DOCSLIB.ORG

Communiqué De Presse

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Communiqué De Presse Press Release, September 2012 Doug Aitken ALTERED EARTH 20th October – 20th November, 2012 Parc des Ateliers Grande Halle 33 avenue Victor Hugo – 13200 Arles, France. Contacts Presse [email protected] © Doug Aitken Workshop and LUMA Foundation « The Camargue is a mysterious, naturally sculpted land emitting a rough beauty and individuality. This is a setting where German bunkers are being reclaimed by migratory birds, and where the river Rhône spreads out to the Mediterranean Sea over shallow lagoons, revealing vast salt mines. ALTERED EARTH is not a documentary: it is a project which explores a kaleidoscopic interpretation of the modern landscape […] » Doug Aitken. As part of the 2012 program, the LUMA Foundation is pleased to announce a new exhibition by American artist, Doug Aitken: ALTERED EARTH. The exhibition will take place from 20th October- 20th November 2012, in the Grande Halle of the Parc des Ateliers in Arles, France. ALTERED EARTH – is a 21st century Earthwork. This multimedia work is described by Doug Aitken as “a series of moments and fragments of time focussing on the geography of the Camargue”, which provides “an almost holographic view of the physical landscape.” The work exists through moving images, sound and architecture, exploring the ever-changing landscape. It is a work of Land art for the electronic era. The installation of ALTERED EARTH creates a form of liquid architecture out of large scale moving images where the viewer explores a labyrinth of synchronized moving images, which explore new definitions of time and place. The artwork is conceived as a truly connected multimedia experience. As the work produces its own architecture, and, by extension, its own landscape, Doug Aitken has also developed a form for ALTERED EARTH, through which the work might “reconfigure itself architecturally and its content can continuously shift.” It was this thinking that led to the conception of the digital application ALTERED EARTH, as a means by which the spectator can interact with this landscape and “have a new dialogue with it, each time they encounter it “. The application is free and can be downloaded at www.doug-aitken-arles.com. A new, updated version of the app will be available during the exhibition and visitors are invited to experiment with it. ALTERED EARTH will be projected as a freestanding installation in the Grande Halle of the Parc des Ateliers in Arles, France. The installation will consist of 12 screens measuring 8.5m by 4.78m, suspended 60cm from the ground. Through this medium of multi-screen video, ALTERED EARTH immerses the visitor in a world of moving images, offering a unique experience of strolling through a new form of landscape. Doug Aitken’s work, commissioned and produced by the LUMA Foundation as the foundation started to think of the development of the Parc des Ateliers in Arles- the capital city of the Camargue- is unique and is intrinsically linked to the region. The artist wanted the work to remain anchored in its original surroundings and be site-specific. For this reason, the work will not be re- edited and the exhibition “will not travel outside the landscape in which it was born. The work is conceived from the DNA of the Camargue landscape and will only ever physically exist there.” ALTERED EARTH- Arles, a city of moving images was first projected onto a purpose-built transparent screen placed on Place de la République in Arles in July 2011 during the opening of the Rencontres internationales de la Photographie. A second station of this piece took place in London at the Serpentine Gallery in October 2011, where the ALTERED EARTH App was launched. For its third manifestation, the exhibition is housed in the Grande Halle which is one of the existing buildings in the Parc des Ateliers where the LUMA Foundation is planning a new center for production of ideas, art and exhibitions. Performance The exhibition ALTERED EARTH will open with a performance by Californian composer Terry Riley and special guest, combining music and contemporary art. The opening of ALTERED EARTH will become a night of sound and vision. A live, one-hour, performance will merge experimental music and contemporary art, creating a unique experience. The idea is to break down the stage and the barriers that separate music and image. The installation will become a seamless experience that empowers the viewer to embrace the essence of the creative moment. Concurrent with the ALTERED EARTH performance, the viewer can move through different configurations of the installation. Each viewer will be individually and uniquely constructing narratives from what surrounds them. The performance will be recorded to become the original score for the piece and the apps. Biographies Doug Aitken Doug Aitken was born in California in 1968. He lives and works in Los Angeles and New York. Widely known for his innovative fine art installations, Doug Aitken is at the forefront of 21st century communication. Utilizing a wide array of media and