DOCSLIB.ORG

Jazz Musician)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jazz Musician) Larry Williams (jazz musician) Specialty Profiles: Larry Williams. Jazz 2006. Bad Boy â” Larry Williams All The Best. Wer Pizza isst â” Bill Cantos, Bob Leatherbarrow, Brian Kilgore, Grant Geissman, Larry Williams, Manfred Siebald Zur Feier des Tages, 2017. Take It Home â” B. B. King, Dean Parks, Kim Hutchcroft, Larry Williams, Paulinho Da Costa Album Version Take It Home, 1979. Copyright Removal & Contact. Complete your Larry Williams record collection. Discover Larry Williams's full discography. Shop new and used Vinyl and CDs. For many musicians (buying records) his name was a sure quality-sign (mostly alongside Jerry Hey). His 1970s jazz group Seawind reunited in 2009. ⢠Note that the composer of Dizzy Miss Lizzy, Slow Down, Bad Boy (e.g. Beatles) is Larry Williams (3). Sites: willyworldmusic.com, seawindjazz.com. Larry Williams (Lawrence Lowell Williams) is a Grammy-nominated producer, composer, arranger, and multi-instrumentalist who formed the jazz fusion group Seawind in the mid-1970s. His notable session work includes the distinctive saxophone solo on Sheila E.'s "The Glamorous Life", and sax, keyboard and arrangements for George Benson, Michael Jackson (Thriller, Off the Wall and Bad), Quincy Jones and Mika. He regularly tours and records with Al Jarreau. His film and television work include saxophone in Larry Williams is a Grammy-nominated producer, composer, arranger, and multi-instrumentalist who formed the jazz fusion group Seawind in the mid-1970s.[1] His notable session work includes the distinctive saxophone solo on Sheila E.'s "The Glamorous Life", and sax, keyboard and arrangements for George Benson, Michael Jackson , Quincy Jones and Mika. He regularly tours and records with Al Jarreau.[2] His film and television work include saxophone in the film Dreamgirls , and sax and keyboards on several Grammy Award telecasts in the 2000s.[3]. For faster navigation, this Iframe is preloading the Wikiwand page for Larry Williams (jazz musician). Home. News. Larry Williams Jazz Musician on WN Network delivers the latest Videos and Editable pages for News & Events, including Entertainment, Music, Sports, Science and more, Sign up and share your playlists. This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Larry_Williams. Larry Williams (disambiguation). Larry Williams (1935â“1980) was an American rhythm and blues and rock and roll singer. Larry Williams may also refer to: Larry E. Williams, composer of "Let Your Love Flow". Larry R. Williams (born 1942), publisher and promoter of trading ideas and father of actress Michelle Williams. Larry Williams (director), co-director of the TV movie Brave New World (1998 film). Larry Williams (horn player), American horn player. âœLarry Williamsâ™ has played woodwinds, keyboards and arranged for me. I love his work.â â” Ron Fair, President, A&M/Geffen. âœLarry Williams has been with me for 30 years. Heâ™s my main man.â â” Al Jarreau. At the Marseille Jazz Festival, Chic Corea sat in with Larry and Al Jarreau to play âœSpainâ. Larry plays sax on Michael Bubléâ˜s hit âœTo Be Lovedâ. Larry plays sax with drummer Steve Ferrone at the Guitar Center Drum-Off at Nokia Live. Find Larry Williams biography and history on AllMusic - Larry Williams is best known as being theâ¦Â After high school, he became a jobbing musician, going on the road to back various blues musicians including Cicero Blake, Bobby Rush ("Chicken Heads"), soul singer Barbara Acklin ("Love Makes a Woman"), and duo Symtec & Wylie ("Over the Hump"). When not out on the road, Williams would play with bands around the city at various clubs like the High Chapperal and the Green Bunny. As a member of Vernell & the Intruders, he backed Johnny Taylor and others on shows promoted by local promoter/WVON DJ Pervis Spann. Invited by hornman William Bettis, Williams join.
