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Umphrey's Mcgee
Umphrey’s McGee Brendan Bayliss: Guitar, vocals Jake Cinninger: Guitar, vocals Joel Cummins: Keyboard, piano, vocals Andy Farag: Percussion Kris Myers: Drums, vocals Ryan Stasik: Bass After 18-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continued to push the envelope and test the limits. The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one. As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp. -
Finance Committee Continues Discussion of Road Stabilization
TONIGHT Light rain. Snow late. Low of 25. Search for The Westfield News The WestfieldNews “COURAGE IS DOING WHAT Search for The Westfield News Westfield350.com The WestfieldNews YOU’RE AFRAID TO DO. Serving Westfield, Southwick, and surrounding Hilltowns THERE CAN BE“T NOIME C ISOURAGE THE ONLY WEATHER UNLESS YOU’RECRITIC SCARED WITHOUT.” TONIGHT AMBITION.” Search for The Westfield - EDDI ENews RICKENBACKER Westfield350.comPartly Cloudy. The Westfield JOHN STEINBECK Low of 55. News Serving Westfield,www.thewestfieldnews.com Southwick, and surrounding Hilltowns “TIME IS THE ONLY WEATHER CRITIC WITHOUT VOL.TONIGHT VOL.87 NO. 86 27 NO. 151 THURSDAY,TUESDAY, FEBRUARY JUNE 1, 27,2018 2017 AMBITION.” 75 Cents 75 cents Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com VOL.Finance 86 NO. 151 Committee continuesTUESDAY, discussion JUNE 27, 2017 of Road Stabilization 75 centsFund By AMY PORTER Surprise, a member of the Finance Committee, said he would Correspondent volunteer to participate in the conversation. “The memo I WESTFIELD – The Finance Committee took up the motion believe is incorrect,” Surprise said, pointing to the City of of Councilors Andrew K. Surprise and Dave Flaherty to estab- Amesbury, which underwent the same process. He said other lish a Special Purpose Stabilization Fund dedicated to road and cities and towns have also done it. sidewalk repair and maintenance, to be funded by the Local “One thing about this memo, it’s not clear what she’s refer- Option Meals Tax and Room Occupancy Tax. ring to,” Allie said. Finance sub-committee chair Dan Allie read a memo from “I don’t think either of us said the Mayor wouldn’t be City Solicitor Susan C. -
Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
The Dark Side User Manual
USER MANUAL 1.0.2 EASTWEST | THE DARK SIDE IMPORTANT COMPATIBILITY NOTE! Our Revolutionary New Opus Software Engine Our brand new Opus software engine has been years in development, and replaces the Play engine. All EastWest Libraries (with the exception of the original Hollywood Orchestra, the original Hollywood Solo Instruments, and the MIDI Guitar Series) are supported in Opus, allowing them to take advantage of a faster, more powerful, more flexible, and better looking software engine. Opus comes with some incredible new features such as individual instrument down- loads, customized key-switches, new effects for the mixer page, scalable retina user interface upgrades for legacy products, a powerful new script language, and many more features that allow you to completely customize the sound of each instrument. It’s one of the most exciting developments in the history of our company and will be the launching pad for many exciting new products in the future. Using Opus and Play Together Opus and Play are two separate software products, anything you have saved in your projects will still load up inside the saved Play version of the plugins. You can update your current/existing projects to Opus if you so choose, or leave them saved within Play. After purchasing or upgrading to Opus you do not need to use Play, but it may be more convenient to make small adjustments to an older composition in your DAW loading the instruments saved in Play instead of replacing them with Opus. For any new composi- tion, just use Opus. A Note About User Manuals All EastWest Libraries have their own user manuals (like this one) that refer to instru- ments and controls that are specific to their respective libraries, as well as referencing the Play User Manual for controls that are common to all EastWest Libraries. -
MGMT: Little Dark Age