artistic approaches, his eye leads us into a world where time, space, and memory are fluid concepts. Aitken’s body of work ranges from photography, sculpture, and architectural interventions, to films, sound, single and multi-channel video works, and installations. His work has been featured in numerous solo and group exhibitions around the world, in such institutions as the Whitney Museum of American Art, The Museum of Modern Art, the Vienna Secession, the Serpentine Gallery in London and the Centre Georges Pompidou in Paris. He participated in the Whitney Biennial 1997 and 2000 and earned the International Prize at the Venice Biennale in 1999 for the installation Electric earth. Aitken’s Sleepwalkers exhibition at MoMA in 2007 transformed an entire block of Manhattan into an expansive cinematic experience as he covered the museum’s exteriors walls with projections. In 2009, his Sonic Pavilion opened to the public in the forested hills of Brazil at the new cultural foundation INHOTIM. Aitken’s multiform artwork Black Mirror engaged a site- specific multi-channel video installation and a live theatre performance on a uniquely designed barge floating off Athens and Hydra Island, Greece. In 2012, with the presentation of his video work Song1 on the circular façade of the Hirshhorn Museum in Washington D.C., spring 2012, Aitken proved once more his ability to identify and explore the possibilities for using almost anything as a projection surface. The video installation, visible and above all audible from afar, used the museum’s special architecture to suggest a unique, timeless loop of partly fragmented, partly overlapping moving images. This work is currently showcased at the gallery Eva Presenhuber in Zurich, Switzerland (from September 1 to October 20, 2012). Also in autumn 2012, Aitken’s first public realm installation entitled The Source is to be launched in the UK at Tate Liverpool, as part of the Liverpool Biennale 2012. From 15 September 2012 – 13 January 2013, The Source will showcase the artist’s pioneering approach to public art. Terry Riley Terry Riley, born on 24th June 1935 in California, is a contemporary American composer. Terry Riley launched what is now known as the Minimalist movement with his revolutionary classic IN C in 1964. This seminal work provided a new concept in musical form based on interlocking repetitive patterns. Its impact was to change the course of 20th Century music and its influence has been heard in the works of prominent composers such as Steve Reich, Philip Glass and in the music of Rock Groups such as The Who, Radiohead, Brian Eno, and David Bowie and many others. Terry Riley's hypnotic, multi-layered, polymetric, brightly orchestrated eastern flavoured improvisations and compositions set the stage for the prevailing interest in a new tonality. Riley has been cited as being one of the most important composers of the second half of the 20th century. Doug Aitken ALTERED EARTH - Arles, city of moving images Parc des Ateliers Grande Halle 33 avenue Victor Hugo 13200 Arles, France. 20 October – 20 November, 2012 Mon - Fri 13-18.30h Sat & Sun 11-18.30h Entry 5 Euros Entry is free to the inhabitants of Arles at all times. Contacts Brunswick Arts: Leslie Compan 06 29 18 48 12 [email protected] [email protected] Mustapha Bouhayati 06 10 57 38 99 [email protected] NOTES TO THE EDITORS Abstract from a conversation between Doug Aitken & Hans Ulrich Obrist, March 2011 […] “Altered Earth is a site-specific work, a series of moments and fragments of time focusing on the geography of the Camargue, an almost holographic view of the physical landscape. The work is unique to the landscape it was created in. It is conceived from the DNA of the Camargue landscape and will only ever physically exist there. […] […] Change is at the core of this work, the idea that the installation can reconfigure itself architecturally and its content can continuously shift so viewers can have a new dialogue with it each time they encounter it. […][…] The work is its own image architecture, its own psychological landscape. I was very interested in the idea of producing ‘image architecture’ in which images and sounds – through editing and synchronicity – create the sense of architectural form. […] […]With this project I’m interested in creating a more abstract space, less anchored or defined, in which viewers can be drawn into the landscape the work creates and generate their own narrative. […] […]So much Earth Art was created by reforming and reshaping the earth, aggressively bulldozing the landscape; whereas I was interested in a different approach in which the moving image and sound have no impact at all on the land, but instil the work with a strange and elusive energy.” […] Doug Aitken The LUMA Foundation and the Parc des Ateliers This exhibition follows suit in a series of exhibitions and conferences organised by the LUMA Foundation in Arles and is leading up to the build of a new centre, the Parc des Ateliers, committed to the production of art, exhibitions and ideas.
Load more

Recommended publications
  • Key Title Information IT's URGENT!