Load more

Recommended publications
  • Young Americans to Emotional Rescue: Selected Meetings
    YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
    [Show full text]
  • Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK
    [Show full text]
  • Liberian Girl from Wikipedia, the Free Encyclopedia
    Liberian Girl From Wikipedia, the free encyclopedia "Liberian Girl" was the ninth single released from American recording artist Michael "Liberian Girl" Jackson's 1987 album Bad. The song was written as early as 1983 and was among those considered for The Jacksons' Victory album. It was reworked and rewritten for Bad. The song was released as a single in Europe and Australia. Contents 1 Critical reception 1.1 Reaction in Liberia Single by Michael Jackson 2 Chart performance from the album Bad 3 Music video 4 Track listing B-side "Girlfriend" 5 Covers and sampling Released July 4, 1989 6 Personnel 7 References Format CD single, 12" 8 External links Recorded 1987 Genre R&B Length 3:53 (album version) Critical reception 3:40 (edit) The New York Times editor Jon Pareles wrote Label Epic that a melody line from Billie Jean reappears in Writer(s) Michael Jackson [1] this song. Rolling Stone's Davitt Sigerson Producer(s) Quincy Jones praised the song: "'Liberian Girl' — is Michael's Michael Jackson (co- filler, which makes it richer, sexier, better than producer) Thriller's forgettables" and he also described that it "glistens with gratitude for the existence Michael Jackson singles chronology of a loved one."[2] In 2003, Q Magazine ranked "2300 "Liberian "Black or the song at number 1,001 in their list of the Jackson Girl" White" "1001 Best Songs Ever".[3] Street" (1989) (1991) (1989) Reaction in Liberia Bad track listing The song received a positive reception in "Speed "Liberian "Just Good Demon" Girl" Friends" [4] Liberia, with women from the country viewing (3) (4) (5) [4] the song as empowering.
    [Show full text]
  • Edge8-Web.Pdf
    stevie nicks’ jimmy pAXSON, UP CLOSE WITH DANNY SERAPHINE & STUDIO MASTER JR ROBINSON MAGAZINE The Official PublicaTiOn Of Drum WOrkshOP • 8.0 ABE LABORIEL JR. INTHROUGH THE OUTDOOR HOW HE LANDED ALL THE INSIDE GIGS PLUS DW ARTISTS HIT EUROPE, Q&A WITH THE DRUMMERS OF NASHVILLE, DW’s laTEST GEAR AND MORE! NOWHEARTHIS EDGE 8.0 16 Introducing the DW Collector’s Series Super Solid, a completely new look at solid shell drums. Why is Super Solid so dramatically different? The answer is a groundbreaking Molecular Compression Process that produces the most dense solid maple shell ever created. And this is truly a one-piece shell, no glued reinforcement hoops or plies. We endured years of research and development and expense to do only one thing, bring you our best sounding solid shell drum ever. 12 24 06 22 IN EVERY ISSUE 06 Time Machine: JR Robinson 10 Up Close: Danny Seraphine ARTIST FEATURES 11 Road Tips with Drum Tech - Robbo 22 Road Stories: DW Artists hit Europe 12 Drummers of Nashville 24 Artist Feature: Jimmy Paxson Featuring Billy Mason, Travis McNabb and Cactus Moser 26 DW Drum Clinic with Denny Seiwell 16 Abe Laboriel Jr 28 New Artists A Legacy Endured. Family, Schooling & the beginning of a legend. PRODUCT NEWS 02 Exo-X Project 04 PDP Update ©2009 Drum Workshop, Inc. All Rights Reserved. ©2009 Drum Workshop, 08 8000 Series Pedals & Hardware 14 SSC Technology 20 3Drumsticks EDGE Magazine is a publication of Drum Workshop, Inc. ©2009 Drum Workshop, Inc. All Rights Reserved. #PRCAEDGE-V8.0 For promotional use only.
