EINZELTHEMEN 8 4.1. Großbritannien: ITC und OFTEL zum Bundling 8 4.2. Großbritannien: ITC zum Vorschlag einer Gebührenerhöhung bei digitalem Empfang 8 4.3. Großbritannien: Reaktionen auf das britische Konvergenz-Grünbuch 9 4.4. Großbritannien: ITC Guidelines für Gebärdensprache im DTV 9 4.5. Singapur übernimmt DVB-Standard 9 4.6. USA: V-Chip Implementation verläuft planmäßig 9 4.7. USA: Department of Commerce zu E-Business 9 4.8. Communications Regulatory Policy Unit der DG XIII: Multimedia Regulation 10 4.9. LfK: Bericht über Erprobungsprojekt Mediendienste 10 5. LITERATURHINWEISE 11 5.1. Zeitschriften 11 5.2. Buchveröffentlichungen 13 6. ANHÄNGE 15 6.1. Anzahl der Abonnenten von Programmpaketen /1993-1998 16 6.2. Digitale Satelliten-Programmpakete / Februar 1999 17 Zum DocuWatch Um die Entwicklung digitalen Fernsehens begleiten zu können, benötigen Entscheidungsträger bei den Regulierungsinstanzen ebenso wie alle anderen Beobachter kontinuierlich Informationen. Das Hans- Bredow-Institut sichtet im Auftrag der Arbeitsgemeinschaft der Landesmedienanstalten (ALM) Dokumente aus dem wissenschaftlichen Bereich sowie von Regulierungsinstanzen, in- und ausländischen sowie supra- nationalen Organisationen und Verbänden und erstellt Zusammenfassungen, die auf die für die Arbeit der Landesmedienanstalten relevanten Fragen focussiert sind. Im Mittelpunkt stehen dabei neben inländischen Institutionen solche aus den USA, Kanada, Großbritannien und Frankreich. Daneben wird die am Institut gesammelte wissenschaftliche Literatur ausgewertet. Arbeitsgruppe digitales Fernsehen am Hans-Bredow-Institut Uwe Hasebrink, Friedrich Krotz, Wolfgang Schulz sowie Fernando Reimann Redaktionsschluß 31. -
Weekly Highlights Week 04/05: Sat 30Th January - Fri 5Th February 2021
Weekly Highlights Week 04/05: Sat 30th January - Fri 5th February 2021 Joanna Lumley’s Home Sweet Home - Travels in My Own Land Tuesday, 8pm The presenter sets off on a journey around the UK. This information is embargoed from reproduction in the public domain until Tue 26th January 2021. Press contacts Further programme publicity information: ITV Press Office [email protected] www.itv.com/presscentre @itvpresscentre ITV Pictures [email protected] www.itv.com/presscentre/itvpictures ITV Billings [email protected] www.ebs.tv This information is produced by EBS New Media Ltd on behalf of ITV +44 (0)1462 895 999 Please note that all information is embargoed from reproduction in the public domain as stated. Weekly highlights Simply Raymond Blanc Saturday, 11.40am 30th January ITV Join Raymond Blanc and enjoy some Le Manoir Magic as he rustles up a selection of simple yet delicious dishes from the heart of his Oxfordshire kitchen. In this series opener, the chef is joined by Angela Hartnett, who’s cooking a stunning tagliatelle for her friend. Plus, the host creates food for every palette, from a sumptuous meringue with blackcurrant coulis to a heritage salad with beetroot. The Masked Singer Saturday, 7pm 30th January ITV TV’s craziest guessing game continues its second series. Joel Dommett presents as a gang of celebrities don costumes and sing with their identities hidden. There are shocks in store as the remaining seven are cut to five in a double elimination. Will Rita Ora, Jonathan Ross, Davina McCall, Mo Gilligan and guest Alan Carr be able to guess who is performing? Two singers are unmasked at the end of tonight’s show. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
The History of the Development of British Satellite Broadcasting Policy, 1977-1992