    Key title information IT’S URGENT! Product Details A LUMA Project curated by Hans Ulrich Obrist £28.00 Editor(s) Luma Foundation Publisher Walther Koenig ISBN 9783960989363 “The point of departure for IT’S URGENT! is an exhibition model that I Format softback started (with Christian Boltanski and Betrand Lavier) in 1993 with DO Pages 320 IT. For this on-going, flexible and open-ended show, we invite artists to Illustrations 152 colour, 5 b&w write instructions, scores and recipes that can then be interpreted by others each time they are presented.” – Hans Ulrich Obrist Dimensions 310mm x 210mm Weight 1589 This book features all 153 original posters created by the 127 artists invited to participate in IT’S URGENT!, an open form touring exhibition. Publication Date: Feb 2021 IT’S URGENT! aims to make the artists’ ideas available to all, open up to new audiences and insert them into public life and the community at large. Artists from all over the world responded to this invitation to address the most pressing themes of our times – ecology, inequality, common future, solidarity, anti-racism and social justice had a profound presence in this vast ensemble of creative endeavour. Artists include – Etel Adnan, Tania Bruguera, Olafur Eliasson, Hans Haacke, Wolfgang Tillmans, Rirkrit Tiravanija, David Adjaye, Mark Bradford, Judy Chicago, Douglas Coupland, Jimmie Durham, Formafantasma, Cao Fei, Fernando Garcia-Dory, Liam Gillick, Renée Green, Newton Harrison, Luchita Hurtado, Pierre Huyghe, Koo Jeong A, Josh Kline, Suzanne Lacy, Yoko Ono, Trevor Paglen, Raymond Pettibon, Raqs Media Collective, Peter Saville, Stephen Shore, Lawrence Weiner, and Stanley Whitney.
    [Show full text]
  • Frieze New York
    FRIEZE NEW YORK Press Release Precious Okoyomon Wins 2021 Frieze Artist Award at Frieze New York New York, US (February 25, 2021) – New York-based artist Precious Okoyomon is the winner of the 2021 Frieze Artist Award. Supported by the Luma Foundation, the award presents a major opportunity for an emerging artist to debut an ambitious new commission at Frieze New York. Launched in 2018, the initiative furthers the established program of Artist Award commissions at Frieze London. Previous recipients of the award at Frieze New York include Lauren Halsey and Kapwani Kiwanga. This year, Frieze New York will take place for the first time at The Shed in Manhattan, from May 5 – 9, 2021. The fair is supported by global lead partner Deutsche Bank, continuing a shared commitment to artistic excellence. Okoyomon’s commission was selected by a jury chaired by Jenny Schlenzka (Executive Artistic Director at Performance Space New York), and featuring Ralph Lemon (Artistic Director, Cross Performance), Vassilis Oikonomopoulos (Senior Curator, Luma Arles), and Stuart Comer (Chief Curator of Media and Performance Art, MOMA). Loring Randolph, Director of Programming for Frieze New York said: ‘In recent years, the Frieze Artist Award in New York and Luma Foundation have debuted significant large- scale sculptures by leading international artists. In 2021, we could not be more excited to work with an exceptional New Yorker, Precious Okoyomon on realizing their live project in collaboration with The Shed. It has been hugely beneficial to work with Jenny Schlenzka of Performance Space, a leading institution moving boundaries in New York, and our expert jury who are the world’s tastemakers in performance art amongst much more.’ Jenny Schlenzka, Executive Artistic Director at Performance Space New York added: ‘The jury is proud to present Precious Okoyomon with the Frieze Artist Award.