    [Show full text]
  • Pandeiro 1 Pandeiro
    Pandeiro 1 Pandeiro Pandeiro Other names Pandeiro, drums Classification hand percussion Playing range High sound of jingles, plus some have a skin with a lower sound. Related instruments Riq, Buben, Dayereh, Daf, Kanjira, Frame drum The pandeiro (Portuguese pronunciation: [pɐ̃ˈdejɾu]) is a type of hand frame drum. There are two important distinctions between a pandeiro and the common tambourine. The tension of the head on the pandeiro can be tuned, allowing the player a choice of high and low notes. Also, the metal jingles (called platinelas in Portuguese) are cupped, creating a crisper, drier and less sustained tone on the pandeiro than on the tambourine. This provides clarity when swift, complex rhythms are played. It is held in one hand, and struck on the head by the other hand to produce the sound. Typical pandeiro patterns are played by alternating the thumb, fingertips, heel, and palm of the hand. A pandeiro can also be shaken to make sound, or one can run a finger along the head to create a "rasp" noise. The pandeiro is used in a number of Brazilian music forms, such as Samba, Choro, Coco, and Capoeira music (see Capoeira songs). The Brazilian pandeiro derives from the pandeireta or pandereta of Spain and Portugal. Some of the best-known pandeiro players today are Paulinho Da Costa, Airto Moreira, Marcos Suzano, Cyro Baptista, and Carlinhos Pandeiro de Ouro. Artists such as Stanton Moore use it non-traditionally by tuning it low to sound like a floor tom with jingles, mounting it on a stand and integrating it into the modern drum kit.
    [Show full text]
  • Peaches & Herb 2 Hot!
    Peaches & Herb 2 Hot! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: 2 Hot! Country: Netherlands Released: 1978 Style: Disco, Soul MP3 version RAR size: 1983 mb FLAC version RAR size: 1955 mb WMA version RAR size: 1757 mb Rating: 4.8 Votes: 487 Other Formats: MIDI MPC AU APE FLAC MP2 AAC Tracklist Hide Credits We've Got Love A1 3:21 Arranged By [Strings & Horns] – Wade MarcusArranged By [Synthesizer] – John Barnes Shake Your Groove Thing A2 5:45 Arranged By [Strings & Horns] – Pete Robinson Reunited A3 5:46 Arranged By [Strings & Horns] – Wade Marcus All Your Love (Give It Here) A4 4:22 Arranged By [Strings & Horns] – Wade Marcus Love It Up Tonight B1 4:58 Arranged By [Strings & Horns] – Wade Marcus Four's A Traffic Jam B2 5:11 Arranged By [Strings] – Samuel F. Brown III* The Star Of My Life B3 4:08 Arranged By [Synthesizer] – Pete Robinson Soloist, Flute – Roger Glenn Easy As Pie B4 4:35 Arranged By [Strings & Horns] – David Blumberg Companies, etc. Produced For – Grand Slam Productions Pressed By – Phonodisc B.V. Recorded At – Mom & Pop's Company Store Mastered At – Artisan Sound Recorders Lacquer Cut At – Phonodisc B.V. Credits Art Direction – Mike Doud Contractor – Benjamin Barrett Design – Mike Doud , Philip Chang* Drums – James Gadson Engineer – Jack Rouben, Steve Pouliot Engineer [Assistant] – Rick Clifford , Tyrone Williams Engineer [Remix] – Jack Rouben Guitar – Bob "Boogie" Bowles, David T. Walker, Melvin "Wah Wah" Ragin* Keyboards – Freddie Perren, John Barnes, Larry Farrow Management – Prime Time Productions Percussion – Bob Zimitti*, Paulinho Da Costa Photography By – Jim McCrary Producer, Arranged By [Rhythm Arrangements], Vibraphone – Freddie Perren Synthesizer – Electric Ivory Experience, Pete Robinson Written-By – Dino Fekaris, Freddie Perren Notes Produced for Grand Slam Productions, Inc.