THE HISTORY OF THE DEVELOPMENT OF BRITISH SATELLITE BROADCASTING POLICY, 1977-1992 Windsor John Holden —......., Submitted in accordance with the requirements for the degree of PhD University of Leeds, Institute of Communications Studies July, 1998 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others ABSTRACT This thesis traces the development of British satellite broadcasting policy, from the early proposals drawn up by the Home Office following the UK's allocation of five direct broadcast by satellite (DBS) frequencies at the 1977 World Administrative Radio Conference (WARC), through the successive, abortive DBS initiatives of the BBC and the "Club of 21", to the short-lived service provided by British Satellite Broadcasting (BSB). It also details at length the history of Sky Television, an organisation that operated beyond the parameters of existing legislation, which successfully competed (and merged) with BSB, and which shaped the way in which policy was developed. It contends that throughout the 1980s satellite broadcasting policy ceased to drive and became driven, and that the failure of policy-making in this time can be ascribed to conflict on ideological, governmental and organisational levels. Finally, it considers the impact that satellite broadcasting has had upon the British broadcasting structure as a whole. 1 TABLE OF CONTENTS Abstract i Contents ii Acknowledgements 1 INTRODUCTION 3 British broadcasting policy - a brief history -
Appendix A: Non-Executive Directors of Channel 4 1981–92
Appendix A: Non-Executive Directors of Channel 4 1981–92 The Rt. Hon. Edmund Dell (Chairman 1981–87) Sir Richard Attenborough (Deputy Chairman 1981–86) (Director 1987) (Chairman 1988–91) George Russell (Deputy Chairman 1 Jan 1987–88) Sir Brian Bailey (1 July 1985–89) (Deputy Chairman 1990) Sir Michael Bishop CBE (Deputy Chairman 1991) (Chairman 1992–) David Plowright (Deputy Chairman 1992–) Lord Blake (1 Sept 1983–87) William Brown (1981–85) Carmen Callil (1 July 1985–90) Jennifer d’Abo (1 April 1986–87) Richard Dunn (1 Jan 1989–90) Greg Dyke (11 April 1988–90) Paul Fox (1 July 1985–87) James Gatward (1 July 1984–89) John Gau (1 July 1984–88) Roger Graef (1981–85) Bert Hardy (1992–) Dr Glyn Tegai Hughes (1983–86) Eleri Wynne Jones (22 Jan 1987–90) Anne Lapping (1 Jan 1989–) Mary McAleese (1992–) David McCall (1981–85) John McGrath (1990–) The Hon. Mrs Sara Morrison (1983–85) Sir David Nicholas CBE (1992–) Anthony Pragnell (1 July 1983–88) Usha Prashar (1991–) Peter Rogers (1982–91) Michael Scott (1 July 1984–87) Anthony Smith (1981–84) Anne Sofer (1981–84) Brian Tesler (1981–85) Professor David Vines (1 Jan 1987–91) Joy Whitby (1981–84) 435 Appendix B: Channel 4 Major Programme Awards 1983–92 British Academy of Film and Television Arts (BAFTA) 1983: The Snowman – Best Children’s Programme – Drama 1984: Another Audience With Dame Edna – Best Light Entertainment 1987: Channel 4 News – Best News or Outside Broadcast Coverage 1987: The Lowest of the Low – Special Award for Foreign Documentary 1987: Network 7 – Special Award for Originality -
Hegelved Federal Communications Commission Washington, D.C
Before the HEGElVED Federal Communications Commission Washington, D.C. FEB 192003 In the Matter of j mp.4~ LDMMUNWTKIkS - GO LwILT OF NEmxiElm 2002 Biennial Regulatory Review - Review of the ) MB Docket No. 02-277 commission’s Broadcast Ownership Rules ) ) Cross-Ownership of Broadcast Stations and Newspapers ) MM Docket No.01-235 ) Rules and Policies Concerning Multiple ) MM Docket No. 01-317 Ownership of Radio Broadcast Stations in Local Markets ) 1 Definition of Radio Markets ) MM Docket No. 00-244 To: The Secretary Federal Communications Commission ERRATUM By the Coalition for Program Diversity This Erratum pertains to the Reply Comments of the Coalition for Program Diversity filed at the Commission on February 3, 2003 and substitutes: (1) The attached page 4 for page 4. (2) The attached page 14 for page 14. (3) The attached page 2 of the Appendix for page 2 of the Appendix. Should you have any questions, please contact the undersigned. COALITION FOR PROGRAM DIVERSITY dichael R. Gardner The Law Offices of Michael R. Gardner, P.C. Ziffren, Brittenham, Branca, Fischer, Gilbert-Lurie & Stiffelman February 10, 2003 owned 46.5 hours of diverse prime time programming on the networks’ weekly prime time schedule just ten years ago,‘ owned only 17 hours of the networks’ weekly prime time schedule at the beginning of the current (2002 - 2003) broadcast season.’ In 1992, 66.4% of the networks’ prime time schedule consisted of diverse programs - including dramas, sitcoms, news programs, sports, action dramas, movies of the week - produced and owned by independent producers.6 Today only 24% of the network’s collective prime time schedule is produced by independent producers.’ Today, only six independent producers had their series programming aired in 2002 on the networks’ prime time schedules.’ By contrast, in 1985, 26 independent producers programmed most of the networks’ prime time schedules - diverse schedules that included sitcoms, dramas and movies of the week. -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers 1939-2000 (bulk 1970-2000) Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English Access Open for research Administrative Information Acquisition Purchases and gifts, 1991-2000 Processed by Katherine Mosley, 1993-2000 Repository: Harry Ransom Center, University of Texas at Austin Stoppard, Tom Manuscript Collection MS-4062 Biographical Sketch Playwright Tom Stoppard was born Tomas Straussler in Zlin, Czechoslovakia, on July 3, 1937. However, he lived in Czechoslovakia only until 1939, when his family moved to Singapore. Stoppard, his mother, and his older brother were evacuated to India shortly before the Japanese invasion of Singapore in 1941; his father, Eugene Straussler, remained behind and was killed. In 1946, Stoppard's mother, Martha, married British army officer Kenneth Stoppard and the family moved to England, eventually settling in Bristol. Stoppard left school at the age of seventeen and began working as a journalist, first with the Western Daily Press (1954-58) and then with the Bristol Evening World (1958-60). -
Reconciling Cultural Diversity and Free Trade in the Digital Age: a Cultural Analysis of the International Trade in Content Items Claire Wright
The University of Akron IdeaExchange@UAkron Akron Law Review Akron Law Journals July 2015 Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items Claire Wright Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: http://ideaexchange.uakron.edu/akronlawreview Part of the International Law Commons, and the International Trade Law Commons Recommended Citation Wright, Claire (2008) "Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items," Akron Law Review: Vol. 41 : Iss. 2 , Article 3. Available at: http://ideaexchange.uakron.edu/akronlawreview/vol41/iss2/3 This Article is brought to you for free and open access by Akron Law Journals at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Akron Law Review by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. Wright: Reconciling Cultural Diversity and Free Trade WRIGHT_FINAL 3/23/2009 2:40 PM RECONCILING CULTURAL DIVERSITY AND FREE TRADE IN THE DIGITAL AGE: A CULTURAL ANALYSIS OF THE INTERNATIONAL TRADE IN CONTENT ITEMS Claire Wright* I. Introduction ....................................................................... 401 II. Background Information.................................................... 415 A. Cultural Diversity on the Global Level ....................... 415 B. International Media Conglomerates ............................ 420 C. Global Content Markets .............................................. 428 D. Digital Technology ..................................................... 432 III. Cultural Studies ................................................................. 439 A. Cultural Studies as a Discipline .................................