    [Show full text]
  • 25Th Anniversary
    25th Anniversary Montblanc de la Culture 25th Anniversary Montblanc de la Culture Arts Patronage Award Arts Patronage Montblanc de la Culture 25th Anniversary Arts Patronage Award 1992 25th Anniversary Montblanc de la Culture Arts Patronage Award 2016 Anniversary 2016 CONTENT MONTBLANC DE LA CULTURE ARTS PATRONAGE AWARD 25th Anniversary — Preface 04 / 05 The Montblanc de la Culture Arts Patronage Award 06 / 09 Red Carpet Moments 10 / 11 25 YEARS OF PATRONAGE Patron of Arts — 2016 Peggy Guggenheim 12 / 23 2015 Luciano Pavarotti 24 / 33 2014 Henry E. Steinway 34 / 43 2013 Ludovico Sforza – Duke of Milan 44 / 53 2012 Joseph II 54 / 63 2011 Gaius Maecenas 64 / 73 2010 Elizabeth I 74 / 83 2009 Max von Oppenheim 84 / 93 2 2008 François I 94 / 103 3 2007 Alexander von Humboldt 104 / 113 2006 Sir Henry Tate 114 / 123 2005 Pope Julius II 124 / 133 2004 J. Pierpont Morgan 134 / 143 2003 Nicolaus Copernicus 144 / 153 2002 Andrew Carnegie 154 / 163 2001 Marquise de Pompadour 164 / 173 2000 Karl der Grosse, Hommage à Charlemagne 174 / 183 1999 Friedrich II the Great 184 / 193 1998 Alexander the Great 194 / 203 1997 Peter I the Great and Catherine II the Great 204 / 217 1996 Semiramis 218 / 227 1995 The Prince Regent 228 / 235 1994 Louis XIV 236 / 243 1993 Octavian 244 / 251 1992 Lorenzo de Medici 252 / 259 IMPRINT — Imprint 260 / 264 Content Anniversary Preface 2016 This year marks the 25th anniversary of the Montblanc Cultural Foundation: an occasion to acknowledge considerable achievements, while recognising the challenges that lie ahead. Since its inception in 1992, through its various yet interrelated programmes, the Foundation continues to appreciate the significant role that art can play in instigating key shifts, and at times, ruptures, in our perception of and engagement with the cultural, social and political conditions of our times.
    [Show full text]
  • The New Museum, LUMA Arles, and the LUMA Foundation Present Forty
    FOR IMMEDIATE RELEASE PRESS CONTACTS: May 8, 2017 Paul Jackson, Communications Director [email protected] 212.219.1222 x217 [email protected] The New Museum, LUMA Arles, and the LUMA Foundation Present Forty-Two International Fellows Will Participate in a Five-Day Residency Program in Arles Leading up to a Public Conference on May 27, 2017 LUMA Foundation’s Parc des Ateliers, Arles Photo: Victor Picon New York, NY…The New Museum is pleased to announce the program and featured participants of IdeasCity Arles, held in partnership with LUMA Arles and the LUMA Foundation, extending a collaboration that began at IdeasCity Detroit and continued at IdeasCity Athens. Led by IdeasCity Director, Joseph Grima, IdeasCity Arles will take place from May 22 to 27, 2017, and will feature an intensive five-day residency program with forty-two Fellows, culminating in a public conference featuring Kunlé Adeyemi, Amale Andraos, Michel Bauwens, Raphaële Bidault-Waddington, Bouchra Khalili, Rem Koolhaas, Ben Vickers, and Amanda Williams, among others. The public conference, which will be free and open to the public, will feature a keynote lecture by Rem Koolhaas and will take place on Saturday, May 27, 2017, at the Grande Halle, Parc des Ateliers in Arles. IdeasCity—the New Museum’s platform to explore the future of cities—will work in partnership with local community organizations in Arles to tackle key issues specific to the region. Building upon discussions initiated in Detroit and Athens, IdeasCity Arles will address the future city, looking at key forces that shape Arles and the Camargue region today. Working alongside local stakeholders in Arles to investigate the countryside as a place where urban change is accelerating, IdeasCity will develop “scenarios for a City in a Bioregion” through the following themes: City of Culture & Agriculture, Twenty-First-Century Factory Town, City as Campus, UNESCO City 3.0, and Global Village.
    [Show full text]
  • Aitken Full CV
    DOUG AITKEN BORN 1968 Born in Redondo Beach, CA EDUCATION 1987-91 Art Center College of Design, BFA, Pasadena, CA 1986-87 Marymount College, Palos Verdes, CA SOLO EXHIBITIONS 2019 Return to the Real, Victoria Miro Gallery, London UK NEW ERA, Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis Sonic Mountain (Sonoma), The Donum Estate, Sonoma, CA New Horizon: Art and the Landscape, The Trustees of Reservations’ Public Art Initiative, Various Locations in Massachusetts including Martha’s Vineyard, Greater Boston, and the Berkshires Doug Aitken, Faurschou Foundation, Beijing, China Doug Aitken, Don’t Forget to Breathe, 6775 Santa Monica Boulevard, Los Angeles, CA Doug Aitken, Mirage Gstaad, Elevation 1049: Frequencies, Gstaad, Switzerland 2018 Mirage Detroit, State Savings Bank, Detroit, MI Doug Aitken, Copenhagen Contemporary, Copenhagen, Denmark Doug Aitken, Galerie Eva Presenhuber, Zurich, Switzerland New Era, 303 Gallery, New York, NY Doug Aitken, Massimo De Carlo, Hong Kong, China 2017 Doug Aitken: Electric Earth, Modern Art Museum of Fort Worth, Fort Worth, TX Mirage, Desert X, Palm Springs, CA migration (empire), Minneapolis Institute of Art, Minneapolis, MN 2016 Doug Aitken, Underwater Pavilions, Parley for the Oceans and The Museum of Contemporary Art, Los Angeles, Pacific Ocean near Catalina Island, CA Doug Aitken: Electric Earth, Museum of Contemporary Art, Los Angeles, Los Angeles, CA Doug Aitken: twilight, Peder Lund, Oslo, Norway 2015 Schirn Kunsthalle, Frankfurt, Germany Victoria Miro Gallery, London,
    [Show full text]
  • PRESS RELEASE Doug Aitken Opens Multiple Projects Across Europe This Summer
    PRESS RELEASE Wednesday 25 March 2015 Doug Aitken opens multiple projects across Europe this summer Victoria Miro is delighted to announce a solo exhibition by Doug Aitken at the Mayfair gallery opening on 12 June. This summer marks a significant moment in the American artist’s career with two important European institutions celebrating his work: Station to Station opens at London’s Barbican on 27 June and a major survey exhibition opens at the Schirn Kunsthalle Frankfurt on 9 July. Victoria Miro Mayfair 12 June – 31 July 2015 This specific constellation of five key works has been conceived for the gallery by Doug Aitken and deals with contemporary ideas of time through the use of sound, touch, light and reflectivity, with each work existing in a zone between abstraction and representation. At the core of the exhibition is Eyes closed, wide awake (Sonic Fountain II), 2014, a free-standing sonic sculpture which combines water and sound to create an optical and auditory experience. Schirn Kunsthalle Frankfurt 9 July – 27 September 2015 With four expansive film installations and correlating sculptures as well as a site-specific sound installation, this major survey exhibition in Germany will present an overview of the internationally renowned artist’s heterogeneous oeuvre throughout the entire exhibition area of the Schirn – and beyond. The exhibition will be curated by Matthias Ulrich. Station to Station: A 30 Day Happening, Barbican 27 June – 26 July 2015 The Barbican stages the only international stop of Station to Station, Doug Aitken’s experiment in spontaneous artistic creation. A ‘living exhibition’ encouraging cross-disciplinary collaborations among artists from different backgrounds, Station to Station takes over the Barbican’s indoor and outdoor spaces for 30 days, drawing together an inspiring and diverse fusion of international and UK- based artists from the world of contemporary art, music, dance, graphic design and film – much of it created live in the space.
    [Show full text]
  • Virtual and Physical Environments in the Work of Pipilotti Rist, Doug Aitken, and Olafur Eliasson
    Virtual and Physical Environments in the work of Pipilotti Rist, Doug Aitken, and Olafur Eliasson A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree MASTER OF ART in the Art History Program of the College of Design, Architecture, Art, and Planning April 2012 by Ashton Tucker B.A., Bowling Green State University College of Arts and Sciences Committee Chair: Morgan Thomas, Ph.D. Reader: Kimberly Paice, Ph.D. Reader: Jessica Flores, M.A. ABSTRACT The common concerns of artists Pipilotti Rist (b. 1962), Doug Aitken (b. 1968), and Olafur Eliasson (b. 1967) are symptomatic of key questions in contemporary art and culture. In this study, I examine key works by each artist, emphasizing their common interest in the interplay of virtual space and physical space and, more generally, their use of screen aesthetics. Their focus on the creative interplay of virtuality and physicality is indicative of their understanding of the fragility and uncertainty of physical perception in a world dominated by screen-based communication. In chapter one, I explore Pipilotti Rist’s Pour Your Body Out (7354 Cubic Meters) and argue that the artist creates work where screen based projection and installation are interrelated elements due to her interest in creating spaces that engage the viewer both physically and virtually. In chapter two, I discuss Doug Aitken’s work and argue that he democratizes the viewing experience in a more radical way than Pipilotti Rist. In the final chapter, I discuss the work of Olafur Eliasson as it relates to California Light and Space art and the phenomenological aspects of the eighteenth-century phantasmagoria.
    [Show full text]
  • New Curator for Frieze Projects: Raphael Gygax
    Frieze London Press Release 25 November 2015 New Curator for Frieze Projects: Raphael Gygax Today Frieze announces that Swiss curator Raphael Gygax has been selected as the new Curator of Frieze Projects - the innovative, non-profit programme of artist commissions at Frieze London, established in 2003. Gygax, who is Curator at Migros Museum für Gegenwartskunst, Zurich, will devise the 2016 Frieze Projects, commissioning artists to realise ambitious new work at the fair. Frieze Projects and the Frieze Artist Award are supported by the LUMA Foundation. Victoria Siddall, Director of the Frieze fairs, said: ‘The Frieze Projects programme of artist commissions has been a cornerstone of the fair since its inception in 2003. I am thrilled to welcome Raphael Gygax as the new curator of the projects for Frieze London. His diverse interests in performance, film and theatre, and his wide-ranging curatorial experience, will continue a rich tradition – begun by Polly Staple and most recently led by Nicola Lees – of commissioning exciting, ambitious, site-specific works which challenge disciplinary boundaries and contribute to the entirely unique experience of the Frieze fairs.’ Gygax said: ‘It’s an incredible opportunity for me to work with such an interesting organization that manages to stay so dynamic, curious and enlightened – and I feel honoured. I would like to use the international visibility that this platform offers to work with artists from different generations and art fields. Diversity, transformation, hospitality and otherness will be important key terms that will accompany me on this journey.’ Gygax has explored performance, dance and body politics through diverse academic and curatorial activities, including a recently completed PhD at the University of Berne.
    [Show full text]
  • Untitled“, Adam Linder‘S „Some Proximity“ and „Auto Ficto Reflexo“, and Liz Kinoshita‘S „Volcano“
    14 July — 14 August 2016 A MEETING OF THE arts at IMPULSTANZ 2016 In 2016, ImPulsTanz – Vienna International Dance Festival invites greats of and newcomers to the world of contemporary dance as well as over forty visual artists. Golden Lion winner Tino Sehgal and collabo- rators have conceived a series of workshops and research projects. Additionally, outstanding spaces of encounter between choreography and the visual arts are being created in Leopold Museum and mumok as part of the festival’s performance programme. One of the highlights among the many artistic encounters initiated by ImPulsTanz has been specially devised for Vienna: the visual arts x dance project by Tino Sehgal, who may be considered the most important propo- nent of art at the interface of choreography and the visual arts at present. In a five-week series of workshops and research projects (open level and advanced), Sehgal invites artists from both fields to exchange ideas and experiences. A debate between French choreographer Jérôme Bel and art historian and curator Dorothea von Hantelmann on the opening day of the festival (14th July) in Leopold Museum marks the beginning of a series of highly diverse artistic formats, which continues until 14th August both in Leopold Museum and Vienna Arsenal. New York choreographer Maria Hassabi and Brussels-based gallery owner Jan Mot, for example, start off their project, which will extend over several days, with a leisurely stroll through the garden of Belvedere Palace. Exceptional performer Justin F. Kennedy meets Canadian artist Jeremy Shaw, a “researcher of intoxication”: they call their five-day laboratoryWormhole Through Your Brain, during which they will experiment with various states of trance.
    [Show full text]
  • Doug Aitken: Migration (Empire) a Riley Contemporary Artists Project Gallery Exhibition
    N E W S R E L E A S E 2200 Dodge Street, Omaha, Nebraska 68102 Phone: 402-342-3300 Fax: 402-342-2376 www.joslyn.org For Immediate Release Contact: Amy Rummel, Director of Marketing and Public Relations June 1, 2016 (402) 661-3822 or [email protected] Doug Aitken: migration (empire) A Riley Contemporary Artists Project Gallery Exhibition Opens June 4 at Joslyn Art Museum (Omaha, NE) – Doug Aitken’s migration (empire), 2008, addresses the problematic question of what happens when human and animal worlds collide. In this video, shot on location in motel rooms across the United States, animals are removed from their natural habitats and placed in environments built for the purpose of human mobility. The latest exhibition in Joslyn Art Museum’s Riley Contemporary Artists Project Gallery, migration (empire) opens Saturday, June 4, and continues through September 5. The exhibition is included in free general Museum admission. migration (empire) finds moments of humor, but the overall tone is somber and unnerving. These animals have not only been contained but are being subjected to the same monotony to which humans willingly accede. -more- add 1-1-1-1 Doug Aitken: migration (empire) at Joslyn Art Museum As Aitken’s surrealist vignettes unfurl over the course of twenty-four minutes, the animals quickly revert to their natural instincts: a beaver finds its way to the cascade of running water in the bathtub; an unruly bison topples furniture with its massive head; a cougar tears the bed apart. In an especially poignant moment, a horse seems to watch his wild counterparts canter gracefully across the landscape on a television screen.