    [Show full text]
  • Joe Sample (February 1, 1939 – September 12, 2014)
    Joe Sample (February 1, 1939 – September 12, 2014) There was no way you could mention The Crusaders, without mentioning Joe Sample. In the 70’s, and 80’s, this group was a hit after hit cranking machine. The Crusaders had a special way of mixing so many styles together to come up with masterpiece after masterpiece that you never got tired of hearing. Joseph Leslie "Joe" Sample was an American pianist, keyboard player and composer. He was one of the founding members of the Jazz Crusaders, the band which became simply The Crusaders in 1971, and remained a part of the group until its final album in 1991 (not including the 2003 reunion album Rural Renewal). Beginning in the early 1980s, he enjoyed a successful solo career and guested on many recordings by other performers and groups, including Miles Davis, George Benson, Jimmy Witherspoon, B. B. King, Eric Clapton, Steely Dan, and The Supremes. Sample incorporated jazz, gospel, blues, Latin, and classical forms into his music. The group quickly found opportunities on the West Coast, making its first recording, Freedom Sounds in 1961 and releasing up to four albums a year over much of the 1960s. The Jazz Crusaders played at first in the dominant hard bop style of the day, standing out by virtue of their unusual front-line combination of saxophone (played by Wilton Felder) and Henderson's trombone. Another distinctive quality was the funky, rhythmically appealing acoustic piano playing of Sample, who helped steer the group's sound into a fusion between jazz and soul[2] in the late 1960s.
    [Show full text]
  • Aug-Sept 1982
    MODERN DRUMMER VOL. 6 NO. 6 Cover Photo by David Gahr FEATURES: COLUMNS: CHARLIE WATTS EDITOR'S OVERVIEW 2 Although he would be the last person to READER'S PLATFORM 6 admit it, Charlie Watts' no-nonsense drumming with the Rolling Stones has JAZZ DRUMMERS WORKSHOP been a major influence in rock drumming Exploring Self-Awareness for almost twenty years. Charlie talks by George Marsh 34 about the drummers he admires, his phi- UNDERSTANDING RHYTHM losophies about drumming, and his role in Whole Notes and Half Notes "The Greatest Rock and Roll Band In the by Nick Forte 36 World." by Robyn Flans 8 CONCEPTS Drum Books and Learning by Roy Burns 40 A CONVERSATION WITH PORTRAITS CHARLIE WATTS Paulinho Da Costa by Scott K. Fish and Max Weinberg 13 by Michael Rozek 42 DRIVER'S SEAT Basic Chart Reading ED MANN by Eliot Zigmund 66 As percussionist for Frank Zappa, Ed Mann is called upon to play virtually all UP AND COMING types of music while using every possible John Hernandez percussion instrument. In this exclusive by Susan Alexander 70 MD interview, Ed describes what is in- PRODUCT CLOSE-UP volved in maintaining the ability to play so Bass Drum Pedals II many instruments, and offers a glimpse by Bob Saydlowski, Jr 72 into the inner workings of one of the most unique bands in contemporary music. ROCK 'N' JAZZ CLINIC by Rick Mattingly 14 Rudiments—Inspiration For Innovators: Part II by Sal Sofia 80 THE HISTORY OF ROCK COMPLETE PERCUSSIONIST DRUMMING Voicings for Mallets Part III: The Sixties by David Samuels 82 by Scott K.
    [Show full text]
  • Bossa, Funk, Jazz, Odd Times, Rock, Samba, Samba Funk & Shuffle
    Christiano Rocha PLAY! Bossa, Funk, Jazz, Odd Times, Rock, Samba, Samba Funk & Shufe 1ª edição São Paulo Edição do autor 2017 índice contents Ficha técnica dos áudios / Audio tracks personnel .............................................. 8 Sobre o autor / About the author .................................................................................. 10 Introdução / Introduction ............................................................................................. 11 Notação musical / Drum key ......................................................................................... 14 “Na Estrada” ......................................................................................................................... 15 “Supernova” ......................................................................................................................... 19 “Gaia” ..................................................................................................................................... 24 “Álaga” .................................................................................................................................... 30 “Risco” .................................................................................................................................... 36 “Cidadão do Mundo” ......................................................................................................... 40 “Cromatology” ...................................................................................................................
    [Show full text]
  • Michael Jackson Off the Wall Mp3, Flac, Wma
    Michael Jackson Off The Wall mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul / Pop Album: Off The Wall Country: Greece Style: Disco MP3 version RAR size: 1688 mb FLAC version RAR size: 1392 mb WMA version RAR size: 1592 mb Rating: 4.7 Votes: 180 Other Formats: AC3 MP2 APE AU MIDI ASF WAV Tracklist Hide Credits Don't Stop 'Til You Get Enough Alto Saxophone – Larry WilliamsArranged By [Horns] – Jerry HeyArranged By [Percussion] – Michael JacksonArranged By [Rhythm] – Greg Phillinganes, Michael JacksonArranged By [Strings] – Ben Wright*Arranged By [Vocal] – Michael JacksonBacking Vocals – Michael JacksonBacking Vocals [Additional] – Augie Johnson, Jim Gilstrap, Mortonette Jenkins, Paulette McWilliams, Zedric WilliamsBaritone Saxophone – Kim HutchcroftBass – Louis 1 6:04 JohnsonCo-producer – Michael JacksonConcertmaster – Gerald VinciDrums – John Robinson Electric Piano – Greg PhillinganesFlugelhorn – Jerry HeyFlute – Kim Hutchcroft, Larry WilliamsGuitar – David Williams , Marlo HendersonLead Vocals – Michael JacksonPercussion – Michael Jackson, Paulinho Da Costa, Randy Jackson, Richard HeathTenor Saxophone – Kim Hutchcroft, Larry WilliamsTrombone – William Reichenbach*Trumpet – Gary Grant, Jerry HeyWritten-By – Michael Jackson Rock With You Alto Saxophone – Larry WilliamsArranged By [Horns] – Jerry HeyArranged By [Rhythm] – Rod TempertonArranged By [Strings] – Ben Wright*Backing Vocals – Michael JacksonBaritone Saxophone – Kim HutchcroftBass – Bobby WatsonConcertmaster – Gerald 2 VinciDrums – John Robinson Electric Piano
    [Show full text]
  • A Improvisação Nos Primeiros Álbuns Do Tamba Trio
    GUILHERME CAMPIANI MAXIMIANO Transformação na música instrumental brasileira: a improvisação nos primeiros álbuns do Tamba Trio Dissertação apresentada ao Programa de Pós- Graduação em Música, Área de Concentração Processos de Criação Musical, Linha de Pesquisa Técnicas Composicionais e Questões Interpretativas, da Escola de Comunicações e Artes da Universidade de São Paulo, como exigência parcial para obtenção do Título de Mestre em Artes, sob a orientação do Prof. Dr. Rogério Luiz Moraes Costa. São Paulo 2009 GUILHERME CAMPIANI MAXIMIANO Transformação na música instrumental brasileira: a improvisação nos primeiros álbuns do Tamba Trio Dissertação apresentada ao Programa de Pós- Graduação em Música, Área de Concentração Processos de Criação Musical, Linha de Pesquisa Técnicas Composicionais e Questões Interpretativas da Escola de Comunicações e Artes da Universidade de São Paulo, como exigência parcial para obtenção do Título de Mestre em Artes, sob a orientação do Prof. Dr. Rogério Luiz Moraes Costa. São Paulo 2009 FOLHA DE APROVAÇÃO GUILHERME CAMPIANI MAXIMIANO Transformação na música instrumental brasileira: a improvisação nos primeiros álbuns do Tamba Trio Aprovado em: Banca Examinadora Prof. Dr. ________________________________________________ Instituição: ___________________ Assinatura: _________________ Prof. Dr. ________________________________________________ Instituição: ___________________ Assinatura: _________________ Prof. Dr. ________________________________________________ Instituição: ___________________ Assinatura: _________________
    [Show full text]
  • John Scofield
    NOVEMBER 2018 VOLUME 85 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
    [Show full text]