MGMT: Little Dark Age spectrumculture.com/2018/02/11/mgmt-little-dark-age-review/ Daniel Bromfield One imagines a pang of dread shooting through the members of MGMT as their debut album, Oracular Spectacular, turned 10 last month. For better or for worse, Oracular Spectacular is now a classic, and its three titanic hit singles—“Kids,” “Time to Pretend” and “Electric Feel”—show no signs of going away. Most bands would be pleased to have a legacy set in stone, but MGMT have spent the better part of the last decade trying to distance themselves from pop stardom and prove to the world—or to themselves— that they’re a serious experimental band. They’ve succeeded, sort of. Though most of the world will always know MGMT for their hits, we no longer have any safe expectations for the “next MGMT album,” and it makes perfect sense that they’re ditching the psych-poppet affectations to reposition themselves as compadres of Ariel Pink and John Maus. Little Dark Age, the duo’s long-gestating fourth album, casts them as graveyard goths whose madcap sense of humor barely keeps the bad vibes at bay. That it works is a testament to just how unpredictable this band has become in its experimental period. This feels like the logical endpoint of the band’s hermeticism. While Andrew VanWyngarden and Ben Goldwasser once presented themselves as cult leaders, with “the handshake under our tongue,” here they’re more like mad prophets broadcasting their ravings to the world from a dingy basement. The music is mid-fi, shrouded in filters that feel like the musical embodiment of the band’s misanthropy, and the dominant instrument isn’t synth or guitar but Matt Asti’s bass, which burbles nauseously out of the gloom. -
Anti-Theist and Christian Debate Religion Hall First ROTC Holds Iron
the Observer The Independent Newspaper Serving Notre Dame and Saint Mary’s Volume 4440 : Issue ???120 Wednesday,Thursday, August april 8, 27, 2010 2004 ndsmcobserver.com Anti-theist and Christian debate religion Hall first Hitchens and D’Souza argue the merits of evolution, faith and the existence of a supernatural power to receive By SARAH MERVOSH News Editor LEED Anti-theist Christopher Hitchens and Christian Dinesh D’Souza may initially appear certification to have nothing in common. Hitchens argues the merits of evolution, while D’Souza By MEGAN DOYLE argues for the existence of a News Writer supernatural power. In the absence of evidence, Hitchens Geddes Hall recently became doubts, while D’Souza defers the first building at Notre Dame to faith. to achieve LEED Gold But despite their opposing Certification and will pave the views, both figures had one way for future environmentally thing in common — they conscious efforts that build upon approached religion from a the University’s emphasis on purely logical, factual perspec- ethics and sustainability. tive when speaking to a sold- “What this means is that the out audience in Wednesday’s United States Green Building debate at the DeBartolo Council (USGBC), a non-profit Performing Arts Center. company that established the Hitchens said religion is LEED certification system, has merely a man-made attempt to confirmed that the building has make sense of the world. met a certain standard of sus- “Religion was our first tainable design and construction attempt to make sense of our practices,” University architect surroundings. It was our first Doug Marsh said. -
Indie Mixtape 20 Q&A Is with Big Wild, Who Is Poised and Ready to Vote for the Rock in 2024
:: View email as a web page :: In a recent edition of Uproxx’s “Ask A Music Critic” column, we were asked about our favorite “career-killer follow-up” albums. You know what we’re talking about: A band has a huge hit debut, and then instead of making another record that attempts to replicate that success, the band goes the opposite way and alienates many of the people who originally loved them. One album that came immediately to mind was Congratulations, the 2010 LP by MGMT that essentially transformed them from the kings of late-aughts dorm-room indie-pop — it can’t be overstated how popular songs like “Kids” and “Electric Feel” still are — to a weird outsider psych outfit who never regained the mainstream popularity they once had. Congratulations arrived at a moment when the indie wave of the aughts was about to crash against the critical vogue of poptimism and the commercial consolidation around massive pop stars that has defined the corporate and homogenized streaming era. What I love about Congratulations is that MGMT steered into the crash. Read more here. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" And The Beginning Of The 21st Century In case you missed it... Our YouTube channel just added a handful of new videos from late-'80s era The Replacements. Settle into a nice audiobook with St. Vincent, who was announced as the latest artist featured on Audible's Words And Music series. We're getting new Sufjan Stevens solo music for the first time since we cried while looking into a fire to his Call Me By Your Name soundtrack contributions. -
Label ARTIST Piece Tracks/Notes Format Quantity