    [Show full text]
  • Collection Sandretto Re Rebaudengo: a Love Meal 19 March – 9 June 2013 Gallery 7
    Press Release Collection Sandretto Re Rebaudengo: A Love Meal 19 March – 9 June 2013 Gallery 7 The Whitechapel Gallery presents A Love Meal, the third in a series of displays of rarely-seen works from the Collection Sandretto Re Rebaudengo . The display brings together installations, sculptures and film which explore portraiture and the construction of identity. The centrepiece is Cuban-born artist Felix Gonzalez-Torres ’s “Untitled” (A Love Meal) (1992). This iconic sculpture of the 1990s consists of a hanging ribbon of 42 illuminated light bulbs created to memorialise the artist’s partner. Polish artist Pawel Althamer ’s life-size sculpture Selfportrait (1993) depicts a hyperrealistic version of the artist in old age. The nude self-portrait was submitted for Althamer’s degree show at the Art Academy in Warsaw and was created from wax and other materials. Modello di Campo 6 (1996) by German artist Tobias Rehberger includes 15 handmade vases designed for a group exhibition at the Galleria Civica d’Arte Moderna e Contemporanea in Turin. Each vase, filled with a different type of flower, represents an artist who took part in the show, from Gabriel Orozco to Sam Taylor-Wood. Other higlights in the display include 120 Days (2002) by Mexican-born Damián Ortega consisting of 120 different versions of cola bottles created by local glass blowers in Tuscany. Each with a unique shape, the bottles are transformed from disposable, mass-produced objects into desirable expressions of individualised craftsmanship. Cerith Wyn Evans ’ s red neon In Girum Imus Nocte et Consumimur Igni (1996), a circular work suspended from the ceiling, illuminates the title of Guy Debord’s last film, translated as We go round and round in the night and are consumed by fire.
    [Show full text]
  • Art Basel Miami Beach
    , 2016. Courtesy YAYOI KUSAMA Inc., Ota Fine Arts, Tokyo / Singapore and Victoria Miro © Yayoi Kusama. Photography: Thierry Bal Miro © Yayoi / Singapore and Victoria KUSAMA Inc., Ota Fine Arts, Tokyo , 2016. Courtesy YAYOI Where the Lights in My Heart Go Yayoi Kusama’s infnity mirror room Art Basel Miami Beach Where the Lights in My Heart Go, 2016 is on view at Art Basel Miami Beach (pictured above installed in the Doug Aitken Victoria Miro Garden) Idris Khan Yayoi Kusama Conrad Shawcross Do Ho Suh Victoria Miro BOOTH M9 Adriana Varejão 1 - 4 DECEMBER 2016 A presentation exploring themes of geometric abstraction, repetition, mirroring and reflection. Where the Lights in My Heart Go, 2016, is a work of two distinct characters. While its mirrored exterior both reflects and appears to merge with its surroundings, punctured with small holes it becomes, on the inside, a fathomless space filled by dots of light. It is the first mirror room by Kusama which relies solely on ambient light to create an experience of entering a subtle, yet expansive, cosmos. Victoria Miro will also present a new large mirror- polished bronze pumpkin by Kusama. The varying forms and dot-patterns across the surface of the work integrate many key aspects of Kusama’s practice: the reflectivity of the mirror, the repeating pattern of dots, a juxtaposition of light and dark, connotations of growth and fertility and the almost mythical status of the pumpkin in her art. Two Infinity Net paintings will also be on display. The ‘all-over’ quality of these seminal works encapsulate the fundamental tenets of Kusama’s art and her lifelong exploration of infinity, illusion, self- obliteration and repetition.
    [Show full text]