Label ARTIST Piece Tracks/notes Format Quantity Sire Against Me! 2 song 7" single I Was A Teenage Anarchist (acoustic) 7" vinyl 2500 Sub-pop Album Leaf There Is a Wind Featuring 2 new tracks, 2 alternate takes 12" vinyl 1000 on songs from "A Chorus of Storytellers" LP Righteous Babe Ani DiFranco live @ Bull Moose recorded live on Record Store Day at CD Bull Moose in Maine Rough Trade Arthur Russell Calling Out of Context 12 new tracks Double 12" set 2000 Rocket Science Asteroids Galaxy Tour Fun Ltd edition vinyl of album with bonus 12" 250 track "Attack of the Ghost Riders" Hopeless Avenged Sevenfold Unholy Confessions picture disc includes tracks (Eternal 12" vinyl 2000 Rest, Eternal Rest (live), Unholy Confessions Artist First/Shangri- Band of Skulls Live at Fingerprints Live EP recorded at record store CD 2000 la 12/15/2009 Fingerprints Sub-pop Beach House Zebra 2 new tracks and 2 alternate from album 12" vinyl 1500 "Teen Dream" Beastie Boys white label 12" super surprise 12" vinyl 1000 Nonesuch Black Keys Tighten Up/Howlin' For 12" vinyl contains two new songs 45 RPM 12" Single 50000 You Vinyl Eagle Rock Black Label Society Skullage Double LP look at the history of Zakk Double LP 180 Wylde and Black Label Society Gram GREEN vinyl Graveface Black Moth Super Eating Us extremely limited foil pressed double LP double LP Rainbow Jagjaguwar Bon Iver/Peter Gabriel "Come Talk To Bon Iver and Peter Gabriel cover each 7" vinyl 2000 Me"/"Flume" other. Bon Iver track is EXCLUSIVE to this release Ninja Tune Bonobo featuring "Eyes -
Newsletter Art Barn and Finch Lane Gallery ǀ Newsletter of the Salt Lake City Arts Council
SUMMER 2013 NEWSLETTER ART BARN AND FINCH LANE GALLERY ǀ NEWSLETTER OF THE SALT LAKE CITY ARTS COUNCIL TABLE OF CONTENTS 2013 TWILIGHT CONCERT SERIES Click title below to go directly to story. The Salt Lake City Arts Council is pleased to announce the 2013 Twilight Concert Series, now in its 26th season, returning to Pioneer Park with another tremendous Twilight Concert Series lineup. The series will run July 18 through September 5 every Thursday evening, with special back-to-back shows scheduled for Wednesday, August 7 and Thursday, Oelerich & Somsen Exhibition August 8. Featured performing artists include Belle & Sebastian, Blitzen Trapper, Public Art Program The Flaming Lips, The National, Sharon Van Etten, Grizzly Bear, Youth Lagoon, Erykah Badu, Kid Cudi, Empire of the Sun, and MGMT. Twilight concerts are a Wheatley & Ashcraft Exhibition longtime staple of Salt Lake City‘s downtown landscape, recognized for inviting Brown Bag Concert Series some of today‘s most impressive names in music to perform on summer nights, when the air is slightly cooler and where the community can come together under New Visual Arts Season a canopy of stars. City Arts Grants Deadlines For 2013, tickets are still just $5 for each concert and $35 for season tickets. Arts Council Welcomes New Season tickets are on sale now via the local ticketing agency, www.24tix.com. Staff Member Additionally, individual tickets will go on sale June 1 at noon and will be available online at 24tix.com and all Graywhale locations throughout the valley. Day of Lifelong Learning Class show entry will be allowed at the gate for $5. -
Places to Go, People To
Hanson mistakenINSIDE EXCLUSIVE:for witches, burned. VerThe Vanderbilt Hustler’s Arts su & Entertainment Magazine s OCTOBER 28—NOVEMBER 3, 2009 VOL. 47, NO. 23 VANDY FALL FASHION We found 10 students who put their own spin on this season’s trends. Check it out when you fl ip to page 9. Cinematic Spark Notes for your reading pleasure on page 4. “I’m a mouse. Duh!” Halloween costume ideas beyond animal ears and hotpants. Turn to page 8 and put down the bunny ears. PLACES TO GO, PEOPLE TO SEE THURSDAY, OCTOBER 29 FRIDAY, OCTOBER 30 SATURDAY, OCTOBER 31 The Regulars The Black Lips – The Mercy Lounge Jimmy Hall and The Prisoners of Love Reunion Show The Avett Brothers – Ryman Auditorium THE RUTLEDGE The Mercy Lounge will play host to self described psychedelic/ There really isn’t enough good to be said about an Avett Brothers concert. – 3rd and Lindsley 410 Fourth Ave. South 37201 comedy band the Black Lips. With heavy punk rock infl uence and Singing dirty blues and southern rock with an earthy, roots The energy, the passion, the excitement, the emotion, the talent … all are 782-6858 mildly witty lyrics, these Lips are not Flaming but will certainly music sound, Jimmy Hall and his crew stick to the basics with completely unrivaled when it comes to the band’s explosive live shows. provide another sort of entertainment. The show will lean towards a songs like “Still Want To Be Your Man.” The no nonsense Whether it’s a heart wrenchingly beautiful ballad or a hard-driving rock punk or skaa atmosphere, though less angry. -
Deutsche Nationalbibliografie
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2010 T 05 Stand: 19. Mai 2010 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main, Berlin) 2010 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2010-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD